Showing posts with label bass head. Show all posts
Showing posts with label bass head. Show all posts

Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt) Review

Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt)
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I was actively playing shows as part of a succession of bands for about an eight year span of time, and for about six of those years the 800RB bass head was my rig. It went through several levels of hell; clubs, outdoor shows, extreme temps, extreme moisture, etc... and it was a steady and dependable performer. I never had to have it serviced and it never quit on me.
While the amp is rated at 400 watts total, it should be made absolutely clear that this is really two amplifiers (300/100) in a single unit. It states clearly in the manual that you should never hook up both amplifier outputs to the same speaker. There's a pre-amp section that includes a basic EQ, a switchable effects loop out/in, a master volume/gain, and a footswitchable boost(loudness) adjustment as well. The boost adjustment is great because it can provide you with some pretty good distortion options.
The style of music I was mainly playing was hard rock/metal, but also used the amp for industrial/electro-rock and a little bit of jazzy lounge music. The 800RB has just enough adjustments available via the EQ section and the preamp/gain knobs so that it can deliver a wide variety of tonal options. It truly excels, however, when you're going with straight ahead rock. I liked to set mine with the "California Smile" EQ (boost the 60hz and 4khz and "scoop" out everything else...) which the 800RB was able to accomodate perfectly.
I was using the dual amp configuration to run both a Mesa/Boogie 4x10" PowerHouse 8ohm cab along with a 1x15" of indeterminate make/model. In the bigger clubs with weak or non-existent PA's, I did have trouble with filling the room, but I think that had more to do with my speaker setup than the amplifier itself. I was able to keep up with the guys that were running the Ampeg 215/SVT rigs, and the additional bite of overdrive distortion was similar to what they could acheive with their tube amps.
One thing though - after I purchased the amp I immediately secured it in a dedicated hard plastic roadcase with enough room to breathe on top and underneath, and I think that made all the difference in the world regarding it's durability.
I would definitely recommend this amplifier to anybody that wants a fairly simple, maintenance-free, and durable bass amp head to play in the practice space or take on the road. The 800RB has a well-deserved reputation as one of THE choices for 'Gig Warriors', and having used one as the heart of my rig for more than 1000 hours of playing and full volume practice, I can attest to it's ability to back up the reputation.
However, if you're looking for an amp head that is clean and pristine enough to use as a recording rig, you might want to go with something a little more high-end, because the one issue that I encountered with this amp head is that it has slightly 'noisy' electronics that can create some sound issues when you're using it plugged straight into the board.
So, while this amp may not have as many knobs or pretty lights as some of the other amps out there, it's got enough functions/adjustments to satisfy most bassists, and it's purpose-built so that it will never break.

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300/100 watt bi-amp bass amplifier

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Gallien-Krueger 1001 RB-II Bi-Amp Bass Amplifier Review

Gallien-Krueger 1001 RB-II Bi-Amp Bass Amplifier
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As with most bass players, I started with economy gear. I very quickly learned how dramatic a difference high-end gear can make in the quality of your sound (when I upgraded to a Gallien-Krueger 115RBH Bass Guitar Cabinet (400 Watt)). The clarity of the sound when compared to my first cabinet ( Hartke VX410 Bass Guitar Amplifier 4x10 Cabinet, 400 watts) was astonishing! I knew the same would be true for the amplifier, and this was confirmed when I upgraded from the my first amp (Hartke 3500C Bass Guitar Amplifier Head, 350 Watts) to this Gallien-Kruger 1001RB(II). It has amazing power, clarity, and flexibility of tone (which becomes increasingly important as you start to play with other musicians).
I feel like I have discovered the Holy Grail of Bass Amplifiers! Thank you Bob Gallien, for your original vision, and for all your many years of commitment to excellent and innovation in developing and producing quality bass gear beyond the call of duty. You have made the world a better place for musicians as well as all those who listen to music! I hope to eventually add the (Gallien-Krueger 410RBH/8 Bass Guitar Cabinet (800 Watt)) to the rig (when I start playing larger venues).

