Showing posts with label marshall. Show all posts
Showing posts with label marshall. Show all posts

Marshall AS100D 2x8 Acoustic Combo Amp Review

Marshall AS100D 2x8 Acoustic Combo Amp
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Finally, I've found an amp that does what I want it to. Great sound, clear and LOUD. Reverb could be better, but I sometimes use separate effects. Now here was the shocker: I hooked up my electic guit and PODxt, expecting the same crappy sound I've always gotten through acoustic amps (I've tried 5 different brands/models). JIMINY CRICKET what a fantastic sound with this amp, with an electric guitar thru the POD. I'm in HOG HEAVEN. Now, I suppose purists would scoff, but I'm into DRAMA not "multiple condenser mic" purity. All I can say is, after YEARS of flopping around trying to get the right sound at a human price, this wonderful machine does it all for me. At this price, I don't see how anyone could be disappointed.

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Laney GH50L 50 Watt All Tube Guitar Head Review

Laney GH50L 50 Watt All Tube Guitar Head
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I got this amp about 6 months ago, and I've used in numerous times in live situations--mostly in small clubs and bars playing loud rock in the vein of AC/DC, Motorhead or TurboNegro (yeah I put those three together). This is a single channel Master-Volume style 50-watt tube amp, with 2 EL34 power tubes 3 ECC83 preamp tubes, and another ECC83 additional drive stage tube.
While the amp really only has one channel, the foot-switchable (footswitch was not included with the amp) drive stage with it's own separate gain level allows you to replicate one of the most common uses of a 2-channel amp (getting a switchable boosted overdriven lead tone)with the simplicity of a single channel.
The controls on the front of the amp include: a common bass/mid/treble tone stack; Presence (an output stage tone control allowing you to boost the "sparkle" high end as needed); a Resonance switch to adjust output tube damping which can effect your bass response, a gain control, and a Master Volume.
Other cool features include a range of output impedance possibilities that will let you use the amp with a number of different speaker types and configurations, an FX loop ( I have no need for this myself) and a switchable bias control that will allow you to use 6L6(5881) tubes instead of EL34s should you so choose.
On to the actual review. As a master volume amp, the common use is to turn up the gain to a level of distortion one likes, and then use the volume control to match the overall volume to the room. I used it this way for awhile, but found I was never really satisfied with the tone I was getting. Compared to other Master Volume type amps the tone when used this way is actually fantastic, but it's still preamp distortion we're talking about. Now I run the amp with the gain turn down pretty low, and the Master volume cranked. The result is that the amp is producing all it's harmonics and distortion out of the output EL34s, and it sounds like pure tone heaven. A 50 watt amp with the master volume cranked all the way tends to be too loud for most venues I play--especially with a little gain in the mix, and a lot when I hit the drive switch--so I put a THD Hot Plate Power Attenuator between the amp and my speaker ( a 410 fender cab with 4 25-watt greenbacks) and reduce the output to the speakers by 8 DB, or only 4 in bigger rooms.
This setup sounds crazy good to me, and while the idea of replacing this with an old plexi or a blackface bassman is still in my head, I feel like the tone improvement over what this amp can produce that I might get out of going vintage wouldn't be noticeable to my ears. I'm certain there are purists who are itching to call me out on that but I really think this amp sounds fantastic.
Beyond the killer tone I'm getting out of it, the amp has been rock-solid reliable, and produces none of the irritating hums, buzzing and noises my bandmate's JCM 800 puts out. It took me a while to figure out how to get the sound I like out of this, and during that time I was constantly looking for a replacement, but once I got it dialed I fell in love. Now you can't pry this amp away from me.
For people who want a more high-gain metal tone, this amp is everything you need (I'm just not using mine this way). The gain stage can go a ways past what a JCM 800 does, and the additional drive stage can add the sustain your looking for. I only use the drive for leads, but in the right type of music it could bring a real metal edge to the tone on rhythm parts as well.


