Showing posts with label combo amps. Show all posts
Showing posts with label combo amps. Show all posts

Randall RX120RHS Combo Amp Review

Randall RX120RHS Combo Amp
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without a doubt the best solid state half stack under 500$ i've ever heard. used to play on a Marshall that costed twice as much and had half the clarity on the clean and crunch on the overdrive. i would HIGHLY recommend to any guitarist on a budget who needs to keep up with a very loud metal or rock drummer to pick this bad boy up.

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Orange Amplifiers Crush PiX CR50BXT 50W 1x12 Bass Combo Amp Orange Review

Orange Amplifiers Crush PiX CR50BXT 50W 1x12 Bass Combo Amp Orange
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I found one of these at a local pawn shop a few days ago for $150.00 .... a good friend of mine has an Orange rig and highly recommends the brand , so I briefly tried it out using the crappy bass the pawn shop had hanging on the wall...I was impressed with how loud it sounded....so I bit. Took it home and played my Rickenbacker 4001v63 (single coil pickups) through it and MAN did it sound good!! Very crisp and punchy.... then used it this morning as a monitor and through our churches sound system....same thing! I only had it turned up to "5" and the gain up around "3" very crisp and clear....I was amazed at this little amp! .... plus , it looks cool with the orange covering ;^)
Perfect little amp for small to medium sized church venue or similar setting. We have drums, guitars and keyboards and 250 people singing and this thing had a presence unlike I've heard with any other similar sized practice type amps....
If this were stolen from me, I would buy another at RETAIL price!

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Fender Vintage Reissue '59 Bassman LTD Review

Fender Vintage Reissue '59 Bassman LTD
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This amp sounds incredible. Sparkling cleans and it can get downright dirty. The Tweed is a great touch. 4x10 inch speakers=plenty of volume.
I was also surprised by how light the amp was, it's not as heavy as other tube amps that I own so that is a major plus. This pedal also sounds great with any pedals you put in in front of it. I highly recommend this amp.

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Bugera 333 120-Watt 3-Channel Valve Amplifier Head with Reverb Review

Bugera 333 120-Watt 3-Channel Valve Amplifier Head with Reverb
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This is a 120-watt, 3-channel(clean, crunch, lead) all-tube amp head. Each channel has it's own 3-band EQ and volume knob, with the crunch and lead channels also having independent gain knobs. Theh clean channel lives up to its name, providing warm, clear clean tones. Don't expect the cleans to have the same body or dynamic tone of, say, a Fender Twin-Reverb, but for most applications the 333's clean tones should be more than sufficient. And lets be honest, you're not buying this amp for the clean tones. So moving on to the overdrive channels, the first thing you should know is that the Bugera 333 is very similar to the Peavey XXX/JSX amps. What this should tell you is that this amp doesn't sound British/Marshall-esque at all. That being said, the crunch channel offers a surprising variety of tones, from a very mild, bluesy overdrive to a pretty high-gain roar perfect for most types of rock or even 80's metal. The lead channel offers an insane amount of gain for pretty much any style of metal or hard rock. By keeping the gain low on the lead channel, you can get enough distortion to play stuff like Avenged Sevenfold, Bullet for my Valentine, or certainly Metallica, while still having enough clarity to play a tasteful solo. Turn up the gain on the lead channel and you do start to lose some note definition in favor of insane fuzz; amateur shredder's delight.
A cool tone-shaping feature with this amp is the dampening switch, found on the back of the amp. This feature basically affects how "punchy" the bass tone is. Set on low, the bass is open and punchy. Set on high, the bass is very tight, focused, and deep. Medium is a pretty happy middle-ground.
Also note that this amp is switchable between 4,8, and 16 ohms to match any cab you'll be using.
In conclusion I'll add that this amp sounds great even at very low volumes, perfect for you late night/apartment players.

