Showing posts with label pa. Show all posts
Showing posts with label pa. Show all posts

Behringer EUroport EPA900 Ultra-Compact 900-Watt 8-Channel Portable PA System Review

Behringer EUroport EPA900 Ultra-Compact 900-Watt 8-Channel Portable PA System
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I wanted to write a review for this, because we were skeptical about buying it with so little reviews. It's awesome! It's just what it says, so far. We haven't used it on stage, yet, but testing it out has been a lot of fun. Since we're using it for children's entertainment shows, in gymnasiums, the vocal effects won't be very useful. It's very portable, and I love the way it packs up like a suitcase.
If I remember, I'll update this review once we actually use it in a show. Until then, don't be afraid of it, lol. I thought it was too good to be true, but not yet!
We were looking at a couple of different "portable PA" systems and I this one had more power, and less bad reviews than the other, more expensive and more popular set ups... which is why we risked it and went for this one.

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Looking for the ultimate portable PA system? The new EPA900 sets up in less than five minutes and delivers articulate, high-fidelity performance. With its twin 450-Watt amplifiers and custom-designed, 2-way loudspeakers, the EPA900 can fill a medium- to large-sized room or project your voice for an incredible distance outdoors. All the accessories you'll need are provided (including a microphone, mic and speaker cables) in a convenient, easy to transport and set up package--and the good news is you don't have to be a sound engineer to run it!

Superb Sound Quality Since we already make some of the best-sounding audio mixers, amplifiers and loudspeakers on the planet, it should come as no surprise that the EPA900 provides far superior sound quality than other products in this class. The two satellite speakers feature custom-designed 10" woofers and 1.35" aluminum-diaphragm compression drivers for incredible fidelity and clarity you might not expect from a loudspeaker system this small!
Control Freak Channels 1 - 4 feature our high-quality Invisible Mic Preamps (IMP), which have been praised for their transparency and headroom. A Level control is provided with a Clip LED, so you can dial in the perfect signal level. We've also provided a Pad switch for those occasions when you have to contend with "hotter" than normal input levels.
+48 Phantom Power Phantom Power is also available, so you can use studio-grade condenser mics. Overall system response is handled by a 7-band stereo graphic EQ, and our proprietary FBQ Feedback Detection System helps you track and eliminate those annoying mic squeals.
Two-Band EQ Additionally, each input channel has a two-band EQ (Bass and Treble), Balance (allowing you to place the signal wherever you want within the stereo image) and an Effects level control. It is important to note that while many of our competitors only provide a reverb switch, the EPA900 features an FX level control per channel with 100 state-of-the-art 24-bit digital FX to choose from. FX can be turned off/on via any standard footswitch (not included).
The Sweet Sound of Reverb, or Delay, or... If you're making a speech, chances are you won't need it, but if you're playing a musical instrument and/or singing, you might want to add some effects. So, we've included a 24-bit stereo FX processor with 100 great-sounding presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects to sweeten your performance. And if you want to sing along with pre-recorded tapes or CDs, the EPA900's Voice Canceller function can remove virtually all the vocals from music played back through channels 7/8 with the simple flick of a switch.
It's All About Connections The EPA900 comes ready for your input, literally. Channels 1 - 4 accept balanced XLR mics, as well as balanced and unbalanced 1/4-inch line-level sources, such as electronic keyboards and the like. Stereo channels 5/6 and 7/8 accommodate RCA and 1/4" inputs, such as drum machines, keyboard sound modules, etc. All in all, there are enough mic and line-level inputs to handle a small band, and the RCA Tape Out connectors provide the perfect connections for recording your performance.
A Bonus Channel? Want to play some of your favorite tunes at the company picnic? The EPA900 comes equipped with a 1/8" stereo minijack for connecting an MP3 player. Additionally, the Stereo Aux In section features Left and Right 1/4-inch jacks for connecting even more professional audio sources. You don't even have to give up a channel, just control the volume from the player. It's like getting 10 channels for the price of eight!
Everything You Need The EPA900 is a complete system. Just use the built-in wheels to roll it from the car to the stage, set the main unit on a tabletop and deploy the speakers. Connect the high-quality dynamic microphone and hit the power switch--voilá, instant PA system! There is even an onboard storage compartment for the included microphone, accessories and cables. And if you need to add some serious bottom-end to your system, just connect an active subwoofer to the handy Sub Out jack.
What's in the Box Behringer EPA900 System (Mixer, Two Speakers), Behringer XM1800S Microphone, Mic Clip, 20-Foot Cable

