Showing posts with label amplifier. Show all posts
Showing posts with label amplifier. Show all posts

Randall RX120RHS Combo Amp Review

Randall RX120RHS Combo Amp
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without a doubt the best solid state half stack under 500$ i've ever heard. used to play on a Marshall that costed twice as much and had half the clarity on the clean and crunch on the overdrive. i would HIGHLY recommend to any guitarist on a budget who needs to keep up with a very loud metal or rock drummer to pick this bad boy up.

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Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt) Review

Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt)
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I was actively playing shows as part of a succession of bands for about an eight year span of time, and for about six of those years the 800RB bass head was my rig. It went through several levels of hell; clubs, outdoor shows, extreme temps, extreme moisture, etc... and it was a steady and dependable performer. I never had to have it serviced and it never quit on me.
While the amp is rated at 400 watts total, it should be made absolutely clear that this is really two amplifiers (300/100) in a single unit. It states clearly in the manual that you should never hook up both amplifier outputs to the same speaker. There's a pre-amp section that includes a basic EQ, a switchable effects loop out/in, a master volume/gain, and a footswitchable boost(loudness) adjustment as well. The boost adjustment is great because it can provide you with some pretty good distortion options.
The style of music I was mainly playing was hard rock/metal, but also used the amp for industrial/electro-rock and a little bit of jazzy lounge music. The 800RB has just enough adjustments available via the EQ section and the preamp/gain knobs so that it can deliver a wide variety of tonal options. It truly excels, however, when you're going with straight ahead rock. I liked to set mine with the "California Smile" EQ (boost the 60hz and 4khz and "scoop" out everything else...) which the 800RB was able to accomodate perfectly.
I was using the dual amp configuration to run both a Mesa/Boogie 4x10" PowerHouse 8ohm cab along with a 1x15" of indeterminate make/model. In the bigger clubs with weak or non-existent PA's, I did have trouble with filling the room, but I think that had more to do with my speaker setup than the amplifier itself. I was able to keep up with the guys that were running the Ampeg 215/SVT rigs, and the additional bite of overdrive distortion was similar to what they could acheive with their tube amps.
One thing though - after I purchased the amp I immediately secured it in a dedicated hard plastic roadcase with enough room to breathe on top and underneath, and I think that made all the difference in the world regarding it's durability.
I would definitely recommend this amplifier to anybody that wants a fairly simple, maintenance-free, and durable bass amp head to play in the practice space or take on the road. The 800RB has a well-deserved reputation as one of THE choices for 'Gig Warriors', and having used one as the heart of my rig for more than 1000 hours of playing and full volume practice, I can attest to it's ability to back up the reputation.
However, if you're looking for an amp head that is clean and pristine enough to use as a recording rig, you might want to go with something a little more high-end, because the one issue that I encountered with this amp head is that it has slightly 'noisy' electronics that can create some sound issues when you're using it plugged straight into the board.
So, while this amp may not have as many knobs or pretty lights as some of the other amps out there, it's got enough functions/adjustments to satisfy most bassists, and it's purpose-built so that it will never break.

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300/100 watt bi-amp bass amplifier

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Gallien-Krueger 1001 RB-II Bi-Amp Bass Amplifier Review

Gallien-Krueger 1001 RB-II Bi-Amp Bass Amplifier
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As with most bass players, I started with economy gear. I very quickly learned how dramatic a difference high-end gear can make in the quality of your sound (when I upgraded to a Gallien-Krueger 115RBH Bass Guitar Cabinet (400 Watt)). The clarity of the sound when compared to my first cabinet ( Hartke VX410 Bass Guitar Amplifier 4x10 Cabinet, 400 watts) was astonishing! I knew the same would be true for the amplifier, and this was confirmed when I upgraded from the my first amp (Hartke 3500C Bass Guitar Amplifier Head, 350 Watts) to this Gallien-Kruger 1001RB(II). It has amazing power, clarity, and flexibility of tone (which becomes increasingly important as you start to play with other musicians).
I feel like I have discovered the Holy Grail of Bass Amplifiers! Thank you Bob Gallien, for your original vision, and for all your many years of commitment to excellent and innovation in developing and producing quality bass gear beyond the call of duty. You have made the world a better place for musicians as well as all those who listen to music! I hope to eventually add the (Gallien-Krueger 410RBH/8 Bass Guitar Cabinet (800 Watt)) to the rig (when I start playing larger venues).

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700 watt bass amp with 50 watt horn amp

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BBE DS-24 Digital Crossover and Speaker Management Processor, 2 Input / 4 Output Review

BBE DS-24 Digital Crossover and Speaker Management Processor,  2 Input / 4 Output
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So... for 175 bucks you get many options. Nice unit just remember to bring your laptop. Or create many profiles with slight variances to get the desired FOH sound.