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B600 1x12" Bass Combo Amplifier Review

B600 1x12 Bass Combo Amplifier
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I'm a guitar player, first and foremost, but I do a lot of recording in my basement where I play all the instruments, so I also have a Fender jazz bass for laying down bass tracks. Recently, I started playing bass for a small band. I had a Peavy Microbass that sounded, well, OK, but it turned out not to be loud enough with live drums, piano and a couple of guitars. I didn't want a giant, heavy bass amp to give me hernia just to play in my local synagogue, and I didn't want to spend a lot of money. After some internet searching, I went and played the Hartke B600. I found it at a local merchant who was having a 15% off sale and grabbed it for $169.00.
It has tons of power and a 12" driver, plus an effects loop, line out and headphone out. It stands upright or tilts back. Great tone control circuits. All under 40 lbs. I need to play more with the tone settings but even straight out of the box and with random twiddling it sounds great. It is truly an amazing, lightweight but powerful 12" 60 watt bass amp for an unbelievably low price (even at retail).
JMT

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Fender Hot Rod Deville 212 Review

Fender Hot Rod Deville 212
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Ok lets agree together that fender has the most awesome clean sound on planet earth that all guitar amp manufacturers wish they have. And this Fender Deville 2x12 has it! however,the overdrive/distortion is really unuseable unless all you play for the rest of your life is twang rock and blues!
There are tons of musicians like me who play more than two styles of music, and on a weekly basis that really play gigs on the weekends and rehearse during the week. My complaint with this fender amp model is that,WHY PAY SO MUCH MONEY FOR THIS AMP AND USE ONLY ONE CHANNEL ,WHICH IS THE CLEAN CHANNEL. then ending up spending more money on 3 or 4 more solid state pedals to put infront of the clean channel and claim to have a great tube sound! uuh duh!
to prove my point, just google this amp concerning the modification on the overdrive/distortion channel and there's tons and tons on the web costing you and extra $400 more not including the shipping. If this was a one channel amp and the price is $400 street deal, then you will see 5 stars from me,cause its not made in the U.S.A.
there are other amps out there for $100 less "use" and some new! and both channels are useable and gig worthy out of the box without pedals. any used mesa boogie would do,peavey classic series,bogners,marshal DSL/TSL,egnaters,vOX ac30 etc... if buying a name brand is your thang cause you wanna be associated with the "club" your pathetic! The Fender frontman 65R has a much better overdrive/distortion at gig level and its not even a tube amp! aaaaaahhh!
TONE IS NOT A NAME BRAND IT BEGINS WITH YOU.....
FENDER CORPORATE! SHAME ON YOU!!! IF LEO FENDER WAS ALIVE TODAY MANY OF YOU WILL BE FIRED....
TO PROVE MY POINT FENDER HOT ROD DEVILLE 2X12 III IS JUST OUT AND IT HAD TO DO WITH THE DISTORTION CHANNEL! I GUESS FENDER POLICE WAS READING MY COMMENTS!

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Marshall AS100D 2x8 Acoustic Combo Amp Review

Marshall AS100D 2x8 Acoustic Combo Amp
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Finally, I've found an amp that does what I want it to. Great sound, clear and LOUD. Reverb could be better, but I sometimes use separate effects. Now here was the shocker: I hooked up my electic guit and PODxt, expecting the same crappy sound I've always gotten through acoustic amps (I've tried 5 different brands/models). JIMINY CRICKET what a fantastic sound with this amp, with an electric guitar thru the POD. I'm in HOG HEAVEN. Now, I suppose purists would scoff, but I'm into DRAMA not "multiple condenser mic" purity. All I can say is, after YEARS of flopping around trying to get the right sound at a human price, this wonderful machine does it all for me. At this price, I don't see how anyone could be disappointed.

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Line 6 Spider Valve 212 Review

