Showing posts with label speakers. Show all posts
Showing posts with label speakers. Show all posts

Electro-Voice EVID 4.2 Surface Mount Passive PA Cabinet (Pair) Review

Electro-Voice EVID 4.2 Surface Mount Passive PA Cabinet (Pair)
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We used these speakers for our surround sound and they are great! Easy to mount and connect, swivel nicely to point wherever you want them to go.

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Bose L1 Compact Portable Line Array System (View amazon detail page) Review

Bose L1 Compact Portable Line Array System (View amazon detail page)
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I am a professional mobile DJ in the Pittsburgh area, and I rely primarily on the Bose® L1 Model II sound system (with two B1® bass units) for my performances. When I need extra boost, I expand my sound by adding a Bose® L1 Classic sound system (the original L1 system) and two more B1® bass units to my Model II system.
However, there are times when I don't need the "muscle" of the full system, such as small venues for birthday parties, outdoor wedding ceremonies, etc. For that, the Bose® L1 Compact sound system is perfect! It will provide excellent sound for 100-150 people. It is an amazingly fast setup and tear-down, and it is light enough to be truly portable. Completely set up, it weighs just 29.2 pounds, so it is great for those tough small venues that have limited space, limited access, stairs, etc.
The sub-bass sound is built into the bottom unit, and there are 1/4" jack inputs for your sound source. The unit is designed to work with the T1 ToneMatch® sound engine (mixer with many presets that can contour the sound nicely). If you are using the ToneMatch, however, be advised that you will have to purchase a power adapter for the ToneMatch. (The ToneMatch is powered from the pedestal base amplifier of the Model II®, but the L1 Compact® will not power the ToneMatch.)
The midrange sound comes from a small, narrow enclosure containing six small speakers/drivers placed at precise angles to deliver sound at a 178-degree "throw" left and right. The sound WILL cover a large area evenly, which is great for those times when the sound has to be softer (dinner music, pre-ceremony music for weddings, etc.). Everyone in the coverage area hears the music at the same volume, which avoids the problem of traditional speaker systems (really loud near the speakers but diminishing volume as you get further away). I was very skeptical of this feature when I first heard about the even sound coverage, but a year and a half of using the Bose® L1 systems has made me a believer. It's sweet!
Another nice feature is that there is a 1/8" stereo input jack for iPods (also works well when sending sound directly from your headphone output of a laptop). This lends a great deal of versatility to the system.
Example 1: I did a wedding reception recently where the father of the bride had a DVD he wanted played after dinner and projected onto a large screen. The location of the LCD projector was quite a distance from my main table, and the hall had not provided for the sound of the DVD show. I brought in the Bose® L1 Compact system and set it up next to the projection table, connecting the sound directly from the laptop that was running the DVD to the Compact system using a 1/8" to 1/8" stereo jack from the laptop to the iPod input on the Compact. The sound was perfect! Far better than any portable speaker system I have heard in the past from photographers/videographers who bring portable sound with them for their PowerPoint shows. It was a simple one-cable connection without anything else.
Example 2: I did wedding ceremonies both outside and inside for crowds of about 150 people or so using the Compact system. I ran all the music from my MacBook Pro through the ToneMatch®. I also connected two Shure wireless mics through the ToneMatch as well (one on the officiant, and one on the groom, which picked up the bride as well.) Additionally, I connected my Sennheiser wireless handheld (for any "emergency" announcements that might have been necessary) through the ToneMatch. This was a more complex setup that involved power for three microphones, one laptop, and the Compact System®.
For both applications, the Compact® delivered great sound and covered the area perfectly. I could not have asked for better sound.