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Bose L1 Compact Portable Line Array System (View amazon detail page) Review

Bose L1 Compact Portable Line Array System (View amazon detail page)
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I am a professional mobile DJ in the Pittsburgh area, and I rely primarily on the Bose® L1 Model II sound system (with two B1® bass units) for my performances. When I need extra boost, I expand my sound by adding a Bose® L1 Classic sound system (the original L1 system) and two more B1® bass units to my Model II system.
However, there are times when I don't need the "muscle" of the full system, such as small venues for birthday parties, outdoor wedding ceremonies, etc. For that, the Bose® L1 Compact sound system is perfect! It will provide excellent sound for 100-150 people. It is an amazingly fast setup and tear-down, and it is light enough to be truly portable. Completely set up, it weighs just 29.2 pounds, so it is great for those tough small venues that have limited space, limited access, stairs, etc.
The sub-bass sound is built into the bottom unit, and there are 1/4" jack inputs for your sound source. The unit is designed to work with the T1 ToneMatch® sound engine (mixer with many presets that can contour the sound nicely). If you are using the ToneMatch, however, be advised that you will have to purchase a power adapter for the ToneMatch. (The ToneMatch is powered from the pedestal base amplifier of the Model II®, but the L1 Compact® will not power the ToneMatch.)
The midrange sound comes from a small, narrow enclosure containing six small speakers/drivers placed at precise angles to deliver sound at a 178-degree "throw" left and right. The sound WILL cover a large area evenly, which is great for those times when the sound has to be softer (dinner music, pre-ceremony music for weddings, etc.). Everyone in the coverage area hears the music at the same volume, which avoids the problem of traditional speaker systems (really loud near the speakers but diminishing volume as you get further away). I was very skeptical of this feature when I first heard about the even sound coverage, but a year and a half of using the Bose® L1 systems has made me a believer. It's sweet!
Another nice feature is that there is a 1/8" stereo input jack for iPods (also works well when sending sound directly from your headphone output of a laptop). This lends a great deal of versatility to the system.
Example 1: I did a wedding reception recently where the father of the bride had a DVD he wanted played after dinner and projected onto a large screen. The location of the LCD projector was quite a distance from my main table, and the hall had not provided for the sound of the DVD show. I brought in the Bose® L1 Compact system and set it up next to the projection table, connecting the sound directly from the laptop that was running the DVD to the Compact system using a 1/8" to 1/8" stereo jack from the laptop to the iPod input on the Compact. The sound was perfect! Far better than any portable speaker system I have heard in the past from photographers/videographers who bring portable sound with them for their PowerPoint shows. It was a simple one-cable connection without anything else.
Example 2: I did wedding ceremonies both outside and inside for crowds of about 150 people or so using the Compact system. I ran all the music from my MacBook Pro through the ToneMatch®. I also connected two Shure wireless mics through the ToneMatch as well (one on the officiant, and one on the groom, which picked up the bride as well.) Additionally, I connected my Sennheiser wireless handheld (for any "emergency" announcements that might have been necessary) through the ToneMatch. This was a more complex setup that involved power for three microphones, one laptop, and the Compact System®.
For both applications, the Compact® delivered great sound and covered the area perfectly. I could not have asked for better sound.
There are two "sides" for input. One side is for line inputs (from mixer, musical instrument, iPod, laptop, ToneMatch®, etc.), and the other side is for a microphone input. Each side has its own volume control, which is crucial if you're a single performer. You can set your voice and instrument levels perfectly. As a DJ, though, I do not use the microphone side, so I cannot comment on how well the two sides work for single performers.
There are two official setups for the L1 Compact®. One setup is to leave the speaker in the base unit (the way it arrives). You would have to put this on a table for good sound coverage. If you used it from floor level, the sound would be muddy. This setup would be perfect if you are supplying the sound system for a keynote speaker at a conference, as an example. The unit could sit on the table next to the podium where the speaker is standing, and the sound the audience would hear would be fabulous--VERY crisp and clean.
The second official setup is to use the two extender sticks to elevate the speaker unit about six feet off the ground, which is the way you would want to set up the unit for full-room coverage for music, especially if there will be dancers!
I saw the unit being used with only one of the extender sticks, which put the speaker unit at "head level" for a seated audience. I don't know why you would use that setup, but it works fine that way (the extender sticks are identical, so there doesn't seem to be any reason you CAN'T use this setup.) Be advised, though, that Bose® does not recommend this setup.
So let's get to the bottom line:
PROs: Compact, portable, sleek. Easy setup with a tiny footprint. Great sound for what it is, delivering full bass, midrange, and highs for up to 150 people. Excellent choice for small venues, whether you are a DJ or a single performer. Great system for speakers at business meetings, conferences, church groups, etc. The sound is crisp, clean, and clear. The bass is far better than anything of comparable size, and the quality of the unit is excellent. This system is what I use for my backup system (to the L1 Model II®). It doesn't take up much space in the car, and if something WERE to happen to my L1 Model II® system during a performance, then I have a better backup system than 99% of the DJs out there.
CONs: While the bass response is very good for the size of the system, it cannot really compare to using two Bose® B1 units with a Model II system. THAT system can provide a chest-thumping bass resonance, but this system would be hard-pressed to do that. Don't get me wrong here: the bass response is very good, but it isn't what you would want for a larger venue where the bass has to carry out all over the area. And, as one should know right up front, it is NOT a unit for larger venues. It is fine for small areas, but if you have a louder, noisier, larger area, the Compact system would not be up for the task.
BOTTOM LINE: If you want terrific sound from a light, portable unit for a small venue, this system can't be beat! If you want a high quality backup system for your main sound system, it would be tough to get a better system with a better sound. If you play larger venues with noisy crowds or if you need a driving bass sound to resonate throughout the venue, then consider another alternative. (And remember, if you use a ToneMatch® sound engine with this, you have to buy the power adapter.)
RATING: Four stars because of its intrinsic limitations. It cannot be a system for a larger venue for 150-200 or more people, but it can be your answer for smaller venues and smaller crowds.
For what it is, though, it is Super!
NOTES:
* Response to reviews: Another reviewer here has stated that there are plug-ins for only voice and guitar, but that is inaccurate (see above for input variety). And as for effects such as reverb, delay, and other effects, those can be created nicely with the Bose® T1 ToneMatch audio engine, as stated above.
* The bass response difference I mentioned above between the Model II and the Compact units is approximately one half octave at the low end, according to Bose. Many people cannot hear the difference, but trained ears can. The limited power and bass response are the reasons I could not give five stars. Still, all in all, a great product!