Line 6 Spider Valve 212
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I've been playing guitar for about 16 years, but I'll admit I know next to nothing about amps. I know what are generally considered to be good amps (Bogner, Marshall, Mesa/Boogie, etc.), but I couldn't look at the specs on an amp and tell you if it was any good.
After a little research, I came to the conclusion that I wanted a tube combo amp, something suitable for gigging or for practicing in the bedroom, that would give me a good variety of tones. (I like to play a wide range of music, from classic rock to metal and fusion, and bands I play with usually do covers.) I went down to Guitar Center with this in mind, and one of the salespeople pointed me to the Line 6 Spider Valve 212.
I plugged in an Ernie Ball Music Man JP6 (the same guitar I have at home) and immediately fell in love with the tone. You can see the specs for this amp a little farther up on the page, so I'll just talk about what matters: this amp sounds great. Plug in a good guitar with some good pickups, and you can dial in pretty much any tone you're after. Crank it up loud, and the tube power really shines. More than a dozen amp models (two choices for each individual setting on the dial) give you a wide variety of possible sounds. You'll likely hit on one or two models that you prefer, but even within a single setting you can dial in an impressive variety of tones.
I wasn't thrilled with the clean setting, but all I had to do get the clean sound I was after was to turn down the gain on the crunch setting, add a tiny bit of tape delay and some reverb, and there it was: my perfect clean tone. I've settled on the metal modeler (amber LED) for most of my high-gain tones, but I've only had it for about a week. I'm sure I'll find all kinds of great tones on different settings.
The one complaint I have about this amp is about the effects. They are limited, as you might expect with onboard effects, but the modulation effects in particular are practically unusable. The chorus and flanger are combined on the same dial for some reason, but all I really hear when I turn it on is a flanger, which is far too overpowering besides not being tweakable. A shame, since chorus is the only modulation effect I regularly use. The phaser and tremolo are okay, but I rarely use either and haven't experimented with them. The delay, on the other hand, is very usable, and I'm glad it got its own dial with three different flavors. The tap button for setting the tempo is essential and makes the onboard delay all most guitarists will need. The reverb is decent but a little overpowering at anywhere past about 11:00 on the dial.
Some other cool things about this amp include a built-in noise gate (just hold the tap button while turning the reverb dial past noon to activate it), distortion boost (hold the tap button while turning the drive dial past noon), and a tuner (hold the tap button in until the preset indicator switches to tuner mode). You can also save all your favorite settings as presets, easily navigable with a Line 6 FBV Express or Shortboard foot switch. (I strongly recommend spending the extra $100 on an FBV Express, though $230 for a Shortboard seems a little steep.)
(A quick side not about presets: the amp comes with 400+ presets, including 9 user-programmable banks with 4 patches each, totaling 36 programmable channels. You can't overwrite any of the artist or song presets. The presets are mostly decent at best, but they're a good starting point for tweaking. The amp does include a port for a PODxt, which you can also control with your FBV foot switch, and though I've never used one I'm sure it has plenty of programmable patches, so you aren't exactly limited to the amp's channels or presets.)
All in all, this amp sounds great with a huge variety of possible tones and options that will suit the needs of most guitarists playing in cover bands or just having fun at home. No, it can't compete with a Mesa Dual Rectifier half stack, but for a tube combo amp at well under $1,000, it can't be beat. Did I mention how loud this thing gets? I haven't been able to crank it past 10:00 on the master volume yet. I can't imagine anyone would ever need to go past 1:00, even at gigs. It's a seriously loud 40 watts.

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Spider Valve fuses the versatility of amp and effects modeling with the performance and feel of a world-class tube amplifier. Combining award-winning Line 6 modeling technology with a genuine tube amplifier designed by legendary amp designer Reinhold Bogner, Spider Valve delivers unmatched performance, responsiveness and tonal flexibility on the stage and in the studio.

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Behringer BX1800 180-Watt Bass Workstation Review

Behringer BX1800 180-Watt Bass Workstation
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hi, i am wilson from medellin, Colombia, i bought this amp. and find him a manufacturing defect, this product no technical support in my country, but thanks for shipping and delivery, everything just in time.

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Bugera 1960 Classic 150-Watt Hi-Gain Valve Amplifier Head Review

Bugera 1960 Classic 150-Watt Hi-Gain Valve Amplifier Head
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I did a lot of research (or as much as possible) on this amp. First of all, I'm 32 and play all kinds of tones. I'm current with all kinds of music, and don't just play bbq blues. I've been looking for an affordable all tube amp for some time that didn't have all kinds of doo-dads and modelers, etc. I've owned a '78 50watt JMP, '73 Sunn Model T, 70's Fender Twin, Orange AD30, as well as some solid state amps when i was first getting into guitar.....So i'm familiar with tube tone and good vs. bad. The only thing this AMP can't do is nu-metal...but that's a good thing. you can hook up a tone sucking distortion pedal if you must, but don't waste all this warmth. For someone who plays at low volumes, this may not be the amp for you. this amp is plenty loud, and sounds better the louder it's turned up. It has a grindy overdrive and distortion as opposed to a smooth or fuzz type. I personally love this, and is what i look for. Bridging the high and low channel is the way to go, but you'll have to crank it to get it to break up...so again, if you don't like it loud, get an amp that has a master volume. The high channel will drive the pre-amp for tone, and the low will drive the power tubes to get its tone. not the most versital amp but if you like it pure, this is a great competitor in the tube amp tone world. I perfer it to many of the amps that were $1,000 more.