There are two "sides" for input. One side is for line inputs (from mixer, musical instrument, iPod, laptop, ToneMatch®, etc.), and the other side is for a microphone input. Each side has its own volume control, which is crucial if you're a single performer. You can set your voice and instrument levels perfectly. As a DJ, though, I do not use the microphone side, so I cannot comment on how well the two sides work for single performers.
There are two official setups for the L1 Compact®. One setup is to leave the speaker in the base unit (the way it arrives). You would have to put this on a table for good sound coverage. If you used it from floor level, the sound would be muddy. This setup would be perfect if you are supplying the sound system for a keynote speaker at a conference, as an example. The unit could sit on the table next to the podium where the speaker is standing, and the sound the audience would hear would be fabulous--VERY crisp and clean.
The second official setup is to use the two extender sticks to elevate the speaker unit about six feet off the ground, which is the way you would want to set up the unit for full-room coverage for music, especially if there will be dancers!
I saw the unit being used with only one of the extender sticks, which put the speaker unit at "head level" for a seated audience. I don't know why you would use that setup, but it works fine that way (the extender sticks are identical, so there doesn't seem to be any reason you CAN'T use this setup.) Be advised, though, that Bose® does not recommend this setup.
So let's get to the bottom line:
PROs: Compact, portable, sleek. Easy setup with a tiny footprint. Great sound for what it is, delivering full bass, midrange, and highs for up to 150 people. Excellent choice for small venues, whether you are a DJ or a single performer. Great system for speakers at business meetings, conferences, church groups, etc. The sound is crisp, clean, and clear. The bass is far better than anything of comparable size, and the quality of the unit is excellent. This system is what I use for my backup system (to the L1 Model II®). It doesn't take up much space in the car, and if something WERE to happen to my L1 Model II® system during a performance, then I have a better backup system than 99% of the DJs out there.
CONs: While the bass response is very good for the size of the system, it cannot really compare to using two Bose® B1 units with a Model II system. THAT system can provide a chest-thumping bass resonance, but this system would be hard-pressed to do that. Don't get me wrong here: the bass response is very good, but it isn't what you would want for a larger venue where the bass has to carry out all over the area. And, as one should know right up front, it is NOT a unit for larger venues. It is fine for small areas, but if you have a louder, noisier, larger area, the Compact system would not be up for the task.
BOTTOM LINE: If you want terrific sound from a light, portable unit for a small venue, this system can't be beat! If you want a high quality backup system for your main sound system, it would be tough to get a better system with a better sound. If you play larger venues with noisy crowds or if you need a driving bass sound to resonate throughout the venue, then consider another alternative. (And remember, if you use a ToneMatch® sound engine with this, you have to buy the power adapter.)
RATING: Four stars because of its intrinsic limitations. It cannot be a system for a larger venue for 150-200 or more people, but it can be your answer for smaller venues and smaller crowds.
For what it is, though, it is Super!
NOTES:
* Response to reviews: Another reviewer here has stated that there are plug-ins for only voice and guitar, but that is inaccurate (see above for input variety). And as for effects such as reverb, delay, and other effects, those can be created nicely with the Bose® T1 ToneMatch audio engine, as stated above.
* The bass response difference I mentioned above between the Model II and the Compact units is approximately one half octave at the low end, according to Bose. Many people cannot hear the difference, but trained ears can. The limited power and bass response are the reasons I could not give five stars. Still, all in all, a great product!

