Furman P-1800 PF Power Conditioner Review

Furman P-1800 PF Power Conditioner
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Great company, great product.
This has done right by me for several months now. I use it with professional music equipiment. I carry it in a tool briefcase and bungee that to the amp/handcart. It's not light, nor is it small, but it's nice to have this piece without a whole rack system.
It tell us the voltage on the line, and cleans and regulates the feed.
9 months. so far so good.

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Samson AirLine Synth Earset - True Diversity UHF Wireless System Review

Samson AirLine Synth Earset - True Diversity UHF Wireless System
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The belt pack is very small compared to most others we've used. The diversity tx/rx setup is simple - but - you cannot change the frequency with the mic attached to the belt pack. Odd, that.
Our pastor says the earpiece is very comfortable, and does not slip during service. He wears glasses, so many other earpieces were either uncomfortable, didn't fit at all, or would slip. The slip resulted in the mic boom dropping significantly enough that the pastor couldn't be heard. With the tension band on this earpiece, that hasn't been an issue.
The mic is well suited for male speakers. There is a noticeable boost in the low end compared to other headset mics we've used. So far, the unit has performed well and fit, rather than busted our budget.

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Rock-N-Roller Mid-Size Equipment Cart Review

Rock-N-Roller Mid-Size Equipment Cart
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I have wanted a cart for use with my guitar rig and PA system for a long time. I saw this and decided to give it a try. I'm glad I did. I can carry a guitar amp, two PA speakers, two monitor speakers, a PA head and stand bags, along with my two guitars...all in one trip. I wish I hadn't waited so long. This has made for the easiest load ins and outs I have ever had. And American Musical Supply got it to me in two days, even though they initially said up to a week for delivery. AMS is the most reliable musical instrument source I've tried. Thanks Amazon and AMS.

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Line 6 Tone Port KB37 Review

Line 6 Tone Port KB37
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As a part-time, semi-professional musician/performer/producer [you can check out our NOVAkILL CDs here at amazon.com] I have a need for good quality and portability at a reasonable price. For maximum flexibility, I have been using USB audio I/O devices for the past 5 or 6 years, as they allow me to work on my workstation at home or laptop on stage with the same equipment. I was first attracted to Line 6 by the announcement of the KB37 because it looks so incredibly slick and sexy. To see if it could deliver the goods, I got hold of a UX2, which is basically the same as the KB37, without the keyboard. It took me about 5 minutes to realise the potential of this set-up so I got hold of a KB37 as soon as they were available.
HARDWARE - The unit feels really solid. The plastic is very heavy-duty and it all seems pretty well put together, although one of my VU meters is slightly crooked. The three-octave keyboard has a good feel and also feels fairly robust. The I/O knobs [chrome] are perhaps a little loose [it is easy to bump them and change their position] where the controller knobs [black] are very stiff until you use them for a while. It is very light-weight and no wider than most two-octave keyboards so it is extremely portable. The footswitch jacks are a real bonus. The audio inputs and outputs are very good, allowing you to get high quality, clean recordings and to monitor everything easily.
DRIVERS - Line 6 Monkey makes sure your drivers and other software are always up-to-date so it is a good idea to let the monkey look for the latest versions when you are setting up as the CD that ships is nowhere near current [it doesn't even support the KB37]. Once the Monkey had done it's thing, everything just worked. You use the driver interface to assign controllers and footswitches to different functions. It works really well but is a little hard to get at in a hurry.
SOFTWARE [GEARBOX] - This is definitely the best part of the deal. The are plenty of amps, cabinets and other effects available and you can chain them all together to create amazing results. If you are not happy with what you get, you can go on-line and buy even more from Line 6, but I have barely scratched the surface of the bundled options after almost a year. GearBox has very flexible routing - you can assign the hardware VU meters to any of a number of things [inputs, outputs, etc]. You can monitor and/or record with or without effects and you can even record your vocals or guitar parts whilst monitoring other instruments through the unit. You can have a single stereo signal path or two unique mono paths. e.g. one set-up for your vocal and a completely separate effect-chain for your guitar at the same time, whilst monitoring your hardware synths through the unit. Because it operates outside the normal Windoze audio system, latency is negligible which makes it great for using live.
IN USE - This is where we ran into a few problems at first. The KB37 only transmits on MIDI channel 1 so, because we had been using Channel 8, I had to go through all of our songs and change things to Channel 1. But it was worth it because in every other way, the KB37 delivers for us. It is a great device for recording vocals and synth parts and it is a flexible and handy controller for our sequencer and soft-synths. On stage it is even more impressive as we can use it for live vocal effects without having to run our voices through our sequencer software. With two footswitches attached I can change GearBox presets easily on stage and mute the effects between songs.
SUPPORT - Terrible. We had a few problems with the unit when we first started using it and the Line 6 forum was completely useless. After 8 weeks of getting no help from them whatsoever, I eventually discovered that the problem was not with the KB37. If it had been, I doubt it would ever have been solved.
OVERALL - This is close to the perfect solution for us. It is robust and portable, simple to use, yet offers incredible sound quality, both for getting clean recordings and from the amazing GearBox software. If the support was better, this would be a 5-star review.

