Showing posts with label amp. Show all posts
Showing posts with label amp. Show all posts

Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt) Review

Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt)
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I was actively playing shows as part of a succession of bands for about an eight year span of time, and for about six of those years the 800RB bass head was my rig. It went through several levels of hell; clubs, outdoor shows, extreme temps, extreme moisture, etc... and it was a steady and dependable performer. I never had to have it serviced and it never quit on me.
While the amp is rated at 400 watts total, it should be made absolutely clear that this is really two amplifiers (300/100) in a single unit. It states clearly in the manual that you should never hook up both amplifier outputs to the same speaker. There's a pre-amp section that includes a basic EQ, a switchable effects loop out/in, a master volume/gain, and a footswitchable boost(loudness) adjustment as well. The boost adjustment is great because it can provide you with some pretty good distortion options.
The style of music I was mainly playing was hard rock/metal, but also used the amp for industrial/electro-rock and a little bit of jazzy lounge music. The 800RB has just enough adjustments available via the EQ section and the preamp/gain knobs so that it can deliver a wide variety of tonal options. It truly excels, however, when you're going with straight ahead rock. I liked to set mine with the "California Smile" EQ (boost the 60hz and 4khz and "scoop" out everything else...) which the 800RB was able to accomodate perfectly.
I was using the dual amp configuration to run both a Mesa/Boogie 4x10" PowerHouse 8ohm cab along with a 1x15" of indeterminate make/model. In the bigger clubs with weak or non-existent PA's, I did have trouble with filling the room, but I think that had more to do with my speaker setup than the amplifier itself. I was able to keep up with the guys that were running the Ampeg 215/SVT rigs, and the additional bite of overdrive distortion was similar to what they could acheive with their tube amps.
One thing though - after I purchased the amp I immediately secured it in a dedicated hard plastic roadcase with enough room to breathe on top and underneath, and I think that made all the difference in the world regarding it's durability.
I would definitely recommend this amplifier to anybody that wants a fairly simple, maintenance-free, and durable bass amp head to play in the practice space or take on the road. The 800RB has a well-deserved reputation as one of THE choices for 'Gig Warriors', and having used one as the heart of my rig for more than 1000 hours of playing and full volume practice, I can attest to it's ability to back up the reputation.
However, if you're looking for an amp head that is clean and pristine enough to use as a recording rig, you might want to go with something a little more high-end, because the one issue that I encountered with this amp head is that it has slightly 'noisy' electronics that can create some sound issues when you're using it plugged straight into the board.
So, while this amp may not have as many knobs or pretty lights as some of the other amps out there, it's got enough functions/adjustments to satisfy most bassists, and it's purpose-built so that it will never break.

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300/100 watt bi-amp bass amplifier

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Gallien-Krueger 1001 RB-II Bi-Amp Bass Amplifier Review

Gallien-Krueger 1001 RB-II Bi-Amp Bass Amplifier
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As with most bass players, I started with economy gear. I very quickly learned how dramatic a difference high-end gear can make in the quality of your sound (when I upgraded to a Gallien-Krueger 115RBH Bass Guitar Cabinet (400 Watt)). The clarity of the sound when compared to my first cabinet ( Hartke VX410 Bass Guitar Amplifier 4x10 Cabinet, 400 watts) was astonishing! I knew the same would be true for the amplifier, and this was confirmed when I upgraded from the my first amp (Hartke 3500C Bass Guitar Amplifier Head, 350 Watts) to this Gallien-Kruger 1001RB(II). It has amazing power, clarity, and flexibility of tone (which becomes increasingly important as you start to play with other musicians).
I feel like I have discovered the Holy Grail of Bass Amplifiers! Thank you Bob Gallien, for your original vision, and for all your many years of commitment to excellent and innovation in developing and producing quality bass gear beyond the call of duty. You have made the world a better place for musicians as well as all those who listen to music! I hope to eventually add the (Gallien-Krueger 410RBH/8 Bass Guitar Cabinet (800 Watt)) to the rig (when I start playing larger venues).