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QSC GX5 Stereo Power Amplifier Review

QSC GX5 Stereo Power Amplifier
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I bought the QSC GX5 stereo amplifier for use in my band's practice studio. We previously used a Mackie mixer/amp setup and we recently bought an Allen & Heath mixer along with the QSC Amp. We've gone from a little noisy system to an absolutely silent (no hiss, no noise) system even when turned all the way up. It's nice! We A/B'd the amps and while the Mackie is rated to have more power, the QSC is clearly punchier and so much cleaner. I can't say enough about how nice this amp is. I've owned Crown, Crest and Yamaha amps as well and none of them were cleaner than this one.
As for durability, it's still new BUT QSC is offering a 6 year warranty for free on this model (until March 09) so I can't imagine they would do this if these amps were a service problem.
Oh and it looks great in my rack. I read somewhere that the amp is noisy when the cooling fans get going. Knowing this, I cranked the amp full and ran a punchy CD through the mixer full blast (no distortion!) and waited while the amp warmed up. After it reached operating temperature, the fan(s) indeed came on but by no means were they "loud." If I had this amp in a recording studio, I would have the amp in a soundproof room or enclosure as I suppose the fan could be audible during very quiet recording sessions. On the other hand, it is reassuring that I know the fans are indeed working, keeping the rails cool. For live sound, it just isn't a real issue.
Now I'm considering getting another QSC for a monitor amp. I heartily recommend this amplifier.


