Bugera V55HD 55-Watt Vintage 2-Channel Valve Amplifier Head with Reverb Review

Bugera V55HD 55-Watt Vintage 2-Channel Valve Amplifier Head with Reverb
Average Reviews:

(More customer reviews)
I was hesitant to pick up this amp due to the durability complaints about Bugera/Behringer products. Since I don't gig out, I figured I'd test my luck with this as a studio head. I've only had it for a month, so I can't really report in on that front.
The clean channel is very versatile and gets a nice compression at high volume. It sounds great with pedals -- using a TS-9 reissue, it gets that great SRV "Little Wing" solo tone.
The high gain channel is a bit fuzzy at high levels but sounds great around 5-6. Good bite and even harmonics, definitely "usable" distortion. Like any tube head, you really need to crank it to get the best sound.
It includes a footswitch to control the channels/reverb, which is all you need. There's a mid-range boost button on the head as well, but I didn't find the tone (when boosted) very usable.
My only complaints are that the reverb is not as good as an actual spring reverb, but it does the trick. It's a lot lighter than most reverbs, and I found myself turning it up to 5-6 to get what would typically be a 3-4 on a spring reverb unit.
For $350, you basically get a head that produces a ton of versatile tones and goes great with pedals. If that's what you need (as I did), this is your amp. Provided that I don't experience any durability issues, I'm a believer.


Click Here to see more reviews about: Bugera V55HD 55-Watt Vintage 2-Channel Valve Amplifier Head with Reverb



Buy NowGet 31% OFF

Click here for more information about Bugera V55HD 55-Watt Vintage 2-Channel Valve Amplifier Head with Reverb

Read More...

HT-REVERB Valve reverb pedal Review

HT-REVERB Valve reverb pedal
Average Reviews:

(More customer reviews)
I like allot of Blackstar's products. Well the HT-5 and HT-1 low wattage amps really. I purchased the delay hoping to capture lightning in a blackstar logo-ed bottle once again. Their ht-1 amp is amazing.
Its been 15 years since I last bought a delay pedal. I wondered what has the newest technology been able to improve in a delay? Well, after playing it for awhile it really just reminded me of the 15 year old pedal I've been playing upon. The 12ax7 tube didn't distill any x-factor qualities that microchip processing had robbed me of through tube amps. The tape setting is not an echoplex emulator. If I could have had that, then that alone would justify a five star rating and the cost would have been negligible. But that didn't happen.
The delay is really nothing special. It will not go down as a classic must have in the effects chain. I feel like a victim of marketing. I'm the second owner of this pedal paying half price from another guitarist who felt the same. Blackstar may really have some epic pedals in their lineup but this is not one of them.
Why three stars? It does do delay in 8 different settings. Only 7 or 8 seconds of sampling. But for the advertised price the expectation is so much more. I think a person could get the same features in a delay at a much better value(50-60 USD).
I hate to rip on Blackstar when they are just getting going here in the states, but come on guys. If they knew it wouldn't turn heads why release it at that price, with their trademark moniker, and compromise their newfound reputation? In all its disappointing. 2011 technology hasn't reinvented the delay.

Click Here to see more reviews about: HT-REVERB Valve reverb pedal



Buy NowGet 20% OFF

Click here for more information about HT-REVERB Valve reverb pedal

Read More...

Behringer EPX3000 Professional 3000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology Review

Behringer EPX3000 Professional 3000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology
Average Reviews:

(More customer reviews)
I used to use Crown amps and since I bought a Behringer EQ (FBQ 1502) I decided to go to the NEW epx model.
It's just amazing, great punch, lightweight, and very well construction.
I think Behringer made this amp really good.
For its price you can't get a better amp. Trust me.


Click Here to see more reviews about: Behringer EPX3000 Professional 3000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology



Buy NowGet 50% OFF

Click here for more information about Behringer EPX3000 Professional 3000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology

Read More...

