Showing posts with label tube amp. Show all posts
Showing posts with label tube amp. Show all posts

Fender Vintage Reissue '59 Bassman LTD Review

Fender Vintage Reissue '59 Bassman LTD
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This amp sounds incredible. Sparkling cleans and it can get downright dirty. The Tweed is a great touch. 4x10 inch speakers=plenty of volume.
I was also surprised by how light the amp was, it's not as heavy as other tube amps that I own so that is a major plus. This pedal also sounds great with any pedals you put in in front of it. I highly recommend this amp.

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Bugera 333 120-Watt 3-Channel Valve Amplifier Head with Reverb Review

Bugera 333 120-Watt 3-Channel Valve Amplifier Head with Reverb
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This is a 120-watt, 3-channel(clean, crunch, lead) all-tube amp head. Each channel has it's own 3-band EQ and volume knob, with the crunch and lead channels also having independent gain knobs. Theh clean channel lives up to its name, providing warm, clear clean tones. Don't expect the cleans to have the same body or dynamic tone of, say, a Fender Twin-Reverb, but for most applications the 333's clean tones should be more than sufficient. And lets be honest, you're not buying this amp for the clean tones. So moving on to the overdrive channels, the first thing you should know is that the Bugera 333 is very similar to the Peavey XXX/JSX amps. What this should tell you is that this amp doesn't sound British/Marshall-esque at all. That being said, the crunch channel offers a surprising variety of tones, from a very mild, bluesy overdrive to a pretty high-gain roar perfect for most types of rock or even 80's metal. The lead channel offers an insane amount of gain for pretty much any style of metal or hard rock. By keeping the gain low on the lead channel, you can get enough distortion to play stuff like Avenged Sevenfold, Bullet for my Valentine, or certainly Metallica, while still having enough clarity to play a tasteful solo. Turn up the gain on the lead channel and you do start to lose some note definition in favor of insane fuzz; amateur shredder's delight.
A cool tone-shaping feature with this amp is the dampening switch, found on the back of the amp. This feature basically affects how "punchy" the bass tone is. Set on low, the bass is open and punchy. Set on high, the bass is very tight, focused, and deep. Medium is a pretty happy middle-ground.
Also note that this amp is switchable between 4,8, and 16 ohms to match any cab you'll be using.
In conclusion I'll add that this amp sounds great even at very low volumes, perfect for you late night/apartment players.

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Fender Hot Rod Deville 212 Review

Fender Hot Rod Deville 212
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Ok lets agree together that fender has the most awesome clean sound on planet earth that all guitar amp manufacturers wish they have. And this Fender Deville 2x12 has it! however,the overdrive/distortion is really unuseable unless all you play for the rest of your life is twang rock and blues!
There are tons of musicians like me who play more than two styles of music, and on a weekly basis that really play gigs on the weekends and rehearse during the week. My complaint with this fender amp model is that,WHY PAY SO MUCH MONEY FOR THIS AMP AND USE ONLY ONE CHANNEL ,WHICH IS THE CLEAN CHANNEL. then ending up spending more money on 3 or 4 more solid state pedals to put infront of the clean channel and claim to have a great tube sound! uuh duh!
to prove my point, just google this amp concerning the modification on the overdrive/distortion channel and there's tons and tons on the web costing you and extra $400 more not including the shipping. If this was a one channel amp and the price is $400 street deal, then you will see 5 stars from me,cause its not made in the U.S.A.
there are other amps out there for $100 less "use" and some new! and both channels are useable and gig worthy out of the box without pedals. any used mesa boogie would do,peavey classic series,bogners,marshal DSL/TSL,egnaters,vOX ac30 etc... if buying a name brand is your thang cause you wanna be associated with the "club" your pathetic! The Fender frontman 65R has a much better overdrive/distortion at gig level and its not even a tube amp! aaaaaahhh!
TONE IS NOT A NAME BRAND IT BEGINS WITH YOU.....
FENDER CORPORATE! SHAME ON YOU!!! IF LEO FENDER WAS ALIVE TODAY MANY OF YOU WILL BE FIRED....
TO PROVE MY POINT FENDER HOT ROD DEVILLE 2X12 III IS JUST OUT AND IT HAD TO DO WITH THE DISTORTION CHANNEL! I GUESS FENDER POLICE WAS READING MY COMMENTS!