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ISP Decimator Pro Rack G Noise Reduction Review

ISP Decimator Pro Rack G Noise Reduction
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This is a tremendous piece of gear that I use in both live settings and for recording. It is a MUSICAL noise gate, that is, it puts a "gentle fade" on sustained notes, as opposed to awkwardly choking them like many other gates. Worth the expense. Tom Vitacco (Chicago area guitarists) [...]

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Fostex MR-8mkII 8-Track Digital Recorder Silver Review

Fostex MR-8mkII 8-Track Digital Recorder Silver
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I still have the 1st gen MR-8 (the red one) and when I got the silver Mk-II for Christmas, I wasn't sure I really needed it, as I thought it was no better than my red one but for throwing on a few more bells & whistles. Firing it up and laying down a few basic tracks and playing them back demonstrated that not only are there a couple more features but the sound quality is much improved over the original. I played it back through my stereo with my wife in another room across the hall and she thought I was playing the guitar and singing live. So, I'm looking forward to doing a lot of recording with this unit with more professional sound quality (I believe it is equivalent to PC sound quality, plus I like the silver finish much better than the old red model!) This is a very nice personal recorder for not a lot of money.

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JBL EON 515 Lightweight Two-Way 15-inch 450-Watt Self Powered Speaker with EQ and 3 mix Inputs Review

JBL EON 515 Lightweight Two-Way 15-inch 450-Watt Self Powered Speaker with EQ and 3 mix Inputs
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I have worked with various self powered speaker enclosures over the years from 8", 10" 12", 15", and 18" powered sub-woofers. All of these speakers work well but I find the JBL EON series to have the best overall performance and looks. These boxes can put out a punch...more than expected. The EON's have built in limiter to prevent you from killing the drivers. I've never heard distortion from an EON. I especially like the new looks of the series 3 EON's. I've grown tired of the round woofer and rectangular tweeter design that so many copy. They look cool for the techno-geeks the the average listener doesn't care about how a speaker looks. The new design is less conspicuous and blends in with the surroundings than the older designs. I plan on buying many more EON's for my systems. An unexpected feature is the JBL logo on the front of the box lights (or can be turned off). I've found this helpful in making sure the speaker is powered...where in my case a circuit breaker tripped and I noticed the light was off on one box which led me to find and fix the problem.

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Audio-Technica AT4021 Cardioid Condenser Microphone Review