Sennheiser MD421II Dynamic Microphone Review

Sennheiser MD421II Dynamic Microphone
Average Reviews:

(More customer reviews)
This is the microphone that sometimes plays
second fiddle in radio stations to the reknown
reigning king of Radio Dynamic mics - the
ElectroVoice ..
I own a dozen very expensive condenser
microphones ranging in the 500 - 3000 dollar range
from AKG, Neumann, Studio Projects, Shure,
Electrovoice and many more ..
but the one microphone, I find myself constantly
reaching for ... especially when using it with web
audio projects which I have to compress and still
retain clarity ... as well as presence ..
It's this time proven German tradition that hasn't
changed much in it's 50 years of production...
And .. unlike the problems with a condenser
microphone where your recording area has to be sound
deadened .. my office is located in an active construction
zone (Ground Zero NYC) ..
The Sennheiser mic beautifully cancels out
the police and fire engine sirens, hydraulic drills
and constant construction pile driving here which
rule out using my other microphones.
My particular mic is over 20 years old and
still used on a daily basis ..
These mics are truly versatile performers and
have earned their reputation as reliable workhorses
that produce a phenomenal and unique sound.


Click Here to see more reviews about: Sennheiser MD421II Dynamic Microphone



Buy NowGet 33% OFF

Click here for more information about Sennheiser MD421II Dynamic Microphone

Read More...

Blue Microphones Bluebird Cardioid Condenser Mic Review

Blue Microphones Bluebird Cardioid Condenser Mic
Average Reviews:

(More customer reviews)
I am impressed with this microphone, but not the pop filter. This microphone captures the nuances of my voice in some ways better than my AKG 414. The pop filter is somewhat useless. The design and aesthetics get an A+, as does the value that this microphone offers. I recommend it.

Click Here to see more reviews about: Blue Microphones Bluebird Cardioid Condenser Mic



Buy Now

Click here for more information about Blue Microphones Bluebird Cardioid Condenser Mic

Read More...

QSC K10 Powered PA Speaker (10 Inch, 1000 Watts) Review

QSC K10 Powered PA Speaker (10 Inch, 1000 Watts)
Average Reviews:

(More customer reviews)
I like this speaker. I bought a pair of K10s because I wanted a stereo image for my piano and the clarity and presence are phenomenal. Un-muddied left hand bass and crisp high notes. I'm hearing subtleties in my keyboard that I haven't heard before. I'm using them on stands behind me in my Irish band to mic an accordion and tin whistle and they both sound great with these speakers running through an 8 channel Yamaha mixer.
At 32lbs, they're easy to carry around, especially with the totes, and light to get up on stands. These speakers go really loud, so it's nice that I can set the speaker fader only half way and still get good volume. Really helps prevent feedback from the condenser mics.


Click Here to see more reviews about: QSC K10 Powered PA Speaker (10 Inch, 1000 Watts)



Buy NowGet 25% OFF

Click here for more information about QSC K10 Powered PA Speaker (10 Inch, 1000 Watts)

Read More...

LR Baggs Venue DI Direct Box Review

LR Baggs Venue DI Direct Box
Average Reviews:

(More customer reviews)
I would have given this product five stars if the tuner stomp function was 100% reliable, which it isn't.
Otherwise, Baggs has created a great update to it's classic Para-Acoustic D.I.
I love the easily accessible knobs, in contrast to the Para's harder to reach (especially the gain control) knobs. However, the Venue does have one out-of-reach knob, and that is the adjuster for the 0-9db boost "stomp" function, which is a great feature on this pedal and one I use frequently during performance. I just wish I could adjust the db setting more easily; it's the one knob that is hard to access. Bummer.
The tuner issue I mentioned is the following: about 15% of the time (which is way too often), when I stomp the mute/tuner switch, the signal indeed mutes, but the tuner does not light up and engage. I have to stomp and re-stomp several times to activate the tuner when this occurs. Lame and annoying onstage.
Overall tone of the Venue is meaty and strong -- as good if not better than what I had with the Para, which I used for years before acquiring the Venue. I am happy with this product, but I really could use a stomp tuner that activates when it's stomped, 100% of the time.

Click Here to see more reviews about: LR Baggs Venue DI Direct Box



Buy Now

Click here for more information about LR Baggs Venue DI Direct Box

Read More...

Fender American Standard Precision Bass 3-Tone Sunburst Maple Fretboard Review

Fender American Standard Precision Bass 3-Tone Sunburst Maple Fretboard
Average Reviews:

(More customer reviews)
This bass has all the punch and bottom that's been missing from other basses I've played. Delightfully easy to play and significantly lighter than I'd expected. Tuners and truss rod adjustment are extremely smooth and responsive, and the maple neck is fast. Finish is better than one would expect from a production-line instrument. All-in-all, worth every dime.