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Behringer EurOlive Vp2520 Professional 2000-Watt Pa Speaker with Dual 15 Woofers And 1.75 Titanium-Diaphragm Compression Driver Review

Behringer EurOlive Vp2520 Professional 2000-Watt Pa Speaker with Dual 15 Woofers And 1.75 Titanium-Diaphragm Compression Driver
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While I did not buy them from Amazon, I have a pair of these speakers that I use for sound reinforcement for a country rock band. These speakers have amazing frequency and dynamic range and wide sound disbursement angle. Their bass response is excellent, much better than I expected. You would be hard pressed to find a better value.

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QSC RMX850 Power Amplifier Review

QSC RMX850 Power Amplifier
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This review is going to be easy. I've had this amp for five years. It sounds great. Built like a tank. NEVER had a single problem with it. Very powerful. I'd buy another without hesitation.

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VocoPro SV-500 (Pair) 10 3-Way Vocal Speaker Review

VocoPro SV-500 (Pair) 10 3-Way Vocal Speaker
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i have high-end 7.1 surround speakers for my home theather. so when i bought a karaoke & equalizer & pre-amp units, i thought i was done. wrong.
you need these vocal speakers! period. loud yet clear and crisp. they bring out the vocal, and the right mix of mid and high . a little weak at the low bass, but im sure its by design, can be easily compensated with existing sub-woofer or by adjusting the EQualizer.
highly recommended.


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Behringer PMP980S 900-Watt 10-Channel Powered Mixer Review

Behringer PMP980S 900-Watt  10-Channel Powered Mixer
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You guys are my heros. Right out of the box the Mixer showed its real colors. Set everything the way it should be and it worked like a champ in the studio. I can't wait to try it on a gig we have in a large building with about 800 people.
When this happens I will rewrite this and let you know.
Thanks for all you do.
Regards,
Jerry
I had a very good response out of this unit. My School reunion,very large room,seating 600+ so you know I had to be good in front of all my schoolmates
I used 4 mains with 1 monitor,a laptop,1 Cordless Mike,1 Wired Mike,all speakon cables and a light setup.
There was no squeals or Hums.In one of the reviews i read where the unit would pop real loud when turning on the power. This was solved by hooking the 2 speakon speaker cables to the unit last after the power was switched on.
This unit was every thing you would need as a DJ.I was very please and got lot of positive comments from everyone.Lots of hand shakeing and hugs saying fantastic job.
Very powerful and easy yo set up.
By the way: I got rebooked for the next reunion.
Thanks Amazon for everything,
DJ&J Entertainment


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Behringer K3000FX 300-Watt 4-Channel PA System Review

Behringer K3000FX 300-Watt 4-Channel PA System
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Pros: Great general purpose PA. I've played guitar, bass, vocals, and drum samples though it simultaneously with good results. You can't find a better sounding, more versatile amp for the price. Solidly built with no problems so far.
Cons: Heavy. Wheels would be nice.

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SKB Bose L1 Model II Pedestal Case Review

SKB Bose L1 Model II Pedestal Case
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If you saw my other review for the Bose L1 "speaker" case, you'll know how much I love this case, as well! The base for the Bose L1 systems are not as "delicate" as the speakers, however this case does provide both protection AND a place to safely transport the Bose "Tone Match" mixer that most people buy with the system. Prior to this case I was always concerned about transporting that little $500 mixer, as one drop and it would be toast! Now that I have this case for my power base and Tone Match mixer...very easy and SAFE way to transport these components. With the wheels on the case...it's a "grab and go" transport...a LOT easier than "lift and carry" method I lived with for a year before I got this case! Highly recommend the case if you have the Bose L1 PA system!!