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Guitar Tube Amp Head. Made by laney.
The GH50L is a single channel master volume style head with footswitchable gain. It is capable of a huge variety of sounds, from sparkling clean through powerful crunch to full on monster tones and everything in between. If tone capable of turning people's heads at 100 yards is what you're after - look no further. As well as astounding tone these heads offer a valve-coupled effects loop and link jacks for slaving several heads together. The GH50L features an ECC83 equipped preamp and EL34 output section, easily switchable for 5881's. The GH50L is designed to be used with the GS412IA and GS412IS cabinets - to enhance the amplifiers huge tonal range and produce stunning tone at any volume.Specifications:
Power RMS 50 Watts
Inputs Hi & Lo Jacks
Channels 1: with footswitchable Gain
Equalisation Bass, Middle, Treble
Master Presence Control Yes
Switchable Resonance Yes
Preamp Valves Premium ECC83
Output Valves Premium EL34
Switchable valve bias (5881 / EL34) Yes
Class A/B
Link Jack (Line Level Slave) Yes
Footswitch FS1 (Not included)
Speaker connections Connections for 1 x 16 ohm, 2 x 16 ohm, 1 x 8 Ohm, 2 x 8 ohm
FX Loop(s) Yes (Switchable Insert / Side Chain) with return level
Weight 20 Kg


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Laney VH100R 100 Watt All Tube Guitar Head Review

Laney VH100R 100 Watt All Tube Guitar Head
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First I have to say this is just an incredible head! It has two channels but with the gain boost it acts like more like a four. I 've had mine for 9 years and going and I never had a single problem with it. It's always worked and performed flawlessly whenever I fire her up. I like that fact that the power tube sockets are mounted on the chasis instead of the board and also like the fact that Laney uses Toroidal transformers which are more expensive to manufacture. Other than that this amp has the goods! The FX loop chain is very cleverly thought out. You can dedicate separate pedals to your channels without altering your sound or configuration with your amp. Brilliant! One thing I can't believe it that this amp has been designed around the mid 90s and hardly anything has changed about it except for the mounted handles. Other than that? It's be tried and true to be the same as it was in the 90's, more importantly all those features has been just as useful today as it was back then. I love the sound of this amp! I can get clean jazzy tones to full saturated distortion. I don't even need pedal for leads. It's that good! This amp does have a very sensitive and interactive tone shaping features so it may take some time to fine tune your sound but I like that way because it gives you the flexibility to find new possibilities and I always do. I seem to always make some adjustments after a few weeks to months and even a year to only find out that I got a better sound than I did from the previous configuration. All it all I've owned many amps, Marshall, Peavey, Orange, Egnater, Mesa, Fender, Rivera and Engl and I have to say they all have something good to offer but at the same time there are things that they lack. The VH100R has exactly what I look for in an amp!

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Marshall MG50FX Guitar Combo Amplifier (50 Watts, 4 Channels) Review

Marshall MG50FX Guitar Combo Amplifier (50 Watts, 4 Channels)
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I just bought this amp a few days ago. So far, so good. It sounds great for what it is. It's a $380 Solid State amp, BUT it has 4 programmable channels, on board digital FX, an FX loop on the back, it's 50 LOUD watts, comes with a nice foot switch that's very easy to use, the amp is not too big or too heavy. You could use it at home for practice or to jam with friends and maybe do some small gigs with it. I'm hoping it won't break down as the other person before me said it did. By the way, the preset lead tone is great, with a touch of delay and lots of good sustain, it has a chunky tight sound to it that I really like.
I played it the other night and really enjoyed the sound. Lots of fun to play. I think for this price, for what you get, for the quality of the sounds, I think this amp is a great deal, providing it doesn't break down. I'm glad I bought it and I'm really impressed with this amp, and that's coming from a guy who owns a top of the line Boogie half stack.
Don't expect the Marshall MG50FX to sound like a $2,000 Boogie or Marshall valve amp, but it does sound great for what it is.
If you're a young guitar player, playing in your first band, and you need a good amp on a budget, this amp might be the one to get. You can just plug in to it and play. No need for outboard FX just to rock out. ....but you can add them if you want using the FX loop.
I just WISH I had something like the MG50 back when I was first playing in bands. This thing smokes all the solid state amps I used to use back in the 80's and 90's.

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