Showing posts with label bass amp. Show all posts
Showing posts with label bass amp. Show all posts

Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt) Review

Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt)
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I was actively playing shows as part of a succession of bands for about an eight year span of time, and for about six of those years the 800RB bass head was my rig. It went through several levels of hell; clubs, outdoor shows, extreme temps, extreme moisture, etc... and it was a steady and dependable performer. I never had to have it serviced and it never quit on me.
While the amp is rated at 400 watts total, it should be made absolutely clear that this is really two amplifiers (300/100) in a single unit. It states clearly in the manual that you should never hook up both amplifier outputs to the same speaker. There's a pre-amp section that includes a basic EQ, a switchable effects loop out/in, a master volume/gain, and a footswitchable boost(loudness) adjustment as well. The boost adjustment is great because it can provide you with some pretty good distortion options.
The style of music I was mainly playing was hard rock/metal, but also used the amp for industrial/electro-rock and a little bit of jazzy lounge music. The 800RB has just enough adjustments available via the EQ section and the preamp/gain knobs so that it can deliver a wide variety of tonal options. It truly excels, however, when you're going with straight ahead rock. I liked to set mine with the "California Smile" EQ (boost the 60hz and 4khz and "scoop" out everything else...) which the 800RB was able to accomodate perfectly.
I was using the dual amp configuration to run both a Mesa/Boogie 4x10" PowerHouse 8ohm cab along with a 1x15" of indeterminate make/model. In the bigger clubs with weak or non-existent PA's, I did have trouble with filling the room, but I think that had more to do with my speaker setup than the amplifier itself. I was able to keep up with the guys that were running the Ampeg 215/SVT rigs, and the additional bite of overdrive distortion was similar to what they could acheive with their tube amps.
One thing though - after I purchased the amp I immediately secured it in a dedicated hard plastic roadcase with enough room to breathe on top and underneath, and I think that made all the difference in the world regarding it's durability.
I would definitely recommend this amplifier to anybody that wants a fairly simple, maintenance-free, and durable bass amp head to play in the practice space or take on the road. The 800RB has a well-deserved reputation as one of THE choices for 'Gig Warriors', and having used one as the heart of my rig for more than 1000 hours of playing and full volume practice, I can attest to it's ability to back up the reputation.
However, if you're looking for an amp head that is clean and pristine enough to use as a recording rig, you might want to go with something a little more high-end, because the one issue that I encountered with this amp head is that it has slightly 'noisy' electronics that can create some sound issues when you're using it plugged straight into the board.
So, while this amp may not have as many knobs or pretty lights as some of the other amps out there, it's got enough functions/adjustments to satisfy most bassists, and it's purpose-built so that it will never break.

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300/100 watt bi-amp bass amplifier

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Gallien-Krueger 1001 RB-II Bi-Amp Bass Amplifier Review

Gallien-Krueger 1001 RB-II Bi-Amp Bass Amplifier
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As with most bass players, I started with economy gear. I very quickly learned how dramatic a difference high-end gear can make in the quality of your sound (when I upgraded to a Gallien-Krueger 115RBH Bass Guitar Cabinet (400 Watt)). The clarity of the sound when compared to my first cabinet ( Hartke VX410 Bass Guitar Amplifier 4x10 Cabinet, 400 watts) was astonishing! I knew the same would be true for the amplifier, and this was confirmed when I upgraded from the my first amp (Hartke 3500C Bass Guitar Amplifier Head, 350 Watts) to this Gallien-Kruger 1001RB(II). It has amazing power, clarity, and flexibility of tone (which becomes increasingly important as you start to play with other musicians).
I feel like I have discovered the Holy Grail of Bass Amplifiers! Thank you Bob Gallien, for your original vision, and for all your many years of commitment to excellent and innovation in developing and producing quality bass gear beyond the call of duty. You have made the world a better place for musicians as well as all those who listen to music! I hope to eventually add the (Gallien-Krueger 410RBH/8 Bass Guitar Cabinet (800 Watt)) to the rig (when I start playing larger venues).

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700 watt bass amp with 50 watt horn amp

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Seismic Audio 410 Bass Speaker Cabinet 4x10 with Horn and Volume Control (800 Watts) Review

Seismic Audio 410 Bass Speaker Cabinet 4x10 with Horn and Volume Control (800 Watts)
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I use the 4 x 10 bass cab. for our worship service in a 700 seat auditorium. I like the punch the 10" speakers with the horn gives and still hold the lows together. Don't let the price fool you, this is a great value for the money. No distortion or cabinet noise. I completed the system with a SA-215 to fill in the bottom end.

