Showing posts with label amplifiers. Show all posts
Showing posts with label amplifiers. Show all posts

Marshall AS100D 2x8 Acoustic Combo Amp Review

Marshall AS100D 2x8 Acoustic Combo Amp
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Finally, I've found an amp that does what I want it to. Great sound, clear and LOUD. Reverb could be better, but I sometimes use separate effects. Now here was the shocker: I hooked up my electic guit and PODxt, expecting the same crappy sound I've always gotten through acoustic amps (I've tried 5 different brands/models). JIMINY CRICKET what a fantastic sound with this amp, with an electric guitar thru the POD. I'm in HOG HEAVEN. Now, I suppose purists would scoff, but I'm into DRAMA not "multiple condenser mic" purity. All I can say is, after YEARS of flopping around trying to get the right sound at a human price, this wonderful machine does it all for me. At this price, I don't see how anyone could be disappointed.

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Behringer ACX900 Ultracoustic 90-Watt Amplifier Review

Behringer ACX900 Ultracoustic 90-Watt Amplifier
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You could spend some serious money on an acoustic amp ... but depending on your needs, this amp is an exellent value ... it performs as good or better than lots of amps 3 times it's price ... Behringer makes really high quality products for much less money than most products in the same class ... between me and my sons, we own several Behringer products and have always been pleased with the quality ...
This amp has 2 channels and multi band EQ on each ... 1/4 inch on one channel and XLR on the other ... I have been able to dial in really good sound for multiple acoustic gutiars and even for a vocal mic (although you might need a pre-amp for the mic for optimum performance) ... it also has outputs to go to a PA and I have been pleased with the results when I've used it as a monitor and run it to a mixing board for live performances .. it has 90 watts which is plenty of power for small venues or for use as a monitor (lots of amps with less power are way more expensive) ... look at the features on this amp and then compare them to other amps and you'll see you get more for your money with this one ...
Two reaons this amp does not get 5 stars. One is that the built-in effects are really below average IMO ... reverb is just OK and everything else just doesn't do it ... if you are just looking for a good acoustic, non-effected sound (or if you want to use your own external effects) you should not be dissapointed ... the other is the knobs/dials are plastic and look like they may not hold up as well as ones which are more ruggedly made ...
So if you are looking for a great value for a basic acoustic amp, you should be satisfied with the ACX900 ...

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Behringer ACX1800 Ultracoustic 180-Watt Amplifier Review

Behringer ACX1800 Ultracoustic 180-Watt Amplifier
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The special effects are terrific and can be applied individually to the Mic and Instrument input. Bought it just to fool around at home. Kids are having a blast singing karioke. Glad I bought the 1800 - plenty of power for our great room. The manual is excellent. This is a 50 pound amp! I'm gonna put wheels on the bottom so I can move it around easier.

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ZT Club 200-watt 1x12 Guitar Combo Amplifier Review

ZT Club 200-watt 1x12 Guitar Combo Amplifier
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I expect a lot out of my amps... and this amp has yet to let me down. As of this review's posting, I have run the following instruments into this amp: guitar, bass, vocals, synths, electric oud, digital tanpura, electric sitar, drums machines, digital piano, and a mp3 players. This amp has yet to let me down with delivering the goods. It's fallen off the stage, been kicked by people, bounced around the pack of a truck, sat on, stepped on... basically used and abused. Currently, mine has seen ~ 30 gigs, countless hours of rehearsals and yet continues to impress.
The amp is loud without being raspy or painful. It's a BIG sound when turned up - to be sure. A few gigs, where a PA was not available for all the amps, I ran the Club 12 at full throttle - no problems. The reverb has a natural sound to it too.
Overall, I'm very happy and impressed with this amp. Highly recommended for musicians of all types.

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Fishman AFX Pedal - Reverb Review

Fishman AFX Pedal - Reverb
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This is definitely a high quality fx pedal! It's built like a tank and you couldn't ask for better quality reverbs - they are rich and lush and very "tweak-able." There are three reasons I give this 4 stars instead of 5:
1. This thing eats 9v batteries pretty quickly, quicker than most pedals I've used;
2. It didn't come with an AC adapter; and,
3. For $250, it should have come with the adapter and the kitchen sink.
That said, it's a very worthy pedal for acoustic reverb.

