Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Fostex MR-8mkII 8-Track Digital Recorder Silver Review

Fostex MR-8mkII 8-Track Digital Recorder Silver
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I still have the 1st gen MR-8 (the red one) and when I got the silver Mk-II for Christmas, I wasn't sure I really needed it, as I thought it was no better than my red one but for throwing on a few more bells & whistles. Firing it up and laying down a few basic tracks and playing them back demonstrated that not only are there a couple more features but the sound quality is much improved over the original. I played it back through my stereo with my wife in another room across the hall and she thought I was playing the guitar and singing live. So, I'm looking forward to doing a lot of recording with this unit with more professional sound quality (I believe it is equivalent to PC sound quality, plus I like the silver finish much better than the old red model!) This is a very nice personal recorder for not a lot of money.

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Freehand Systems MusicPad Pro Plus Review

Freehand Systems MusicPad Pro Plus
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This is a love/hate review. I love the concept, but hate the execution.
I play a wide variety of music, with several different bands. Over the years, I have formatted over 1000 song (in Word) for printing lyrics and chords in BIG print so that the whole band (or at least the vocalists) can read from the chart. Hauling all 20 of my music binders to each gig is just not practical, so I usually ended up printing custom gig binders for each gig. But then there was always someone who requests that one song in binder at home....
So when I saw the Freehand Systems MusicPad Pro, I figured it would pay for itself in about two months in terms of saving me time, printer cartridges, etc. So I bought one and started the LONG task of converting all of my music so that it would be readable on the unit.
Let me interject that I have a Ph.D. in electrical engineering and I'm somwhat of a computer geek and gadget freak, so my tolerance is pretty high for things that are not idiot proof. I'm writing this review for those of you who might have the misconception that this thing is easy to get working to your liking.
In converting all of my Word files to the proprietary .fh files, I had to open and print each of my document via the freehand printer driver, then re-name each file and add my tags. Figuring-out what print setting to use was quite a nightmare. (Hint: use scaling and select Freehand in your Windows print driver first). It literally took me 16 hours to go through the process of converting all my files. Freehand should be ashamed to put this on the market without some way to batch convert from any format to their .fh files.
Then there is the file management. Why in the world they decided to make this thing with a measly 35 Megs of usable internal memory is a mystery to me. Less than 1/2 of my songs fit on the internal memory. There is a USB expansion slot that I had to use. But guess what, most of the memory sticks that they include with these units DONT WORK on the MPP because of some filtering issue in the cheap USB memory sticks that they get from China (and apparently, they don't have someone checking these things before shipping them out). In fact, only a few select memory sticks will work with this device - so beware. Freehand should have included a 1GB internal memory.
The final complaint I have is the price. For what it is, and for all the headaches I've had to go through to get it working, it should sell for $300. If I would have know how difficult it was to convert all of my files, I definitely would have just purchased a tablet PC.
Having said all of the above, I am happy that I have all the conversion behind me, and that I know how to operate the thing. I will use it on a regular basis, and it will simplify my gig preparation. If you are thinking of buying one of these things, be prepared for some pain before you get to the pleasure.

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Propellerhead Reason 3.0 Recording Software Review

Propellerhead Reason 3.0 Recording Software
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I need to begin this review with an important disclaimer: I am an armchair musician, the kind of person who played an instrument in high school but hasn't been serious about music in a long time. I am also a person who loves gadgets, including musical ones like synths. I was bitten by the synth bug in the late '80s when I discovered techno music and the great analog masters of the '70s like Isao Tomita. (I remember having great times listening to Tomita and trying arrangements of 'The Planets' suite with a buddy from high school who had an Oberheim analog synth and a sequencer. Good times!)
In other words, I am . . . a dabbler. So this review is from a technophile, music-loving amateur's perspective.
It was actually Propellerhead's demo software that inspired me to take another crack at music as a hobby after many years away. I got myself a nice M-Audio keyboard and the full version of Reason and dived in. In short, I am in hog heaven.
Whether you are a dabbler or a pro, I suspect the first thing you will feel upon firing up Reason 3.0 is, "holy cow, there is a LOT of stuff here." The software is just insanely packed with features. Synths, effects modules, samplers, and more... It is literally like having a room full of hardware. And when you hit Tab the rack turns around so you can use virtual patch cords to wire everything up. And oh yeah -- it sounds great!
Reason has so many features, in fact, that it's intimidating for a new user. You'll quickly be making some good sounds, but getting the sound you had in mind to BEGIN WITH is where the skill comes in. It's like going from a Yugo to a race car: now you can adjust the suspension in 10 different ways, but how do you know what you want to do unless you are already a gearhead?
And this is why I mark Reason down from 5 to 4 stars: I wish it held my hand more. The manual isn't bad, but the program is so rich that I am going to have to invest in a tutorial package to get the most out of it. I can't blame Propellerhead TOO much, for admittedly I am a dabbler in a pro's world, but I suspect I am not alone in this feeling judging from the amount of 3rd party Reason products out there.
One thing for actual keyboard players to be aware of: since Reason uses your computer's CPU to generate sound, there is a small amount of latency between a key hit and the sound being produced. On my system, an Athlon 64 3000+, this delay is 34 milliseconds. That is hardly perceptible, but anyone used to a real hardware synth could find it annoying.
If you are a hardware junkie, get a keyboard controller with as many hardware inputs as possible. I am using a Radium M49, which has 9 sliders, 8 knobs, one foot pedal jack, plus the pitch and modulation wheel -- and when I am playing with the Reason synths, I wish I had more knobs. Of course you can twiddle all the virtual knobs with the mouse, but sometimes there is no substitute for the real thing.
Lastly, be sure to visit the publisher's web site. They have a lot of cool free downloads and user forums.
I hope this has been useful to other musical dabblers!