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Behringer PMP2000 800-Watt 10-Channel Powered Review

Behringer PMP2000 800-Watt 10-Channel Powered
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Since it's arrival, I'e used the sysems on two occasions. The first was an in-door party for about 120 folks. I ran four speakers (two 400 watt and two 600 watt) and a 600 watt subwoofer for 6 hours, pretty well maxed out. Worked flawlessly.
Second was an outside gig for 5 hours, pushing the same configuration. Worked flawlessly.
On both occasions I was complimented on the robustness and clarity of the music.
If Berhinger would just work on their owner's manual a little more. It's basically useless.

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If you need superior stereo sound for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, the 10-channel PMP2000 can really deliver. This 800-Watt mixer has built-in mic preamps and an FX processor, as well as enough power to drive both mains and monitors, thanks to dual 350-Watt onboard power amps.


Massive Mono or Stunning Stereo The PMP2000 gives you the choice of 2 x 350-Watt stereo, 2 x 350-Watt dual mono or 800-Watt bridged mono output. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP2000 can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Nine built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP2000.
Built-in Digital Effects Processor It's also equipped with a 24-bit FX processor, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you're pulling double duty as sound engineer and performer, the FX processor has a footswitch jack for remote on/off.
Changing the Channels The PMP2000 gives you loads of flexibility in accommodating whatever the center of attention happens to be. Channels 1-6 are for mics, bass guitars or other mono instruments. Stereo channels 7-12 are ideal for keyboards. Use the 2TR IN RCA inputs to feed in external stereo signals from CD players or tape decks.
The Ins and Outs REC OUT RCA outputs send line-level signals from the mixer to a recording device, so you can finally get to work on that triple-live album you've always dreamed of. The left and right Output 1/4-inch connectors are there just in case you need to connect more amps. Connect your monitor power amps or active monitor speakers to the MONITOR output.
What's in the Box Behringer PMP2000, Power Cable, User's Manual

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Seismic Audio - 412 GUITAR SPEAKER CABINET - 4x12 400 Watts PA/DJ PRO AUDIO Review

Seismic Audio - 412 GUITAR SPEAKER CABINET - 4x12 400 Watts PA/DJ PRO AUDIO
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I bought a straight and an angled cabinet. They have a nice sound. The mids are really scooped out. I cranked my mids all the way up and got a good sound. You can really pump the bass through these as well. I received them on time but Fedex dented three of the top corner protectors. No big deal, I just swapped them with bottom ones so you don't see it. The only thing I don't like about them is they are not very loud. They're rated at 96db sensitivity. It takes every bit of my 150 watt Line 6 Spider III amp (volume at max.)to keep up with the rest of the band. And I have to stack them. If I put them both on the floor, I can't hear them for squat.

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Fishman Loudbox 100 Review

Fishman Loudbox 100
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I'm not that experienced with guitar amps. The only other amp I've owned is an Acoustasonic Junior, the old one without the DSP effects. It only had reverb and chorus. I'm no expert on amps so take that into account as you read on.
Reason I bought a new amp is because the mic section of the Fender Acoustasonic blew out and I didn't feel it was worth the money to have it fixed. This amp is much better sounding that the Acoustasonic.
This amp has only 5 effects...2 Hall, 2 Plate reverb and a Chorus and the differences between them are real subtle. But I play classical guitar into this with a mic so I'm not looking for big special effects, only a little hall or reverb in order to brighten up the extremely dull room I practice in. I've been playing guitar for over 50 years...my gigging days are long gone so I'm not looking for a wah-wah pedal. This amp is strictly for my own enjoyment and I really love it. The sound of my Pavan 30 classical guitar is extremely natural coming through this amp, which is exactly what I wanted and the amp makes it sound like I'm playing in a large hall with great natural acoustics. I use an AudioTechnica pro 37 condenser mic with it.
Had a little trouble at first with feedback, but that's always the case with a mic. Eventually I figured out the right gain, volume and amp placement and that problem is solved. The tone controls really work, you can turn the tweeter down if your high notes sound a bit shrill, (I turned it down just a tiny bit) and overall, every control on this amp had a function and they all work great. There's nothing fancy here, just a great sounding amp. Love the light weight. At 23 lbs it's a lightweight compared to the Fender acoustisonic at 43 lbs. I plugged my steel string acoustic with pickup into it and without having to worry about mic feedback, I cranked it up. Holy cow, you would definitely wake up the neighbors. It sounded fantastic, but I rarely play the steel anymore.
So....bottom line, highly recommended