Audio-Technica AT4021 Cardioid Condenser Microphone
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This is a sweet little small-diaphragm condenser. It is near-ruler-flat from 20-20KHz. Getting those extremes -- 15K-20Hz and especially 20-50Hz -- is unusual in an affordable cardioid SDC.
I like this mic for general acoustic ensemble or instrument recording because of the extended low and high-end (really sweet lows). It is very popular on acoustic guitars, and wherever you want to capture the shimmer up top (choirs, drum overheads). I've gotten agreeable full-range jazz drum kit tracks by setting one up level with the top of the kick, a foot out in front of the kit.
Another mic to consider at this price/performance point is the Shure SM81 Instrument Microphone (it has just the slightest bit of color compared to the 4021, and a narrower frequency range, but it is a classic clean bright sound for this kind of thing). You can find sound samples of this and other comparable mics by searching for SDC microphone shootout on the web.
You may also be weighing this against Rode NT5 Matched Pair Recording Condenser Package (or you were back when this was $250). I think the 4021 sounds a tad better than the NT5 as a single mic, a little less hyped upper mid. But if you are planning on using two as a stereo pair, you might prefer the NT5 matched pair, because its off-axis response is more suitable for stereo recording. The off-axis response of the 4021 is pretty interesting -- it stays flatter for the mid- and higher-frequencies, and drops off for the lows. That's backwards from many mics. It means it's more forgiving about placement for something like an acoustic guitar or cymbal. But it also means your stereo image will smear towards the center with coincident stereo miking techniques, except for the low frequencies (exactly where coincident imaging is less effective anyway).
So if you use a pair of these for stereo, set up non-coincident, ORTF or even as you might place omnis. I get really pleasing results with a 4021 pair inside a grand piano, in an ORTF configuration nearly centered inside with one pointing to the high hammers and one pointing to the low strings at the back of the piano.

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Freehand Systems MusicPad Pro Plus Review

Freehand Systems MusicPad Pro Plus
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This is a love/hate review. I love the concept, but hate the execution.
I play a wide variety of music, with several different bands. Over the years, I have formatted over 1000 song (in Word) for printing lyrics and chords in BIG print so that the whole band (or at least the vocalists) can read from the chart. Hauling all 20 of my music binders to each gig is just not practical, so I usually ended up printing custom gig binders for each gig. But then there was always someone who requests that one song in binder at home....
So when I saw the Freehand Systems MusicPad Pro, I figured it would pay for itself in about two months in terms of saving me time, printer cartridges, etc. So I bought one and started the LONG task of converting all of my music so that it would be readable on the unit.
Let me interject that I have a Ph.D. in electrical engineering and I'm somwhat of a computer geek and gadget freak, so my tolerance is pretty high for things that are not idiot proof. I'm writing this review for those of you who might have the misconception that this thing is easy to get working to your liking.
In converting all of my Word files to the proprietary .fh files, I had to open and print each of my document via the freehand printer driver, then re-name each file and add my tags. Figuring-out what print setting to use was quite a nightmare. (Hint: use scaling and select Freehand in your Windows print driver first). It literally took me 16 hours to go through the process of converting all my files. Freehand should be ashamed to put this on the market without some way to batch convert from any format to their .fh files.
Then there is the file management. Why in the world they decided to make this thing with a measly 35 Megs of usable internal memory is a mystery to me. Less than 1/2 of my songs fit on the internal memory. There is a USB expansion slot that I had to use. But guess what, most of the memory sticks that they include with these units DONT WORK on the MPP because of some filtering issue in the cheap USB memory sticks that they get from China (and apparently, they don't have someone checking these things before shipping them out). In fact, only a few select memory sticks will work with this device - so beware. Freehand should have included a 1GB internal memory.
The final complaint I have is the price. For what it is, and for all the headaches I've had to go through to get it working, it should sell for $300. If I would have know how difficult it was to convert all of my files, I definitely would have just purchased a tablet PC.
Having said all of the above, I am happy that I have all the conversion behind me, and that I know how to operate the thing. I will use it on a regular basis, and it will simplify my gig preparation. If you are thinking of buying one of these things, be prepared for some pain before you get to the pleasure.

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Cakewalk V-Studio 20 Stereo Audio Interface Review

Cakewalk V-Studio 20 Stereo Audio Interface
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Drivers for Windows 7 64Bits shows many problems, even though the VS20 is a great tool, good recording quality and makes the recording process really friendly.