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Boss BR-800 Digital Recorder Review

Boss BR-800 Digital Recorder
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Basically what it looks and feels like. Bought this unit thinking i can use it in my studio instead of
much older, more expensive and bigger BR-1200CD or BR-1600CD but I was disappointed with build
quality and changes to the control design. E.g. flat touch-buttons which are actually very unreliable.
You never know if you pressed then or not. The whole unit feels very light and "plasticky", the faders
are wobbling etc. BR-800 has some nice sound effects good mostly for guitarists or vocals, ability
to record 4 channels at a time is good too but overall build quality, the 6 faders instead of 8,
limited editing options make this recorder basically a recording toy.


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THD Electronics HP8 Hot Plate Power Attenuator, 2 Ohm Review

THD Electronics HP8 Hot Plate Power Attenuator, 2 Ohm
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This product does wonders for a tube guitar amplifier. It permits great amp sound at reduced sound amplitude.

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Bob Dylan Hand-Signed-Series Hohner Marine Band Harmonica Review

Bob Dylan Hand-Signed-Series Hohner Marine Band Harmonica
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This is an absolute bargain. Few people realize this is the same harmonica used by Dylan in his cameo appearance as Darth Vader in "Return of the Jedi." I purchased two, one for myself and one for my wookie.

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What happens when you join a 151-year-old musical instrument manufacturer with one of the world's most legendary musicians who happens to be the single most influential harmonica player in the annals of popular music? You make history, of course! Throughout his iconic career, Bob Dylan has maintained a special relationship with the Hohner company, showcasing their harmonicas in his music. Hohner is now honoring that association by offering a collection of limited edition, hand-signed Marine Band harmonicas to the public. This is a hand-signed, key of C Marine Band harmonica, just one of 100 made--truly a once-in-a-lifetime opportunity for Bob Dylan fans.



Hohner & Bob Dylan. A Historic Collaboration.

The Dylan Legacy Bob Dylan, the venerated American singer-songwriter, author, poet and disc jockey, has been a major figure in popular music for five decades. During his career, Bob Dylan has won awards for his songwriting, performing, and recording, earning him eleven Grammys (and a Lifetime Achievement Award), Kennedy Center Honors and an Academy Award. He has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame and the Songwriters Hall of Fame. In 2008, Bob Dylan was awarded a Pulitzer Prize Special Citation for his "profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power."
The Bob Dylan Hand Signed Single Key Harmonica This is a single Marine Band harmonica in the key of C, hand-signed by Bob Dylan. This single harmonica is displayed in an inlaid ebony box, also handcrafted for Bob Dylan with a signed card from the President of Hohner, Inc., confirming authenticity. One hundred of these single key harmonicas exist worldwide.
About Marine Band Harmonicas Internationally recognized by players for its simple beauty and resonant tone, this is the most famous harmonica in the world. The pearwood body, solid brass plates, and patented cover design produce a musical quality that, when first heard in 1896, brought the Marine Band immediate popularity. This is the model that helped to create the sound of the Blues, Country, Folk, and Rock.
Hohner Harmonicas--The Proven Choice Hohner--the world's biggest manufacturer of harmonicas--has proudly maintained a tradition of high quality instrument making. Their mission is to offer a diverse range of models designed to meet the needs of every musician in today's musical climate.
Tireless investment in research and development, combined with knowledge that has been cultivated for decades, ensures the company's high quality standards. By working in close cooperation with the most renowned professional harmonica players, Hohner ensures that their instruments remain on the cutting edge of the industry. An up-to-date manufacturing process uses special alloys and precise stamping and milling tools to produce reeds of optimal sound quality, responsiveness and longevity.
Hohner's long standing dedication to harmonica excellence has inspired a loyal following among players from all walks of life; young and old, amateur and professional.
What's in the Box Bob Dylan Hand Signed Series Hohner Marine Band Harmonica (Key of C), Presentation box, Letter of authenticity