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ZT Club 200-watt 1x12 Guitar Combo Amplifier Review

ZT Club 200-watt 1x12 Guitar Combo Amplifier
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I expect a lot out of my amps... and this amp has yet to let me down. As of this review's posting, I have run the following instruments into this amp: guitar, bass, vocals, synths, electric oud, digital tanpura, electric sitar, drums machines, digital piano, and a mp3 players. This amp has yet to let me down with delivering the goods. It's fallen off the stage, been kicked by people, bounced around the pack of a truck, sat on, stepped on... basically used and abused. Currently, mine has seen ~ 30 gigs, countless hours of rehearsals and yet continues to impress.
The amp is loud without being raspy or painful. It's a BIG sound when turned up - to be sure. A few gigs, where a PA was not available for all the amps, I ran the Club 12 at full throttle - no problems. The reverb has a natural sound to it too.
Overall, I'm very happy and impressed with this amp. Highly recommended for musicians of all types.

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Fender Rumble 150 Bass Amplifier Review

Fender Rumble 150 Bass Amplifier
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My daughter was playing electric guitar for some time and now she decided to play bass. Because the regular amp can't hanlde bass guitar well, we did what I think the best way to choose an amp - went to a store and just started trying out different amps they had there.
We started with Rumble 75 and it was ok, but not that great. Than we went through some other amps until we tried that one. Apparently, this one is quite special. It has a combination of a huge 15" speaker, a dedicated horn for the highs and a large cabinet. Apparently, in the bass world, the size really matters. The Rumble 350 can go much louder, but no other amp (well, in similar price range) could deliver the sounds of the 150.
And one more thing. You may think "I don't need that much power cause I have a small place, so let's get something smaller". That logic may work for regular guitar amp, but for the bass you just can't get right sound off the smaller box. So you may never crank up volume to pump out all 150 watts, but you'll still be better off with a bigger amp, it's not about the volume, it just sounds better.
Bottom line is this amp really stands out for the price and fundamentaly it has some better components so you should take a look at this one.

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Fishman AFX Pedal - Reverb Review

Fishman AFX Pedal - Reverb
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This is definitely a high quality fx pedal! It's built like a tank and you couldn't ask for better quality reverbs - they are rich and lush and very "tweak-able." There are three reasons I give this 4 stars instead of 5:
1. This thing eats 9v batteries pretty quickly, quicker than most pedals I've used;
2. It didn't come with an AC adapter; and,
3. For $250, it should have come with the adapter and the kitchen sink.
That said, it's a very worthy pedal for acoustic reverb.

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With quality sound always at the forefront, Fishman starts with an all-analog, buffered bypass signal path to protect your signal from noise. The Fishman AFX Reverb pedal includes eight effect presets: Studio, Room, Plate, Chamber, Stage, Concert Hall, Cathedral, Canyon. Level, tone and decay time controls function for all effects, allowing you to dial things in just right for your instrument and amplification system. Make the most of your reverb effects with 1/4" stereo ins and outs. An input gain switch adds level boost, and the Fishman reverb pedal is housed in durable all-metal construction.

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Fender 57 Champ Custom 5W 1x8 Tube Guitar Combo Amp Tweed Review

Fender 57 Champ Custom 5W 1x8 Tube Guitar Combo Amp Tweed
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How can I put this?
Oh, yeah, it's probably a lot more expensive than it should be, just imagine how much one o' those cost back in '53...
50 bucks? Certainly not the actual 25 X it's real production price.
Anyways, thing sounds like you had a wee li'l reed player in yo pocket so tenor it is.
Not terribly bright or low-ended, what with the small size, but at any rate,the darn sweetest mid range you'll get to hear...this side of saturn, of course.
Niceness all around untill you start missing your big guns.
Right-o?