Click Here to see more reviews about: Fender American Standard Precision Bass 3-Tone Sunburst Maple Fretboard



Buy NowGet 33% OFF

Click here for more information about Fender American Standard Precision Bass 3-Tone Sunburst Maple Fretboard

Read More...

Saga Appalachian Full Size Five String Resonator Banjo Review

Saga Appalachian Full Size Five String Resonator Banjo
Average Reviews:

(More customer reviews)
when i received the banjo i was immediately worried, i knew it was one of the last two in stock so the chances of a problem were high. i was right. there was a deep gash in the inner box the width of the box. when i pulled the banjo out of that box it had a dent in the head, about the size of a dime. it came with no instructions on how to set up the bridge(i'm a first-timer and it would have been nice to learn from Saga instead of Banjohangout.org, the DVD shows you how to start tuning and playing but not setup) after i figured that out and started tuning a chip of plastic fell off of the fake mother-of-pearl fifth string tuner. even before i added superglue it was still functional and it sounds fine in spite of the dented head so i didn't bother sending it back. all in all its not a bad instrument and i like playing it having come from a guitar background but somewhere between chinese workmanship and shoddy transport of what should have been labeled fragile it became a not so great instrument. just the same for a little handywork(if you're good with handtools the head is an easy fix) it can easily be a decent one. its a good buy for a firstimer for the price. i'm not as sure that i'd buy another instrument from these folks though, especially since the DVD covers every other instrument in the Saga Appalachian line. so buyer should definitely beware.

Click Here to see more reviews about: Saga Appalachian Full Size Five String Resonator Banjo



Buy NowGet 30% OFF

Click here for more information about Saga Appalachian Full Size Five String Resonator Banjo

Read More...

Tascam CD-RW900SL Professional CD Recorder Review

Tascam CD-RW900SL Professional CD Recorder
Average Reviews:

(More customer reviews)
Just got it and love it. This is an extremely sturdy unit, built to last. Buttons, panels, inputs, slot loading: everything about it is durable.
Function seems to be great as well. The keyboard input and remote are great features and (as professional gear) it is free from SCMS (and of course the "Music CD"). The gain controls (record level setting) are essential for proper transfers from analog material and seem to be very sturdy as well. Separate knobs for each channel is a thoughtful approach and they have a nice feel. Input controls are typically the achilles heel of any recording equipment (eventually the rheostats get dirty and start making noise on the source when you move them, though we may be beyond that nowadays), so we'll see about that in a few years. I do hope they are as well made as the rest of it.
This is pro quality equipment and would be equally at home in a studio rack or in a high end system. It has 24 bit converters and the quality and ease of recording is great. While it will even play MP3's (though not sure why one would need it to), it has pitch control and will also do direct digital dubs.
Of course we can also put it in the rack in the home studio, but the bottom line for a lot of what I expect to be doing with it: If you want a CD recorder to make lossless transfers from legacy analog sources (cassettes, LP's, etc.) this is the equipment to get. It's worth paying a bit more than the pro-sumer products (and it's really not that much more here). I have Sony pro-sumer stuff in my stereo system and this machine is WAY more solid than any of that. Even the patch panel for inputs (in the back) is rock solid (far better than any home or pro-sumer equipment and even than most of the "pro" gear I've seen). Some other brand may some esoteric specs that are a little better or a reputation, but if it breaks down all the time it's not functional and if it costs twice as much (at this price point) you'd really have to find some feature you absolutely had to have that this one doesn't to make that worthwhile. They do make a model a step up from this that adds a few features, but I didn't really think it was anything I couldn't live without. This machine does cost twice as much as the bottom of the line consumer recorders but what they packed into it is more than worth that (much smaller) difference.

Click Here to see more reviews about: Tascam CD-RW900SL Professional CD Recorder

Offering the professional recording capabilities that radio stations, post-production houses, and recording studios require, the Tascam CD-RW900SL Professional CD Recorder features a robust slot-loading transport, 24-bit A/D & D/A converters, MP3 playback, key control, sample rate conversion, and selectable CD disc reading speed.
It has a dedicated analog front panel input control, rear panel unbalanced (RCA) I/O, and S/DIFF digital I/O (optical and coaxial). Other features include Auto Cue and Auto Ready from the menu, selectable I/R remote Enable/Disable, and MP3 Action Setting (prevents accidental termination of continuous MP3 playback).


