Showing posts with label heads. Show all posts
Showing posts with label heads. Show all posts

Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt) Review

Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt)
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I was actively playing shows as part of a succession of bands for about an eight year span of time, and for about six of those years the 800RB bass head was my rig. It went through several levels of hell; clubs, outdoor shows, extreme temps, extreme moisture, etc... and it was a steady and dependable performer. I never had to have it serviced and it never quit on me.
While the amp is rated at 400 watts total, it should be made absolutely clear that this is really two amplifiers (300/100) in a single unit. It states clearly in the manual that you should never hook up both amplifier outputs to the same speaker. There's a pre-amp section that includes a basic EQ, a switchable effects loop out/in, a master volume/gain, and a footswitchable boost(loudness) adjustment as well. The boost adjustment is great because it can provide you with some pretty good distortion options.
The style of music I was mainly playing was hard rock/metal, but also used the amp for industrial/electro-rock and a little bit of jazzy lounge music. The 800RB has just enough adjustments available via the EQ section and the preamp/gain knobs so that it can deliver a wide variety of tonal options. It truly excels, however, when you're going with straight ahead rock. I liked to set mine with the "California Smile" EQ (boost the 60hz and 4khz and "scoop" out everything else...) which the 800RB was able to accomodate perfectly.
I was using the dual amp configuration to run both a Mesa/Boogie 4x10" PowerHouse 8ohm cab along with a 1x15" of indeterminate make/model. In the bigger clubs with weak or non-existent PA's, I did have trouble with filling the room, but I think that had more to do with my speaker setup than the amplifier itself. I was able to keep up with the guys that were running the Ampeg 215/SVT rigs, and the additional bite of overdrive distortion was similar to what they could acheive with their tube amps.
One thing though - after I purchased the amp I immediately secured it in a dedicated hard plastic roadcase with enough room to breathe on top and underneath, and I think that made all the difference in the world regarding it's durability.
I would definitely recommend this amplifier to anybody that wants a fairly simple, maintenance-free, and durable bass amp head to play in the practice space or take on the road. The 800RB has a well-deserved reputation as one of THE choices for 'Gig Warriors', and having used one as the heart of my rig for more than 1000 hours of playing and full volume practice, I can attest to it's ability to back up the reputation.
However, if you're looking for an amp head that is clean and pristine enough to use as a recording rig, you might want to go with something a little more high-end, because the one issue that I encountered with this amp head is that it has slightly 'noisy' electronics that can create some sound issues when you're using it plugged straight into the board.
So, while this amp may not have as many knobs or pretty lights as some of the other amps out there, it's got enough functions/adjustments to satisfy most bassists, and it's purpose-built so that it will never break.

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300/100 watt bi-amp bass amplifier

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Behringer Classic 550-Watt Bass Amp Head BVT5500H Review

Behringer Classic 550-Watt Bass Amp Head BVT5500H
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I've been using this head for a couple of weeks now, running through a Beheringer 15" bass cabinet. used it for the first time at a gig the other night, and I love it! it keeps up nicely with the small Marshalls both guitar players use, and it has plenty of room to expand.
Great head!

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Behringer BX4500H 450-Watt Bass Amp Head Review

Behringer BX4500H 450-Watt Bass Amp Head
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This has better tone than my 500 watt Hartke.
The 2 button foot switch is hooked to useful effects.
I like the Ultrabass set below about 2, and leave it off most of the time. The Shape sounds good on about 5.
I skip the bright and deep, they add more noise than good tone.
Set the gain on 6 for my Fender Jazz with S1 button. The guitars tone controls seem more versatile than with my old amp.
I set output on 2 for practice with lots of punch. Set it on 3 if you want to blow cats across the room, it can play gigs with room to spare. I have it hooked to a Hartke 15VX and an Avatar 2 x 12. The DI out sounds pretty lifeless compared to a mic in front of the speaker for recording and PA. This is a great sounding, high powered amp.


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The ULTRABASS BX4500H is a massive 450-Watt bass amp head with patented Dynamizer technology, boasting a switchable Ultrabass sub-harmonics processor for unbelievable low-end power and a revolutionary Shape filter for extreme sound range. Since flexibility has become a particularly important factor in the music business over the past few years, modern bass players need to offer a broad range of sounds, but should still be able to play in different kinds of settings at short notice: home recording, studio or live concerts.

