Hofner CT Series Club Bass; Black Review

Hofner CT Series Club Bass; Black
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The top 2 strings of the bass arrived with a buzzing, and after attempts to isolate the problem, I decided a new guitar shouldn't have that much work needed in fixing a problem. Sent it back for a refund.

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ESP LTD F50 Electric Guitar (Black Cherry) Review

ESP LTD F50 Electric Guitar (Black Cherry)
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Great for downtempo or death metal. Tuning capabilities are unparalleled. Not a very sharp tone. Don't use for anything but metal.

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Epiphone Les Paul Traditional Pro Electric Guitar Ebony Review

Epiphone Les Paul Traditional Pro Electric Guitar Ebony
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I have been looking for a first guitar for approximately six months. I'm no expert at suggesting that you buy this or any other guitar. But I do read the adds as well as others. I found that the Ephiphone Tradional Pro looks great. It seems to offer as many different tonal choices as any other guitar in its class and price range. the rich finish is both apealing to the eye as well as apearing quite durable for years of pleasure. I'm currently saving for this guitar to purchase, as I've made my mind up this is the one I want. There is no denying this company commintmnet to quality and customer satisfaction. Period. That says a lot yesterday but even more today. Thanks Epiphone.

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ZVEX Effects Fuzz Factory Guitar Effect Pedal Review

ZVEX Effects Fuzz Factory Guitar Effect Pedal
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Handcrafted, customizable, LOUD>
Best Fuzz with the most versatility. Comes with LED indicator, uses 9VDC battery or use an external power supply.

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Roland Micro Cube RX Guitar Amplifier Review

Roland Micro Cube RX Guitar Amplifier
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This is an awesome amp. Great for tagging along and providing bunches of stuff you would normally want for practice (tuner, drum machine, etc.) It really has it all and it is two channel so you can pump your mp3 player or bass trainer in one side and jam on the other. I has amp models as well so you crank up what you want. Runs on batteries for over 10 hours. Not very heavy (about your Fender in a hard case. Uses a strap to tote it (I would get strap locks for peace of mind.) I can't think of anything else I would want, especially at the price they are selling them. Gets pretty loud and can really get down and growl. Blows the headphone dealyos completely away. Find a nice spot, plug in, strap on, and jam. Works best placed on a picnic table or even with the guitar so you can adjust all the knobs and get some good feedback. It's a rocker for sure!

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Laney L5T-112 Lionheart 5 Watt Class A Guitar Tube 1x12 Combo Review

Laney L5T-112 Lionheart 5 Watt Class A Guitar Tube 1x12 Combo
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The Laney Lionheart L5T-112 combo amplifier is one of the most versatile 2-channel class-A amps I've ever owned. Over the past few years, alot of amp manufacturers have been falsely advertizing their amps as "class-A", when in fact they are actually "class-AB" (push-pull) with some circuit-tweaking to make them sound a bit more like a true class-A amp.
The Laney Lionheart L5T, however, is the real deal. What am I talking about? By definition, a true class-A amplifier only has ONE power tube, usually an EL84 or a 6V6, and is less efficient than a class-AB amp, which always has two or more power tubes. The true class-A design of the Laney lends an added degree of warmth and harmonic richness to its tone. The next time you go to your local music store, ask if they have any class-A amps in stock, then take a look at the back of the amp: if it has two power tubes, it ain't true class-A; it's just another class-AB amp with the power tubes run in paralell.
The L5T may be only 5-watts of power, but it can get some decent head-room. If you've got the courage to crank the volume up to 7 or higher, you will discover the difference between getting your tone from the 12ax7 pre-amp section, and getting your tone from a hard-driven EL84 power tube. The difference is noticable... and SWEET !!
In addition to the passive treble, midrange, and bass pots, the L5T also has a universal tone control which allows the player to tweak the amp to fit single-coils or humbuckers. Add a Celestion ceramic-magnet speaker, a decent reverb, an effects loop in the back, a bright switch, and a footswitch to go from the clean channel to the overdrive channel, and you've got a great little amp for home, studio, or a small club.