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JBL JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet Review

JBL  JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet
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This is a great stage monitor. It has decent output and really makes the vocals crystal clear. No more fighting to be heard over the guitars.
The shipping from this company was fantastic. I think I received the package within 5 days of ordering it. It was inside a large box, secured with plastic rip tags and bundled up inside plastic protective wraps inside the box. It's heavy. Be aware.
The only issue I have with this stage monitor is it needs to be hooked up with a wire. I wish it was wireless so that I wouldn't have to worry about overloading our circuits.
It does not come with a cover.
Overall, great buy. If I wanted a wireless, I should have done more extensive research on the product. It's my fault, so I can't really complain too much.

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VocoPro PV-802 (PAIR) Professional Stereo 400W Powered Vocal Speakers Review

VocoPro  PV-802 (PAIR) Professional Stereo 400W Powered Vocal Speakers
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I bought these speakers for home indoor/outdoor party use, like listening to music and karaoke. The sound quality of it is what you'll expect from an 8" woofer, if you want a fuller sound, buy a powered subwoofer and you will have a good portable PA system. This pair of speaker has a lot of power and I am happy with my purchase.

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Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker) Review

Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker)
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I should write something elaborate because I'm "first to review" on this product.. but I'm gonna keep it short. These speakers are the best studio monitors in their price range for sound quality, build, bass response, clarity, flatness and realistic / reliable / clean monitoring of pro music creation. Great options for crossover, options for room size, three types of inputs. They sound amazing. They sound very similar to the HR824s but have a bit less low end (and the 624s are better for smaller room.) The sound is close enough that I can monitor on both 624/824 and get reliable results. I've heard Genelec is comparable in quality (some of their products are much higher end though.) Mackie gives you similar results for a cheaper price. I don't know of better studio monitor setup than these Mackies.
One note - which you probably know if you are a producer / engineer. These are studio monitors with VERY flat and honest response - they will bring out mistakes as much as they bring out the nice parts. For listening to music for enjoyment I use a pair of Bose speakers or some Grado headphones. The Mackies are for work and critical listening.. not for casual listening and enjoyment as much as reference.

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Behringer B2030A Active 2-Way Reference Studio Monitor (Set of 2) Review

Behringer  B2030A Active 2-Way Reference Studio Monitor (Set of 2)
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I purchased these with the assumption that I was not going to get the quality sound I wanted as opposed to KRK monitors (WAAAY overpriced) for my small studio. Boy was I wrong! The sound quality is better than expected to say the least. They're HEAVY, thus you won't be too worried about knocking them over (like the smaller KRK's or M-Audio Studiophiles I've seen). Took these over to a friends house for mixdown of video's he's been working on, and adjusted the settings for his video editing hardware and room dynamics. He then changed his mind after about some 5 hours of video editing. Not the best, but I'll be putting my money into what I can use rather than a name (KRK, JBL, Tannoy, Genlec are just TOO much. . .even for just one monitor). And it'se never about what you got, it's what you do with it.
There are going to be reviews bashing them, but when I have audio engineers telling me "good choice, cuz the KRK's are sometimes WAAY too bassy", I feel I've done my job and research into finding what I can afford.
Just a quick note. . .do give these "burn in" time. meaning give them some time to run before going all out on those mixes. Similar to tube preamps for guitar heads/cabs. . .burn em in slowly so you can get the full effect later. I haven't had these long enough, but I can say they are the best part of my studio.

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KRK K10S Powered Subwoofer - 10 Inch, 225 Watts Review