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Bose L1 Model II System Single Bass Package Review

Bose L1 Model II System Single Bass Package
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I have worked as a mobile DJ since 1980 in the Pittsburgh area, and for most of that time, I used two Bose® 802 speakers (the pro version of the 901s) and the 302 acoustimass bass enclosure (which weighs 115 pounds). There was never a doubt that I had the best sound possible.
However, I tore a rotator cuff lifting the 302 into the car a couple of years ago; the system was just too much to load and unload, what with the speakers, two amplifiers, mixer, etc.
In January, I discovered the Bose® L1 Model II sound system. It is light, compact, and efficient, and it delivers incomparable sound that rivals the 802/302 system pushing 1600 watts but without the weight and clutter of cables, etc.
For DJ applications, I highly recommend getting two B1 bass units to deliver the kind of bass that carries into the room and which would be suitable for dancing.
If you are using the system as a single performer, then one B1 unit might be sufficient. However, my experienced friends have told me that this system does not work as well as some other systems with DRUMS. For that use, you might want to consider a different set of speakers, especially subs.
When I set up my L1 with two B1 bass units at a venue, the first "test" song I play is Billy Joel's "Innocent Man." If you're familiar with it, you know it starts off with dynamic bass. Then the high register kicks in, and the L1 system produces such spectacular sound that at every single gig I've done with them, someone--waitresses, bus boys, caterers, hall managers--comes over immediately to rave about the sound. One of the most frequent comments is "I can't believe how CLEAR the sound is!"
For what I do (weddings, corporate parties, reunions, etc.), it's the ideal system. Cocktail hour and dinner music, which have to be low enough to allow conversations to be carried on at tables, was always a problem. In the past, people near the speakers thought it was too loud, while people in the back of the room couldn't hear the music clearly at all. Now, though, I can set the volume, and that volume is pretty much the same if you're standing 10 feet from the speakers or 75 feet from the speakers. There is a very slight falloff in the sound volume after the first 100 feet, but even at that, it still carries well. Even though I've been doing this for several months now, I'm still amazed at how even the sound coverage is.
When it comes to the dance music, the volume doesn't have to be as "loud" as it had to be with the 802/302 system. When I fired those speakers up, there was always a "hole" on the dance floor in front of the speakers because the volume was so high it would make your ears bleed (OK, so it wasn't that loud--but it was loud!). With the L1 system, the sound carries so well that the volume doesn't have to be set at the "make their ears bleed" level. I can set it for the "right" sound for the dance floor, and it carries all the way across the room at the right volume. And people dance right next to the speakers. I was surprised to see that, to tell you the truth, and I even took a picture in May of the parents of the bride dancing about 2-3 feet from the speaker system.
A nice feature for me is the fact that the amplifiers are built into the pedestal base unit that holds the cylindrical tower (two speaker sections that fit together rather securely in a seven-foot high tower). The amplifiers are created by Bose precisely for these speakers. The cylindrical tower contains 24 matched speakers that are placed at specific angles within the tower to create that 178-degree horizontal "throw" of the speakers. The amplifiers sense how many B1 units are connected and properly direct sound and power to them.
Lots of "stats geeks" have trouble with Bose® speakers because they are into amplifier wattage, speaker capacity in terms of "power," etc. However, if you understand that Bose is engineering the sound of these speakers in a new way, then you'll understand that the sound is not directly reliant on some of the "old" measures of powering speakers. The bottom line is the sound your ears hear, which is the truest test of any speaker system.
If you buy this system, I recommend the Bose® ToneMatch® audio engine to go with it. It has three microphone inputs that have universal inputs (either XLR or 1/4 inch jacks), and a fourth input that accepts two 1/4 inch jacks (either balanced or unbalanced). Stereo sources can be connected here, so that solves the "stereo iPod" problem mentioned by another reviewer. There is also another connection, a direct USB connection, which will accept sound (either stereo or mono) from a computer. I use my laptop and a firewire drive, and all the music comes through the USB port into the ToneMatch® audio engine. Another benefit of the ToneMatch® audio engine is the large number of "presets." The presets will tailor the sound of the system to fit various microphones; a wide variety of instruments; and pre-recorded (DJ) sound sources. There is a "Low Volume" preset that is nice for dinner music, for example, and a "high volume" preset for dance music that eliminates the tinny highs and midrange, and the sometimes muddy bass sound that is often produced by sound systems when they are pushing the higher power outputs.
I recently did an outdoor venue for a Car Show and had to cover a huge area with sound. I used one Bose® L1 Model II with two B1 units and one Bose® L1 Classic system with two B1 units (I picked that up "used" as a backup for the Model II and for use in larger venues). I pointed one system up the hill into the wind and the other system downhill with the wind behind it. The "uphill" sound carried very clearly for about 70 yards, after which it was audible but not crystal clear. The "downhill" sound carried 120 yards with no hint of falling off. That answered my question, "Will this system provide enough sound for a large venue?" Last year I played that same venue with my Bose® 802/302 system (1600 watts pushing it), and the comments I heard this year were that the sound was much better this year and it was clear all over the area. Take it for what it's worth.
Bottom line evaluation for who should/can best use this system:
* For single performers, this is outstanding.
* For DJs, this is outstanding.
* For live bands trying to use more than one or two performers per system, this may not be your best choice unless you get one system per performer.
* For drums, this might not be the best audio solution unless you have four B1 units.
* For small venues, this system may have no equal.
* For larger venues, an additional system might be required to cover the entire area.
* While I have not had this concern, other DJs have reported that it is helpful to elevate the system to get better "throw" over a crowded dance floor. (Lots of bodies will absorb sound.)
Bottom line evaluation for the system itself:
* For portability, sound quality, and ease of setup, this is outstanding.
* For clarity and range of sound, this is outstanding.
* For bass reproduction at high sound levels in very large venues, this system is average with two B1s; below average with one B1; and slightly above average with four B1s.
Overall, I give the Bose® L1 Model II system (with TWO B1 modules) the top rating, 5 out of 5.