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Line 6 Low Down Studio 110 Amp Review

Line 6 Low Down Studio 110 Amp
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I bought this amp a month ago, and yup, it packs a punch. I actually have to turn it down when I play it at my church. I like the R&B and the Clean. The Synth is pretty crazy stuff. The Rock definately has that tone, the Grind I don't really have a need for.
When using my headphones I'ts hard to hear the different tones, but I'm pretty sure I just need to get a better pair. I don't fully understand how the cabinet simulater and line out feature differ. I am glad the power cable disconnects.
Overall lightweight, durable, and great options for the buck. I researched amps for awhile before buying and this one stood out above many others. I luckily got to try one at a music store before I bought it online.
I've only been playing bass for about a 1 1/2 years, and am sure I will come to appreciate this amp more as I improve.

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Ampeg BA112 BassAmp Series 1x12 Solid State Bass Combo Amplifier, 50 Watt Review

Ampeg BA112 BassAmp Series 1x12 Solid State Bass Combo Amplifier, 50 Watt
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I purchased a BA112 almost a year ago from another vendor, and highly recommend it. Ampeg has included a selector switch that allows the user to move between 5 EQ pre-sets, as well as separate controls for bass, mid-range, and treble. I've found a workable set of settings for the knobs and now have three of the pre-sets that I move between for jazz, pop, and rock. The tilt back feature is great when playing through a house sound system and using the amp as a monitor. This amp has a true line out, unlike some amps that have headphone jacks that disable the amp when you are plugged in. There's a separate headphone out, too. The great thing, of course, about the line out is that you have more control over tone and volume and are just leaving it entirely in the hands of the sound engineer. In the church where I play we have some somewhat suspect direct boxes that tend to kick in and out at random. Not a big problem for me when I cart my Ampeg in; I can simply use the amp and work around the problems caused by the faulty direct boxes. The BA112 is sturdy and really has plenty of dynamic and tonal range, including very good bass response, especially for the cost.

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Whether you're looking for a small, high-quality combo for personal practice and rehearsal, or a highly portable alternative to your main rig, the BA112 packs a lot of Ampeg into its compact frame. The most lightweight and portable of the Bassamp Series, the rugged BA112 features a 50-Watt output section and a single 12" Ampeg speaker.
Tone is the name of the game, and no matter what you're looking for, the Style Control puts absolute tone at your fingertips. With five presets to choose from, and the tone-sculpting capabilities of an onboard 3-band EQ, you'll find your sound night after night, gig after gig.
Innovative, versatile and great sounding, the BA112 combo incorporates a tilt-back, monitor-style enclosure, making it perfect for the stage and the studio. The RCA inputs are ideal for playing along with an MP3 or CD player, and you even can plug in headphones for "silent-running" mode. The BA112 -solid Ampeg, through and through.
Specifications:
RMS Power Output: 50-Watts
LF Driver: 1 x 12" Custom Ampeg Speaker
Preamp: Solid-State
Power Amp: Solid-State
Tone Controls: 3-Band EQ
Mid Tone Control: Style and Ultra Mid
Line Out: Unbalanced
Dimensions (W x H x D inches): 17.25 x 18 x 13
Weight: 39 Pounds


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Ampeg BA115HP BassAmp Series 1x15 Solid State Bass Combo Amplifier, 220 Watt Review