KRK K10S Powered Subwoofer - 10 Inch, 225 Watts
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I purchased this subwoofer as part of a 'system' (which includes 2 KRK RP8 speakers) for my Korg M3 Keyboard Workstation. I was using my old computer speakers until I got this setup. This subwoofer is impressive, however, I must say my days of having 'golden ears' is long gone. Too many years of exposure to loud sounds (concerts, guitars, motorcycles) and age (51) means I don't have the kind of ears that are particularly discriminating. However, the new keyboard needed a sound system that covered lots of frequencies, the bottom end in particular. I looked into a lot of 'studio monitor' systems, and decided that KRK offered the best options in terms of price/performance. I also must admit that I didn't audition any speakers by listening. It was purely a documentation type review. That said, I'm thrilled with what I've got. The subwoofer has a volume control (which needs to be barely cracked off zero to create a balanced sound with the RP8s), and a variable crossover frequency, to allow a good mix with the other monitors (again, this is something someone with good hearing could take advantage of, which I don't; I left the crossover at 130Hz, the top end). KRK offers a tool which is said to create optimized settings for any room, but I didn't see a need for that. You WILL need cables, though, 4 total, two from the mixer/keyboard, and two more from the subwoofer to the other monitors. The nice thing about KRK is that they provide a number of different options for those connections, at least the input to the subwoofer (only XLR or RCA on the output side of the subwoofer). The input to the subwoofer can be XLR, 1/4" (like a regular guitar/amp cord) or even standard RCA (stereo type) cables, those these latter are unbalanced (which essentially means that a long run may end up being noisy, since there is no shielding in this kind of cable). I used old guitar cables at first, while I waited for my the XLR cables which I ordered from Amazon to get here. I'd be lying if I told you that I could tell any difference between the types of cables, sonically. They are equally secure in terms of solidity of connection. Still, if you want the best possible performance, get XLRs.
I'm very happy with this unit. I've read that it puts out 150 watts, and other places say 225, and I'm too lazy to look up the details in the product documentation. Suffice to say, the power is ridiculous, and would, I believe, easily fill a small concert venue. In my office, a 10'x12' room with cathedral ceiling and hard floor, it's way overkill. In fact, with the 8" drivers of the main monitors (the RP8s), I may have been able to get away without the subwoofer. However, because of the synthesizer portion of the keyboard, I definitely wanted to take advantage of the low end it can produce. The K10S definitely fills that part of the sonic spectrum for me. KRK used to make a 12" subwoofer, with even more wattage, which is what I wanted originally, but the K10S is more than I need as it is,
You have the option to remove the grill, to expose the really cool yellow rimmed speaker cone, but probably not a good idea; the grill provides protection (but the RP8 monitors come without grills; they are an extra cost option). One other thing, if, like me, you like to keep things 'clean', the subwoofer doens not come with a cover. I had one made, to keep the dust off.
Overall, highly recommended.

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The KRK K10S powered subwoofer is designed to extend the low frequency portion so your mix can be properly engineered. The K10S cabinet has radically curved surfaces for a great look and amazing performance. The front-firing bass port and KRK's trademark yellow glass-aramid composite woofer ensure accurate and powerful low-end punch. A sturdy grill which is removable protects the woofer and adds to the sleek appearance of the unit. A high power amplifier and active crossovers provide smooth and accurate reproduction. To accommodate any studio environment, the K10s has RCA, 1/4 inch (balanced/unbalanced) or XLR inputs for all your input options.
KRK K10S Powered Subwoofer Features:
225 Watt (peak) powered subwoofer for studio use
SPL rating of 110db music and 113db peak
Frequency response of 34 Hz- 50Hz to 130Hz variable
10 inch high excursion glass aramid composite woofer
Variable and sweepable low pass filter
80Hz high pass filter
Radically curved front baffle design for amazing performance
Front firing port provides low frequency extension without boundary coupling
Bypass control using standard footswitch
A New Standard in Low Frequency Monitoring For years, KRK subwoofers have been the choice for accurate low frequency monitoring in studios large and small. Now, the K10s provides a new standard for even better performance and accuracy, raising the bar once again. Whether you are mixing in a 2.1 or 5.1 surround environment or just looking to upgrade the low-frequency extension of your existing monitors, the K10s will provide the low frequency detail and accuracy that will help you to create a better mix. Let's Be Up Front Take a look at competitive subwoofer monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend to create bass coupling with walls and corners over-amplifying low frequency information which in turn colors your mix. The superior design of the KRK10s includes front-firing ports which are just the right shape to reduce port turbulence. You'll appreciate the clean and accurate bass performance this approach delivers, even at high SPLs. Feel the Bass You need to feel the bass and our proprietary signature yellow woofer delivers tight, clear low end response. Our engineers and listening panel took the K10s speaker voicing to even more accurate levels. Featuring a sweepable 50 Hz – 130 Hz low pass filter, your K10s provides flexible control for any monitoring system. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for a clear, low-distortion performance. Take Control Professional engineers like the ability to hear how the sub is affecting the mix. Your KRK subwoofer is equipped with a bypass feature which allows you to defeat the sub and provide full range audio to your recording monitors. To use the bypass function, you will need to use a standard latching 1/4 mono footswitch.