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Behringer Ultrabass BXL3000A 300-Watt 2-Channel Bass Workstation Review

Behringer Ultrabass BXL3000A 300-Watt 2-Channel Bass Workstation
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I purchased this amp and put it to work the very next day. I played Bass in a small church service full of 250 or so teens, next to a drummer so loud that my ears rang. I could clearly hear the bass amp.
I used it mainly as a monitor and lined it into the house system, but the band was loud on stage and this amp was up for the task. I didn't even need to turn it to "11."
Add to this the funky Ultrabass and the included pedal, the inputs to mix a CD or MP3 to practice, and headphone jack - this amp rocks.
One caveat: there is a slight noise that can now be heard in the mix. I am going to have that checked. Even so, it hasn't dampened my enthusiasm for the BXL3000A.

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Ashdown MAG 300H EVO II 307W Bass Amp Head Black with Silver Face Review

Ashdown MAG 300H EVO II 307W Bass Amp Head Black with Silver Face
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I have owned this bass head for over a year now and have had no problems with it thus far.
It's rated at 307 watts @ 8 Ohms, thats 307 real watts not 300 @ 2 or 4 Ohms like most bass amp companies try to wow you with. Has a warm clean sound without the hiss you'd get from other amps in this price range, but is still able to get a little ratty if need be, just crank up the input. cool lit UV meter helps you visualy to see if youre pushing it too far and the sub harmonic generator pumps out serious low end sound.
my only qualm is, no footswitch for the sub harmonic gen.
paired with the right cabinet this thing will shake stuff off of your walls!

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Aguilar DB 112 Bass Cabinet, Classic Black, 8 Ohm Review

Aguilar DB 112 Bass Cabinet, Classic Black, 8 Ohm
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This is one of the finest pieces of bass equipment I have ever purchased. When you buy this cabinet you will never sell it. It is that good. The bottom end is distinct and smooth while the top end is pristine. You can hear exactly what your bass sounds like. Kudos to Aguilar for coming up with such a great product.

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The DB 112 combines the full low-end extension of the GS 112 with the punchy midrange of the DB series cabinet line.A heavy-duty cast frame Eminence driver is mounted in a rear ported 13 ply Baltic Birch enclosure to create a high-efficiency cabinet that will not only sound louder but also be more focused and musical than other boxes of similar size. Specs: *Impedance: 8 ohms *Frequency response: 42 Hz to 16 kHz *Sensitivity: 95 dB 1W 1M *Metal Corners, Rubber Feet *Dimensions: 14"H x 19"W x 19"D *13-ply, void free Baltic Birch *Weight: 45 lbs *Warranty: Three year limited *Optional: Padded Cover

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Genz-Benz Shuttle 3.0 300 Watt Lightweight Bass Amp Review

Genz-Benz Shuttle 3.0 300 Watt Lightweight Bass Amp
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I have been using this unit for almost over a year now and I am very impressed. I play bass guitar for the Army band and our unit is currently deployed to Afghanistan. I got this head a month or so before we deployed and now that the deployment is almost over I can truly say this little head is for pros on the road! The structure itself is rugged and has put up with being dragged all around AF (not like that were an issue, it weighs next to nothing so it's easy to move and small too!). It has simple controls but they are authentic. 9 times our of 10 a bass amps' EQ has several bands, but it's still a weak EQ, this amps' three knobs and 3 switches (boost/cuts for highs&bass/mid) give you a full range to play around and the tone is pure bass. No filters, no loss of tone when the gain goes up. It will sound like your bass, maybe for the first time!
It also comes with varrying voltage capacity, which especially in Afghanistan (or on the road in general) comes in handy since you don't always know the levels you'll get when you show up for the next gig.
Overall, this head is a solid amp, it does the job and it does it darned well. Get yours today if you live on the road and play bass :)

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Roland Micro Cube Bass RX Bass Combo Amp 4 X 4 In Review

Roland Micro Cube Bass RX Bass Combo Amp 4 X 4 In
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I have the original Roland MicroCube. As a bass player, everyone thought I was crazy for buying it, but I wanted something that I could play are really low volume after everyone goes to sleep. It works. But, the low B on my 5-string sounds like crap. I tried the CBRX at the store -- what a difference! The bass response is much better and the amp modeling & effects are designed for a bass, not a guitar. The added drum loops are a bonus. I would never gig with something this small, but I could see using it in the studio for going direct. It actually has nice tone at low volume. This would be perfect for jamming with a couple acoustic guitars.