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Randall RX120RHS Combo Amp Review

Randall RX120RHS Combo Amp
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without a doubt the best solid state half stack under 500$ i've ever heard. used to play on a Marshall that costed twice as much and had half the clarity on the clean and crunch on the overdrive. i would HIGHLY recommend to any guitarist on a budget who needs to keep up with a very loud metal or rock drummer to pick this bad boy up.

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Galaxy Audio PA6S 170W Personal PA System/Monitor Review

Galaxy Audio PA6S 170W Personal PA System/Monitor
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As a singing drummer, I absolutely LOVE this monitor!
You have personal volume control, plus a 3-way EQ, and since you can run two channels into it, you can blend the house monitor mix in with your own mic feed (via a microphone "thru" patch) to get the exact blend of the two that you desire.
After using this Galaxy PA6S at a recent gig, I will never go back to floor monitors again!
Galaxy Audio PA6S 170W Personal PA System/Monitor

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Pioneer CDJ-800MK2 Professional CD/MP3 Turntable Review

Pioneer CDJ-800MK2 Professional CD/MP3 Turntable
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I have used these decks with a pioneer djm400 mixer for many years now and I absolutely love them. They are much less expensive than their big brother the cdj1000 but are nearly identical in performance. OK...the cdj1000 has hot-cue points, more tempo control, more loop functions and control of deck torque with a waveform display (in the mk3s) etc. etc. but I find that the 800s give most DJs more than enough bang for their buck. They are straight-forward and work exactly as they should. I have taken them on the road many times for many years and they still work great. They never lose the beat and never fail me in performance. The vinyl mode works very well and feels intuitive and natural. Scratching is a pleasure and feels/sounds good. I like that the play and cue buttons on the 800s require a tiny bit more pressure than the 1000s to work as a couple of times I have accidentally set off the track on the right hand side cdj1000 deck when using the effects button and control on Pioneer mixers as they are very close to the play button on the right-hand side deck when pushed close together (maybe just because I'm more used to the 800s) I mean, for sure if I had had the cash I would get the 1000 mk3s or 2000s,(If you own a club then you will probably just be getting the 1000mk3s or 2000s) but for spending so much less I think the 800s are probably actually a better value for the average DJ. They are totally solid and professional and you will love them!

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Propellerhead Record Reason Duo Review

Propellerhead Record Reason Duo
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Just received my order and was completely shocked to discover the older release (4 and 1.0) in the box. There is no release information on the item description on the Amazon site, and none on the retail box regarding software release information. Looking at the Propellerhead website, it seems a new package design is being used, however another website is still using the old graphics and describing the new software (however they confirmed it to be the latest 5.0+1.5 Duo on the phone). This is very confusing and I suggested to Amazon to add a version number to this item. I'm going straight to Propellerhead for my order, $50 more and worth every penny.
Amazon is providing me with a full refund instead of sending a replacement, because they can not verify the release number.

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Yamaha HS50M (Active) Pair 2-Way Monitors Review

Yamaha HS50M (Active) Pair 2-Way Monitors
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I got these after testing a variety of monitor speakers at a Guitar Center. These sounded much clearer and sharper than more expensive models. This set (HS50M) brings out the highs and middles but not the bass frequencies. So, you'll need the companion HS10W subwoofer for a full sound spectrum.

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Numark NS7 DJ Turntable Controller with Serato ITCH Software Review