This is why you get a complete set of useful functions that are simple enough to be operated intuitively and quickly. An extremely musical 5-band EQ with "Bright" and "Deep" functions gives you the ultimate in tone-shaping. There is an integrated limiter and an active, temperature-controlled cooling system for ultimate protection. You also get a vintage-style VU meter for precise signal level control. A dual footswitch for Ultrabass and Shape functions is included, and there are 3 speaker outputs on 1/4-inch jack and touch-proof connectors compatible with Neutrik Speakon. With this amp, you can certainly rock the stage like a pro.
Patented Dynamizer technology When it comes to amplifying the signals delivered by electric instruments, you've got to separate the wheat from the chaff. Unlike mixed or mastered signals, electric instruments usually deliver extremely high signal peaks which, when raised in gain, produce nasty distortion. How an amplifier responds to these signal peaks can therefore be seen as one of its most essential quality features.
Many manufacturers use limiters preceding the power stage to limit dynamic signal peaks. However, the problem is the preamp, which is why Behringer equipped the BX4500H with unique Dynamizer preamp circuitry that gives you a lively and punchy sound with signal peaks--even if the amp reaches its power limits. Extreme signal peaks are limited effectively while the average level and hence the power of the overall signal is raised. The sound gets more vivid and powerful in character, without any unmusical distortion. With its limiter in the power stage it is virtually impossible to overdrive the ULTRABASS BX4500H.
Shape Function The Shape function on the BX4500H provides a revolutionary type of filter that you can use to modify your bass sound in full detail. Extreme filter settings will give your bass sound more power. For example, if you want to play a live bass solo but the sound doesn't cut through, set up a solid basic sound plus a very distinctive solo sound using the SHAPE filter. Connect your footswitch to control the SHAPE filter and you're all set.
The Shape filter is also handy for using two different bass guitars. Maybe you want to change from a jazz bass to a fretless bass, and vice versa--two instruments with a completely different sound. Use the Shape filter for your fretless sound, and the basic sound for the jazz bass. Problem solved.
Ultrabass Function Extremely low bass sounds playing one octave below the lowest available bass guitar frequency are quite trendy in current music productions. Often, you can do this in studios only, because most bass amplifiers have no sub-harmonics function. Not so with your BX4500H: the ULTRABASS processor gives you the ultimate tool to shape up-to-date sounds.
You'll be surprised how deep your bass can sound with the ULTRABASS function of your BX4500H. Extreme settings can be particularly interesting if you want to give your sound some flavor in the treble range. By the way: when you use the SHAPE filter set to a low cut-off frequency (which is a nice setting for growling sounds), but feel that there's not enough power in the bass range, the sub-harmonics processor will be there to help you: even though the sound is still growling, now it has much more depth.
The ULTRABASS function can easily be switched on and off via the supplied footswitch. This allows you to fine-tune certain passages only.
What's in the Box Behringer BX4500H 450-Watt Bass Amp Head, Power Cable, User's Manual

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Jet City Amplification JCA20H 20 Watt Guitar Tube Amplifier Head Review

Jet City Amplification JCA20H 20 Watt Guitar Tube  Amplifier Head
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This little thing has a bark! It is a ton of fun to use. The controls are very simple, and you can get a lot of lo- to mid-gain use out of it.
Keep in mind, this amp does not have the best of glassy cleans, but it is easily moddable (even some available direct off of Jet City's website for additional $$$).
I found the best and most fun way to play this single channel amp is to set a good lead/rythm tone, and then just roll back the guitar's volume knob for cleaner sounds. It has a lot of range and sounds great - and the price is 100% unbeatable. This is my low-wattage choice for a single channel amp for everything. Even good metal tones can be hit with a mild overdrive/distortion pedal
The only other amp I've played that compares is the Blackstar HT-5 which is 1/4 the power and $50 more for the head (it also has a bit more modern sound to it).

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Bugera 1990 Classic 120-Watt Hi-Gain Dual Reverb Valve Amplifier Head Review

Bugera 1990 Classic 120-Watt Hi-Gain Dual Reverb Valve Amplifier Head
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The Bugera 1990 really is an awesome sounding amp. It's got that classic marshall roar, pristine cleans, lush reverb (especially considering it's digital), and it's switchable between 120 watts and 60 watts, which offers great volume flexibility. But like the title of the review says, there are a few simple matters of business that any owner of this amp will need to take care of before you'll really be set:
1. New power tubes. The bugera power tubes aren't very good. Like, they're really really not very good. So depending on what tubes you choose to replace the stock tubes with, plan on spending an additional $80-$100 right from the start. It sucks, but Bugera can't make a quality amp at this pricepoint without cutting some corners, and tubes are one of the big places they're doing it.
2. BIAS THE AMP!!!! The out-of-the-box bias can be a little out of whack (mine was actually ok, but it was running a little hot). A common problem is that right out of the box the amp will be fine for between 15 minutes and an hour of playing, then it will just shut off. This reason this happens is a combination of poor power tubes and an out-of-whack bias. So be warned: the amp itself isn't broken, and since getting new power tubes and tweaking the bias, I haven't had a single problem. Also, this amp is very sensitive to impedance mis-matches, so be sure to know what impedance your speakers have, so you can match it correctly. A mis-match can also lead to the amp overheating and resetting. By-the-way, it was a pain trying to figure out where to set the bias, because on the Bugera website the biasing instructions are based on "tube" grades, which only Bugera uses to rate power tubes. So I just set my bias for the middle of the road at 50V, and it sounds great. I put JJ 6L6GC power tubes in, just for reference.
Ok, now that I've covered the "business" side of things, I'll move on to the truly important part of this review: I love the way this amp sounds. For reference, I play through a 4x12 cab with celestion vintage 30 speakers.
Cleans: Spectacular. Warm, rich, and full-bodied. I actually prefer the clean tones from the 1990 to the cleans on the fender tube amps I've owned. Fender cleans tend to be bass heavy (regardless of how you eq the amp), and I really like the more even frequency distribution I hear out of the Bugera. One concern I had was that with this amp only having one set of eq knobs, I would have to pick which channel I wanted the eq to be specifically set to, and then just compromise on the other channel. But fortunately, the clean and overdrive channel are pretty much voiced the same, so the same eq settings sound great on both channels. By the way, I mostly play hard rock/metal, stuff like Avenged Sevenfold, Metallica, Nickelback, Breaking Benjamin-style stuff. This amp has enough gain and a wide enough range on the EQ to be able to do each of these sorts of sounds well enough; maybe not match the tone exactly, but especially with a tubescreamer driving the front end, you can get some pretty heavy tones out of this amp. But if you're a total gain-a-holic who wants crushing bass-heavy tone, this probably isn't the amp for you. I'll also mention one small downside is that the clean channel doesn't respond well to distortion pedals. Plan on actually using the lead channel for your overdrive, and tube screamers or overdrive pedals to boost that channel should you wish to do so. I currently use the MXR ZW-44 (Zakk Wylde) overdrive to boost my lead channel and it works great as an additional "channel" with a little more bass, high end crunch, and gain for those heavier palm-muting riffs.
So if you're willing to "take care of business" with new tubes and biasing the amp, then the 1990 is a fantastic amp with as good of a price tag. Due to Bugera's reliability and quality control issues(more-so in the past, most of the major problems have been fixed), I don't know that I'd recommend this amp as a "first amp", but if you know a thing or two about tube amps, or just know a good amp tech, then this might be the best amp purchase you ever make.