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700 watt bass amp with 50 watt horn amp

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Behringer Ultrabass BXL3000A 300-Watt 2-Channel Bass Workstation Review

Behringer Ultrabass BXL3000A 300-Watt 2-Channel Bass Workstation
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I purchased this amp and put it to work the very next day. I played Bass in a small church service full of 250 or so teens, next to a drummer so loud that my ears rang. I could clearly hear the bass amp.
I used it mainly as a monitor and lined it into the house system, but the band was loud on stage and this amp was up for the task. I didn't even need to turn it to "11."
Add to this the funky Ultrabass and the included pedal, the inputs to mix a CD or MP3 to practice, and headphone jack - this amp rocks.
One caveat: there is a slight noise that can now be heard in the mix. I am going to have that checked. Even so, it hasn't dampened my enthusiasm for the BXL3000A.

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Fender Vintage Reissue '59 Bassman LTD Review

Fender Vintage Reissue '59 Bassman LTD
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This amp sounds incredible. Sparkling cleans and it can get downright dirty. The Tweed is a great touch. 4x10 inch speakers=plenty of volume.
I was also surprised by how light the amp was, it's not as heavy as other tube amps that I own so that is a major plus. This pedal also sounds great with any pedals you put in in front of it. I highly recommend this amp.

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QSC GX5 Stereo Power Amplifier Review

QSC GX5 Stereo Power Amplifier
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I bought the QSC GX5 stereo amplifier for use in my band's practice studio. We previously used a Mackie mixer/amp setup and we recently bought an Allen & Heath mixer along with the QSC Amp. We've gone from a little noisy system to an absolutely silent (no hiss, no noise) system even when turned all the way up. It's nice! We A/B'd the amps and while the Mackie is rated to have more power, the QSC is clearly punchier and so much cleaner. I can't say enough about how nice this amp is. I've owned Crown, Crest and Yamaha amps as well and none of them were cleaner than this one.
As for durability, it's still new BUT QSC is offering a 6 year warranty for free on this model (until March 09) so I can't imagine they would do this if these amps were a service problem.
Oh and it looks great in my rack. I read somewhere that the amp is noisy when the cooling fans get going. Knowing this, I cranked the amp full and ran a punchy CD through the mixer full blast (no distortion!) and waited while the amp warmed up. After it reached operating temperature, the fan(s) indeed came on but by no means were they "loud." If I had this amp in a recording studio, I would have the amp in a soundproof room or enclosure as I suppose the fan could be audible during very quiet recording sessions. On the other hand, it is reassuring that I know the fans are indeed working, keeping the rails cool. For live sound, it just isn't a real issue.
Now I'm considering getting another QSC for a monitor amp. I heartily recommend this amplifier.


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Fender Hot Rod Deville 212 Review

Fender Hot Rod Deville 212
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Ok lets agree together that fender has the most awesome clean sound on planet earth that all guitar amp manufacturers wish they have. And this Fender Deville 2x12 has it! however,the overdrive/distortion is really unuseable unless all you play for the rest of your life is twang rock and blues!
There are tons of musicians like me who play more than two styles of music, and on a weekly basis that really play gigs on the weekends and rehearse during the week. My complaint with this fender amp model is that,WHY PAY SO MUCH MONEY FOR THIS AMP AND USE ONLY ONE CHANNEL ,WHICH IS THE CLEAN CHANNEL. then ending up spending more money on 3 or 4 more solid state pedals to put infront of the clean channel and claim to have a great tube sound! uuh duh!
to prove my point, just google this amp concerning the modification on the overdrive/distortion channel and there's tons and tons on the web costing you and extra $400 more not including the shipping. If this was a one channel amp and the price is $400 street deal, then you will see 5 stars from me,cause its not made in the U.S.A.
there are other amps out there for $100 less "use" and some new! and both channels are useable and gig worthy out of the box without pedals. any used mesa boogie would do,peavey classic series,bogners,marshal DSL/TSL,egnaters,vOX ac30 etc... if buying a name brand is your thang cause you wanna be associated with the "club" your pathetic! The Fender frontman 65R has a much better overdrive/distortion at gig level and its not even a tube amp! aaaaaahhh!
TONE IS NOT A NAME BRAND IT BEGINS WITH YOU.....
FENDER CORPORATE! SHAME ON YOU!!! IF LEO FENDER WAS ALIVE TODAY MANY OF YOU WILL BE FIRED....
TO PROVE MY POINT FENDER HOT ROD DEVILLE 2X12 III IS JUST OUT AND IT HAD TO DO WITH THE DISTORTION CHANNEL! I GUESS FENDER POLICE WAS READING MY COMMENTS!