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Fishman SA220 Solo Performance System Review

Fishman SA220 Solo Performance System
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As a classical guitarist, I am often under the mercy of the venue's acoustics and/or sound system on any given performance. To say that this is frustrating is an understatement. I wished that there was a way for me to be freed of this tyranny and be able to carry my own sound system. When I read about the Fishman Solo Amp, I immediately thought this could be it - the ultimate solution. It is truly compact and you can carry the guitar in one hand and the amp on the other in one trip from your car. And it does fit inside my trunk nicely. Set up is quick and easy.
Admittedly, all the reviews I read was for the use of an acoustic steel guitar, all glowing, but I didn't find a review using nylon classical guitar. Nevertheless, it got me really excited and finally pulled the trigger to buy it.
I use a Fishman under-saddle transducer on a world-class guitar. When I plugged it into the Direct Input, it sounds fantastic! But only when the gain is low. On high volumes, you lose the natural and charming sound of the classical guitar. This would be true of any other amp.
Needing more power for a more natural sound, I decided to buy the DPA 4099 clip-on condenser mic. This made it sound a lot more natural on higher volumes, and feedback issue is minimal which is huge by itself!
But I have mixed feeling regarding the sound, at least when it comes to classical guitar. It is rather flat and not very warm. You may be able to use a mixer to achieve a warm sound, but that defeats the simplicity of set-up purpose. Also, there is a background hiss that may be unacceptable to some classical guitarists playing a lot of quiet passages. I contacted Fishman regarding the hiss and they acknowledged that it is a known issue. But they offered a solution which is to pry open the panel and tape the ribbon wire to the side to avoid contact with the center structure. I tried this but I still can't tell if it made a difference.
I find myself still preferring the sound of my good old AER Compact 60 using either DI or DPA 4099. It is very warm and natural. It just doesn't have the power for a bigger venue.
After experimenting more with the Fishman Solo, I was able to achieve the sound I wanted. The solution for me is to use both the DI on low-gain setting but coupled with the DPA 4099 condenser mic for a natural sound.This gave me a warm and fat sound that I dig. In fact, DPA has a double cable accessory that allows you to have less cable clutter. However, this cable is priced at $199 so I decided in the meantime to just use two separate cables.
The sound is great and I would still recommend it simply because there is no other similar equipment in this price range. The Bose L1 is too expensive and I think less compact. The hiss still bothers me and I remain slightly bummed by it but I think it is the best thing available out there for my purpose so I decided to keep it.
Now, if only AER can come up with a similar amp, I am so there!


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Portable and PowerfulDesigned for the singer/songwriter, the SA220 provides exceptional sound quality and coverage in a wide variety of venues. 220Watts of clean, lightweight power drives a line array of six custom high-excursion speakers and a soft dome tweeter. This unique combination delivers incredibly full sound, ultra-wide dispersion, and deeper sonic penetration than the common speaker cabinet. Better yet, the enhanced bass response of the custom designed speakers means theres no need for a subwoofer!Its a PA.and an Amp The performer and audience hear exactly the same sound, so theres no need for separate wedge monitors or a combo amp backline. Because the SA220 is voiced for the singer/songwriter, acoustic instruments and vocals are projected with superb depth and clarity.The Ultimate in Portability This unit weighs only 25lbs*, ships complete with a padded bag equipped with wheels, and includes a rugged speaker stand. Set up takes less than a minute, with only one trip to the car! And full-digital universal power means the SA220 is ready to travel anywhere in the world.Features Performing Musicians DemandFishman didnt make the SA220 this portable by scaling back on features or tone. In fact, theyve included all of the award-winning elements of the Loudbox family, and added a unique Monitor feature designed to revolutionize an acoustic duos ability to hear each other on stage. The SA220 is also equipped with two mic/instrument channels featuring high-quality preamps, each with 3-band EQ, phantom power, built-in reverb, effects loop, and feedback-fighting notch filter and phase controls.

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