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Bose L1 Compact Portable Line Array System (View amazon detail page) Review

Bose L1 Compact Portable Line Array System (View amazon detail page)
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I am a professional mobile DJ in the Pittsburgh area, and I rely primarily on the Bose® L1 Model II sound system (with two B1® bass units) for my performances. When I need extra boost, I expand my sound by adding a Bose® L1 Classic sound system (the original L1 system) and two more B1® bass units to my Model II system.
However, there are times when I don't need the "muscle" of the full system, such as small venues for birthday parties, outdoor wedding ceremonies, etc. For that, the Bose® L1 Compact sound system is perfect! It will provide excellent sound for 100-150 people. It is an amazingly fast setup and tear-down, and it is light enough to be truly portable. Completely set up, it weighs just 29.2 pounds, so it is great for those tough small venues that have limited space, limited access, stairs, etc.
The sub-bass sound is built into the bottom unit, and there are 1/4" jack inputs for your sound source. The unit is designed to work with the T1 ToneMatch® sound engine (mixer with many presets that can contour the sound nicely). If you are using the ToneMatch, however, be advised that you will have to purchase a power adapter for the ToneMatch. (The ToneMatch is powered from the pedestal base amplifier of the Model II®, but the L1 Compact® will not power the ToneMatch.)
The midrange sound comes from a small, narrow enclosure containing six small speakers/drivers placed at precise angles to deliver sound at a 178-degree "throw" left and right. The sound WILL cover a large area evenly, which is great for those times when the sound has to be softer (dinner music, pre-ceremony music for weddings, etc.). Everyone in the coverage area hears the music at the same volume, which avoids the problem of traditional speaker systems (really loud near the speakers but diminishing volume as you get further away). I was very skeptical of this feature when I first heard about the even sound coverage, but a year and a half of using the Bose® L1 systems has made me a believer. It's sweet!
Another nice feature is that there is a 1/8" stereo input jack for iPods (also works well when sending sound directly from your headphone output of a laptop). This lends a great deal of versatility to the system.
Example 1: I did a wedding reception recently where the father of the bride had a DVD he wanted played after dinner and projected onto a large screen. The location of the LCD projector was quite a distance from my main table, and the hall had not provided for the sound of the DVD show. I brought in the Bose® L1 Compact system and set it up next to the projection table, connecting the sound directly from the laptop that was running the DVD to the Compact system using a 1/8" to 1/8" stereo jack from the laptop to the iPod input on the Compact. The sound was perfect! Far better than any portable speaker system I have heard in the past from photographers/videographers who bring portable sound with them for their PowerPoint shows. It was a simple one-cable connection without anything else.
Example 2: I did wedding ceremonies both outside and inside for crowds of about 150 people or so using the Compact system. I ran all the music from my MacBook Pro through the ToneMatch®. I also connected two Shure wireless mics through the ToneMatch as well (one on the officiant, and one on the groom, which picked up the bride as well.) Additionally, I connected my Sennheiser wireless handheld (for any "emergency" announcements that might have been necessary) through the ToneMatch. This was a more complex setup that involved power for three microphones, one laptop, and the Compact System®.
For both applications, the Compact® delivered great sound and covered the area perfectly. I could not have asked for better sound.
There are two "sides" for input. One side is for line inputs (from mixer, musical instrument, iPod, laptop, ToneMatch®, etc.), and the other side is for a microphone input. Each side has its own volume control, which is crucial if you're a single performer. You can set your voice and instrument levels perfectly. As a DJ, though, I do not use the microphone side, so I cannot comment on how well the two sides work for single performers.
There are two official setups for the L1 Compact®. One setup is to leave the speaker in the base unit (the way it arrives). You would have to put this on a table for good sound coverage. If you used it from floor level, the sound would be muddy. This setup would be perfect if you are supplying the sound system for a keynote speaker at a conference, as an example. The unit could sit on the table next to the podium where the speaker is standing, and the sound the audience would hear would be fabulous--VERY crisp and clean.
The second official setup is to use the two extender sticks to elevate the speaker unit about six feet off the ground, which is the way you would want to set up the unit for full-room coverage for music, especially if there will be dancers!
I saw the unit being used with only one of the extender sticks, which put the speaker unit at "head level" for a seated audience. I don't know why you would use that setup, but it works fine that way (the extender sticks are identical, so there doesn't seem to be any reason you CAN'T use this setup.) Be advised, though, that Bose® does not recommend this setup.
So let's get to the bottom line:
PROs: Compact, portable, sleek. Easy setup with a tiny footprint. Great sound for what it is, delivering full bass, midrange, and highs for up to 150 people. Excellent choice for small venues, whether you are a DJ or a single performer. Great system for speakers at business meetings, conferences, church groups, etc. The sound is crisp, clean, and clear. The bass is far better than anything of comparable size, and the quality of the unit is excellent. This system is what I use for my backup system (to the L1 Model II®). It doesn't take up much space in the car, and if something WERE to happen to my L1 Model II® system during a performance, then I have a better backup system than 99% of the DJs out there.
CONs: While the bass response is very good for the size of the system, it cannot really compare to using two Bose® B1 units with a Model II system. THAT system can provide a chest-thumping bass resonance, but this system would be hard-pressed to do that. Don't get me wrong here: the bass response is very good, but it isn't what you would want for a larger venue where the bass has to carry out all over the area. And, as one should know right up front, it is NOT a unit for larger venues. It is fine for small areas, but if you have a louder, noisier, larger area, the Compact system would not be up for the task.
BOTTOM LINE: If you want terrific sound from a light, portable unit for a small venue, this system can't be beat! If you want a high quality backup system for your main sound system, it would be tough to get a better system with a better sound. If you play larger venues with noisy crowds or if you need a driving bass sound to resonate throughout the venue, then consider another alternative. (And remember, if you use a ToneMatch® sound engine with this, you have to buy the power adapter.)
RATING: Four stars because of its intrinsic limitations. It cannot be a system for a larger venue for 150-200 or more people, but it can be your answer for smaller venues and smaller crowds.
For what it is, though, it is Super!
NOTES:
* Response to reviews: Another reviewer here has stated that there are plug-ins for only voice and guitar, but that is inaccurate (see above for input variety). And as for effects such as reverb, delay, and other effects, those can be created nicely with the Bose® T1 ToneMatch audio engine, as stated above.
* The bass response difference I mentioned above between the Model II and the Compact units is approximately one half octave at the low end, according to Bose. Many people cannot hear the difference, but trained ears can. The limited power and bass response are the reasons I could not give five stars. Still, all in all, a great product!