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Marshall AS100D 2x8 Acoustic Combo Amp Review

Marshall AS100D 2x8 Acoustic Combo Amp
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Finally, I've found an amp that does what I want it to. Great sound, clear and LOUD. Reverb could be better, but I sometimes use separate effects. Now here was the shocker: I hooked up my electic guit and PODxt, expecting the same crappy sound I've always gotten through acoustic amps (I've tried 5 different brands/models). JIMINY CRICKET what a fantastic sound with this amp, with an electric guitar thru the POD. I'm in HOG HEAVEN. Now, I suppose purists would scoff, but I'm into DRAMA not "multiple condenser mic" purity. All I can say is, after YEARS of flopping around trying to get the right sound at a human price, this wonderful machine does it all for me. At this price, I don't see how anyone could be disappointed.

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Behringer EPX2000 Professional 2000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology Review

Behringer EPX2000 Professional 2000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology
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After thorough research on multiple websites I determined that the Behringer EPX200 was the right amp for my situation. The applied situation for this amplifier is for a fraternity house sound system. So, I emphasize the word rugged in the title, haha. It's been almost a month now and this amp is put through its paces multiple times throughout the week. It's powering two Nady 500 watt speakers and they sound great. This amp puts out plenty of power, and the limiter switch on the back is great because it keeps people from doing harm to the amp or the speakers who don't know how to use it. Seriously, even in a large room, this amp pumps out the sound.

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Line 6 Spider Valve 212 Review

Line 6 Spider Valve 212
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I've been playing guitar for about 16 years, but I'll admit I know next to nothing about amps. I know what are generally considered to be good amps (Bogner, Marshall, Mesa/Boogie, etc.), but I couldn't look at the specs on an amp and tell you if it was any good.
After a little research, I came to the conclusion that I wanted a tube combo amp, something suitable for gigging or for practicing in the bedroom, that would give me a good variety of tones. (I like to play a wide range of music, from classic rock to metal and fusion, and bands I play with usually do covers.) I went down to Guitar Center with this in mind, and one of the salespeople pointed me to the Line 6 Spider Valve 212.
I plugged in an Ernie Ball Music Man JP6 (the same guitar I have at home) and immediately fell in love with the tone. You can see the specs for this amp a little farther up on the page, so I'll just talk about what matters: this amp sounds great. Plug in a good guitar with some good pickups, and you can dial in pretty much any tone you're after. Crank it up loud, and the tube power really shines. More than a dozen amp models (two choices for each individual setting on the dial) give you a wide variety of possible sounds. You'll likely hit on one or two models that you prefer, but even within a single setting you can dial in an impressive variety of tones.
I wasn't thrilled with the clean setting, but all I had to do get the clean sound I was after was to turn down the gain on the crunch setting, add a tiny bit of tape delay and some reverb, and there it was: my perfect clean tone. I've settled on the metal modeler (amber LED) for most of my high-gain tones, but I've only had it for about a week. I'm sure I'll find all kinds of great tones on different settings.
The one complaint I have about this amp is about the effects. They are limited, as you might expect with onboard effects, but the modulation effects in particular are practically unusable. The chorus and flanger are combined on the same dial for some reason, but all I really hear when I turn it on is a flanger, which is far too overpowering besides not being tweakable. A shame, since chorus is the only modulation effect I regularly use. The phaser and tremolo are okay, but I rarely use either and haven't experimented with them. The delay, on the other hand, is very usable, and I'm glad it got its own dial with three different flavors. The tap button for setting the tempo is essential and makes the onboard delay all most guitarists will need. The reverb is decent but a little overpowering at anywhere past about 11:00 on the dial.
Some other cool things about this amp include a built-in noise gate (just hold the tap button while turning the reverb dial past noon to activate it), distortion boost (hold the tap button while turning the drive dial past noon), and a tuner (hold the tap button in until the preset indicator switches to tuner mode). You can also save all your favorite settings as presets, easily navigable with a Line 6 FBV Express or Shortboard foot switch. (I strongly recommend spending the extra $100 on an FBV Express, though $230 for a Shortboard seems a little steep.)
(A quick side not about presets: the amp comes with 400+ presets, including 9 user-programmable banks with 4 patches each, totaling 36 programmable channels. You can't overwrite any of the artist or song presets. The presets are mostly decent at best, but they're a good starting point for tweaking. The amp does include a port for a PODxt, which you can also control with your FBV foot switch, and though I've never used one I'm sure it has plenty of programmable patches, so you aren't exactly limited to the amp's channels or presets.)
All in all, this amp sounds great with a huge variety of possible tones and options that will suit the needs of most guitarists playing in cover bands or just having fun at home. No, it can't compete with a Mesa Dual Rectifier half stack, but for a tube combo amp at well under $1,000, it can't be beat. Did I mention how loud this thing gets? I haven't been able to crank it past 10:00 on the master volume yet. I can't imagine anyone would ever need to go past 1:00, even at gigs. It's a seriously loud 40 watts.