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B600 1x12" Bass Combo Amplifier Review

B600 1x12 Bass Combo Amplifier
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I'm a guitar player, first and foremost, but I do a lot of recording in my basement where I play all the instruments, so I also have a Fender jazz bass for laying down bass tracks. Recently, I started playing bass for a small band. I had a Peavy Microbass that sounded, well, OK, but it turned out not to be loud enough with live drums, piano and a couple of guitars. I didn't want a giant, heavy bass amp to give me hernia just to play in my local synagogue, and I didn't want to spend a lot of money. After some internet searching, I went and played the Hartke B600. I found it at a local merchant who was having a 15% off sale and grabbed it for $169.00.
It has tons of power and a 12" driver, plus an effects loop, line out and headphone out. It stands upright or tilts back. Great tone control circuits. All under 40 lbs. I need to play more with the tone settings but even straight out of the box and with random twiddling it sounds great. It is truly an amazing, lightweight but powerful 12" 60 watt bass amp for an unbelievably low price (even at retail).
JMT

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Gallien-Krueger MB200 - 200W Ultra Light Bass Amplifier Review

Gallien-Krueger MB200 -  200W Ultra Light Bass Amplifier
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I've been an electric and upright bass player for over 15 years, and have been gigging regularly for the past 10 or so.
I hate hauling heavy gear.
I absolutely hate it. I build my own cabinets so I can shave pounds off of my load-in. I run with the smallest possible rig that I can get away with for any given show.
Because of that I've been watching the ultra-light part of the amp market for quite awhile now, waiting for good Class-D amps to make their way into the live audio segment at reasonable prices.
My last lightweight amp was a Crate Powerblock, 150w @4ohms and at least 4 times the weight of this one. Only problem with it is that it's a guitar amp, so it goes into overdrive when you turn the gain up past about 12 o'clock. It served my needs for gigs where I had a good PA and just needed my amp for on-stage monitoring, but I still had to haul a big (50lb) old school 350w head for most gigs without a PA.
I tried a Bose Packlite A1 power amp, but it didn't have the oomph despite allegedly being rated at 250w.
I call BS on those specs, the Crate was louder at it's 150w.
This MB200 though is freaking awesome.
Designed for bass, 200W of CLEAN power in a tiny package, and it doesn't cost a fortune like the EA mini or micro series, Walter Woods stuff, or Genz Benz shuttles. I generally run it off my Fishman platinum pre-amp just so I have tonal control easily at hand, but I'm starting to consider leaving that at home as well. The EQ on the MB200 is very solid, it's got an XLR output with switchable pre/post output, and Speakon or quarter inch power outputs.
It fits in the pouch of my upright bass bag and can serve as my primary amp for any gig I play that doesn't have PA support, and doesn't break the bank at just over a buck a watt.
What's not to love?
Get one now.

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Behringer BX4500H 450-Watt Bass Amp Head Review

Behringer BX4500H 450-Watt Bass Amp Head
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This has better tone than my 500 watt Hartke.
The 2 button foot switch is hooked to useful effects.
I like the Ultrabass set below about 2, and leave it off most of the time. The Shape sounds good on about 5.
I skip the bright and deep, they add more noise than good tone.
Set the gain on 6 for my Fender Jazz with S1 button. The guitars tone controls seem more versatile than with my old amp.
I set output on 2 for practice with lots of punch. Set it on 3 if you want to blow cats across the room, it can play gigs with room to spare. I have it hooked to a Hartke 15VX and an Avatar 2 x 12. The DI out sounds pretty lifeless compared to a mic in front of the speaker for recording and PA. This is a great sounding, high powered amp.


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The ULTRABASS BX4500H is a massive 450-Watt bass amp head with patented Dynamizer technology, boasting a switchable Ultrabass sub-harmonics processor for unbelievable low-end power and a revolutionary Shape filter for extreme sound range. Since flexibility has become a particularly important factor in the music business over the past few years, modern bass players need to offer a broad range of sounds, but should still be able to play in different kinds of settings at short notice: home recording, studio or live concerts.

