Fishman AFX Pedal - Reverb Review

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(More customer reviews)This is definitely a high quality fx pedal! It's built like a tank and you couldn't ask for better quality reverbs - they are rich and lush and very "tweak-able." There are three reasons I give this 4 stars instead of 5:
1. This thing eats 9v batteries pretty quickly, quicker than most pedals I've used;
2. It didn't come with an AC adapter; and,
3. For $250, it should have come with the adapter and the kitchen sink.
That said, it's a very worthy pedal for acoustic reverb.

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With quality sound always at the forefront, Fishman starts with an all-analog, buffered bypass signal path to protect your signal from noise. The Fishman AFX Reverb pedal includes eight effect presets: Studio, Room, Plate, Chamber, Stage, Concert Hall, Cathedral, Canyon. Level, tone and decay time controls function for all effects, allowing you to dial things in just right for your instrument and amplification system. Make the most of your reverb effects with 1/4" stereo ins and outs. An input gain switch adds level boost, and the Fishman reverb pedal is housed in durable all-metal construction.

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Electro-Harmonix Ring Thing Modulator Guitar Effects Pedal Review

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(More customer reviews)I always wanted to explore a ring modulator. This is not a one-trick pony thou. You have a tunable ring mod, tremolo, pitch shifter, upper band mod, low band mod along with a few weird things in between. This is a fun pedal for exploring non-traditional modulation applications. If you want a safe pretty effect, this may not suit your taste. This pedal goes beyond metal. It's electric guitar synthesis. Bell tones, sci-fi sounds, ethnic timbres. If you're looking for something new in sound, this is it.

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Electro-Harmonix Micro Synthesizer XO Analog Guitar Microsynth Review

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(More customer reviews)First and foremost, this is NOT a polyphonic pedal meaning that it only handles single notes. Secondly, do not expect to plug this baby in and be able to know what you're doing right off the bat. There is a fair learning curve that comes with this pedal, but once you understand each parameter, you will have access to hundred of combinations of those parameters and unique, exciting sounds.
The octave section of this pedal features parameters for three octave voices and your original, dry signal. The sub-octave can make your guitar sound very bass-like, but can also break up and become glitchy with lower notes (some guitarists actually prefer the bass microsynth to handle these lower notes). The octave up didn't particularly impress me, but was useful when used with the original, dry signal - don't expect any tycobrahe octavio tones from this. The square wave is VERY synthy and can add a whole mess of nasty to your signal.
Moving down the line of parameters, the attack delay is next. This is a really neat effect that could probably be a single stompbox in its own right. You can get some cool bowed type sounds from this.
Finally, the filter sweep section of the pedals - this section is where things can get really crazy. The start and stop parameters control the frequency where the signal begins and where it ends. With both sliders down, you can get a low-pass filter type of effect. Both sliders fully up will preserve the original frequency throughout without any sweep. The rate control handles how quickly the sound progresses from the start to stop parameters. You can get some cool envelope filter type quacks when this is set lower or some drawn out synthy sweeps when it is fully up.
The two parameters I didn't really touch on are trigger and resonance. One controls the sensitivity that triggers the filter sweep. The other (resonance) can sort of be described as the intensity of the sweep sound.
Bottom line: great pedal with many, many possibilities for the open-minded guitarist.

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