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SX JAN-1 Gypsy Jazz Acoustic With Case Review

SX JAN-1 Gypsy Jazz Acoustic With Case
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Hello to all who are thinking of buying this guitar...It is a great deal for the money....a good overall sounding gypsy type guitar modeled after the 1930s Maccaferri guitars....but this one and $ave a lot.... Tommy Kovach Orangeburg , New York

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Dean Edge 1 5-String Bass, Trans Amber Review

Dean Edge 1 5-String Bass, Trans Amber
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You will be hard pressed to find a better quality 5-string for the money! Nice action and good sound quality for a bass without active pick-ups. Very light, holds tune well.

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Gibson Les Paul Custom Electric Guitar, Ebony Review

Gibson Les Paul Custom Electric Guitar, Ebony
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I lost all of my electric guitars in Katrina and figured I owe this review to offer shopping suggestions to everyone looking to replace thier guitars. I am a former professional musician and really only play now as a hobby. I decided to replace my Gibson SG that was lost in the flood with the "Rolls Royce" of all guitars: the LP Custom. Here is what I think of it:
Of all the items I have reviewed on Amazon, the LP Custom has to be the most difficult for several reasons. First, since it is a handmade guitar, the buyer should know that no two will be exactly the same. On the same day I bought mine, for example, I noticed that the one right next to it on the wall had a sixth string groove that in the nut that was situated too close to the top of the fretboard. I also played several other custom shop models that had similar quirks, including the Jimmy Page Custom (which has a neck like a Kramer and the body of a Les Paul...yes, it's ridiculous).
Second, because my playing style is hard picking mostly, I don't know if everyone would agree with what I have to say about the action on this guitar, but it was the deciding factor in my selection. The all-black/gold Custom I picked had just a bit more resistance to "digging" than the others I tried (then again, I learned to play on a Sears and Roebuck special). Still, all the LP customs have ebony ("fretless") fretboard wire; and when the action is set right the guitar seems to "play your fingers".
Anyway, assuming that you can find one of these LP customs that has off-the-shelf action that fits YOUR playing style, the sound of the heavy cruiser will take you away. This axe has a 3-ply maple top with a mahogany bottom. You can tell its very high quality wood by the way the strings resonate.
Notes "wobble" and "swell" after being plucked even when the guitar is not plugged in. The sheer weight of the bottom guitar seems to make the neck (which is relatively thin on a basic custom)much more vibrant and responsive than it is on a single slab guitar. Since this tonal quality is coupled with a natural resonation in the ebony fretboard, the player can squeeze every ounce of juice out of a single note. Also, this resonance quality works well to enhance spooked notes in arpaggio sweeps. As as result, the LP custom can be suited out as a digitalized metal cruncher or a acoustic jazz box
The sound quality and feel give the basic LP custom some big plusses. You will also notice a change in your playing prowess from the responsive fretboard. However, there are a few small minuses that first-time high-end guitar buyers should be aware of.
First, the basic Custom is the plug-ugliest looking guitar in the world. There are only 4 color selections (Black, White, Narural and Red). The gold humbuckers on the Black Beauty only seem to make it look gaudy to me. But, again this is subjective.
Second, the basic customs come equipped with standard Gibson Alnico Humbuckers. Although these pups blow doors on most humbuckers, the clarity of the 3rd and 4th strings tends to get buried when the guitar is phased and flanged through a tube amp and there is a low note ringing. I'm going to try putting in a burstbucker to solve this.
Another obvious drawback to the guitar is the weight. Playing this guitar standing without staplocks is crazy. It is killing my lower back. If you're going to gig with this axe, drink plenty whiskey and take some cortizone. I suppose this is another price to pay for that solid mahogany sustain and tone!
In retrospect, I love this axe, but wish that I would have looked harder at the Les Paul Custom Class 5. I've heard they are about a thousand more, but I didn't come across one in any stores. Those come in many different colors and are outfitted with burstbuckers off the shelf. Also, they have chambered mahogany bodies that are supposed to make them weight-relieved. Still, I wonder if they could achive the same sustain and tone?
Rule #1 is to always make sure you can return the guitar if you find a defect! For the price of this one, you should have perfection!
Regards
Valjean


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The introduction of the Les Paul Model in 1952 provided the fundamental template for the design of what would eventually become the most revered stringed instrument in the world. Today's Les Paul Custom is based on the model from the mid-1950s, but with several modern appointments.