This is why you get a complete set of useful functions that are simple enough to be operated intuitively and quickly. An extremely musical 5-band EQ with "Bright" and "Deep" functions gives you the ultimate in tone-shaping. There is an integrated limiter and an active, temperature-controlled cooling system for ultimate protection. You also get a vintage-style VU meter for precise signal level control. A dual footswitch for Ultrabass and Shape functions is included, and there are 3 speaker outputs on 1/4-inch jack and touch-proof connectors compatible with Neutrik Speakon. With this amp, you can certainly rock the stage like a pro.
Patented Dynamizer technology When it comes to amplifying the signals delivered by electric instruments, you've got to separate the wheat from the chaff. Unlike mixed or mastered signals, electric instruments usually deliver extremely high signal peaks which, when raised in gain, produce nasty distortion. How an amplifier responds to these signal peaks can therefore be seen as one of its most essential quality features.
Many manufacturers use limiters preceding the power stage to limit dynamic signal peaks. However, the problem is the preamp, which is why Behringer equipped the BX4500H with unique Dynamizer preamp circuitry that gives you a lively and punchy sound with signal peaks--even if the amp reaches its power limits. Extreme signal peaks are limited effectively while the average level and hence the power of the overall signal is raised. The sound gets more vivid and powerful in character, without any unmusical distortion. With its limiter in the power stage it is virtually impossible to overdrive the ULTRABASS BX4500H.
Shape Function The Shape function on the BX4500H provides a revolutionary type of filter that you can use to modify your bass sound in full detail. Extreme filter settings will give your bass sound more power. For example, if you want to play a live bass solo but the sound doesn't cut through, set up a solid basic sound plus a very distinctive solo sound using the SHAPE filter. Connect your footswitch to control the SHAPE filter and you're all set.
The Shape filter is also handy for using two different bass guitars. Maybe you want to change from a jazz bass to a fretless bass, and vice versa--two instruments with a completely different sound. Use the Shape filter for your fretless sound, and the basic sound for the jazz bass. Problem solved.
Ultrabass Function Extremely low bass sounds playing one octave below the lowest available bass guitar frequency are quite trendy in current music productions. Often, you can do this in studios only, because most bass amplifiers have no sub-harmonics function. Not so with your BX4500H: the ULTRABASS processor gives you the ultimate tool to shape up-to-date sounds.
You'll be surprised how deep your bass can sound with the ULTRABASS function of your BX4500H. Extreme settings can be particularly interesting if you want to give your sound some flavor in the treble range. By the way: when you use the SHAPE filter set to a low cut-off frequency (which is a nice setting for growling sounds), but feel that there's not enough power in the bass range, the sub-harmonics processor will be there to help you: even though the sound is still growling, now it has much more depth.
The ULTRABASS function can easily be switched on and off via the supplied footswitch. This allows you to fine-tune certain passages only.
What's in the Box Behringer BX4500H 450-Watt Bass Amp Head, Power Cable, User's Manual

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Line 6 Low Down LD300 Pro Amp Review

Line 6 Low Down LD300 Pro Amp
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I got this amp two weeks ago and I've been blown away by the quality. It has an amazing range of sound, the different amp models and Smart FX let me customize the sound for whatever I want. And it's loud. I play in a metal band and this thing keeps up just fine with my guitar player's 4X10 Marshal stack.
This amp is also very well made. It's tough and durable, and can take a beating. I tend to jump onto and off of it during gigs.
All in all, this is the perfect amp for the money.

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Finally, timeless rock tone in an affordable combo! LowDown LD300 is part of a family line of bass amps from Line 6 and that delivers an incredible array of�dialed-in, stage-perfected bass tones with 5 killer bass amp models and effects that cover everything from funk to modern or classic rock and beyond.LowDown offers incredible sonic flexibility with a modeled vintage studio compressor, and critical bass-specific effects like Bass Synth, Chorus, Envelope Follower and Octaver.Plus, the oversized high-speed power amp has incredible articulation and low-end punch that's ideal for live or studio work.Features also include: 4 programmable channel memories (36 with a FBV Shortboard), headphone out, line in, and a studio quality XLR direct out with Line 6's exclusive Bass POD amp and cab modeling that's the go to for studio direct recording.At last, there is a bass amp that gives you great tone, performance, and flexibility all at an unbelievable price. �

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Tech 21 SansAmp Character Series VT Bass Deluxe Distortion Effects Pedal Review

Tech 21 SansAmp Character Series VT Bass Deluxe Distortion Effects Pedal
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this bass pedal is really fantastic - flexible, compact, and a wide range of authentic sounds - 99% noiseless, cheaper and less weight than any ampeg tube amp ...