Numark NS7 DJ Turntable Controller with Serato ITCH Software
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Coming from a turntable and vinyl background, I was and still am excited about this product. I purchased it and have been very content. The unit is about 35lbs. and VERY solid. I have to get use to scratching on it compared to turntables. The platter should have been made 9" but I'm taking it in stride. All crossfaders have a quality feel, no static and the scratch curves feel as good or better than my Rane TTM57sl.
My only complaint is that Numark did not future-proof this unit with effect buttons. I find the software (Serato iTch) and mixing is (CURRENTLY) a little more boring than Serato Scratchlive and my 57 mixer. Serato is supposedly working on effects and making iTch's software closer in features to Scratchlive.
I purchased the Numark case with the unit and REALLY love doing mobile gigs now. No more individual TT cases and mixer cases. No more RCA and ground wires and at least 15 minutes less setup time. I'm saving close to 70 lbs. in travel weight too. One bit of advice is to be wary of using PCs with this unit. I have a Unibody Macbook Pro 2.66Ghz but struggled making a Core2-Duo 2.2Ghz 4GB ram PC work "glitch-free" with the NS7 and iTch. It had quirky behavior while tracks were playing, random stops and various audio dropouts. Many PCs will (by default) have IRQ sharing which can hose up USB connectivity (the main source of NS7 communication to your laptop) if there are conflicts.
In troubleshooting, I had to insure bluetooth, anti-virus, firewalls, NIC cards, screen savers, wireless Network cards, on-board video and all sorts of services were disabled on the PC (a TOTAL administrative nightmare!) and still ended up having to run the latency at 5ms or greater for decent performance. My mic had major echo delay with this setting so enough was enough.
I purchased the MBPro and have not had a SINGLE glitch since. My latency is at 1ms AND I can run apps in the background while DJ'ing without problems. I highly recommend the NS7 (with adequately powered MAC) for any mobile DJ.

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Designed in collaboration with Serato, the Numark NS7 DJ Turntable Controller combines an all-metal chassis with adjustable torque, motorized, aluminum-turntable platters, vinyl, and a professional audio interface to deliver a complete performance solution that will satisfy even the most hardcore turntablist.
It offers a full complement of premium faders, knobs, buttons and the new Strip Search virtual-needle-drop control, which integrates seamlessly with the included Serato ITCH software. The NS7 delivers hands-on control of every aspect of Serato ITCH and sends data to the software more than ten times faster than standard MIDI resolution. And because it was designed for ITCH, NS7 setup time is the bare minimum--no tweaking, no mapping; just plug and perform.
The NS7's dual decks flank the mixer section. Its recognizable, professional appearance is supported by clean design in matte and glossy black. The entire unit is housed in a heavy-gauge, industrial-strength metal casing that is ready for the torture of travel.
Key Features
High-resolution controller built for Serato ITCH and compatible with Scratch LIVE libraries
Direct-drive, motorized turntable platters with classic and modern feel settings
Includes Serato ITCH DJ software, fully pre-mapped
Audiophile-grade audio circuitry with mic and line inputs, system and cue outs
Extensive loop, cue, and track-access controls
Strip Search (patent pending) virtual-needle-drop control
Controls most MIDI applications without requiring a mouse or keyboard
Rugged, all-metal construction
High quality, replaceable, customizable CP-PRO crossfader and D-TYPE line faders
Support for Whitelabel.net files in ITCH
Mix using either 33 RPM or 45 RPM speeds