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Behringer Classic 550-Watt Bass Amp Head BVT5500H Review

Behringer Classic 550-Watt Bass Amp Head BVT5500H
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I've been using this head for a couple of weeks now, running through a Beheringer 15" bass cabinet. used it for the first time at a gig the other night, and I love it! it keeps up nicely with the small Marshalls both guitar players use, and it has plenty of room to expand.
Great head!

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Fender Vintage Reissue '59 Bassman LTD Review

Fender Vintage Reissue '59 Bassman LTD
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This amp sounds incredible. Sparkling cleans and it can get downright dirty. The Tweed is a great touch. 4x10 inch speakers=plenty of volume.
I was also surprised by how light the amp was, it's not as heavy as other tube amps that I own so that is a major plus. This pedal also sounds great with any pedals you put in in front of it. I highly recommend this amp.

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Bugera 333 120-Watt 3-Channel Valve Amplifier Head with Reverb Review

Bugera 333 120-Watt 3-Channel Valve Amplifier Head with Reverb
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This is a 120-watt, 3-channel(clean, crunch, lead) all-tube amp head. Each channel has it's own 3-band EQ and volume knob, with the crunch and lead channels also having independent gain knobs. Theh clean channel lives up to its name, providing warm, clear clean tones. Don't expect the cleans to have the same body or dynamic tone of, say, a Fender Twin-Reverb, but for most applications the 333's clean tones should be more than sufficient. And lets be honest, you're not buying this amp for the clean tones. So moving on to the overdrive channels, the first thing you should know is that the Bugera 333 is very similar to the Peavey XXX/JSX amps. What this should tell you is that this amp doesn't sound British/Marshall-esque at all. That being said, the crunch channel offers a surprising variety of tones, from a very mild, bluesy overdrive to a pretty high-gain roar perfect for most types of rock or even 80's metal. The lead channel offers an insane amount of gain for pretty much any style of metal or hard rock. By keeping the gain low on the lead channel, you can get enough distortion to play stuff like Avenged Sevenfold, Bullet for my Valentine, or certainly Metallica, while still having enough clarity to play a tasteful solo. Turn up the gain on the lead channel and you do start to lose some note definition in favor of insane fuzz; amateur shredder's delight.
A cool tone-shaping feature with this amp is the dampening switch, found on the back of the amp. This feature basically affects how "punchy" the bass tone is. Set on low, the bass is open and punchy. Set on high, the bass is very tight, focused, and deep. Medium is a pretty happy middle-ground.
Also note that this amp is switchable between 4,8, and 16 ohms to match any cab you'll be using.
In conclusion I'll add that this amp sounds great even at very low volumes, perfect for you late night/apartment players.

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QSC GX5 Stereo Power Amplifier Review

QSC GX5 Stereo Power Amplifier
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I bought the QSC GX5 stereo amplifier for use in my band's practice studio. We previously used a Mackie mixer/amp setup and we recently bought an Allen & Heath mixer along with the QSC Amp. We've gone from a little noisy system to an absolutely silent (no hiss, no noise) system even when turned all the way up. It's nice! We A/B'd the amps and while the Mackie is rated to have more power, the QSC is clearly punchier and so much cleaner. I can't say enough about how nice this amp is. I've owned Crown, Crest and Yamaha amps as well and none of them were cleaner than this one.
As for durability, it's still new BUT QSC is offering a 6 year warranty for free on this model (until March 09) so I can't imagine they would do this if these amps were a service problem.
Oh and it looks great in my rack. I read somewhere that the amp is noisy when the cooling fans get going. Knowing this, I cranked the amp full and ran a punchy CD through the mixer full blast (no distortion!) and waited while the amp warmed up. After it reached operating temperature, the fan(s) indeed came on but by no means were they "loud." If I had this amp in a recording studio, I would have the amp in a soundproof room or enclosure as I suppose the fan could be audible during very quiet recording sessions. On the other hand, it is reassuring that I know the fans are indeed working, keeping the rails cool. For live sound, it just isn't a real issue.
Now I'm considering getting another QSC for a monitor amp. I heartily recommend this amplifier.


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Fender Hot Rod Deville 212 Review