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Line 6 Spider Valve 212 Review

Line 6 Spider Valve 212
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I've been playing guitar for about 16 years, but I'll admit I know next to nothing about amps. I know what are generally considered to be good amps (Bogner, Marshall, Mesa/Boogie, etc.), but I couldn't look at the specs on an amp and tell you if it was any good.
After a little research, I came to the conclusion that I wanted a tube combo amp, something suitable for gigging or for practicing in the bedroom, that would give me a good variety of tones. (I like to play a wide range of music, from classic rock to metal and fusion, and bands I play with usually do covers.) I went down to Guitar Center with this in mind, and one of the salespeople pointed me to the Line 6 Spider Valve 212.
I plugged in an Ernie Ball Music Man JP6 (the same guitar I have at home) and immediately fell in love with the tone. You can see the specs for this amp a little farther up on the page, so I'll just talk about what matters: this amp sounds great. Plug in a good guitar with some good pickups, and you can dial in pretty much any tone you're after. Crank it up loud, and the tube power really shines. More than a dozen amp models (two choices for each individual setting on the dial) give you a wide variety of possible sounds. You'll likely hit on one or two models that you prefer, but even within a single setting you can dial in an impressive variety of tones.
I wasn't thrilled with the clean setting, but all I had to do get the clean sound I was after was to turn down the gain on the crunch setting, add a tiny bit of tape delay and some reverb, and there it was: my perfect clean tone. I've settled on the metal modeler (amber LED) for most of my high-gain tones, but I've only had it for about a week. I'm sure I'll find all kinds of great tones on different settings.
The one complaint I have about this amp is about the effects. They are limited, as you might expect with onboard effects, but the modulation effects in particular are practically unusable. The chorus and flanger are combined on the same dial for some reason, but all I really hear when I turn it on is a flanger, which is far too overpowering besides not being tweakable. A shame, since chorus is the only modulation effect I regularly use. The phaser and tremolo are okay, but I rarely use either and haven't experimented with them. The delay, on the other hand, is very usable, and I'm glad it got its own dial with three different flavors. The tap button for setting the tempo is essential and makes the onboard delay all most guitarists will need. The reverb is decent but a little overpowering at anywhere past about 11:00 on the dial.
Some other cool things about this amp include a built-in noise gate (just hold the tap button while turning the reverb dial past noon to activate it), distortion boost (hold the tap button while turning the drive dial past noon), and a tuner (hold the tap button in until the preset indicator switches to tuner mode). You can also save all your favorite settings as presets, easily navigable with a Line 6 FBV Express or Shortboard foot switch. (I strongly recommend spending the extra $100 on an FBV Express, though $230 for a Shortboard seems a little steep.)
(A quick side not about presets: the amp comes with 400+ presets, including 9 user-programmable banks with 4 patches each, totaling 36 programmable channels. You can't overwrite any of the artist or song presets. The presets are mostly decent at best, but they're a good starting point for tweaking. The amp does include a port for a PODxt, which you can also control with your FBV foot switch, and though I've never used one I'm sure it has plenty of programmable patches, so you aren't exactly limited to the amp's channels or presets.)
All in all, this amp sounds great with a huge variety of possible tones and options that will suit the needs of most guitarists playing in cover bands or just having fun at home. No, it can't compete with a Mesa Dual Rectifier half stack, but for a tube combo amp at well under $1,000, it can't be beat. Did I mention how loud this thing gets? I haven't been able to crank it past 10:00 on the master volume yet. I can't imagine anyone would ever need to go past 1:00, even at gigs. It's a seriously loud 40 watts.

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Spider Valve fuses the versatility of amp and effects modeling with the performance and feel of a world-class tube amplifier. Combining award-winning Line 6 modeling technology with a genuine tube amplifier designed by legendary amp designer Reinhold Bogner, Spider Valve delivers unmatched performance, responsiveness and tonal flexibility on the stage and in the studio.