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Bose T1 ToneMatch Audio Engine Mixer Review

Bose T1 ToneMatch Audio Engine Mixer
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I've had over a dozen mixers in my life and the Bose T1 is by far the best I've ever owned.
The Pros:
It has the best Pre Amps I've ever heard! Same quality you would find in many high end studios.
It replaces a rack full of processors I no longer need including a guitar tuner.
It's extremely compact, light weight and almost fits into the palm of your hand.
It can hang on a Mic stand which I believe is the only mixer to do that.
It's user friendly and a novice can run it.
You can record with the built in USB straight into a computer without an interface.
It can be used with ANY brand of speakers and not just Bose.
It can save your settings, removing the need to "re-EQ" everything when you play the same room twice. This is a HUGE time saver.
Bose has software on their web site that lets you "back up" all your settings in case your T1 gets broken or stolen. This is an invaluable feature.
It's reasonably priced considering everything you would have to buy separately for the same set up.
The Cons:
It doesn't come with a power supply. Bose makes you buy it separately.
It doesn't have FireWire.
It needs more Mic inputs.
It runs in Stereo but there's NO Panning.
Running a monitor mix through the AUX is not user friendly.
I give it 4 out of 5 stars because of the Cons. Otherwise, it's light years ahead of the competition and there's nothing else out there like it. It's in a class of it's own.

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VocoPro SV-500 (Pair) 10 3-Way Vocal Speaker Review

VocoPro SV-500 (Pair) 10 3-Way Vocal Speaker
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i have high-end 7.1 surround speakers for my home theather. so when i bought a karaoke & equalizer & pre-amp units, i thought i was done. wrong.
you need these vocal speakers! period. loud yet clear and crisp. they bring out the vocal, and the right mix of mid and high . a little weak at the low bass, but im sure its by design, can be easily compensated with existing sub-woofer or by adjusting the EQualizer.
highly recommended.


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Behringer PMP980S 900-Watt 10-Channel Powered Mixer Review

Behringer PMP980S 900-Watt  10-Channel Powered Mixer
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You guys are my heros. Right out of the box the Mixer showed its real colors. Set everything the way it should be and it worked like a champ in the studio. I can't wait to try it on a gig we have in a large building with about 800 people.
When this happens I will rewrite this and let you know.
Thanks for all you do.
Regards,
Jerry
I had a very good response out of this unit. My School reunion,very large room,seating 600+ so you know I had to be good in front of all my schoolmates
I used 4 mains with 1 monitor,a laptop,1 Cordless Mike,1 Wired Mike,all speakon cables and a light setup.
There was no squeals or Hums.In one of the reviews i read where the unit would pop real loud when turning on the power. This was solved by hooking the 2 speakon speaker cables to the unit last after the power was switched on.
This unit was every thing you would need as a DJ.I was very please and got lot of positive comments from everyone.Lots of hand shakeing and hugs saying fantastic job.
Very powerful and easy yo set up.
By the way: I got rebooked for the next reunion.
Thanks Amazon for everything,
DJ&J Entertainment


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Behringer PMP2000 800-Watt 10-Channel Powered Review

Behringer PMP2000 800-Watt 10-Channel Powered
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Since it's arrival, I'e used the sysems on two occasions. The first was an in-door party for about 120 folks. I ran four speakers (two 400 watt and two 600 watt) and a 600 watt subwoofer for 6 hours, pretty well maxed out. Worked flawlessly.
Second was an outside gig for 5 hours, pushing the same configuration. Worked flawlessly.
On both occasions I was complimented on the robustness and clarity of the music.
If Berhinger would just work on their owner's manual a little more. It's basically useless.

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If you need superior stereo sound for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, the 10-channel PMP2000 can really deliver. This 800-Watt mixer has built-in mic preamps and an FX processor, as well as enough power to drive both mains and monitors, thanks to dual 350-Watt onboard power amps.