Key Features

Specifications
Recordable discs: CD-R, CD-R-DA, CD-RW, CD-RW-DA
Resolution: 16 bit linear
Sampling frequency: 44.1 kHz
Frequency converter input: 32KHz to 48KHZ
Frequency response: 20 Hz~20 KHz ±0.8 dB (playback) ±1.0 dB (recording)
Signal to noise ratio: 95 dB (playback) 90 dB (recording)
Dynamic range: 95 dB (playback) 90 dB (recording)
Distortion: 0.006 % (playback) 0.008 % (recording)
Channel separation: 90 dB (playback) 80 dB (recording)
Wow and flutter: < 0.001 % (Unmeasurable)
Analog inputs:
Unbalanced RCA pin Level -10 dBV ±2 dB (Full Scale -16 dB)
Minimum input level -19 dBV (adjustable level at Full Scale -16 dB) Input impedance 22 KØ ±10% (unbalanced)

Analog outputs:
Unbalanced RCA pin Level -10 dBV ±2 dB (Full Scale -16 dB)
Maximum output level +6 dBV ±2 dB Output impedance 600 Ø ±10% (unbalanced)

Phones: 1/4-inch; 20mW + 20mW (into 32 ohms)
Digital input: Coaxial RCA pin jack (IEC-60958 Consumer use) Optical TOSLINK (IEC-60958 Consumer use)
Digital output: Coaxial RCA pin jack (IEC-60958 Consumer use) Optical TOSLINK (IEC-60958 Consumer use)
Keyboard: Mini DIN 6 pin
Dimensions: 12.1 x 19.0 x 3.7 inches
Weight: 10 pounds


Buy Now

Click here for more information about Tascam CD-RW900SL Professional CD Recorder

Read More...

Samson AirLine 77 UHF TD Headset Wireless QV10e Microphone System, Channel N4 Review

Samson AirLine 77 UHF TD Headset Wireless QV10e Microphone System, Channel N4
Average Reviews:

(More customer reviews)
I love that this product has no wires! The battery pack is integrated on the headset so you don't even have that belt pack. I use this product in my music classroom. It has been a savior for my voice in a room full of 100 band kids! I've seen this same unit used by aerobics instructors too. It's very versatile! Highly recommended!

Click Here to see more reviews about: Samson AirLine 77 UHF TD Headset Wireless QV10e Microphone System, Channel N4



Buy NowGet 30% OFF

Click here for more information about Samson AirLine 77 UHF TD Headset Wireless QV10e Microphone System, Channel N4

Read More...

Ampeg SVT-410HLF Classic Series 4x10 Bass Enclosure Review

Ampeg  SVT-410HLF Classic Series 4x10 Bass Enclosure
Average Reviews:

(More customer reviews)
I've been using Ampeg proucts for 35 years, this cabinet is a perfect example of classic ampeg sound. It has plenty of deep response and a horn driver that you can control to add highs. It's compact and powerful enough to accomodate any performance setting. It's constructed extremely well and can handle plenty of watts. It's the best 4x10 cabinet I've heard and used. You won't be dissappointed.

Click Here to see more reviews about: Ampeg SVT-410HLF Classic Series 4x10 Bass Enclosure


Ampeg SVT-410HLF: Versatile, High Fidelity Performance This is the speaker cabinet for the bass player who demands the ultimate in a single, compact cabinet setup. The SVT-410HLF delivers devastating low-end bass, all the way down to 28Hz, thanks to four 10" speakers working together to move a tremendous amount of air. The SVT-410HLF actually moves 10% more air than two 18-inch speakers, and 25% more than three 15-inch speakers. And those leviathans simply can't respond to transient peaks as quickly as four tens can.The SVT-410HLF also delivers superb top-end, thanks to its 1" horn driver, strategically crossed over at 4kHz. This is a favorite enclosure for such artists as Meshell Ndegeocello, John McVie of Fleetwood Mac, and Ricky Skaggs' bass player, Mark Fain.
The Ampeg SVT-410HLF: A Great Choice for Bass PlayersThe Ampeg SVT-410HLF is the supreme speaker enclosure for the multi-string bass player seeking both superior power handling and true high-fidelity performance.