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Bugera V55HD 55-Watt Vintage 2-Channel Valve Amplifier Head with Reverb Review

Bugera V55HD 55-Watt Vintage 2-Channel Valve Amplifier Head with Reverb
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I was hesitant to pick up this amp due to the durability complaints about Bugera/Behringer products. Since I don't gig out, I figured I'd test my luck with this as a studio head. I've only had it for a month, so I can't really report in on that front.
The clean channel is very versatile and gets a nice compression at high volume. It sounds great with pedals -- using a TS-9 reissue, it gets that great SRV "Little Wing" solo tone.
The high gain channel is a bit fuzzy at high levels but sounds great around 5-6. Good bite and even harmonics, definitely "usable" distortion. Like any tube head, you really need to crank it to get the best sound.
It includes a footswitch to control the channels/reverb, which is all you need. There's a mid-range boost button on the head as well, but I didn't find the tone (when boosted) very usable.
My only complaints are that the reverb is not as good as an actual spring reverb, but it does the trick. It's a lot lighter than most reverbs, and I found myself turning it up to 5-6 to get what would typically be a 3-4 on a spring reverb unit.
For $350, you basically get a head that produces a ton of versatile tones and goes great with pedals. If that's what you need (as I did), this is your amp. Provided that I don't experience any durability issues, I'm a believer.


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Bugera 1960 Classic 150-Watt Hi-Gain Valve Amplifier Head Review

Bugera 1960 Classic 150-Watt Hi-Gain Valve Amplifier Head
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I did a lot of research (or as much as possible) on this amp. First of all, I'm 32 and play all kinds of tones. I'm current with all kinds of music, and don't just play bbq blues. I've been looking for an affordable all tube amp for some time that didn't have all kinds of doo-dads and modelers, etc. I've owned a '78 50watt JMP, '73 Sunn Model T, 70's Fender Twin, Orange AD30, as well as some solid state amps when i was first getting into guitar.....So i'm familiar with tube tone and good vs. bad. The only thing this AMP can't do is nu-metal...but that's a good thing. you can hook up a tone sucking distortion pedal if you must, but don't waste all this warmth. For someone who plays at low volumes, this may not be the amp for you. this amp is plenty loud, and sounds better the louder it's turned up. It has a grindy overdrive and distortion as opposed to a smooth or fuzz type. I personally love this, and is what i look for. Bridging the high and low channel is the way to go, but you'll have to crank it to get it to break up...so again, if you don't like it loud, get an amp that has a master volume. The high channel will drive the pre-amp for tone, and the low will drive the power tubes to get its tone. not the most versital amp but if you like it pure, this is a great competitor in the tube amp tone world. I perfer it to many of the amps that were $1,000 more.

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Fender 57 Champ Custom 5W 1x8 Tube Guitar Combo Amp Tweed Review

Fender 57 Champ Custom 5W 1x8 Tube Guitar Combo Amp Tweed
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How can I put this?
Oh, yeah, it's probably a lot more expensive than it should be, just imagine how much one o' those cost back in '53...
50 bucks? Certainly not the actual 25 X it's real production price.
Anyways, thing sounds like you had a wee li'l reed player in yo pocket so tenor it is.
Not terribly bright or low-ended, what with the small size, but at any rate,the darn sweetest mid range you'll get to hear...this side of saturn, of course.
Niceness all around untill you start missing your big guns.
Right-o?

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Bugera V22 22-Watt Vintage 2-Channel Valve Combo with Reverb Review

Bugera V22 22-Watt Vintage 2-Channel Valve Combo with Reverb
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I work for a guitar store and am a bit of a gear snob so when i heard about the new Bugera line i was skepitcal. the day a single V22 arrived at our store i opened the box and was taken aback at how good the amp looked. i plugged it in, grabbed my favorite Tele and was blown away by the tone! after about 10 minutes of playing with this amp i placed it back in the box and bought it. I'm not the biggest fan of the triode tone though for someone i'm sure it's perfect. triode defintaley sounds better with the dirty channel and gives you that 60's garage rock tone. but in full pentode mode the amp really sings. for reference, i play clean instemental style, sufy, spaghetti westerny type stuff. the dirty channel is good but for for serious shredders this amp probably lacks the gain you would want but that's why they make pedals right? it's also doubtful that 22 watts would turn to many shredders on any how but it's plenty loud for most 100-200 people venues i play. there is a line out when i need to use it in bigger venues and an effects loop that is clean and noise free. though i like my spring verb tank, the digital reverb sounds great and is foot switchable with the included foot switch. for the price tag, this amp rivals many more expensive amps. i tried it back to back with a Fender vibrolux and the Bugera won by a mile. time will tell how durable it is but so far, it's my new favorite amp.