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Line 6 Low Down Studio 110 Amp Review

Line 6 Low Down Studio 110 Amp
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I bought this amp a month ago, and yup, it packs a punch. I actually have to turn it down when I play it at my church. I like the R&B and the Clean. The Synth is pretty crazy stuff. The Rock definately has that tone, the Grind I don't really have a need for.
When using my headphones I'ts hard to hear the different tones, but I'm pretty sure I just need to get a better pair. I don't fully understand how the cabinet simulater and line out feature differ. I am glad the power cable disconnects.
Overall lightweight, durable, and great options for the buck. I researched amps for awhile before buying and this one stood out above many others. I luckily got to try one at a music store before I bought it online.
I've only been playing bass for about a 1 1/2 years, and am sure I will come to appreciate this amp more as I improve.

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Ampeg BA112 BassAmp Series 1x12 Solid State Bass Combo Amplifier, 50 Watt Review

Ampeg BA112 BassAmp Series 1x12 Solid State Bass Combo Amplifier, 50 Watt
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I purchased a BA112 almost a year ago from another vendor, and highly recommend it. Ampeg has included a selector switch that allows the user to move between 5 EQ pre-sets, as well as separate controls for bass, mid-range, and treble. I've found a workable set of settings for the knobs and now have three of the pre-sets that I move between for jazz, pop, and rock. The tilt back feature is great when playing through a house sound system and using the amp as a monitor. This amp has a true line out, unlike some amps that have headphone jacks that disable the amp when you are plugged in. There's a separate headphone out, too. The great thing, of course, about the line out is that you have more control over tone and volume and are just leaving it entirely in the hands of the sound engineer. In the church where I play we have some somewhat suspect direct boxes that tend to kick in and out at random. Not a big problem for me when I cart my Ampeg in; I can simply use the amp and work around the problems caused by the faulty direct boxes. The BA112 is sturdy and really has plenty of dynamic and tonal range, including very good bass response, especially for the cost.

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Whether you're looking for a small, high-quality combo for personal practice and rehearsal, or a highly portable alternative to your main rig, the BA112 packs a lot of Ampeg into its compact frame. The most lightweight and portable of the Bassamp Series, the rugged BA112 features a 50-Watt output section and a single 12" Ampeg speaker.
Tone is the name of the game, and no matter what you're looking for, the Style Control puts absolute tone at your fingertips. With five presets to choose from, and the tone-sculpting capabilities of an onboard 3-band EQ, you'll find your sound night after night, gig after gig.
Innovative, versatile and great sounding, the BA112 combo incorporates a tilt-back, monitor-style enclosure, making it perfect for the stage and the studio. The RCA inputs are ideal for playing along with an MP3 or CD player, and you even can plug in headphones for "silent-running" mode. The BA112 -solid Ampeg, through and through.
Specifications:
RMS Power Output: 50-Watts
LF Driver: 1 x 12" Custom Ampeg Speaker
Preamp: Solid-State
Power Amp: Solid-State
Tone Controls: 3-Band EQ
Mid Tone Control: Style and Ultra Mid
Line Out: Unbalanced
Dimensions (W x H x D inches): 17.25 x 18 x 13
Weight: 39 Pounds


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Behringer K1800FX 180-Watt 4-Channel PA System Review

Behringer K1800FX 180-Watt 4-Channel PA System
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This amp has a nice sounding range of speakers. It gives nice low tones as well as ringing heights. It's perfect for a small band that wants to practice any time and any where. It's sort of heavy for it's size, I guess this delivers the punch. I have used it for many a band pratice due to the fact that it can take 4 inputs plus a CD player.

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Ampeg BA115HP BassAmp Series 1x15 Solid State Bass Combo Amplifier, 220 Watt Review