The Story of the SVT: Ampeg Amps Ampeg's Classic Series is all about the Ampeg SVT. Ampeg pioneered Super-Valve Technology in the 1960s and continue to offer the ultimate, top-performance gear to the world's most demanding bassists. The SVT has become the bass amp that all rock bassists dream of, whether they're famous or completely unknown. Former Bass Player editor Scott Malandrone put the SVT in perspective this way: "The SVT has done for the sound of electric bass what the Marshall Super Lead had done for the electric guitar--it would give the instrument an identity."Ampeg Amps: Built to Be Worked HardAmpeg, (a division of Loud Technologies) is recognized world-wide as the premier name in bass and guitar amplification since the 1960's, when the SVT (Super Valve Tone) bass amplifier took the rock world by storm with its 300 watts, 8 x10" speaker cabinet and a tone that would go on to set the standard for rock and roll bass. Today, Ampeg continues on as the leader in professional bass gear and a cherished manufacturer of classic guitar amplifier designs with a continuing tradition of advancing bass tone through quality & innovation. For more than 60 years, Ampeg has produced some of the music industry's most innovative and memorable gear, satisfyingthe needs of musicians of all levels. From the largest tours to the corner pub, artists depend on Ampeg amps to get theirmessage across, regardless of style or stature.

Buy NowGet 29% OFF

Click here for more information about Ampeg SVT-410HLF Classic Series 4x10 Bass Enclosure

Read More...

Radial Tonebone JX-2 Pro Switchbone ABY Amp Switcher Review

Radial Tonebone JX-2 Pro Switchbone ABY Amp Switcher
Average Reviews:

(More customer reviews)
Plain and simple...this thing kicks ass in every way that they claim it does. If you're going to hone your bone don't hone alone...get the ToneBone...NOW!!! Worth the dough.

Click Here to see more reviews about: Radial Tonebone JX-2 Pro Switchbone ABY Amp Switcher



Buy NowGet 26% OFF

Click here for more information about Radial Tonebone JX-2 Pro Switchbone ABY Amp Switcher

Read More...

Rode NTG2 Condenser Shotgun Microphone Review

Rode NTG2 Condenser Shotgun Microphone
Average Reviews:

(More customer reviews)
I purchased the NTG-2 as a voiceover mic to use for audiobook production and VO recording. I'm running the mic through the preamps on an M-Audio ProjectMix I/O and into Pro-Tools M-Powered 8. I run the incoming signal through the Waves SSL Channel plugin for some light compression, and that's it. I rarely need to EQ.
The resulting tone is clean and clear without being too intimate. If I get too close, it tends to get a little boomy and the low-mid ranges are a touch muddy. However, if I position the mic about 12-18 inches from the mouth of the VO artist, and slightly above the axis of the mouth, the sound quality is stellar. On male voices, in particular, the mic lends a depth and warmth that is often desirable for certain types of voice work. As would be expected with a mic of this type, the proximity effect is fairly pronounced.
Being a shotgun mic, it does an excellent job filtering out much of the background noise if your space is not sound-proof. (For instance, I'm using a small booth in which one wall is an exterior wall with very little sound insulation. Even when cars and trucks drive by, the mic won't register the sound.) It's an excellent choice for small project studios in homes. The mic does a good job of not catching every single saliva slurp or tongue noise while keeping the voice sounding natural.
The included wind screen is a little on the wimpy side, and it's unfortunate that the mic doesn't come with a shock mount...but that's not uncommon for mics in this price range. Likewise, I wish the mic had come with a decent hard case rather than the pleather zippered pouch that comes with, but again, that's not uncommon in this price range.
I've used four very different mics for VO work: a Studio Projects C100 Large Diaphragm Condenser, an AKG C1000 small diphragm condenser, a Heil PR40 Large Diaphragm Dynamic, and the Rode NTG-2. I was using the Heil almost exclusively until I got the NTG-2. Now this is my first-call mic for 80% of my VO sessions. For the price, it really can't be beat for high-quality spoken word recording.
Pros:
* Great Mic for the Price
* Narrow Pickup Pattern to reduce noise
* Clean and clear tone
* Natural sound
Cons:
* Can get a little boomy in low-mid ranges if speaker is too close
* Pronounced proximity effect
* No shock mount/case included


Click Here to see more reviews about: Rode NTG2 Condenser Shotgun Microphone



Buy NowGet 27% OFF

Click here for more information about Rode NTG2 Condenser Shotgun Microphone

Read More...