The Incomparable Les Paul Custom Guitar
HistoryThe introduction of the Les Paul Model in 1952 provided the fundamental template for the design of what would eventually become the most revered stringed instrument in the world. Yet Gibson president Ted McCarty and the guitar's namesake, Les Paul, also sought to introduce a "deluxe" version of the soon-to-be iconic model. The final design for the new Les Paul Custom was completed in early 1954, and the guitar made its official debut at the Chicago NAMM show in July 1954.
Initially, the goal had been to introduce the "deluxe" version in conjunction with the original 1952 Les Paul, yet Gibson's drive to achieve excellence resulted in several unexpected delays. The final product, however, would eventually become Gibson's top model in the original Les Paul line.
The 'Fretless Wonder' The first version of the Les Paul Custom was nicknamed the "Fretless Wonder" for its low frets and "Black Beauty" for its rich, contrasting ebony color. It was also introduced at the same time as the Gibson Les Paul Junior and represented the ultimate in Gibson solid body design at the time, with an original price tag of just $325, which was $100 more than the regular Les Paul Model.
Aside from its obvious visual enhancements, the Les Paul Custom was the first Gibson guitar to offer the revolutionary ABR-1 Bridge, which was invented by McCarty. This pioneering achievement was a true revelation in intonation and remains one of the most revered and copied pieces of guitar hardware ever developed, setting a standard for simplicity and functionality that has never been bettered.
Other standard appointments included a thicker body design and seven-ply body binding on both the front and back of the guitar, along with a multi-bound headstock that featured a prominent five-piece split diamond patterned inlay of genuine mother of pearl--a design that still graces every Les Paul Custom made today.
Near-perfect Recreation Today's Les Paul Custom is based on the model from the mid-1950s, but with several modern appointments. The body of the guitar is crafted with a hand-carved maple top, which is then fitted to a body made from a solid piece of mahogany with strategically routed holes to lessen the weight of the guitar, resulting in a Les Paul with enhanced acoustic qualities and improved resonance. The 24-3/4 inch scale length neck is also made from one solid piece of mahogany then topped by a 22-fret ebony fingerboard outfitted with figured acrylic block inlays, and given Gibson's traditional rounded profile. The pickups are Gibson's 490R in the neck position, which offers the tonal characteristics of the original PAFs, and the 498T in the bridge position, which swaps the 490R's Alnico II magnet for an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs.
Other appointments include Gibson's legendary Nashville Tune-o-matic bridge and stopbar tailpiece, metal tulip tuners, multi-ply white and black binding on both the top and back, gold hardware, and a 1 11/16" nut width. The Les Paul Custom is available in Antique White, Ebony, Heritage Cherry Sun Burst, Wine Red and Silver Burst, and each guitar comes with the standard Gibson Custom case, custom care kit, and certificate of authenticity.
Nitrocellulose Finish Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not "seal" wood in an airtight shell--as a poly finish does--and allows the wood to breathe and age properly.
All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast.