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Bugera 1990 Classic 120-Watt Hi-Gain Dual Reverb Valve Amplifier Head Review

Bugera 1990 Classic 120-Watt Hi-Gain Dual Reverb Valve Amplifier Head
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The Bugera 1990 really is an awesome sounding amp. It's got that classic marshall roar, pristine cleans, lush reverb (especially considering it's digital), and it's switchable between 120 watts and 60 watts, which offers great volume flexibility. But like the title of the review says, there are a few simple matters of business that any owner of this amp will need to take care of before you'll really be set:
1. New power tubes. The bugera power tubes aren't very good. Like, they're really really not very good. So depending on what tubes you choose to replace the stock tubes with, plan on spending an additional $80-$100 right from the start. It sucks, but Bugera can't make a quality amp at this pricepoint without cutting some corners, and tubes are one of the big places they're doing it.
2. BIAS THE AMP!!!! The out-of-the-box bias can be a little out of whack (mine was actually ok, but it was running a little hot). A common problem is that right out of the box the amp will be fine for between 15 minutes and an hour of playing, then it will just shut off. This reason this happens is a combination of poor power tubes and an out-of-whack bias. So be warned: the amp itself isn't broken, and since getting new power tubes and tweaking the bias, I haven't had a single problem. Also, this amp is very sensitive to impedance mis-matches, so be sure to know what impedance your speakers have, so you can match it correctly. A mis-match can also lead to the amp overheating and resetting. By-the-way, it was a pain trying to figure out where to set the bias, because on the Bugera website the biasing instructions are based on "tube" grades, which only Bugera uses to rate power tubes. So I just set my bias for the middle of the road at 50V, and it sounds great. I put JJ 6L6GC power tubes in, just for reference.
Ok, now that I've covered the "business" side of things, I'll move on to the truly important part of this review: I love the way this amp sounds. For reference, I play through a 4x12 cab with celestion vintage 30 speakers.
Cleans: Spectacular. Warm, rich, and full-bodied. I actually prefer the clean tones from the 1990 to the cleans on the fender tube amps I've owned. Fender cleans tend to be bass heavy (regardless of how you eq the amp), and I really like the more even frequency distribution I hear out of the Bugera. One concern I had was that with this amp only having one set of eq knobs, I would have to pick which channel I wanted the eq to be specifically set to, and then just compromise on the other channel. But fortunately, the clean and overdrive channel are pretty much voiced the same, so the same eq settings sound great on both channels. By the way, I mostly play hard rock/metal, stuff like Avenged Sevenfold, Metallica, Nickelback, Breaking Benjamin-style stuff. This amp has enough gain and a wide enough range on the EQ to be able to do each of these sorts of sounds well enough; maybe not match the tone exactly, but especially with a tubescreamer driving the front end, you can get some pretty heavy tones out of this amp. But if you're a total gain-a-holic who wants crushing bass-heavy tone, this probably isn't the amp for you. I'll also mention one small downside is that the clean channel doesn't respond well to distortion pedals. Plan on actually using the lead channel for your overdrive, and tube screamers or overdrive pedals to boost that channel should you wish to do so. I currently use the MXR ZW-44 (Zakk Wylde) overdrive to boost my lead channel and it works great as an additional "channel" with a little more bass, high end crunch, and gain for those heavier palm-muting riffs.
So if you're willing to "take care of business" with new tubes and biasing the amp, then the 1990 is a fantastic amp with as good of a price tag. Due to Bugera's reliability and quality control issues(more-so in the past, most of the major problems have been fixed), I don't know that I'd recommend this amp as a "first amp", but if you know a thing or two about tube amps, or just know a good amp tech, then this might be the best amp purchase you ever make.

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Laney GH50L 50 Watt All Tube Guitar Head Review