Perfect Feel The NS7 has two seven-inch, motorized, high-torque aluminum turntable platters, and the turntable controls feature modern and classic settings that alter the feel to model the feel you prefer. Seven-inch, legit vinyl records with 45 RPM adapters sit on real slipmats--no simulation.
Solid, rugged, rubberized buttons and knobs compliment a high precision, replaceable CP-PRO crossfader and D-TYPE line faders for an unquestionably high-quality feel. The CP-PRO digital-VCA crossfader has a solid feel that is smooth and rigid. Like the crossfader, the D-TYPE digital-VCA line faders are replaceable. The crossfader offers contour adjust and reverse adjustment, enabling you to customize its operation.
System Simplicity Forget the mouse and the keyboard. The NS7 renders ITCH software perfectly simple to operate, with its click knob and large, backlit buttons navigating though your music library. You'll spend less time looking at the screen and more time enjoying performing thanks to the visual feedback you get from NS7's more-than 100 LEDs and more-than 100 hands-on controls.
A single USB cable between NS7 and your Mac or PC is all you need to send audio and data back and forth. The NS7 has onboard audio outputs so it's the only piece of gear you need to connect to the PA system or powered speakers. It outputs 24-bit, 44.1 kHz digital audio to the sound system on XLRs and RCAs. The front panel contains mic input, RCA line input, and both 1/4" and 1/8" headphone outputs with volume control.
The NS7 comes with an integrated laptop stand that supplies safe, secure mounting for your laptop. You can use an ultra-small space because NS7 elevates your laptop off the table.
Precision Control The NS7 sends control information over USB at more than ten times the standard MIDI rate. This innovative communication technique yields extremely high-precision, low-latency control.
There's nothing like dropping the needle on a record for quickly locating a point in the track, and with Strip Search--the unique virtual-needle-drop touch strip--you can locate a point instantly within the track using the on-screen waveform
Five hot-cue-assign buttons on each deck digitally mark your cues on the track. These marker points are recallable in ITCH and Scratch LIVE, and you can load Scratch LIVE cue points in ITCH.
Each deck offers an extensive Serato-style loop section, and you can choose between manual and auto-loop functions and an automatic BPM analyzer further assists loop makers. Creating automatic smart loops of any measure length is a breeze, and you can mutilate and modify to heart's content with a variety of controls such as Doubling, Halving, Shift, and manual controls.
Audio Quality The NS7 contains a host of professional audio connectors and a multichannel, 24-bit USB digital-audio interface. The high-definition post-mix analog audio output features a minimized circuit path with containing only one audiophile-grade bipolar capacitor. This optimized design maximizes phase coherence, ensuring that audio is tight and punchy.
Serato ITCH Software IF you use Scratch LIVE, you'll become quickly familiar with Serato ITCH. Because ITCH doesn't require a timecode interface, your system can be as simple as, say, NS7 and your computer. Since ITCH makes timecode a thing of the past, you won't need to worry about needles skipping or vinyl wearing out. You can load your Scratch LIVE crates, loops, presets, and cue points seamlessly in ITCH. The NS7 also works with most other MIDI DJ software and supports iTunes.
ITCH handles audio processing and mixing including channel fading, EQ, crossfading and track trim are processed for outstanding control and management of your tracks, ease of recording your set, clip-proof gain management, and BPM calculation using the power of your computer's processor.
The History function in ITCH keeps a comprehensive record of every track played and exports sessions from your history to 'txt', 'csv', or 'm3u'. ITCH also has a Loop Roll function that provides a looping effect where the playhead jumps back to normal time when you release the loop. Built-in key support ensures that ITCH reads key tags from MP3 files and displays them in the 'key' column in your library.

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Blue Microphones Baby Bottle Cardioid Condenser Mic Review

Blue Microphones Baby Bottle Cardioid Condenser Mic
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I've experimented at my home studio with many mics in this price range... and I've worked in very high end rooms where we had Neuman's and old Sony's. It doesn't matter, if you don't have basic mic techniques down, you can make a 7ooo.oo "moded" Telefunkin sound like the condenser in your old cassette recorder.
With That in Mind...
This Mic Rivals Mics costing three times it's list price to my ears.
Plenty of bottom, well appointed high's .. and a very present but un-screechy midrange. Excellent for loud guitars, snare drums.. even lower "bout" mic-ing on a Larivee Concert Grand acoustic at a slight off-axis proved bright and full. But where this thing really shines, is on Female Vocals... Gospell/Country/Even Pop,, close and warm with low low noise...wow~
I have a "Studio Projects" original C-1 with a slight mod that I use for Male/metal/Pop vocal stuff as it delivers a munch sharper mid and high, the Baby Bottle for Female Vox/Acoustic git/Electric git/horns and Piano... over head, a pair of C-1000's an "Earthworks" drum "set" and a Sanheiser for Electric Bass cab.. and that's about it. If I have a Thousand bucks total invested I'd be surprised. And I'm charging 80.00 an hour (home studios can make money)
If I had only "1" to go do a job with.. It would be the Blue.. I'd really like to buy 2 preferably in sequence and then I'd get rid of the C1000's all together.
Lastly..It's got a "Euro" Vibe ...I can't put my finger on it any better than that. Funny thing about Chinese Mics they all sound the same,,,(except for the SP C-1), None of them have that real clarity without the sibilant shrill top end.. The Bottle is so low noise and silky smooth it's an immediate thing... you'll feel it.
If I lost It..
I would replace it immediately.


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