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Behringer Xenyx X2442USB Premium 24-Input 4/2-Bus Mixer with XENYX Mic Preamps & Compressors Review

Behringer Xenyx X2442USB Premium 24-Input 4/2-Bus Mixer with XENYX Mic Preamps and Compressors
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I recently bought this mixer and for more than one reason also.....I needed a lot of Mic inputs and also built in effects....but this mixer delivers just that and much much more....the features and different effects are amazing...I use it mainly for a small group of singers and musicians in for Indian music...I'd recommend this mixer for anyone who wants to get quality sound at a really good price....coupled with the Eurolive B125D Powered boxes....this is absolutely beautiful.....
Pundit Anirudh Maraj


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Yamaha YPG-235 76-Key Portable Grand Piano Premium Pack Review

Yamaha YPG-235 76-Key Portable Grand Piano Premium Pack
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I received this keyboard on 2/2/11. As always, I was impressed with how quickly I received my order from Amazon.com. However, within minutes of setting up the keyboard, I noticed that two keys on the right side of the keyboard didn't work. One key simply didn't work AT ALL, and one key seemed to have a short and would only play after pressing it like 3 or 4 times in a row. Amazon is making it easy to return/exchange this keyboard, so I'm hopeful that the replacement is decent. However, after this experience and reading other reviews online of this exact problem, I am very concerned about the build quality of this keyboard, despite having heard good things over the years about Yamaha.
I'll update this review after I receive the replacement in a week or so. Hopefully I won't have to switch to another brand, but Casio maybe the next one I look at (need to keep this purchase affordable).
UPDATE: I received a replacement keyboard in record time: less than 2 days! I was at first bummed that I wouldn't be able to test the new keyboard over the weekend, but Amazon got the replacement out immediately and it was here early Friday afternoon (I had only submitted the return early Wednesday evening). Amazon did create some confusion, however, by on the one hand telling me that UPS would be picking up the defective keyboard from my house, and then e-mailing me a label and instructions for dropping the keyboard off at a local UPS center. Then UPS added to the confusion when I called to confirm the pick-up at my house: they said that one hadn't been arranged. So then I bring the keyboard to a UPS center, and then find a UPS pick-up attempt label on my door. Whatever...I got the defective keyboard to UPS and back to Amazon.
As for the keyboard: it sounds great. I've only just begun to play around with it, but the keys feel good, and the variety of quality sounds is incredible. I'll be combining this keyboard with Ableton Live Intro to create music. I spent several hours after receiving the keyboard testing the keys (I was concerned after the defective unit) and checking out the various functions. I haven't even scratched the surface yet, but I am giving the keyboard a decent rating. I'll report back if my opinion changes over time.
The headphones that were included with this package deal are ABSOLUTE GARBAGE. It's not worth my time to return them, especially since I already went through the hassle of returning the entire first keyboard package. The right channel of the headphones didn't work AT ALL right out of the package. These no-name, god-awful headphones are already in the trash. I ordered the package to get the power adapter and the stand anyway, so it's not a big lose. Still, you don't like to feel ripped off in any way.
The stand that came with this package is quite sturdy. It certainly isn't anything fancy, but it was easy to put together and it seems strong enough to last years.

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TASCAM DP-008 8-Track Digital Portastudio Review

TASCAM DP-008 8-Track Digital Portastudio
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After wanting a digital multi-track for a long time, I finally decided on this model, and I'm glad I did.
One thing that is not included in a list of specs is the usability factor. I've purchased my share of electronic devices for making and recording music over the years. Just looking at a dry list of specs has often been my method of deciding on what to buy. Well, on paper the DP-008 looks good, but it's not until you use this to cut a few tracks that you realize how well it is designed. I'm SOOOO glad I didn't buy the DP-004, as this model is clearly the results of Tascam eliminating the weaker aspects of the 4 track model just in time for the 8 track version.