Fender Hot Rod Deville 212
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Ok lets agree together that fender has the most awesome clean sound on planet earth that all guitar amp manufacturers wish they have. And this Fender Deville 2x12 has it! however,the overdrive/distortion is really unuseable unless all you play for the rest of your life is twang rock and blues!
There are tons of musicians like me who play more than two styles of music, and on a weekly basis that really play gigs on the weekends and rehearse during the week. My complaint with this fender amp model is that,WHY PAY SO MUCH MONEY FOR THIS AMP AND USE ONLY ONE CHANNEL ,WHICH IS THE CLEAN CHANNEL. then ending up spending more money on 3 or 4 more solid state pedals to put infront of the clean channel and claim to have a great tube sound! uuh duh!
to prove my point, just google this amp concerning the modification on the overdrive/distortion channel and there's tons and tons on the web costing you and extra $400 more not including the shipping. If this was a one channel amp and the price is $400 street deal, then you will see 5 stars from me,cause its not made in the U.S.A.
there are other amps out there for $100 less "use" and some new! and both channels are useable and gig worthy out of the box without pedals. any used mesa boogie would do,peavey classic series,bogners,marshal DSL/TSL,egnaters,vOX ac30 etc... if buying a name brand is your thang cause you wanna be associated with the "club" your pathetic! The Fender frontman 65R has a much better overdrive/distortion at gig level and its not even a tube amp! aaaaaahhh!
TONE IS NOT A NAME BRAND IT BEGINS WITH YOU.....
FENDER CORPORATE! SHAME ON YOU!!! IF LEO FENDER WAS ALIVE TODAY MANY OF YOU WILL BE FIRED....
TO PROVE MY POINT FENDER HOT ROD DEVILLE 2X12 III IS JUST OUT AND IT HAD TO DO WITH THE DISTORTION CHANNEL! I GUESS FENDER POLICE WAS READING MY COMMENTS!

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Marshall AS100D 2x8 Acoustic Combo Amp Review

Marshall AS100D 2x8 Acoustic Combo Amp
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Finally, I've found an amp that does what I want it to. Great sound, clear and LOUD. Reverb could be better, but I sometimes use separate effects. Now here was the shocker: I hooked up my electic guit and PODxt, expecting the same crappy sound I've always gotten through acoustic amps (I've tried 5 different brands/models). JIMINY CRICKET what a fantastic sound with this amp, with an electric guitar thru the POD. I'm in HOG HEAVEN. Now, I suppose purists would scoff, but I'm into DRAMA not "multiple condenser mic" purity. All I can say is, after YEARS of flopping around trying to get the right sound at a human price, this wonderful machine does it all for me. At this price, I don't see how anyone could be disappointed.

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Behringer EPX2000 Professional 2000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology Review

Behringer EPX2000 Professional 2000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology
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After thorough research on multiple websites I determined that the Behringer EPX200 was the right amp for my situation. The applied situation for this amplifier is for a fraternity house sound system. So, I emphasize the word rugged in the title, haha. It's been almost a month now and this amp is put through its paces multiple times throughout the week. It's powering two Nady 500 watt speakers and they sound great. This amp puts out plenty of power, and the limiter switch on the back is great because it keeps people from doing harm to the amp or the speakers who don't know how to use it. Seriously, even in a large room, this amp pumps out the sound.

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Peavey PV 1500, 1500 Watt Power Amplifier Review

Peavey PV 1500, 1500 Watt Power Amplifier
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i really like this amp great price great product and i would buy from amazon.com again.

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QSC RMX850 Power Amplifier Review

QSC RMX850 Power Amplifier
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This review is going to be easy. I've had this amp for five years. It sounds great. Built like a tank. NEVER had a single problem with it. Very powerful. I'd buy another without hesitation.

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DBX DriveRack PX Powered Speaker Optimizer Review

DBX DriveRack PX Powered Speaker Optimizer
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WOW! Think about this thing as a magic wand for your sound system. Even though I only know how to work the wizards, I can already hear the difference. The sound is nice and tight, and I am able to get the bass I love out of my system (2x Mackie SRM450's and a Cerwin Vega CVA-115 sub, second one coming soon!). I started playing around with the compressor and the EQ and I'm amazed at how great my speakers sound. I can't wait to learn how to fully use all the features. I've already told some of my DJ friends to get this. Also, the feedback suppression system on this is great. I DJ weddings and other formal and corporate events. I don't have any complaints so far!

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Bugera V55HD 55-Watt Vintage 2-Channel Valve Amplifier Head with Reverb Review

Bugera V55HD 55-Watt Vintage 2-Channel Valve Amplifier Head with Reverb
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I was hesitant to pick up this amp due to the durability complaints about Bugera/Behringer products. Since I don't gig out, I figured I'd test my luck with this as a studio head. I've only had it for a month, so I can't really report in on that front.
The clean channel is very versatile and gets a nice compression at high volume. It sounds great with pedals -- using a TS-9 reissue, it gets that great SRV "Little Wing" solo tone.
The high gain channel is a bit fuzzy at high levels but sounds great around 5-6. Good bite and even harmonics, definitely "usable" distortion. Like any tube head, you really need to crank it to get the best sound.
It includes a footswitch to control the channels/reverb, which is all you need. There's a mid-range boost button on the head as well, but I didn't find the tone (when boosted) very usable.
My only complaints are that the reverb is not as good as an actual spring reverb, but it does the trick. It's a lot lighter than most reverbs, and I found myself turning it up to 5-6 to get what would typically be a 3-4 on a spring reverb unit.
For $350, you basically get a head that produces a ton of versatile tones and goes great with pedals. If that's what you need (as I did), this is your amp. Provided that I don't experience any durability issues, I'm a believer.