Massive Mono or Stunning Stereo The PMP2000 gives you the choice of 2 x 350-Watt stereo, 2 x 350-Watt dual mono or 800-Watt bridged mono output. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP2000 can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Nine built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP2000.
Built-in Digital Effects Processor It's also equipped with a 24-bit FX processor, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you're pulling double duty as sound engineer and performer, the FX processor has a footswitch jack for remote on/off.
Changing the Channels The PMP2000 gives you loads of flexibility in accommodating whatever the center of attention happens to be. Channels 1-6 are for mics, bass guitars or other mono instruments. Stereo channels 7-12 are ideal for keyboards. Use the 2TR IN RCA inputs to feed in external stereo signals from CD players or tape decks.
The Ins and Outs REC OUT RCA outputs send line-level signals from the mixer to a recording device, so you can finally get to work on that triple-live album you've always dreamed of. The left and right Output 1/4-inch connectors are there just in case you need to connect more amps. Connect your monitor power amps or active monitor speakers to the MONITOR output.
What's in the Box Behringer PMP2000, Power Cable, User's Manual

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Seismic Audio - 412 GUITAR SPEAKER CABINET - 4x12 400 Watts PA/DJ PRO AUDIO Review

Seismic Audio - 412 GUITAR SPEAKER CABINET - 4x12 400 Watts PA/DJ PRO AUDIO
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I bought a straight and an angled cabinet. They have a nice sound. The mids are really scooped out. I cranked my mids all the way up and got a good sound. You can really pump the bass through these as well. I received them on time but Fedex dented three of the top corner protectors. No big deal, I just swapped them with bottom ones so you don't see it. The only thing I don't like about them is they are not very loud. They're rated at 96db sensitivity. It takes every bit of my 150 watt Line 6 Spider III amp (volume at max.)to keep up with the rest of the band. And I have to stack them. If I put them both on the floor, I can't hear them for squat.

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Eminence Red Fang 12" 30W Guitar Speaker 8 ohm Review

Eminence Red Fang 12 30W Guitar Speaker 8 ohm
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I've got this speaker in my Dr. Z 1x10 cab. This is a wonderful, chimey and balanced speaker with beautiful mids, nice tight bass, and bell-like highs. Sounds like a 12" speaker - you have to hear it to believe it. No boxy sound at all. Perfect for blues, blues rock, and English rock tones.

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Eminence Red Fang 12" 30W Guitar Speaker, 16 ohm Review

Eminence Red Fang 12 30W Guitar Speaker, 16 ohm
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I picked up a Vox AC15C1 amp a while back but was never very happy with the Celestial Greenback speaker that came in it. I knew when I bought it that it was the cheap chinese version of the Classic and legendary GB that was produced in the UK and are in so many professional rock gawds speaker cabs. So building a 2x12 speaker cab was always my plan to add to the AC15C1 amp. I also like the way 2x12 and 4x12 cabs sound with mixed speakers. So I got both the Eminence 12" Wizard and Red Fang speakers for my cab. WOW is all I can say. The AC15C1 amp is a good amp in stock form, just with a cheap speaker. Adding the Eminence speakers made this amp go from good to GREAT!! Not just louder, but with far better articulation and headroom. Way less feedback allows for louder playing without hum, squeel and all that crap. If your a tone chaser/addict there a lots of realy great and inexpensive amps out there now that will sound unbelevable with a speaker upgrade. These speakers were one of my best buying decisions in a long time as far as my musical equipment goes.

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Bugera 412F-BK Classic 4x12-inch, 200-Watt Straight Guitar Cabinet Review

Bugera  412F-BK Classic 4x12-inch, 200-Watt Straight Guitar Cabinet
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Awesome! Awesome! Awesome! Excellent Cabinet, Highly recommend! also the Bugera Head Amps are amazing! I Ordered the 333XL Bugera 120 watt head amp!

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