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700 watt bass amp with 50 watt horn amp

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Ashdown MAG 300H EVO II 307W Bass Amp Head Black with Silver Face Review

Ashdown MAG 300H EVO II 307W Bass Amp Head Black with Silver Face
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I have owned this bass head for over a year now and have had no problems with it thus far.
It's rated at 307 watts @ 8 Ohms, thats 307 real watts not 300 @ 2 or 4 Ohms like most bass amp companies try to wow you with. Has a warm clean sound without the hiss you'd get from other amps in this price range, but is still able to get a little ratty if need be, just crank up the input. cool lit UV meter helps you visualy to see if youre pushing it too far and the sub harmonic generator pumps out serious low end sound.
my only qualm is, no footswitch for the sub harmonic gen.
paired with the right cabinet this thing will shake stuff off of your walls!

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Behringer Ultrabass BB410 1200W 4x10 Bass Cabinet Review

Behringer Ultrabass BB410 1200W 4x10 Bass Cabinet
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Mostly, we have been conditioned into thinking the more expensive, the more better. Gear snobs have often turned their noses up at Behringer products and I don't know why. 90% of the time Behringer makes a product that sounds and performs just as good as equipment that costs hundreds more. Also, they have one of the best costumer services and everything they make is built rock solid. You can't tear this stuff up!
I've been on the market for a new bass cab (mostly a 4x10) for a while now. I've been researching and trying things out and I have come to the conclusion that with whatever I buy, the sound quality simply won't overcome the cost. The Behringer BB410 has a wonderful sound. It can handle way more power than your typical bass player will be carrying around, its 4 Ohms, can be linked with other cabs, and has both 1/4 and Speakeon inputs. It also has a horn that can be turned on and off, and honestly I find it is really low noise. Some cabs I've been trying I've found the horn to be too noisy and I have to turn it off but not the BB410. It is heavy and awkward to move around, but it still fits into the back of my car and I installed casters (instead of the little wheels coming off of the side) to make it easier to move. The speakers really bring out the punchy mid range I desire while keeping the bass low and booming. If you play slap/pop you will find your pops really cut through with that sharp percussive sound bass players tend to like. Playing in a cover band, I need really versatile equipment and this cab is it!
I have played through it with 4 or 5 heads (currently running the Eden E300 into it) and they all sound great! No matter how hard I play and I cannot get the speakers to distort out so it can handle all playing styles. Put high quality head through this thing and its winning.
Basically this is how I feel about this cab. If you aren't getting an Ampeg SVT, get this. If you aren't getting this, get an Ampeg SVT. If you aren't willing to shell out big money for an amazing Ampeg cab, you can be kind to your pockets and still get an excellent cab that will serve you well.

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Gallien-Krueger MB200 - 200W Ultra Light Bass Amplifier Review

Gallien-Krueger MB200 -  200W Ultra Light Bass Amplifier
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I've been an electric and upright bass player for over 15 years, and have been gigging regularly for the past 10 or so.
I hate hauling heavy gear.
I absolutely hate it. I build my own cabinets so I can shave pounds off of my load-in. I run with the smallest possible rig that I can get away with for any given show.
Because of that I've been watching the ultra-light part of the amp market for quite awhile now, waiting for good Class-D amps to make their way into the live audio segment at reasonable prices.
My last lightweight amp was a Crate Powerblock, 150w @4ohms and at least 4 times the weight of this one. Only problem with it is that it's a guitar amp, so it goes into overdrive when you turn the gain up past about 12 o'clock. It served my needs for gigs where I had a good PA and just needed my amp for on-stage monitoring, but I still had to haul a big (50lb) old school 350w head for most gigs without a PA.
I tried a Bose Packlite A1 power amp, but it didn't have the oomph despite allegedly being rated at 250w.
I call BS on those specs, the Crate was louder at it's 150w.
This MB200 though is freaking awesome.
Designed for bass, 200W of CLEAN power in a tiny package, and it doesn't cost a fortune like the EA mini or micro series, Walter Woods stuff, or Genz Benz shuttles. I generally run it off my Fishman platinum pre-amp just so I have tonal control easily at hand, but I'm starting to consider leaving that at home as well. The EQ on the MB200 is very solid, it's got an XLR output with switchable pre/post output, and Speakon or quarter inch power outputs.
It fits in the pouch of my upright bass bag and can serve as my primary amp for any gig I play that doesn't have PA support, and doesn't break the bank at just over a buck a watt.
What's not to love?
Get one now.