I have seen a lot of digital multi-tracks that look good on paper, but to use them is a real pain. The fact that the DP-008 has all the individual track knobs means that you don't have to go flipping through pages on a menu or choosing the "hot track" in some other way. Here it's all laid out logically and makes tweaking the final stereo mix a piece of cake. Sure it would be nice if there were level sliders rather than dials, but these work just fine.
I use this model to record myself playing guitar and bass, run a Boss drum machine into it, and I record vocals with an external mic though a small mixer that has some helpful effects on it. You don't need a mixer, though, as the included mics are quite good. I am able to record several tracks, "bounce" them if I want to, and then write them to a stereo master mix. Then, I export that mix on the unit itself (sounds weird, but basically you're just creating a wav file that can be seen by a computer). The final step is connecting the DP-008 to a computer and merely dragging the song files over to the computer. I then use Audacity to convert it to an ogg file or mp3.
I use Linux and the process of transferring songs to the computer is very simple. In the past you would have received a useless cd-rom with a crappy "song transfer" program and maybe some crapware to go along with it. I'm glad that Tascam has decided to treat the customer right and state it clearly: There is no need for special software. Once you export the song, it will show up as an external storage device and you can simply transfer the files over to your computer, whether it's a PC running Windows or Linux, or a Mac.

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Washburn Southwestern Series D46SPK Acoustic Guitar Review

Washburn Southwestern Series D46SPK Acoustic Guitar
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This is my first new guitar. Its great and plays really nicely. i did not want to spend a fortune on a guitar and liked the look of this model. I realised that it was a guitar built to a price but i was still very impressed by its playability. I have made a few improvements. I had it professionally set up with a bone saddle and nut and replaced the strings with elixir lights, also replaced the pins with ebony. This whole process cost another $200 but boy was it worth it. Has a soft Martin like sound now with really nice highs. the action is great and I can recommend having any new guitar like this set up professionally with these few changes. Had a friend who plays well and owns a D28 around for tea. He played this guitar all night and was seriously impressed. The extra work has made this guitar sound fantastic and its deffinatly a keeper. Its also incredibly beautiful. With just these few changes has made a mediocre bargain basement laminate a real gem.

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Alvarez Acoustic Guitar AJ60SC Cutaway Jumbo Top Solid Spruce Back & Side Flamed Maple Review

Alvarez Acoustic Guitar AJ60SC Cutaway Jumbo Top Solid Spruce Back and Side Flamed Maple
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This guitar is awesome!
Pros: Great jumbo sound, very even mids, lows and highs. The guitar looks incredible with its flamed maple back and sides. Plugged to an amp, it sounds great, BUT it takes forever to "dial" in and get the sound you desire. The electronics and pre-amp are top quality, and Alvarez uses the same pre-amp on their $2000.00 guitars.
Negatives: I had to return the first one Amazon sent because of some issues in the paint and some dents to the finish. Also, the second one they sent was ok, except the preamp battery compartment was loosened and the 9 volt battery fell out and was loose in the body of the guitar throughout the whole shipping process, so that left some dents to the inside of the guitar, but so far, no damage to the outside of the body that I could see. Also, the pre-amp box was not screwed to the body in the right place, so there is a screw that holds one side down that isnt "anchored" to anything--it just stays in with gravity, so if you lean the guitar backwards, the screw falls out.
This guitar is discontinued, and the new models have Spalted Maple back and sides and costs 2-3 times as much as this one. Flamed maple is more expensive, and if you want the flamed maple back and sides, this is the one you have to get. If you can find one, BUY IT!