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With quality sound always at the forefront, Fishman starts with an all-analog, buffered bypass signal path to protect your signal from noise. The Fishman AFX Reverb pedal includes eight effect presets: Studio, Room, Plate, Chamber, Stage, Concert Hall, Cathedral, Canyon. Level, tone and decay time controls function for all effects, allowing you to dial things in just right for your instrument and amplification system. Make the most of your reverb effects with 1/4" stereo ins and outs. An input gain switch adds level boost, and the Fishman reverb pedal is housed in durable all-metal construction.

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Orange Amplifiers Dual Terror DT30H 30W Tube Guitar Amp Head Review

Orange Amplifiers Dual Terror DT30H 30W Tube Guitar Amp Head
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Like most guitarists I am always searching for tone. I have a very respectable rig but I wanted a true 2 channel amp that would give me full gain capability on both channels. I also wanted something portable. The Dual Terror fits the bill very nicely.
The original Tiny Terror channel is versatile. It's very responsive to touch but can peel the paint off the walls when you need it to. The Fat channel is deeper and very melodic with a hint of more drive giving you lots of tone and texture.
I am a tube roller. For those not familiar that means I like to experiment with different valves (tubes) to alter my tone. This is a great rig for tube rolling because the different wattage switches allow you to slightly alter the overall sound of each channel. I am currently running several new old stock tubes in this head and have been very pleasantly surprised with the results. Before you buy an amp do yourself a favor and check out this one. It's really well constructed and very versatile.
By the way. You can get a great sound at low volume levels but this thing really sings when you open it up! It's definitely loud enough to rehearse and gig with. I'll be posting a full review on conventionalcurrent.com soon. Don't go by, give it a try.

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Roland AC-60 Acoustic Chorus Combo Amp Review

Roland AC-60 Acoustic Chorus Combo Amp
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I purchased this amp in 2005 to use in church as my monitor and DI for an acoustic electric guitar. I was totally happy with the natural acoustic sound, and the amp had more than enough power to fill the church on the few occasions where the main PA failed.
My criticisms may be minor to some, and admit that I am very picky:
1) I really wish that the line level XLR outputs had a switchable pad to allow for connection to a microphone level input. As it stands I need to use a XLR attenuator or direct box to tame the signal by -20 db. It works fine but it is another piece of gear I have to remember to bring along.
2) I would have also liked a sturdier kickstand clip -- the stock nylon clip is reminiscent of an old zip tie, and it broke one winter's day -- not at all consistent with the rest of the package.
3) I like the shoulder bag but the strap gets cinched at it's attachment point on the bag. Also, the strap cannot be shortened maximally, and there is no top handle on the bag, which means it has to stay on your shoulder or you need to use two hands to carry the bag.
Ultimately I decided it was easier to carry the unit by the handle and only use the bag to protect it in my vehicle. Nevertheless, the true test of this unit is that I have continued to use it for the past 4 years, even after experimenting with all sorts of direct box combinations including a Roland AD-8, Roland CM-30 monitor, Behringer GI-100, UltraSound PDI, Demeter Tube Direct, and BBE DI-1000 direct boxes. I still use this amp with a Guild Peregrine, a Whirlwind -20 db XLR pad, a Korg CA-30 tuner, and a FS-5L switch to control muting.


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Roland AC-33 Acoustic Chorus Combo Amp Review

Roland AC-33 Acoustic Chorus Combo Amp
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When I felt how light this amp is, I wasn't expecting much, but once plugged in, I was delighted by the clarity and lack of noise or distortion of this little treasure. The chorus, which I didn't expect to use (being an acoustic purist) is absolutely gorgeous and will be used on some pieces. The reverb, too, is very natural sounding.
If the amp didn't have a looper, I would still have bought it, but I was also surprised and impressed by the looper's quality. The automatic start has zero latency, and the sound is exactly what you hear from the amp in normal mode. It will be fun to use this for improvised layering on gigs. I'm buying a double foot pedal on e-bay: this is essential for live use, or any time you have a guitar in your hands.
I bought this device because I sometimes need to play outdoors, away from power: I haven't yet tried it with batteries, so I can't comment on its abilities in this direction: apparently the power (thus, volume) is less, but I suspect there isn't a powerful battery-powered amp out there, and this will probably be adequate.
I connected the 'line out' to an ESV powered speaker, and together these units make a gorgeous sound for solo acoustic playing. Easy to set up, light to carry, and superb sound!
It would be nice if the full range of controls could be used with the 'i-pod in' feed, but I guess I can always get an adapter/connector to allow me to do this.
I have had the amp for one week so far...