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Spider Valve fuses the versatility of amp and effects modeling with the performance and feel of a world-class tube amplifier. Combining award-winning Line 6 modeling technology with a genuine tube amplifier designed by legendary amp designer Reinhold Bogner, Spider Valve delivers unmatched performance, responsiveness and tonal flexibility on the stage and in the studio.

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Peavey PV 1500, 1500 Watt Power Amplifier Review

Peavey PV 1500, 1500 Watt Power Amplifier
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i really like this amp great price great product and i would buy from amazon.com again.

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DBX DriveRack PX Powered Speaker Optimizer Review

DBX DriveRack PX Powered Speaker Optimizer
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WOW! Think about this thing as a magic wand for your sound system. Even though I only know how to work the wizards, I can already hear the difference. The sound is nice and tight, and I am able to get the bass I love out of my system (2x Mackie SRM450's and a Cerwin Vega CVA-115 sub, second one coming soon!). I started playing around with the compressor and the EQ and I'm amazed at how great my speakers sound. I can't wait to learn how to fully use all the features. I've already told some of my DJ friends to get this. Also, the feedback suppression system on this is great. I DJ weddings and other formal and corporate events. I don't have any complaints so far!

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Behringer EPX3000 Professional 3000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology Review

Behringer EPX3000 Professional 3000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology
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I used to use Crown amps and since I bought a Behringer EQ (FBQ 1502) I decided to go to the NEW epx model.
It's just amazing, great punch, lightweight, and very well construction.
I think Behringer made this amp really good.
For its price you can't get a better amp. Trust me.


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Hohner B2B-BK Headless Electric Bass (4 String, Black) Review

Hohner B2B-BK Headless Electric Bass (4 String, Black)
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I am completely satisfied with my item. It came within a few days and it is now my favorite bass to play because 20 years has passed and a new breed of youngsters have never seen a classic 80's headless bass that is shaped like a garden tool.


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Stand out from the pack with the headless, 4-string Hohner B2B-BK electric bass guitar in black, which features a nostalgically futuristic style that's a timeless reminder of the birth of music videos from the 1980s. The sleek, slim-profile Hohner B2B provides excellent low end bass as well as a perfectly balanced neck and body for optimum playing comfort. Other features include a solid American maple body, smooth 24-fret rosewood fingerboard over maple neck, Steinberger licensed hardware, and a standard P-J style passive pickup system.