Ampeg BA115HP BassAmp Series 1x15 Solid State Bass Combo Amplifier, 220 Watt
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I am a studio sessio bassist, so I normally do not have much need for a bass amp. From time to time, I may need an amp in a studio for a "miked" tone for the recording, but in most cases I run direct with great results.
However, I had a dilema: When a studio client would ask me to play live with them, I frequently had to turn down the gig because I had great basses but no amp. I was looking on zZound's website (http://www.zzounds.com) and found this bass amp on sale as a B-stock item. B-stock is great value because it is slight used, usually returned merchandise that has been completely checked over and resold from the manufacturer. I bought this amp for considerably less than retail, it came with full warranty, and it had no cosmetic flaws when I opened the box. I plugged the amp in and hooked up my bass to test the amp, and the tone was amazing! This small combo amp, pound for pound, outperforms the bass stack that I owned before!
This amp has 220 watts, which is plenty of power for where musicians in the real world play. Face it: when was the last time you played an arena?! =D This is perfect for a gig in a restaurant, small bar, or club. This combo has an XLR output as well, so when recording or playing a larger venue or an outdoor festival, running to the PA and/or the recording console is extremely easy. I'm not a fan of 15" drivers, but again, I got such a good deal on this amp that I couldn't pass it up! I would have preferred a 2x10 configuration, which Ampeg does have available if you prefer that configuration. Nevertheless, the 15" driver with the 1" compression horn does produce clean, clear, versitile tone. I have used this combo for anything from rock, jazz, blues, metal, pop, country, gospel, etc. I have never had any complaints about the tone.
The preamp filters consist of a simple 3-band EQ (bass, mid, treble), which sounds surprisingly good for only being a 3-band EQ. There is also a 5-position switch with predetermined EQ curves from the factory: 1 & 2 scoop out the mids (1 = heavy scoop, 2 = light scoop), 3 is flat (no coloration), 4 & 5 boost the upper mids while keeping the lows and lower mids flat. All of these positions have very usable tones by themselves, but then when you use the 3-band EQ to tweak the tone... BAM!! Ampeg tonal magic!! I don't know what Ampeg does to make this little box sound so good, but whatever it is works! ;)
Some other features that I like are the BUILT IN TUNER (huge convenience, and the tuner is accurate), a mute switch (always a welcome addition to a bass amp as far as I'm concerned), and removable casters so that moving the amp around is a breeze. Also, the classic black Ampeg look. I can go to any kind of gig, and the musicians and fans will immediately know what kind of amp I'm playing and how good it will sound. There's also RCA left and right (that's red and white) connections so that you can hook up your iPod, CD player, metronome, or drum machine while you practice. I usually don't practice plugged in, so that doesn't really matter much to me. :)
There are also a couple of little things that Ampeg thought of that don't really matter to players unless something goes wrong... For example: ever broken a knob off your combo amp because it stuck out too far and your car door hit it? I think we've all been there... The tops of the control knobs are slightly under flush from the top of the cabinet. Minimal risk for knob breakage. The power cable is built in, though I would have preferred a standard detachable power cable. Again, though, minimal risk. There is a space on the back of the cabinet under the head that's about 4-5" tall and is deep enough to tuck the power cable away when no plugged in. They even thought to put velcro tabs in this spot to secure the cable.
A couple of things that I would have liked to see on this amp include a compresser and lighter weight. The power amp does have a built in limiter to protect the amplifier from signal peaks. This does have some effect on the tone, but it is minimal. I like a compressed tone, but I can buy a foot pedal for compression. Not a huge-mongous deal. Also, this thing is an 85 lbs BEAST!! The casters do make lugging this heavy box around easy once it is on the ground, but getting it in/out of the car is a little rough on my lower back. If you don't mind the weight too much, this will not be an issue. I would have also liked to see an effects loop and an auxilary speaker output. I think Ampeg was trying to keep this amp very simple, so I understand why these features aren't there. It still sucks a bit though...
Overall, I was very impressed with the performance, tone, look, and everything else with this particular combo amp. I am very glad that I bought it, happy about the good deal I got, and overjoyed with the tone this box puts out.

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When the bass simply has to be heard and felt, the BA115HP is the high-powered combo solution. Featuring a 220-Watt power section and a custom 15" Ampeg speaker, the BA115HP can fill a medium-sized venue with headroom to spare.
Designed to meet the needs of today's multi-string bass player, the BA115HP's HF level control lets you dial in the perfect amount of top-end, so all those harmonics and chordal subtleties you've worked so hard to develop get heard by the entire audience.
If you're the kind of player who changes basses often during a performance, the BA115HP's mute switch will come in handy-and it allows you to use the built-in digital chromatic tuner in total silence. The XLR balanced line output is perfect for patching into front of house or recording consoles. Solid Ampeg tone, with conventional functionality, the BA115HP.
Specifications:
RMS Power Output: 220-Watts
LF Driver: 1 x 15" Custom Ampeg Speaker
HF Driver: 1" Compression Driver with Level
Preamp: Solid-State
Power Amp: Solid-State
Tone Controls: 3-Band
Mid Tone Control: Style
Balanced Line Out: Yes
Built-in Tuner: Yes
Mute Switch: Yes
CD Input: Yes
Headphone Output: Yes
Dimensions (W x H x D inches): 21 x 21 x 15.5
Weight: 80 Pounds


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