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Fishman Loudbox 100 Review

Fishman Loudbox 100
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I'm not that experienced with guitar amps. The only other amp I've owned is an Acoustasonic Junior, the old one without the DSP effects. It only had reverb and chorus. I'm no expert on amps so take that into account as you read on.
Reason I bought a new amp is because the mic section of the Fender Acoustasonic blew out and I didn't feel it was worth the money to have it fixed. This amp is much better sounding that the Acoustasonic.
This amp has only 5 effects...2 Hall, 2 Plate reverb and a Chorus and the differences between them are real subtle. But I play classical guitar into this with a mic so I'm not looking for big special effects, only a little hall or reverb in order to brighten up the extremely dull room I practice in. I've been playing guitar for over 50 years...my gigging days are long gone so I'm not looking for a wah-wah pedal. This amp is strictly for my own enjoyment and I really love it. The sound of my Pavan 30 classical guitar is extremely natural coming through this amp, which is exactly what I wanted and the amp makes it sound like I'm playing in a large hall with great natural acoustics. I use an AudioTechnica pro 37 condenser mic with it.
Had a little trouble at first with feedback, but that's always the case with a mic. Eventually I figured out the right gain, volume and amp placement and that problem is solved. The tone controls really work, you can turn the tweeter down if your high notes sound a bit shrill, (I turned it down just a tiny bit) and overall, every control on this amp had a function and they all work great. There's nothing fancy here, just a great sounding amp. Love the light weight. At 23 lbs it's a lightweight compared to the Fender acoustisonic at 43 lbs. I plugged my steel string acoustic with pickup into it and without having to worry about mic feedback, I cranked it up. Holy cow, you would definitely wake up the neighbors. It sounded fantastic, but I rarely play the steel anymore.
So....bottom line, highly recommended

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Genz Benz Shenandoah SHEN-60LT 60-Watt Acoustic Guitar Amplifier Review

Genz Benz Shenandoah SHEN-60LT 60-Watt  Acoustic Guitar Amplifier
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I've owned and gigged with one of these for several years. Its clarity and presence are truly remarkable, both from its own speakers and via its XLR direct outs. I've recorded with it direct to the board and its silence is SILENT. Musicians swoon when they try it, it seems few have heard that Genz Benz isn't just a builder of amazing bass amps any more.
Check this one out closely.

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Traynor TVM50 50W 1x10 Battery Powered Guitar Combo Amp (Black) Review

Traynor TVM50 50W 1x10 Battery Powered Guitar Combo Amp (Black)
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I like it a lot... For not having to have a generator/soundboard/speaker outdoor sound system, this is a great alternative. Sounds great and easy to use.

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Fishman SA220 Solo Performance System Review