Laney GH50L 50 Watt All Tube Guitar Head
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I got this amp about 6 months ago, and I've used in numerous times in live situations--mostly in small clubs and bars playing loud rock in the vein of AC/DC, Motorhead or TurboNegro (yeah I put those three together). This is a single channel Master-Volume style 50-watt tube amp, with 2 EL34 power tubes 3 ECC83 preamp tubes, and another ECC83 additional drive stage tube.
While the amp really only has one channel, the foot-switchable (footswitch was not included with the amp) drive stage with it's own separate gain level allows you to replicate one of the most common uses of a 2-channel amp (getting a switchable boosted overdriven lead tone)with the simplicity of a single channel.
The controls on the front of the amp include: a common bass/mid/treble tone stack; Presence (an output stage tone control allowing you to boost the "sparkle" high end as needed); a Resonance switch to adjust output tube damping which can effect your bass response, a gain control, and a Master Volume.
Other cool features include a range of output impedance possibilities that will let you use the amp with a number of different speaker types and configurations, an FX loop ( I have no need for this myself) and a switchable bias control that will allow you to use 6L6(5881) tubes instead of EL34s should you so choose.
On to the actual review. As a master volume amp, the common use is to turn up the gain to a level of distortion one likes, and then use the volume control to match the overall volume to the room. I used it this way for awhile, but found I was never really satisfied with the tone I was getting. Compared to other Master Volume type amps the tone when used this way is actually fantastic, but it's still preamp distortion we're talking about. Now I run the amp with the gain turn down pretty low, and the Master volume cranked. The result is that the amp is producing all it's harmonics and distortion out of the output EL34s, and it sounds like pure tone heaven. A 50 watt amp with the master volume cranked all the way tends to be too loud for most venues I play--especially with a little gain in the mix, and a lot when I hit the drive switch--so I put a THD Hot Plate Power Attenuator between the amp and my speaker ( a 410 fender cab with 4 25-watt greenbacks) and reduce the output to the speakers by 8 DB, or only 4 in bigger rooms.
This setup sounds crazy good to me, and while the idea of replacing this with an old plexi or a blackface bassman is still in my head, I feel like the tone improvement over what this amp can produce that I might get out of going vintage wouldn't be noticeable to my ears. I'm certain there are purists who are itching to call me out on that but I really think this amp sounds fantastic.
Beyond the killer tone I'm getting out of it, the amp has been rock-solid reliable, and produces none of the irritating hums, buzzing and noises my bandmate's JCM 800 puts out. It took me a while to figure out how to get the sound I like out of this, and during that time I was constantly looking for a replacement, but once I got it dialed I fell in love. Now you can't pry this amp away from me.
For people who want a more high-gain metal tone, this amp is everything you need (I'm just not using mine this way). The gain stage can go a ways past what a JCM 800 does, and the additional drive stage can add the sustain your looking for. I only use the drive for leads, but in the right type of music it could bring a real metal edge to the tone on rhythm parts as well.


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Guitar Tube Amp Head. Made by laney.
The GH50L is a single channel master volume style head with footswitchable gain. It is capable of a huge variety of sounds, from sparkling clean through powerful crunch to full on monster tones and everything in between. If tone capable of turning people's heads at 100 yards is what you're after - look no further. As well as astounding tone these heads offer a valve-coupled effects loop and link jacks for slaving several heads together. The GH50L features an ECC83 equipped preamp and EL34 output section, easily switchable for 5881's. The GH50L is designed to be used with the GS412IA and GS412IS cabinets - to enhance the amplifiers huge tonal range and produce stunning tone at any volume.Specifications:
Power RMS 50 Watts
Inputs Hi & Lo Jacks
Channels 1: with footswitchable Gain
Equalisation Bass, Middle, Treble
Master Presence Control Yes
Switchable Resonance Yes
Preamp Valves Premium ECC83
Output Valves Premium EL34
Switchable valve bias (5881 / EL34) Yes
Class A/B
Link Jack (Line Level Slave) Yes
Footswitch FS1 (Not included)
Speaker connections Connections for 1 x 16 ohm, 2 x 16 ohm, 1 x 8 Ohm, 2 x 8 ohm
FX Loop(s) Yes (Switchable Insert / Side Chain) with return level
Weight 20 Kg


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Kustom 36 Coupe 36-Watt Guitar Tube Combo Amp - Red Review

Kustom 36 Coupe 36-Watt Guitar Tube Combo Amp - Red
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This is just the features and tone I have been looking for. I have been on a sort of amp quest recently and wasted a lot of money in doing so. luckily i got a good deal on this and it is terrific. Perfect amount of power, not too much, but loud enough for anywhere really.
Beautiful clean tone, nice bass response, good crunch, and wonderful lead distortion.
And it looks so cool.
I'm in love.