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Yamaha Gigmaker EB (Black Finish) Electric Bass Guitar Package Review

Yamaha Gigmaker EB (Black Finish) Electric Bass Guitar Package
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I first looked at this bass guitar reading the review of Stewart Teaze of the Yamaha ERB070 Bass Guitar Package. When I purchased the bass guitar I was pleasantly surprised by its quality, sound and feel. I am happy I went for this Yamaha Gigmaker EB because for 70 odd dollars more, you get a better guitar and 13 more watts on the amp. The amp works great btw, quiet enough to practice but loud enough to play gigs if need be. I highly recommend this product if your a serious beginner/intermediate bass player.

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Line 6 Variax 700 Guitar, Sunburst Tremolo Review

Line 6 Variax 700 Guitar, Sunburst Tremolo
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Back in 2002, I bought the original Variax. Sonically, it was a great guitar. It had a sorta "cheap" look to it, but it was a nice instrument. I recorded one song with it before I sold it and bought a Godin LGXT.
Fast-forward to today. I recently decided that I (again) needed the versatility that the Variax offered. I decided to buy the best Variax Line 6 offered (the 700 with trem), both for aesthetics and for features and construction. The only thing left was deciding which color. The cherry sunburst was the prettiest.
I bought my Variax from Amazon.com. This is the first time I've ever bought an instrument from Amazon. They were the only ones carrying the Variax 700 cherry sunburst. I glad I bought it! Very inspiring. Extremely versatile. It's a very comfortable guitar to wear. It has a great Strat-like feel to it. Dial in one of the Strat selections, close your eyes, and you'll swear you're playing a Strat.
I realize that there are guitar snobs in the world who will claim they can tell the difference between, say, the Variax's Les Paul settings and a real Les Paul. Or the Variax's Strat settings and a real Strat. They're full of it. Close your eyes and you cannot tell. I made a recording of my Fender acoustic guitar and the Variax's "parlor" acoustic guitar settings. Guess which guitar everyone guessed was the real acoustic? You got it. The Variax's parlor guitar. Two long-time guitarists who should know the difference could not tell. My sister could not tell. My friends could not tell. They all picked the Variax as the "real" guitar. So, I'll say it again: anyone who claims that their highly-trained ear can distinguish the Variax from the "real" thing lives in a fantasy world. I've owned and played a very good Les Paul. I've owned and played a beautiful Strat. I had those instruments for years. The Variax really does faithfully mimic the guitars it models.
Get the Workbench software! If for no other reason, you can adjust the output of the various guitar models. For instance, Line 6 faithfully modeled the Strat, even its relative volume. The Les Paul pickup models are noticeably hotter. So I used Workbench software to bring the volume of the Strat pickup models to be equal with the output of the Les Paul pickup models. Problem solved! You can adjust all kinds of things using the Workbench software. If you have a PODxt Live (floor model), or the new POD X3 Live (when they're available), you can download the Workbench software for free from Line 6. If you don't have one of those, then you can buy the USB interface gadget from Line 6, which comes with Workbench. It is worth buying if you have to buy it (I think $99). Line 6 Variax Workbench 1.5


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Variax 700 in sunburst combines Line 6's patent-pending guitar modeling technology in a custom designed solid-body guitar to accurately reproduce the sounds of a variety of well-known vintage electric and acoustic guitars. In addition Variax also offers well-known sounds of guitar-related instruments, such as a resonator, banjo, and electric sitar. Modeled variations include solid-body, semi hollowbody, and hollowbody electrics with single-coil and humbucking pickups, as well as, several six- and twelve string acoustics. Variax 700 features a carved top, mahogany body, optional tremolo, one-piece hard maple neck with rosewood fingerboard, and Gotoh tuners.