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Crown XLS1000 Power Amplifier with integrated PureBand Crossover System and PeakX Limiters Review

Crown XLS1000 Power Amplifier with integrated PureBand Crossover System and PeakX Limiters
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A few years ago my NAD power amp died after nearly 25 years of service; a good run for a fine piece of gear. Anyway, at the time my budget was very tight, so I deployed a Sansui integrated I had in the closet. That meant my Audio Research SP9II has been sitting unused--a shame because it's a fine late 80s preamp (and worth getting even now if you find one at a nice price). I recently decided to get the SP9II back in action, so I needed a power amp. But I still don't have funds for anything too pricey (meaning much above $400. Yeah, I know by audiophile standards that's petty change.) There's not a lot to choose from in that range. The little AudioSource amps get a lot of good reviews, but also a fair number of bad reviews. So I decided to check out the pro amps used by musicians and studios. Pyles were quite cheap, but not universally respected. Behringer was a possibility, but I know little about that company. Then I found the Crown XLS 1000 on sale for c. $250. The other amps in the series got solid reviews, the company was noted for rugged construction and high quality, and it had a good 3 yr. warranty. It was also a featherweight, under 10 lbs. (Appealing to me, with a dicky back.) Sold. When I hooked it into my Marantz CD changer & SP9II & satellite/sub system I immediately realized what I'd been missing with the Sansui (not a bad amp, but not exceptional). A semblance of soundstage opened up; dynamics improved notably; everything is just more vivid and detailed. The SP9II and the XLS 1000 make a terrific team. So, if you need a power amp for a home audio system, consider the XLS 1000. For a bit more money, the models higher in the line (1500, 2000, 2500) will give you more power. But I think if you're driving just a fairly efficient home speaker system (as I am), and you're an audio miser, this will do nicely for you.

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Behringer ACX900 Ultracoustic 90-Watt Amplifier Review

Behringer ACX900 Ultracoustic 90-Watt Amplifier
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You could spend some serious money on an acoustic amp ... but depending on your needs, this amp is an exellent value ... it performs as good or better than lots of amps 3 times it's price ... Behringer makes really high quality products for much less money than most products in the same class ... between me and my sons, we own several Behringer products and have always been pleased with the quality ...
This amp has 2 channels and multi band EQ on each ... 1/4 inch on one channel and XLR on the other ... I have been able to dial in really good sound for multiple acoustic gutiars and even for a vocal mic (although you might need a pre-amp for the mic for optimum performance) ... it also has outputs to go to a PA and I have been pleased with the results when I've used it as a monitor and run it to a mixing board for live performances .. it has 90 watts which is plenty of power for small venues or for use as a monitor (lots of amps with less power are way more expensive) ... look at the features on this amp and then compare them to other amps and you'll see you get more for your money with this one ...
Two reaons this amp does not get 5 stars. One is that the built-in effects are really below average IMO ... reverb is just OK and everything else just doesn't do it ... if you are just looking for a good acoustic, non-effected sound (or if you want to use your own external effects) you should not be dissapointed ... the other is the knobs/dials are plastic and look like they may not hold up as well as ones which are more ruggedly made ...
So if you are looking for a great value for a basic acoustic amp, you should be satisfied with the ACX900 ...

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Behringer ACX1800 Ultracoustic 180-Watt Amplifier Review

Behringer ACX1800 Ultracoustic 180-Watt Amplifier
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The special effects are terrific and can be applied individually to the Mic and Instrument input. Bought it just to fool around at home. Kids are having a blast singing karioke. Glad I bought the 1800 - plenty of power for our great room. The manual is excellent. This is a 50 pound amp! I'm gonna put wheels on the bottom so I can move it around easier.

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Behringer BX1800 180-Watt Bass Workstation Review

Behringer BX1800 180-Watt Bass Workstation
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hi, i am wilson from medellin, Colombia, i bought this amp. and find him a manufacturing defect, this product no technical support in my country, but thanks for shipping and delivery, everything just in time.

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