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Behringer EPX3000 Professional 3000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology Review

Behringer EPX3000 Professional 3000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology
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I used to use Crown amps and since I bought a Behringer EQ (FBQ 1502) I decided to go to the NEW epx model.
It's just amazing, great punch, lightweight, and very well construction.
I think Behringer made this amp really good.
For its price you can't get a better amp. Trust me.


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Behringer BX4500H 450-Watt Bass Amp Head Review

Behringer BX4500H 450-Watt Bass Amp Head
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This has better tone than my 500 watt Hartke.
The 2 button foot switch is hooked to useful effects.
I like the Ultrabass set below about 2, and leave it off most of the time. The Shape sounds good on about 5.
I skip the bright and deep, they add more noise than good tone.
Set the gain on 6 for my Fender Jazz with S1 button. The guitars tone controls seem more versatile than with my old amp.
I set output on 2 for practice with lots of punch. Set it on 3 if you want to blow cats across the room, it can play gigs with room to spare. I have it hooked to a Hartke 15VX and an Avatar 2 x 12. The DI out sounds pretty lifeless compared to a mic in front of the speaker for recording and PA. This is a great sounding, high powered amp.


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The ULTRABASS BX4500H is a massive 450-Watt bass amp head with patented Dynamizer technology, boasting a switchable Ultrabass sub-harmonics processor for unbelievable low-end power and a revolutionary Shape filter for extreme sound range. Since flexibility has become a particularly important factor in the music business over the past few years, modern bass players need to offer a broad range of sounds, but should still be able to play in different kinds of settings at short notice: home recording, studio or live concerts.

This is why you get a complete set of useful functions that are simple enough to be operated intuitively and quickly. An extremely musical 5-band EQ with "Bright" and "Deep" functions gives you the ultimate in tone-shaping. There is an integrated limiter and an active, temperature-controlled cooling system for ultimate protection. You also get a vintage-style VU meter for precise signal level control. A dual footswitch for Ultrabass and Shape functions is included, and there are 3 speaker outputs on 1/4-inch jack and touch-proof connectors compatible with Neutrik Speakon. With this amp, you can certainly rock the stage like a pro.
Patented Dynamizer technology When it comes to amplifying the signals delivered by electric instruments, you've got to separate the wheat from the chaff. Unlike mixed or mastered signals, electric instruments usually deliver extremely high signal peaks which, when raised in gain, produce nasty distortion. How an amplifier responds to these signal peaks can therefore be seen as one of its most essential quality features.
Many manufacturers use limiters preceding the power stage to limit dynamic signal peaks. However, the problem is the preamp, which is why Behringer equipped the BX4500H with unique Dynamizer preamp circuitry that gives you a lively and punchy sound with signal peaks--even if the amp reaches its power limits. Extreme signal peaks are limited effectively while the average level and hence the power of the overall signal is raised. The sound gets more vivid and powerful in character, without any unmusical distortion. With its limiter in the power stage it is virtually impossible to overdrive the ULTRABASS BX4500H.
Shape Function The Shape function on the BX4500H provides a revolutionary type of filter that you can use to modify your bass sound in full detail. Extreme filter settings will give your bass sound more power. For example, if you want to play a live bass solo but the sound doesn't cut through, set up a solid basic sound plus a very distinctive solo sound using the SHAPE filter. Connect your footswitch to control the SHAPE filter and you're all set.
The Shape filter is also handy for using two different bass guitars. Maybe you want to change from a jazz bass to a fretless bass, and vice versa--two instruments with a completely different sound. Use the Shape filter for your fretless sound, and the basic sound for the jazz bass. Problem solved.
Ultrabass Function Extremely low bass sounds playing one octave below the lowest available bass guitar frequency are quite trendy in current music productions. Often, you can do this in studios only, because most bass amplifiers have no sub-harmonics function. Not so with your BX4500H: the ULTRABASS processor gives you the ultimate tool to shape up-to-date sounds.
You'll be surprised how deep your bass can sound with the ULTRABASS function of your BX4500H. Extreme settings can be particularly interesting if you want to give your sound some flavor in the treble range. By the way: when you use the SHAPE filter set to a low cut-off frequency (which is a nice setting for growling sounds), but feel that there's not enough power in the bass range, the sub-harmonics processor will be there to help you: even though the sound is still growling, now it has much more depth.
The ULTRABASS function can easily be switched on and off via the supplied footswitch. This allows you to fine-tune certain passages only.
What's in the Box Behringer BX4500H 450-Watt Bass Amp Head, Power Cable, User's Manual

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