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Line 6 POD X3 Review

Line 6 POD X3
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Geez, where to start. This thing is unreal. For the gigging musician you only need to plug your Mic into the XLR input and your guitar/bass into the guitar input, dial up your favorite patches (you can create your own "User" patches), and run your output into the house PA. No amp or other gear to lug around!!
This thing has truly great guitar/bass sounds and great vocal sounds both out of this one unit. What I really like about it is that the key parameters (gain, EQ, presence, volume, reverb) ALL have their own dedicated knobs on top of the unit...no fumbling thru a bunch of confusing and dimly lit menus. And when you are at the gig there is a way to get the patch number to take up the whole LED (in BIG letters) so you can actually see what patch you are using. And did I mention the sound....I have Boss 600 digital recorder with amp/bass models which until I got the Pod, I thought were pretty good. Well I no longer use the Boss for guitar sounds. Instead, now I run the Pod into the 600 (which is a great digital multitrack recorder with so/so effects).
And now lets talk about the studio. This IS your computer audio interface. The Pod interfaces with your computer (Logic, Cubase, Gband, etc.) via a USB interface. You get simultaneous wet and dry outputs over the USB so you can get all the inspiration the Pod gives you but if you choose, record dry while your DAW is tracking. You can also use your DAW to cycle the Pod thru patch changes if that is the direction you want to go. The Line 6 website has updates/drivers and you will want to plug your Pod into your computer and follow the update instructions on the LIne 6 download page.
When I got this thing I plugged in my guitar (Takamine acoustic first, then Epiphone Casino elec) and some headphones and read just enough in the manual (5 min) to audition the thing. I ended up playing guitar for 2 hours. I was in heaven. Yea, there are a lot of high gain "thrasher/shredder" sounds but there are also a lot of clean sounds that I prefer. The next day I plugged in my Mic, set the Mic gain pot to max and got a great guitar/vocal thing going. However, the MIc input defaults to "mute" so I had to spend about 10 minutes to figure out that I had to play with both the input and output menus to get the MIc working. I played/sang for 3 hours straight after that. It was very inspiring. The next day I figured out how to get the sound to come out of the two 1/4 outputs into a Fender Princeton amp. It sounded great too.
The only "bad" thing is that for each patch you have to have to setup the inputs, outputs, and vocals. Otherwise, the Mic input will not work nor will the outputs work as they default to "Mute". What you want to do is setup user patches that have all these switches set the way that YOU want them so you don't have to tweak each patch every time you turn the thing on. Also the manual is a bit weak and some of the controls are a bit confusing at first. But it is not as difficult as the 600 as the 600 has about 4 levels of menus while the Pod X3 only has 2 levels of menus.
Oh yea, and if you want you can buy a footswitch controller if you are gigging. My friend has the Pod XT and I was just about ready to buy one when I stumbled across the X3....I am so glad I got the X3 as having the capability to do BOTH guitar and vocals at the same time (with their own controls) is huge for me. As a singer/songwriter I could setup all my user patches, show up at the gig with just my guitar, Mic, and Mic stand, and run my feed directly into the house board.
Best money I ever spent on a piece of gear. If you just want a stomp box for your guitar try the pocket Pod or the Pod 2.0. But if you want vocals, guitar, and a computer audio interface, this is your baby.

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The POD X3 will inspire and amaze you with the most complete collection of POD-quality guitar amp, cab, stompbox and studio effect models ever. This arsenal of rare vintage treasures, modern boutiques, and perennial classics offers nearly unlimited creative possibilities. Create your own tones or instantly play through any of the 250+ professionally dialed-in presets. For those in search of greater tonal possibilities, POD X3 gives you more power than ever before to create entirely new sounds. Split your guitar signal and play it through two guitar amp and effect signal chains at once. Add bass or vocals using the bass amp and high-end mic preamp models now included in POD X3.You can even plug in two instruments at once, each with its own independent tone processing. Whatever your music calls for, POD X3 has the power and flexibility to deliver. Whether you choose to recreate the sounds of the past or turn tradition on its ear, POD X3 comes fully-loaded with most inspiring collection of POD-quality amps and effects to let your sound break free. Most powerful POD EVER!Line 6 POD X3 Features and Benefits Electric Guitar POD X3 offers a whole new level of control over your guitar tone. Plug straight into any one of the 78 ear-shattering guitar amp models for pure, unadulterated guitar tone. Combine amp and cab models with the mouth-watering collection of 98 stompbox and studio effect models to build out your rig. Take your sound to the next level by blasting your guitar through two guitar rigs at once to create a massive wall of sound that even guitar heroes of the past would respect. Or plug POD X3 in front of your favorite stack or combo to pile on up to nine simultaneous effects, including

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VocoPro DVD-SOUNDMAN 80W Multi-Format 4 Channel Portable Sound System with 2 Channel Wireless Mic Module Review

VocoPro DVD-SOUNDMAN 80W Multi-Format 4 Channel Portable Sound System with 2 Channel Wireless Mic Module
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If you are looking for a portable speaker that will allow you to play music and microphone input, this is a good device. The MP3 and DVD inputs work well and the microphones sound pretty clear. Having one bundled package is awesome. It's not terribly loud, but it sufficient for a small room with a small number of people.
If you are looking to output music mixed with the microphones via RCA jacks on the back, I wouldn't recommend this. The output volume is very soft (no gain control), so I could not play it loudly even on my home theater system.