Behringer PMP980S 900-Watt 10-Channel Powered Mixer Review

Behringer PMP980S 900-Watt  10-Channel Powered Mixer
Average Reviews:

(More customer reviews)
You guys are my heros. Right out of the box the Mixer showed its real colors. Set everything the way it should be and it worked like a champ in the studio. I can't wait to try it on a gig we have in a large building with about 800 people.
When this happens I will rewrite this and let you know.
Thanks for all you do.
Regards,
Jerry
I had a very good response out of this unit. My School reunion,very large room,seating 600+ so you know I had to be good in front of all my schoolmates
I used 4 mains with 1 monitor,a laptop,1 Cordless Mike,1 Wired Mike,all speakon cables and a light setup.
There was no squeals or Hums.In one of the reviews i read where the unit would pop real loud when turning on the power. This was solved by hooking the 2 speakon speaker cables to the unit last after the power was switched on.
This unit was every thing you would need as a DJ.I was very please and got lot of positive comments from everyone.Lots of hand shakeing and hugs saying fantastic job.
Very powerful and easy yo set up.
By the way: I got rebooked for the next reunion.
Thanks Amazon for everything,
DJ&J Entertainment


Click Here to see more reviews about: Behringer PMP980S 900-Watt 10-Channel Powered Mixer



Buy NowGet 53% OFF

Click here for more information about Behringer PMP980S 900-Watt 10-Channel Powered Mixer

Read More...

Sennheiser e835 Dynamic Vocal Microphone (3 Pack) Review

Sennheiser e835 Dynamic Vocal Microphone (3 Pack)
Average Reviews:

(More customer reviews)
Hi there, I'm currently using a single Sennheiser e835 Dynamic microphone. It delivers professional quality sound. Now when you hear that, your thinking... it means whatever your mind wants it to mean. Basically when i say its got professional quality, i mean.. it'll suite you... for whatever you have to record. It does an amazing job for my podcasting studio delivering great variance between highs and lows. As long as your between 1-4 inches from the mic you will get amazing quality sound, everything outside that will be ignored. I often times have my tv going, my music playing or i'm having a conversation at the same time as having a podcast, and all i have to do is move the mic away from my mouth. The 10 year warrenty is very good, and the construction of this microphone screams nothing but quality. The Shure Sm57 and 58 havn't been changed since.. *cough* 1957 and 1958. In these last 40-50 years we've come up with a lot of better tech to go into a mic, this microphone hosts some of that. The cage on top is also much more durable than the Shure models. I believe i'll be happy to have this microphone for 10+ years.

Click Here to see more reviews about: Sennheiser e835 Dynamic Vocal Microphone (3 Pack)



Buy NowGet 35% OFF

Click here for more information about Sennheiser e835 Dynamic Vocal Microphone (3 Pack)

Read More...

Zildjian A Custom 20-Inch Sizzle Ride Cymbal Review

Zildjian A Custom 20-Inch Sizzle Ride Cymbal
Average Reviews:

(More customer reviews)
If you've never played on a sizzle before it takes some getting used to because of the sustain. However, it is an essential sound in R&B and some jazz, especially for slower tempo using triplets.
This particular model sounds identical to my 30+ year old Avedis Zildjian 20" - even the sustain is the same. Do not expect a lot of definition from this (or any other sizzle) because they were designed for a drawn out washy sound with slightly less than moderate definition.
If you're unsure about getting a sizzle, a great compromise is the 19" Zildjian Armand Signature Ride (ASIN B0002GFNF4). That cymbal has a three-rivet cluster near the edge, but has higher definition and less sustain and wash. I have both the Armand and regular sizzle models, so there is a difference in tone and texture these cymbals produce.

Click Here to see more reviews about: Zildjian A Custom 20-Inch Sizzle Ride Cymbal



Buy NowGet 42% OFF

Click here for more information about Zildjian A Custom 20-Inch Sizzle Ride Cymbal

Read More...