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Washburn Cumberland Series J28SDLK Acoustic Guitar Review

Washburn Cumberland Series J28SDLK Acoustic Guitar
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A Compelling Opportunity:
Many people know that the best prices on new cars are generally available at the end of a model year. Likewise, with guitars, the best prices on new ones tend to become available when a company announces that a model is being or has been discontinued. This was the case with the Larrivee P-03R and is currently the situation with Washburn's wonderful jumbo six-string acoustic, the J28SDL. For anyone thinking about getting a big guitar with a big sound this is one to consider and the time is now.
Of the standard sizes of acoustic guitars, the Jumbo is the largest. It is the favorite of many professionals and the world-class standard is probably Gibson's SJ-200. It is also a popular size for 12-string guitars such as the Taylor 355. It's sheer size, if properly constructed, makes it the most emphatically powerful of the acoustic steel-string guitars. The Washburn J28SDL has been a favorite of may guitarists for the past ten years and now that Washburn has discontinued production of the model, the existing inventories of them can be had for somewhere around one-third of the original (MSRP) price.
When I called American Music, the company that distributes Washburn guitars, to ask why such a well-made and successful model has been discontinued, the Customer Service representative told me that he had no idea but suspected that new ownership of the brand wanted to make its own mark by dropping some existing models and introducing some new ones. He told me that they receive literally hundreds of calls a week asking the same question.
Although the question may never be completely answered and with the understanding that there are times when guitar makers bring back models that have been discontinued, there is a window of opportunity right now which is rather remarkable for anyone in the market for a well-built, beautiful looking and rich sounding six-string jumbo acoustic guitar. For the money, the Washburn J28-SDL simply cannot be beat.
The Construction and Appearance of the J28-SDL:
Like many top-of-the-line acoustic guitars, the top of the J28-SDL is solid Sitka Spruce. The sides and back are a done in a highly figured ("Quilted") maple laminate and the neck is solid maple. Together with a rosewood fingerboard and butterfly bridge, 18:1 gold Grover Tuners, a lovely abalone rosette (the decorative ring around the sound hole) and inlays on the finger board, a distinctive rosewood veneer headstock and a uniquely shaped tortoise shell pick guard, it is a truly beautiful instrument.
It is lighter in weight than its size would suggest, especially to a player more accustomed to guitars built with solid rosewood backs and sides. There is a definite advantage to the laminated sides and back on this guitar as it is less sensitive to changes in temperature and humidity than are solid wood backs and sides so it holds the tuning better and for longer than most under changing conditions.
The neck width at the nut (The narrowest point on the neck) is only 1 11/16 inches, the same size as a standard dreadnought guitar and narrow enough, along with the large frets, to be quite easily played. A proprietary (Buzz Feiten) saddle/bridge/nut system also helps keep the J28-SDL in tune for much longer than one would have reason to expect.
For fans of details: The lower bout measures 16 ¼ inches, the upper 12 5/16 and the J28-SDL is 4 2/4 inches thick. The scale length is a standard 25 ½ inches.
The internal frame and bracing are industry standard Martin-like construction. There were no mars, glue spots of cosmetic flaws in the one I bought. So far as I could tell, the workmanship on this Washburn J28-SDL (which is built in China) is exemplary.
How it Plays and Sounds:
It's always nice to be able to say that a guitar looks good, but as all players know, how it plays and sounds are the things that really matter most. I am pleased to report that this J28-SDLK (The "K" simply indicates the inclusion of a plastic covered, unimpressive but perfectly adequate hard case) is completely satisfactory in all departments.
As one would both hope for and expect in a guitar of this size, design and materials, the bass range is deep, powerful and resonant. It does not, however (as it does on some lesser instruments) over-power or drown out the mid-range or high tones. This guitar can and will be heard! Gently finger-picked and played softly it has a choral-like quality which is pleasing to the ear and makes a very nice accompaniment to the human voice. Whether played loudly and aggressively or softly and gently, it has nice long sustain (the length of time the tones hang in the air.)
The narrow neck, wide frets and nicely finished rosewood fingerboard make this large guitar a pleasure to play. Mine was delivered pre-set with low action (the spacing between the strings and the finger board) and thus, easy to fret and play for someone with small and medium fingers.
The Bottom Line:
As a currently discontinued model that is still available for sale from many music stores and on line sites, this Washburn Cumberland Maple J28SDL can be an extraordinary value that will satisfy anyone looking for a big guitar capable of producing big sounds for a very reasonable price.

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Washburn RX Series RX25FBSB Electric Guitar Review

Washburn RX Series RX25FBSB Electric Guitar
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First, I purchased this item from Amazon, not a marketplace reseller.
I agree with the other reviewer that the item is clearly not new. In fact, my box was not only opened, but the guitar is green, not black. The finish seems to be in decent shape, but the strings are rusted, and the tremolo bridge is adjusted way out of whack. Like the other reveiwer, I will probably keep it anyway, just because it was relatively cheap.
This is not the first time I have received open-box items from Amazon sold as new. Amazon must have some serious issues controlling the quality of their suppliers.
This particular box still had the packing list from the supplier (U.S. Music Corp, aka American Music and Sound, Southaven, MS) on it. It included the contents whole crate/skid it was shipped with. It was a random assortment of about 40 items, 1-3 of each. I can only guess USM was unloading some old stock previously on store displays. Amazon should really get a hold of this problem.

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