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Aria TAB-66 Electric Bass - Black Review

Aria TAB-66 Electric Bass - Black
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I'm a big fan of Peter Hook's style of melodic bass. As someone who's come back to playing after a (very) long hiatus, I've already got an Ibanez SR800 to get me going. So I was looking for a semi-acoustic with good treble and sustain. I'm not an expert but I think I've landed a ripe one with this Aria. Out of the box it looked perfect; a beautiful instrument. The strings will need replacing but that's par for the course. For the price, I'm very happy and will be more than glad to report back once I've taken it for an outing.

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Electri6ity - Electric Guitar Virtual Instrument Review

Electri6ity - Electric Guitar Virtual Instrument
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This is without a doubt the best sounding guitar sample based software today the sounds are extremely well recorded and the articulations are awesome. I firmly believe that you can emulate pretty much every kind of electric guitar sound with a combination of this software and the right effects. If you are a producer and keyboard is your instrument electri6ity is a must.
I have been using this software for the last 2 months and I found 2 cons so far:
1. effects are low quality. This is not big deal because like I mentioned before you can combine this with your own set of effects. I use it in combination with NI guitar rig 4 and it sounds AMAZING!!!
2. This thing is a CPU/Memory hog. electri6ity will take a decent processor and about 1 to 2 gbs of spare ram to run it I am running logic 9 studio on a i7 imac with 8 gbs of ram and there seem to be a bug with logic studio where i get spikes in cpu and audio drop outs when I use electri6ity as a plug in, the work around to this is to use it as an external instrument in stand alone mode and direct the audio output of kontact to a bridge like soundflower, again no big deal but kinda annoying to go through the extra steps. I also have ableton but I haven't done any testing with electri6ity in live yet.
So far the pros outweigh the cons on this so give it a shot once you hear it is definitively worth it.

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Fender American Select Stratocaster HSS Electric Guitar Crimson Red Transparent Review

Fender American Select Stratocaster HSS Electric Guitar Crimson Red Transparent
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This guitar was originally called the "Mahogany Special" as the body is made from mahogany wood versus the ash or alder materials of more common strats. This machine is a beauty both in form and to play. The crimson color is flawless with its cellulose lacquer finish. The neck has a rosewood top layer with the peg head finished in a "smart" black veneer, which matches the pick guard.The stainless hardware is polished to a high luster. Overall the appearance is fabulous - the best dressed strat I've ever seen. The guitar plays smooth. The neck has a "fuller" feel with the rosewood laminate and seems to make it easier to slide up and down the frets. The humbucker provides a deep rich sound close to a Les Paul, but brighter. I have an American Standard, but when I saw this machine I had to have one - I traded in a Les Paul Standard and don't regret it one bit.

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Eminence Red Fang 12" 30W Guitar Speaker 8 ohm Review

Eminence Red Fang 12 30W Guitar Speaker 8 ohm
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I've got this speaker in my Dr. Z 1x10 cab. This is a wonderful, chimey and balanced speaker with beautiful mids, nice tight bass, and bell-like highs. Sounds like a 12" speaker - you have to hear it to believe it. No boxy sound at all. Perfect for blues, blues rock, and English rock tones.

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Steinberger Spirit GT-Pro Standard Electric Guitar Black Review

Steinberger Spirit GT-Pro Standard Electric Guitar Black
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This is a great guitar for travel and quick demo situations. It's very light and the neck was straight and setup quite nicely.

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Randall RX120R Half Stack Guitar Amplifier Review

Randall RX120R Half Stack Guitar Amplifier
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Amp sounds amazing. I love it so much! great clean but also can get nasty. Very sweet amp. Shipped twice as fast as guarantee, im very satisfied.

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