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Orange Amplifiers AD Series AD30HTC 30W Tube Guitar Amp Head Orange Review

Orange Amplifiers AD Series AD30HTC 30W Tube Guitar Amp Head Orange
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I have owned this amp for about a year. I Have had zero problems with it. For the sound this amplifier is created for it is the best amp in this price range. Comparable to Matchless or Bad Cat, only alot less money. There is not alot of clean head room on channel 1, which allows you to achieve that nice mild break up without having it cranked. But when it is cranked it sounds even better, (It's a valve amp). So if your looking for clean head room, go with a Thunderverb 100, or a fender. Channel 2 will go from a moderate break up to a dirty gritty beautiful distortion. (Not to be confused with a high gain metal style distortion), if you like that get a pedal. This amp sounds perfect in a live setting with a band. It is very dynamic, as far as using the volume controlls on your guitar to change the style of distortion.
Complaints: Channel 2 has to much treble (in my oppinion), so i usually dial it way down on the EQ,and that takes care of the problem. This is subjective though, as i'm sure some ppl like that sound.
No reverb
If you've never played through this amplifier i suggest you do. Unless you don't want to spend 1,500 dollars, because i assure you, once you play it you will spend the money.

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Silver Chadwick Series 2-Channel Tube Guitar Head with Chrome Grill Review

Silver Chadwick Series 2-Channel Tube Guitar Head with Chrome Grill
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I own several different amps and this amp is great. I prefer a lot more gain and most people will say it has plenty. It KRANKS! Normal price is high but I got this for an unbelievable price. So good that I bought two.

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Orange Tiny Terror Amplifier Head Review

Orange Tiny Terror Amplifier Head
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This amp got great reviews from all the pros claiming a boutique sound and in a compact size. It was my first tube amp and I'm impressed. It is versatile and I play all types of guitar music but it does tend to sway a little more towards the vintage sound than modern heavy metal. Still even with effects such as the metal core it does quite well. Compared to solid state peavey's it is much much more broken up and dirty especially on the low end which is almost abesnt in solid state. It's perfect for MUSE if you have a fuzz factory you can match that tone almost exact. Also if you have a vintage proco Rat and you're wondering what all the hype is about ... bring it over to the Orange side and you'll soon see that thing is meant for tube amps. I have nothing but good things to say about this unless you are a relentless heavy metal shredder. You're not going to get that great marshall tone and buzz out of this amp but it's a compromise for versatility and price. Everything but metal will sound awesome out of the box and you can tweek it so that metal will sound great too. It just won't be innate and you'll need to rely on some effects. But still I use it every day over my peavey bandit with the Orange plugged into and Avatar 2x12 8 ohm.

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Krank Black Rev Jr. Pro 20-Watt Guitar Head with Black Grill Review

Krank Black Rev Jr. Pro 20-Watt Guitar Head with Black Grill
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Really good high gain amp , just u need get a volume attenuator to get the best tone to low volume because is a very LOUD amp, the clean is totally perfect too.

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Randall KH120RHS Kirk Hammett Series 120-Watt Half Stack Guitar Amp Review

Randall KH120RHS Kirk Hammett Series 120-Watt Half Stack Guitar Amp
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If you love the way Kirk Hammett sounds in Metallica,you need this amp!
The 2 different gains are very similar in my view.The clean is clean.It has more then enough power.This amp doesn't have a great sound at low volume levels,but once you have it dialed in and have it cranked up,it is thunderous and will rock your foundation!!!!

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