Ampeg BA115HP BassAmp Series 1x15 Solid State Bass Combo Amplifier, 220 Watt
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I am a studio sessio bassist, so I normally do not have much need for a bass amp. From time to time, I may need an amp in a studio for a "miked" tone for the recording, but in most cases I run direct with great results.
However, I had a dilema: When a studio client would ask me to play live with them, I frequently had to turn down the gig because I had great basses but no amp. I was looking on zZound's website (http://www.zzounds.com) and found this bass amp on sale as a B-stock item. B-stock is great value because it is slight used, usually returned merchandise that has been completely checked over and resold from the manufacturer. I bought this amp for considerably less than retail, it came with full warranty, and it had no cosmetic flaws when I opened the box. I plugged the amp in and hooked up my bass to test the amp, and the tone was amazing! This small combo amp, pound for pound, outperforms the bass stack that I owned before!
This amp has 220 watts, which is plenty of power for where musicians in the real world play. Face it: when was the last time you played an arena?! =D This is perfect for a gig in a restaurant, small bar, or club. This combo has an XLR output as well, so when recording or playing a larger venue or an outdoor festival, running to the PA and/or the recording console is extremely easy. I'm not a fan of 15" drivers, but again, I got such a good deal on this amp that I couldn't pass it up! I would have preferred a 2x10 configuration, which Ampeg does have available if you prefer that configuration. Nevertheless, the 15" driver with the 1" compression horn does produce clean, clear, versitile tone. I have used this combo for anything from rock, jazz, blues, metal, pop, country, gospel, etc. I have never had any complaints about the tone.
The preamp filters consist of a simple 3-band EQ (bass, mid, treble), which sounds surprisingly good for only being a 3-band EQ. There is also a 5-position switch with predetermined EQ curves from the factory: 1 & 2 scoop out the mids (1 = heavy scoop, 2 = light scoop), 3 is flat (no coloration), 4 & 5 boost the upper mids while keeping the lows and lower mids flat. All of these positions have very usable tones by themselves, but then when you use the 3-band EQ to tweak the tone... BAM!! Ampeg tonal magic!! I don't know what Ampeg does to make this little box sound so good, but whatever it is works! ;)
Some other features that I like are the BUILT IN TUNER (huge convenience, and the tuner is accurate), a mute switch (always a welcome addition to a bass amp as far as I'm concerned), and removable casters so that moving the amp around is a breeze. Also, the classic black Ampeg look. I can go to any kind of gig, and the musicians and fans will immediately know what kind of amp I'm playing and how good it will sound. There's also RCA left and right (that's red and white) connections so that you can hook up your iPod, CD player, metronome, or drum machine while you practice. I usually don't practice plugged in, so that doesn't really matter much to me. :)
There are also a couple of little things that Ampeg thought of that don't really matter to players unless something goes wrong... For example: ever broken a knob off your combo amp because it stuck out too far and your car door hit it? I think we've all been there... The tops of the control knobs are slightly under flush from the top of the cabinet. Minimal risk for knob breakage. The power cable is built in, though I would have preferred a standard detachable power cable. Again, though, minimal risk. There is a space on the back of the cabinet under the head that's about 4-5" tall and is deep enough to tuck the power cable away when no plugged in. They even thought to put velcro tabs in this spot to secure the cable.
A couple of things that I would have liked to see on this amp include a compresser and lighter weight. The power amp does have a built in limiter to protect the amplifier from signal peaks. This does have some effect on the tone, but it is minimal. I like a compressed tone, but I can buy a foot pedal for compression. Not a huge-mongous deal. Also, this thing is an 85 lbs BEAST!! The casters do make lugging this heavy box around easy once it is on the ground, but getting it in/out of the car is a little rough on my lower back. If you don't mind the weight too much, this will not be an issue. I would have also liked to see an effects loop and an auxilary speaker output. I think Ampeg was trying to keep this amp very simple, so I understand why these features aren't there. It still sucks a bit though...
Overall, I was very impressed with the performance, tone, look, and everything else with this particular combo amp. I am very glad that I bought it, happy about the good deal I got, and overjoyed with the tone this box puts out.

Click Here to see more reviews about: Ampeg BA115HP BassAmp Series 1x15 Solid State Bass Combo Amplifier, 220 Watt

When the bass simply has to be heard and felt, the BA115HP is the high-powered combo solution. Featuring a 220-Watt power section and a custom 15" Ampeg speaker, the BA115HP can fill a medium-sized venue with headroom to spare.
Designed to meet the needs of today's multi-string bass player, the BA115HP's HF level control lets you dial in the perfect amount of top-end, so all those harmonics and chordal subtleties you've worked so hard to develop get heard by the entire audience.
If you're the kind of player who changes basses often during a performance, the BA115HP's mute switch will come in handy-and it allows you to use the built-in digital chromatic tuner in total silence. The XLR balanced line output is perfect for patching into front of house or recording consoles. Solid Ampeg tone, with conventional functionality, the BA115HP.
Specifications:
RMS Power Output: 220-Watts
LF Driver: 1 x 15" Custom Ampeg Speaker
HF Driver: 1" Compression Driver with Level
Preamp: Solid-State
Power Amp: Solid-State
Tone Controls: 3-Band
Mid Tone Control: Style
Balanced Line Out: Yes
Built-in Tuner: Yes
Mute Switch: Yes
CD Input: Yes
Headphone Output: Yes
Dimensions (W x H x D inches): 21 x 21 x 15.5
Weight: 80 Pounds


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