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Hughes & Kettner 25th Anniversary Edition Tube 20W 1x12 Tube Guitar Combo Amp, Black Review

Hughes and Kettner 25th Anniversary Edition Tube 20W 1x12 Tube Guitar Combo Amp, Black
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I had spent the last month trying to find the perfect tube combo that packed a punch. Went through a peavey classic and a fender hot rod deluxe trying to find a tone that fit my interests, finally this amp did it for me. The cleans are so smooth and sharp, and the overdrive can be anywhere between a vox and a marshall feel. Changing channels with the footswitch really got me excited about this amp. Most of the other low watt tube amps I was considering only had one channel. And unlike most guitar players, I am not a fan of distortion pedals. I want a real drive to switch to. I like writing quiet to loud type music and this amp is perfect for that!!! When I saw it, I was not expecting what came out. It really shocked me how loud this amp could get. At only 20 watts this thing is a beast!! The reverb is pretty nice too. It has a real defined sound. Overall I do not see ever getting rid of this gem. It is the closest I have ever had to a boutique amp and I feel a little spoiled.

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Line 6 Spider Valve MkII 212 40-watt 2x12 Guitar Combo Amp Review

Line 6 Spider Valve MkII 212 40-watt 2x12 Guitar Combo Amp
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I bought this amp lightly used from a dude on a popular auction site. I had used the previous model MK1 1x12" Spider Valve and I had been immensely happy with that amp. This new amp is a significant leap forward in tone, volume, editing capabilities and ease-of-use (provided you buy one of the pedals, I prefer the FBV ShortBoard).
When I plugged her in and set the model to Class A, turned the drive up to 85% and strummed that first chord, the amp gently took the electrical signal from my pickups, caressed it gently, shaping the tones into wisps of tonal joy and pleasure, as it passed the signal through the tubes and to the Celestion vintage 30 speakers, where the signal was transmuted into an airborne assault of gentle yet powerful aural bliss. Even when one has the testicular fortitude to attempt to draw every ounce of overdrive and distortion out of this amp, it never sounds bad. When the Insane model is selected and the drive pushed to 100%, the end result is a heavy yet pleasing inundation of sound and drive that sounds tremendously better than any "metal" effect I've heard thus far.
This amp is like a loyal Labrador, always willing to perform to it's best capability, desperately desiring to not only please you but to show you how much it cares for you by going above and beyond, yet when sleeping in bed with you, it takes up a bit more room than you prefer and halfway through the night you end up putting it back on the floor so you can sleep well. In the morning, you wake up and see it all alone, curled up in the corner and you feel bad for kicking it out of the bed. But you needed the rest, you've not been performing well at work lately and your boss is coming down on you for being tired but you feel so bad that you let the Man get you down and you start to wonder whether it's worth it keep going at the grind when you'd be much happier with you and your amp/labrador just travelling the countryside with no cares, no worries, just meeting people and playing music. Or frisbee.
Also, the amp is very loud.


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The best of both worlds just got better. Spider Valve MkII guitar amplifiers provide a boutique-style, all-tube design created by Reinhold Bogner, the most advanced amp modeling that Line 6 has to offer, and extremely deep but simple FX editing.Spider Valve is an award-winning amp line showcasing the incredible advantages of marrying all-tube power and modeling flexibly. Spider Valve MkII guitar amplifiers raise the bar even higher. They provide the latest Line 6 modeling, extraordinary deep-editing capabilities and the sophisticated warmth, punch and response associated with the Bogner name.Features:Class AB tube amp with two 12AX7 preamp tubes and two 6L6 power tubes2x12" Celestion Vintage 30 speakersBuild your tone with 16 of the most advanced Line 6 amp models to date20 Smart FX (up to 4 at once)Quick Loop: 14-second sound-on-sound looperNoise Gate, Boost (up to +8dB pre, post or both), Volume routingMIDI input and output/thru for seamless integration into MIDI switching setupsFBV Shortboard MkII and FBV Express MkII foot controller compatibility128 user presetsManual mode for a traditional front-panel amplifier experienceXLR Output supports two output modes: Performance Mode and Studio Mode1/4" speaker outputs (single and dual)1/4" power amp input and preamp output jacksGet your Spider Valve 212 MKII Guitar Combo Amp today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy.Spider owners also get free access to Spider Online, a unique online resource offering over 500 guitar lessons, amp tones, jam tracks and more. Watch videos of top artists dialing in their signature tones. Spark new inspiration with jam tracks, drum-and-bass grooves and drum loops played by top session musicians, plus hundreds of downloadable tones. Lessons cover all genres and styles and include tabs, audio samples and tones. Spider Online has something for everyone ...