Fishman SA220 Solo Performance System
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As a classical guitarist, I am often under the mercy of the venue's acoustics and/or sound system on any given performance. To say that this is frustrating is an understatement. I wished that there was a way for me to be freed of this tyranny and be able to carry my own sound system. When I read about the Fishman Solo Amp, I immediately thought this could be it - the ultimate solution. It is truly compact and you can carry the guitar in one hand and the amp on the other in one trip from your car. And it does fit inside my trunk nicely. Set up is quick and easy.
Admittedly, all the reviews I read was for the use of an acoustic steel guitar, all glowing, but I didn't find a review using nylon classical guitar. Nevertheless, it got me really excited and finally pulled the trigger to buy it.
I use a Fishman under-saddle transducer on a world-class guitar. When I plugged it into the Direct Input, it sounds fantastic! But only when the gain is low. On high volumes, you lose the natural and charming sound of the classical guitar. This would be true of any other amp.
Needing more power for a more natural sound, I decided to buy the DPA 4099 clip-on condenser mic. This made it sound a lot more natural on higher volumes, and feedback issue is minimal which is huge by itself!
But I have mixed feeling regarding the sound, at least when it comes to classical guitar. It is rather flat and not very warm. You may be able to use a mixer to achieve a warm sound, but that defeats the simplicity of set-up purpose. Also, there is a background hiss that may be unacceptable to some classical guitarists playing a lot of quiet passages. I contacted Fishman regarding the hiss and they acknowledged that it is a known issue. But they offered a solution which is to pry open the panel and tape the ribbon wire to the side to avoid contact with the center structure. I tried this but I still can't tell if it made a difference.
I find myself still preferring the sound of my good old AER Compact 60 using either DI or DPA 4099. It is very warm and natural. It just doesn't have the power for a bigger venue.
After experimenting more with the Fishman Solo, I was able to achieve the sound I wanted. The solution for me is to use both the DI on low-gain setting but coupled with the DPA 4099 condenser mic for a natural sound.This gave me a warm and fat sound that I dig. In fact, DPA has a double cable accessory that allows you to have less cable clutter. However, this cable is priced at $199 so I decided in the meantime to just use two separate cables.
The sound is great and I would still recommend it simply because there is no other similar equipment in this price range. The Bose L1 is too expensive and I think less compact. The hiss still bothers me and I remain slightly bummed by it but I think it is the best thing available out there for my purpose so I decided to keep it.
Now, if only AER can come up with a similar amp, I am so there!


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Portable and PowerfulDesigned for the singer/songwriter, the SA220 provides exceptional sound quality and coverage in a wide variety of venues. 220Watts of clean, lightweight power drives a line array of six custom high-excursion speakers and a soft dome tweeter. This unique combination delivers incredibly full sound, ultra-wide dispersion, and deeper sonic penetration than the common speaker cabinet. Better yet, the enhanced bass response of the custom designed speakers means theres no need for a subwoofer!Its a PA.and an Amp The performer and audience hear exactly the same sound, so theres no need for separate wedge monitors or a combo amp backline. Because the SA220 is voiced for the singer/songwriter, acoustic instruments and vocals are projected with superb depth and clarity.The Ultimate in Portability This unit weighs only 25lbs*, ships complete with a padded bag equipped with wheels, and includes a rugged speaker stand. Set up takes less than a minute, with only one trip to the car! And full-digital universal power means the SA220 is ready to travel anywhere in the world.Features Performing Musicians DemandFishman didnt make the SA220 this portable by scaling back on features or tone. In fact, theyve included all of the award-winning elements of the Loudbox family, and added a unique Monitor feature designed to revolutionize an acoustic duos ability to hear each other on stage. The SA220 is also equipped with two mic/instrument channels featuring high-quality preamps, each with 3-band EQ, phantom power, built-in reverb, effects loop, and feedback-fighting notch filter and phase controls.

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Fishman Loudbox Mini Acoustic Instrument Amplifier Review

Fishman Loudbox Mini Acoustic Instrument Amplifier
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This is a great little amp, and surprisingly powerful. It's very clean sounding, like the more expensive Fishman amps, but still quite small. I've played an outdoor picnic and at church with it so far, using a mid size Martin guitar and SM58, and I'm very pleased with the purchase. Definitely the best acoustic amp on the market for the money IMO.

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AGA70 Acoustic Guitar Amplifier Review

AGA70 Acoustic Guitar Amplifier
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I can only guess that the newness of this product accounts for the relative lack of online reviews at this time. Although I have been impressed with the relatively inexpensive Crate acoustic guitar amps, I'm doubtful that you can find a better sub-$500 acoustic amp than the Vox AGA70. There is ample tone control on each of the two channels, via 3-band EQ and an additional "Color" knob. One of the two channels contains a tube pre, which provides additional warmth to either guitar or vocal. The 70-watt capacity with 6.5" driver provides enough sound for many of the smaller venues I play; if not, the DI on the back allows for output to the soundboard. My workhorse acoustic guitar, which has an older and not-so-impressive under-the-bridge pickup, never sounded as good "plugged up" as when ran into this amplifier. My only complaints, still minimal, are the complete lack of vintage appearance (except for chickenhead knobs) and the use of a softer cloth grill rather than a hard grill. Without an accessory cover, I'm not sure how long this will hold up through regular loading and unloading.

