Showing posts with label ampeg. Show all posts
Showing posts with label ampeg. Show all posts

Ampeg SVT-410HLF Classic Series 4x10 Bass Enclosure Review

Ampeg  SVT-410HLF Classic Series 4x10 Bass Enclosure
Average Reviews:

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I've been using Ampeg proucts for 35 years, this cabinet is a perfect example of classic ampeg sound. It has plenty of deep response and a horn driver that you can control to add highs. It's compact and powerful enough to accomodate any performance setting. It's constructed extremely well and can handle plenty of watts. It's the best 4x10 cabinet I've heard and used. You won't be dissappointed.

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Ampeg SVT-410HLF: Versatile, High Fidelity Performance This is the speaker cabinet for the bass player who demands the ultimate in a single, compact cabinet setup. The SVT-410HLF delivers devastating low-end bass, all the way down to 28Hz, thanks to four 10" speakers working together to move a tremendous amount of air. The SVT-410HLF actually moves 10% more air than two 18-inch speakers, and 25% more than three 15-inch speakers. And those leviathans simply can't respond to transient peaks as quickly as four tens can.The SVT-410HLF also delivers superb top-end, thanks to its 1" horn driver, strategically crossed over at 4kHz. This is a favorite enclosure for such artists as Meshell Ndegeocello, John McVie of Fleetwood Mac, and Ricky Skaggs' bass player, Mark Fain.
The Ampeg SVT-410HLF: A Great Choice for Bass PlayersThe Ampeg SVT-410HLF is the supreme speaker enclosure for the multi-string bass player seeking both superior power handling and true high-fidelity performance.




The Story of the SVT: Ampeg Amps Ampeg's Classic Series is all about the Ampeg SVT. Ampeg pioneered Super-Valve Technology in the 1960s and continue to offer the ultimate, top-performance gear to the world's most demanding bassists. The SVT has become the bass amp that all rock bassists dream of, whether they're famous or completely unknown. Former Bass Player editor Scott Malandrone put the SVT in perspective this way: "The SVT has done for the sound of electric bass what the Marshall Super Lead had done for the electric guitar--it would give the instrument an identity."Ampeg Amps: Built to Be Worked HardAmpeg, (a division of Loud Technologies) is recognized world-wide as the premier name in bass and guitar amplification since the 1960's, when the SVT (Super Valve Tone) bass amplifier took the rock world by storm with its 300 watts, 8 x10" speaker cabinet and a tone that would go on to set the standard for rock and roll bass. Today, Ampeg continues on as the leader in professional bass gear and a cherished manufacturer of classic guitar amplifier designs with a continuing tradition of advancing bass tone through quality & innovation. For more than 60 years, Ampeg has produced some of the music industry's most innovative and memorable gear, satisfyingthe needs of musicians of all levels. From the largest tours to the corner pub, artists depend on Ampeg amps to get theirmessage across, regardless of style or stature.

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Line 6 Low Down Studio 110 Amp Review

Line 6 Low Down Studio 110 Amp
Average Reviews:

(More customer reviews)
I bought this amp a month ago, and yup, it packs a punch. I actually have to turn it down when I play it at my church. I like the R&B and the Clean. The Synth is pretty crazy stuff. The Rock definately has that tone, the Grind I don't really have a need for.
When using my headphones I'ts hard to hear the different tones, but I'm pretty sure I just need to get a better pair. I don't fully understand how the cabinet simulater and line out feature differ. I am glad the power cable disconnects.
Overall lightweight, durable, and great options for the buck. I researched amps for awhile before buying and this one stood out above many others. I luckily got to try one at a music store before I bought it online.
I've only been playing bass for about a 1 1/2 years, and am sure I will come to appreciate this amp more as I improve.