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Crate Blackheart BH5-112 Little Giant Guitar Amp Combo, 5W All Tube with Attitude Review

Crate Blackheart BH5-112 Little Giant Guitar Amp Combo, 5W All Tube with Attitude
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I have had the Blackheart BH5-112 for two weeks now and I am happy to report that it is an amazing amp at an amazing price. It is designed to get a natural tube overdrive sound at a very reasonable volume level. You can sound like you are cranking your amp at full volume and yet not disturb your neighbors. Pyotr Belov is a brilliant designer and he has done an amazing job with this new Blackheart line of amps. This amp would probably be a great deal, even at twice the price. It is all tube and substantially built. There is absolutely nothing cheap about it. But the bottom line is IT SOUNDS GREAT!!! Highly recommended!
Roger Sadowsky
Sadowsky Guitars, NYC

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Blackheart Engineering? instruments are all tube, old-school amplifiers that are built like tanks and sound as good as amps costing multiple times the price. They look cool, they exude attitude and they don't EVER compromise tone

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VHT Special 6 Ultra Guitar Amplifier Head Review

VHT Special 6 Ultra Guitar Amplifier Head
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I have a few amps, a carvin legacy, an orange dual terror and a pico valve to name a few. I prefer only tube amps.
i was looking for a low cost tube amp with an effects loop. But finding a small one to keep in my livingrooms entertainment center was difficult. Then i saw this.
The amp is built well. And the 6 watts is more than enough to use in the livingroom. I tried this amp on an orange cabinette with 2 celestion vintage 30's and a carvin cabinette which i put 4 eminence tonkers in. It sounded fantastic and clear through the whole range of volume and gain on both cabs. It doesn't seem to have a lot of distortion when cranked full, but then again i didn't buy it to use as that. I wanted an amp that was small and loud enough to practice on when not in the play room.
You can change the tubes in it to give it more of a brittish sound etc. I was surprised to find a tube amp for under 300 that you can use 4 or 5 different type of output tubes in without rebiasing, combined with an effects loop circuit, and a line out all in one.
I think it will be hard to find another tube amp in the 5 or 6 watt range with all that this has, and sounds so good for less than 300 let alone 5 or 600. Not to mention it even had a small foot pedal switch to take it in and out of boost mode.


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Marshall MG100HFX Guitar Amplifier Head (100 Watts, 4 Channels) Review

Marshall MG100HFX Guitar Amplifier Head (100 Watts, 4 Channels)
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this is hilarious - Fender picture, but Marshall title. Oh this will never sell. Be awake when you guys put these pages up please.

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Egnater Tweaker 112 15W 1x12 Tube Guitar Combo Amp Black/Beige Review

Egnater Tweaker 112 15W 1x12 Tube Guitar Combo Amp Black/Beige
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I went to the store fully expecting to walk away with a Fender Blues Junior. After playing both the Fender and this amp multiple times, and leaving the store for an hour to clear my head, I ended up going home with this.
I don't think I have seen such a variety of tone options on an amp this size and/or price that didn't involve some kind of digital modeling. The switches are not just for show, they actually do change the sound. The "Tight" and "Bright" switches do exactly what it says on the label. I am most impressed, however, with the "Brit/AC/USA" 3-way switch. This is like 3 amps in one, and they all sound good.
This thing is built solid. In fact if I had anything to complain about, it is that this is more physical size and weight than I expect in a 15 watt amp. For a "practice" amp, I think I'd get pretty tired of lugging this big baby back and forth from band practice on a daily basis. If you're mental picture of a 15 watt practice amp is a little solid state amp with an 8-inch speaker, you are in for a shock. But I'm guessing they designed it like this for a reason, and it probably wouldn't sound the same with a smaller speaker and more lightweight construction.
It isn't really a 2-channel amp, but it does have a "Clean/Hot" switch. "Clean" ranges from actually clean to pretty damn crunchy, and "Hot" picks up from there and goes to Eleven. If you need more gain than the amp is capable of, the distortion or overdrive pedal of your choosing will probably sound good through it. Fuzz pedals, too.
Like all tube amps, it sounds best with the Master Volume as high as you can stand. (I always think that Master Volume should be labeled "Awesome") At 15 watts it is a bit louder than the 5 watt wonders like the Valve Junior and the Class Five (neither of which even HAVE a Master Volume to turn down), although not "3 times" as loud since Watts Do Not Work That Way. If you live with other people in the same house they will hear it and come tell you to turn it down, in which case you will grumble at them but still be glad you have that Master Volume knob.

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