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Behringer BX4500H 450-Watt Bass Amp Head Review

Behringer BX4500H 450-Watt Bass Amp Head
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This has better tone than my 500 watt Hartke.
The 2 button foot switch is hooked to useful effects.
I like the Ultrabass set below about 2, and leave it off most of the time. The Shape sounds good on about 5.
I skip the bright and deep, they add more noise than good tone.
Set the gain on 6 for my Fender Jazz with S1 button. The guitars tone controls seem more versatile than with my old amp.
I set output on 2 for practice with lots of punch. Set it on 3 if you want to blow cats across the room, it can play gigs with room to spare. I have it hooked to a Hartke 15VX and an Avatar 2 x 12. The DI out sounds pretty lifeless compared to a mic in front of the speaker for recording and PA. This is a great sounding, high powered amp.


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The ULTRABASS BX4500H is a massive 450-Watt bass amp head with patented Dynamizer technology, boasting a switchable Ultrabass sub-harmonics processor for unbelievable low-end power and a revolutionary Shape filter for extreme sound range. Since flexibility has become a particularly important factor in the music business over the past few years, modern bass players need to offer a broad range of sounds, but should still be able to play in different kinds of settings at short notice: home recording, studio or live concerts.

This is why you get a complete set of useful functions that are simple enough to be operated intuitively and quickly. An extremely musical 5-band EQ with "Bright" and "Deep" functions gives you the ultimate in tone-shaping. There is an integrated limiter and an active, temperature-controlled cooling system for ultimate protection. You also get a vintage-style VU meter for precise signal level control. A dual footswitch for Ultrabass and Shape functions is included, and there are 3 speaker outputs on 1/4-inch jack and touch-proof connectors compatible with Neutrik Speakon. With this amp, you can certainly rock the stage like a pro.
Patented Dynamizer technology When it comes to amplifying the signals delivered by electric instruments, you've got to separate the wheat from the chaff. Unlike mixed or mastered signals, electric instruments usually deliver extremely high signal peaks which, when raised in gain, produce nasty distortion. How an amplifier responds to these signal peaks can therefore be seen as one of its most essential quality features.
Many manufacturers use limiters preceding the power stage to limit dynamic signal peaks. However, the problem is the preamp, which is why Behringer equipped the BX4500H with unique Dynamizer preamp circuitry that gives you a lively and punchy sound with signal peaks--even if the amp reaches its power limits. Extreme signal peaks are limited effectively while the average level and hence the power of the overall signal is raised. The sound gets more vivid and powerful in character, without any unmusical distortion. With its limiter in the power stage it is virtually impossible to overdrive the ULTRABASS BX4500H.
Shape Function The Shape function on the BX4500H provides a revolutionary type of filter that you can use to modify your bass sound in full detail. Extreme filter settings will give your bass sound more power. For example, if you want to play a live bass solo but the sound doesn't cut through, set up a solid basic sound plus a very distinctive solo sound using the SHAPE filter. Connect your footswitch to control the SHAPE filter and you're all set.
The Shape filter is also handy for using two different bass guitars. Maybe you want to change from a jazz bass to a fretless bass, and vice versa--two instruments with a completely different sound. Use the Shape filter for your fretless sound, and the basic sound for the jazz bass. Problem solved.
Ultrabass Function Extremely low bass sounds playing one octave below the lowest available bass guitar frequency are quite trendy in current music productions. Often, you can do this in studios only, because most bass amplifiers have no sub-harmonics function. Not so with your BX4500H: the ULTRABASS processor gives you the ultimate tool to shape up-to-date sounds.
You'll be surprised how deep your bass can sound with the ULTRABASS function of your BX4500H. Extreme settings can be particularly interesting if you want to give your sound some flavor in the treble range. By the way: when you use the SHAPE filter set to a low cut-off frequency (which is a nice setting for growling sounds), but feel that there's not enough power in the bass range, the sub-harmonics processor will be there to help you: even though the sound is still growling, now it has much more depth.
The ULTRABASS function can easily be switched on and off via the supplied footswitch. This allows you to fine-tune certain passages only.
What's in the Box Behringer BX4500H 450-Watt Bass Amp Head, Power Cable, User's Manual