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Ampeg BA112 BassAmp Series 1x12 Solid State Bass Combo Amplifier, 50 Watt Review

Ampeg BA112 BassAmp Series 1x12 Solid State Bass Combo Amplifier, 50 Watt
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(More customer reviews)
I purchased a BA112 almost a year ago from another vendor, and highly recommend it. Ampeg has included a selector switch that allows the user to move between 5 EQ pre-sets, as well as separate controls for bass, mid-range, and treble. I've found a workable set of settings for the knobs and now have three of the pre-sets that I move between for jazz, pop, and rock. The tilt back feature is great when playing through a house sound system and using the amp as a monitor. This amp has a true line out, unlike some amps that have headphone jacks that disable the amp when you are plugged in. There's a separate headphone out, too. The great thing, of course, about the line out is that you have more control over tone and volume and are just leaving it entirely in the hands of the sound engineer. In the church where I play we have some somewhat suspect direct boxes that tend to kick in and out at random. Not a big problem for me when I cart my Ampeg in; I can simply use the amp and work around the problems caused by the faulty direct boxes. The BA112 is sturdy and really has plenty of dynamic and tonal range, including very good bass response, especially for the cost.

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Whether you're looking for a small, high-quality combo for personal practice and rehearsal, or a highly portable alternative to your main rig, the BA112 packs a lot of Ampeg into its compact frame. The most lightweight and portable of the Bassamp Series, the rugged BA112 features a 50-Watt output section and a single 12" Ampeg speaker.
Tone is the name of the game, and no matter what you're looking for, the Style Control puts absolute tone at your fingertips. With five presets to choose from, and the tone-sculpting capabilities of an onboard 3-band EQ, you'll find your sound night after night, gig after gig.
Innovative, versatile and great sounding, the BA112 combo incorporates a tilt-back, monitor-style enclosure, making it perfect for the stage and the studio. The RCA inputs are ideal for playing along with an MP3 or CD player, and you even can plug in headphones for "silent-running" mode. The BA112 -solid Ampeg, through and through.
Specifications:
RMS Power Output: 50-Watts
LF Driver: 1 x 12" Custom Ampeg Speaker
Preamp: Solid-State
Power Amp: Solid-State
Tone Controls: 3-Band EQ
Mid Tone Control: Style and Ultra Mid
Line Out: Unbalanced
Dimensions (W x H x D inches): 17.25 x 18 x 13
Weight: 39 Pounds


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Ampeg BA115HP BassAmp Series 1x15 Solid State Bass Combo Amplifier, 220 Watt Review

Ampeg BA115HP BassAmp Series 1x15 Solid State Bass Combo Amplifier, 220 Watt
Average Reviews:

(More customer reviews)
I am a studio sessio bassist, so I normally do not have much need for a bass amp. From time to time, I may need an amp in a studio for a "miked" tone for the recording, but in most cases I run direct with great results.
However, I had a dilema: When a studio client would ask me to play live with them, I frequently had to turn down the gig because I had great basses but no amp. I was looking on zZound's website (http://www.zzounds.com) and found this bass amp on sale as a B-stock item. B-stock is great value because it is slight used, usually returned merchandise that has been completely checked over and resold from the manufacturer. I bought this amp for considerably less than retail, it came with full warranty, and it had no cosmetic flaws when I opened the box. I plugged the amp in and hooked up my bass to test the amp, and the tone was amazing! This small combo amp, pound for pound, outperforms the bass stack that I owned before!
This amp has 220 watts, which is plenty of power for where musicians in the real world play. Face it: when was the last time you played an arena?! =D This is perfect for a gig in a restaurant, small bar, or club. This combo has an XLR output as well, so when recording or playing a larger venue or an outdoor festival, running to the PA and/or the recording console is extremely easy. I'm not a fan of 15" drivers, but again, I got such a good deal on this amp that I couldn't pass it up! I would have preferred a 2x10 configuration, which Ampeg does have available if you prefer that configuration. Nevertheless, the 15" driver with the 1" compression horn does produce clean, clear, versitile tone. I have used this combo for anything from rock, jazz, blues, metal, pop, country, gospel, etc. I have never had any complaints about the tone.
The preamp filters consist of a simple 3-band EQ (bass, mid, treble), which sounds surprisingly good for only being a 3-band EQ. There is also a 5-position switch with predetermined EQ curves from the factory: 1 & 2 scoop out the mids (1 = heavy scoop, 2 = light scoop), 3 is flat (no coloration), 4 & 5 boost the upper mids while keeping the lows and lower mids flat. All of these positions have very usable tones by themselves, but then when you use the 3-band EQ to tweak the tone... BAM!! Ampeg tonal magic!! I don't know what Ampeg does to make this little box sound so good, but whatever it is works! ;)
Some other features that I like are the BUILT IN TUNER (huge convenience, and the tuner is accurate), a mute switch (always a welcome addition to a bass amp as far as I'm concerned), and removable casters so that moving the amp around is a breeze. Also, the classic black Ampeg look. I can go to any kind of gig, and the musicians and fans will immediately know what kind of amp I'm playing and how good it will sound. There's also RCA left and right (that's red and white) connections so that you can hook up your iPod, CD player, metronome, or drum machine while you practice. I usually don't practice plugged in, so that doesn't really matter much to me. :)
There are also a couple of little things that Ampeg thought of that don't really matter to players unless something goes wrong... For example: ever broken a knob off your combo amp because it stuck out too far and your car door hit it? I think we've all been there... The tops of the control knobs are slightly under flush from the top of the cabinet. Minimal risk for knob breakage. The power cable is built in, though I would have preferred a standard detachable power cable. Again, though, minimal risk. There is a space on the back of the cabinet under the head that's about 4-5" tall and is deep enough to tuck the power cable away when no plugged in. They even thought to put velcro tabs in this spot to secure the cable.
A couple of things that I would have liked to see on this amp include a compresser and lighter weight. The power amp does have a built in limiter to protect the amplifier from signal peaks. This does have some effect on the tone, but it is minimal. I like a compressed tone, but I can buy a foot pedal for compression. Not a huge-mongous deal. Also, this thing is an 85 lbs BEAST!! The casters do make lugging this heavy box around easy once it is on the ground, but getting it in/out of the car is a little rough on my lower back. If you don't mind the weight too much, this will not be an issue. I would have also liked to see an effects loop and an auxilary speaker output. I think Ampeg was trying to keep this amp very simple, so I understand why these features aren't there. It still sucks a bit though...
Overall, I was very impressed with the performance, tone, look, and everything else with this particular combo amp. I am very glad that I bought it, happy about the good deal I got, and overjoyed with the tone this box puts out.

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When the bass simply has to be heard and felt, the BA115HP is the high-powered combo solution. Featuring a 220-Watt power section and a custom 15" Ampeg speaker, the BA115HP can fill a medium-sized venue with headroom to spare.
Designed to meet the needs of today's multi-string bass player, the BA115HP's HF level control lets you dial in the perfect amount of top-end, so all those harmonics and chordal subtleties you've worked so hard to develop get heard by the entire audience.
If you're the kind of player who changes basses often during a performance, the BA115HP's mute switch will come in handy-and it allows you to use the built-in digital chromatic tuner in total silence. The XLR balanced line output is perfect for patching into front of house or recording consoles. Solid Ampeg tone, with conventional functionality, the BA115HP.
Specifications:
RMS Power Output: 220-Watts
LF Driver: 1 x 15" Custom Ampeg Speaker
HF Driver: 1" Compression Driver with Level
Preamp: Solid-State
Power Amp: Solid-State
Tone Controls: 3-Band
Mid Tone Control: Style
Balanced Line Out: Yes
Built-in Tuner: Yes
Mute Switch: Yes
CD Input: Yes
Headphone Output: Yes
Dimensions (W x H x D inches): 21 x 21 x 15.5
Weight: 80 Pounds


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Ampeg BA115 BassAmp Series 1x15 Solid State Bass Combo Amplifier, 100 Watt Review

Ampeg BA115 BassAmp Series 1x15 Solid State Bass Combo Amplifier, 100 Watt
Average Reviews:

(More customer reviews)
Literally. I pulled it out of the box and within moments my apartment smelled like Taipei, and I can't get the smell out. The amp got locked in the closet but the smell oozed out, so I put it back in the box and tried to air out the apartment. When I first took it out of the box, the two largest silica packets I've ever seen came out with it. They're about hackey sack sized. I tried again this morning and trying to play this thing, I have a screaming headache. This isn't just new plastic smell, this thing is toxic. I feel bad thinking about the exposure of the people building these things in China.
It's huge and it looks like a beast. I guess the 200 watt cab is the same cab but with a larger amp in it. It weighs 50 pounds but it's mostly hollow. It's just bulky. It made some promising and frighting cracking and popping noises as I turned it on and plugged in the bass with the volume on 1, and as I turned up the volume to about 3, I could feel the bass kick in. It looks like it should shake the apartment, so I kept inching the volume up. Before I knew it, it was 10 across the board and the thing had only just kicked in.
I have a cheap no name 10 watt amp that has no low to speak of. I've been cheating and running the bass through that and plugging the bookshelf stereo into the headphone jack of the 10 watt practice amp and that sounds pretty good.
When I decided to buy a "real" amp, I took the wattage of the desktop stereo, which is 75, and added a few for kicks, came up with 100, and found this thing. I'm not sure how to say this, but my Panasonic bookshelf stereo has deeper, richer, punchier bass. It'll rattle stuff I leave on its little 8 inch speakers, and unlike the Ampeg, I've never turned it anywhere near all of the way up. This Ampeg amp just seems to be struggling.
This is extra annoying because I was thinking it would be nice to have a beefier sound system, and the Ampeg has line in, so I could run a Discman style CD player and other things into the Ampeg and replace the stereo. Trying that, I'm just confirming that this thing is just underpowered. In the old days, I had a 100 watt "receiver" style component stereo system that would shake the house. You'd think this could at least accomplish a rich tone, if not a little punch, with 100 watts.
This Ampeg BA-115 is on the first page of top selling bass amps on Amazon yet there were no reviews for it. I was wondering why. The price was way lower than other 100 watt amps and I keep hearing references to "legendary Ampeg sound". Now I've come to suspect that Ampeg's sound is only historic, and people with fond memories of old Ampeg amps don't want to tarnish the memory.
Short version -- got it because it was cheap and boasted a lot of watts, but it doesn't even beat out my bookshelf stereo and I'm left feeling bad about having bought the thing, plus I can't get the smell out of my apartment.
I guess I'll sell this thing (got it new but from somewhere without a good return policy) and then actually walk into a real music store and try some things rather than trying to shop on specs (price, watts) alone. Maybe it's okay for the moment.

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When you need a portable rig with legendary Ampeg tone, look no further than the BA115. This powerful combo features a 100-Watt power section and a single 15" Ampeg speaker that can rock a small- to medium-sized venue. Just plug in and you're ready to rock!
No matter what sound you're after, the Style Control puts absolute tone at your fingertips. With five presets to choose from, and the tone-sculpting capabilities of an onboard 3-band EQ, you'll be dialed in before the drummer can finish setting up his high-hat.
The BA115's monitor-style, tilt-back design allows you to put the sound where you want it, which is especially handy when you're using the built-in DI for recording or front of house applications. Rock-solid construction and Ampeg thump to go, the BA115.
Specifications:
RMS Power Output: 100-Watts
LF Driver: 1 x 15" Custom Ampeg Speaker
HF Driver: Piezo Tweeter
Preamp: Solid-State
Power Amp: Solid-State
Tone Controls: 3-Band EQ
Mid Tone Control: Style
Balanced Line Out: Yes
CD/MP3 Input: Yes
Headphone Output: Yes
Dimensions (W x H x D inches): 21 x 21 x 16
Weight: 62 Pounds


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Hartke A100 Bass Combo 1X15 Inch 100 Watts Bass Guitar Amplifier Review

Hartke A100 Bass Combo 1X15 Inch 100 Watts Bass Guitar Amplifier
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What can I say? Awesome. Works great. Used it this weekend at a gig and it ROCKED. Plenty of punch. Only draw back is thats its a little heavy, but worth it for the sound.

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