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Genz Benz Shenandoah SHEN-CPK-10T 300-Watt 1 x 10 Inches Acoustic Guitar Amplifier Review

Genz Benz Shenandoah SHEN-CPK-10T 300-Watt 1 x 10 Inches Acoustic Guitar Amplifier
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It is an amazing amp. to be as small as it is. It has plenty of volume and a nice clear sound. It would be nice if it came with a foot switch so that you could change to a different pre-set setting. I like the fact that you can add more speakers if performing before a large group. All in all it is a great amp. and I would highly recommend it.

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Genz Benz Shenandoah SHEN-CPK-8T 300-Watt 1 x 8 Inches Acoustic Guitar Amplifier Review

Genz Benz Shenandoah SHEN-CPK-8T 300-Watt 1 x 8 Inches Acoustic Guitar Amplifier
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This little amp has a rich sound.
It is ligthweight, and the feature I like the most is that the amp head is removable for practice.
It would be nice with a foot switch.
Highly recommended!

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Crate CA6110DG Gunnison Acoustic Guitar Amplifier, 60 Watts RMS, Automatic Feedback Elimination Review

Crate CA6110DG Gunnison Acoustic Guitar Amplifier, 60 Watts RMS, Automatic Feedback Elimination
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I've owned this amp for about three months and love it. It can be found for a great price if you look around. It has a lot of very nice features, sounds great, and is a very good value. I play a variety of acoustic guitars and all sound nice. The DSP effects are good - if you need more or better just get a pro pedal. I played my vintage Sears Silvertone 1448 through it and the sound was amazing. I've only run it at light to moderate sound levels so I don't know how well it handles full volume.
The only thing I don't like is the location of the panel. Its on top but a bit hard to tweak - especially when it is tilted. The included foot switch is nice (and has a very long cable).
As with all amps or musical gear you'll want to play before you buy as everyone's idea of good or desired tone varies and is quite subjective. I found mine in a local music shop and jammed on it a while before purchase.
In conclusion - a very nice amp for a great street price.

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When you need to send the perfect acoustic signal to the front-of-house mixer, the Crate CA6110DG can get you there in style. With features like XLR & 1/4" balanced line out (with Level control and ground lift), Tweeter Level control, Effects Loop, and footswitch accessible Reverb/Effects and Chorus switching, it's easy to see why the Crate CA6110DG is the leader in its class.
Designed for the performing artist, CA6110DG's 60 watt power amp drives the internal 10" polypropylene woofer/piezo tweeter combination to outstanding volume levels, providing both low end punch and superb top-end fidelity. And since volume without tone just doesn't cut it, the CA6110DG provides two separate channels, each with its own gain, EQ, and reverb/effects controls. Crate's built-in feedback filters make feedback a thing of the past, effectively killing feedback without sacrificing sound quality. We've even included the footswitch for hands-free operation of the feedback filters.

The CA6110DG also features 16 of Crate's stunning DSP effects, including short and medium Slapback Delays, Echo, Chorus, Rotary Speaker, Chorus (with Hall Reverb), and two distinct Reverb modes. These effects were designed specifically for use with acoustic instruments and vocals.

Whether you need the perfect acoustic guitar amp, or a self-contained PA system with digital effects and feedback control, the Crate CA6110DG is all about tone, control, and flexibility.

Why is it so hard to amplify an acoustic guitar? By its very nature, an acoustic instrument requires lots of feedback control, especially when it's asked to compete with drums and a stage full of rockers. And although most amps can effectively control feedback, they often do so by severely sacrificing tone for volume.

Our CA Series amps give you all the tone and features necessary to put your acoustic sound on top of the mix, whether you're soloing at the Opry or strummin' at the coffeehouse. With its unparalleled balance of clarity, power, natural tone, and intuitive controls, the Crate Acoustic Series remains our most widely endorsed amp line. Try one and you'll see why.


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