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Ampeg SVT Micro-VR Bass Head, 200 Watts Review

Ampeg SVT Micro-VR Bass Head, 200 Watts
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The best sounding little amp i have had!!! I bought the matching 210 cab with this !!! It sounds great and it is easy to carry it weighs about 13lbs and the cab weighs around 27lbs!! It also looks awsome!!!

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Ampeg SVT Micro-VR Bass Head: A Compact Powerhouse Don't be fooled by its diminutive, dare we say "cute", appearance. The Ampeg Micro VR Bass Amp Head is a compact powerhouse fully capable of pumping its 200 watts of genuine Round SoundTM into myriad live and recording situations. This portable, powerful solid-state head in traditional Ampeg drag is a pleasant surprise from the second you lay eyes on it to the moment its indisputable Ampeg tone hits your ears. The Micro-VR head delivers 200W of pure Ampeg tone, in a package that could practically fit in your pocket. This deceptively small head provides the looks of the classic SVT-VR that made the original famous in the 1970's. A balanced direct out, -15dB pad, on-board limiter and dual speaker outs offer tremendous versatility whether on stage, or in the studios. The 1/8" stereo input and output let you easily integrate an MP3 player for practice or recording. Pair it with the companion SVT-210AV cab for a fully gigable, but super micro rig. Great sound, unmatched portability...small wonder, it's an Ampeg.
The Ampeg SVT Legacy

The SVT has become the bass amp that all rock bassists dream of, whether they're famous or completely unknown. Former Bass Player editor Scott Malandrone put the SVT in perspective this way: "The SVT has done for the sound of electric bass what the Marshall Super Lead had done for the electric guitar--it would give the instrument an identity." We couldn't say it better ourselves.



Ampeg Amps: Built to Work HardAmpeg, (a division of Loud Technologies) is recognized world-wide as the premier name in bass and guitar amplification since the 1960's, when the SVT (Super Valve Tone) bass amplifier took the rock world by storm with its 300 watts, 8 x10" speaker cabinet and a tone that would go on to set the standard for rock and roll bass. Today, Ampeg continues on as the leader in professional bass gear and a cherished manufacturer of classic guitar amplifier designs with a continuing tradition of advancing bass tone through quality & innovation.





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Hartke 2500 Bass Guitar Amplifier Head, 250 watts Review

Hartke 2500 Bass Guitar Amplifier Head, 250 watts
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The Hartke 2500 is a 250-watt (max.) bass amp with two pre-amp settings, equalization, a high- and low-end 'cut,' compression, and master volume. Takes active or passive instruments. Effects line in/out, ground lift, fan, two speakers out. 25 lbs.
I play mine through a highly rated Schroeder 12-inch 8-ohm cab, which draws 175 watts; adding another 8-ohm speaker would draw the full 250 watts. With the single speaker, I get amazing tone and power. Of course, it helps that the Schroeder speaker is top quality.
Features: a tube-emulating pre-amp and a solid-state pre-amp. These can be employed separately or blended. The tube-type produces a fatter, old-fashioned sound. EQ sliders are efficient. Compression can be dialed in and is very helpful when playing louder and harder as it prevents sudden strong signals going to the speaker(s). The high- and low-end cut seems somewhat superfluous, being similar in function to the equalization function. But I may be wrong about that.
Strongly built cabinet, convenient handle (on side). Hartke Co. responsive to two emails. An extremely good buy.

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