Showing posts with label pa system. Show all posts
Showing posts with label pa system. Show all posts

Behringer EUroport EPA900 Ultra-Compact 900-Watt 8-Channel Portable PA System Review

Behringer EUroport EPA900 Ultra-Compact 900-Watt 8-Channel Portable PA System
Average Reviews:

(More customer reviews)
I wanted to write a review for this, because we were skeptical about buying it with so little reviews. It's awesome! It's just what it says, so far. We haven't used it on stage, yet, but testing it out has been a lot of fun. Since we're using it for children's entertainment shows, in gymnasiums, the vocal effects won't be very useful. It's very portable, and I love the way it packs up like a suitcase.
If I remember, I'll update this review once we actually use it in a show. Until then, don't be afraid of it, lol. I thought it was too good to be true, but not yet!
We were looking at a couple of different "portable PA" systems and I this one had more power, and less bad reviews than the other, more expensive and more popular set ups... which is why we risked it and went for this one.

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Looking for the ultimate portable PA system? The new EPA900 sets up in less than five minutes and delivers articulate, high-fidelity performance. With its twin 450-Watt amplifiers and custom-designed, 2-way loudspeakers, the EPA900 can fill a medium- to large-sized room or project your voice for an incredible distance outdoors. All the accessories you'll need are provided (including a microphone, mic and speaker cables) in a convenient, easy to transport and set up package--and the good news is you don't have to be a sound engineer to run it!

Superb Sound Quality Since we already make some of the best-sounding audio mixers, amplifiers and loudspeakers on the planet, it should come as no surprise that the EPA900 provides far superior sound quality than other products in this class. The two satellite speakers feature custom-designed 10" woofers and 1.35" aluminum-diaphragm compression drivers for incredible fidelity and clarity you might not expect from a loudspeaker system this small!
Control Freak Channels 1 - 4 feature our high-quality Invisible Mic Preamps (IMP), which have been praised for their transparency and headroom. A Level control is provided with a Clip LED, so you can dial in the perfect signal level. We've also provided a Pad switch for those occasions when you have to contend with "hotter" than normal input levels.
+48 Phantom Power Phantom Power is also available, so you can use studio-grade condenser mics. Overall system response is handled by a 7-band stereo graphic EQ, and our proprietary FBQ Feedback Detection System helps you track and eliminate those annoying mic squeals.
Two-Band EQ Additionally, each input channel has a two-band EQ (Bass and Treble), Balance (allowing you to place the signal wherever you want within the stereo image) and an Effects level control. It is important to note that while many of our competitors only provide a reverb switch, the EPA900 features an FX level control per channel with 100 state-of-the-art 24-bit digital FX to choose from. FX can be turned off/on via any standard footswitch (not included).
The Sweet Sound of Reverb, or Delay, or... If you're making a speech, chances are you won't need it, but if you're playing a musical instrument and/or singing, you might want to add some effects. So, we've included a 24-bit stereo FX processor with 100 great-sounding presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects to sweeten your performance. And if you want to sing along with pre-recorded tapes or CDs, the EPA900's Voice Canceller function can remove virtually all the vocals from music played back through channels 7/8 with the simple flick of a switch.
It's All About Connections The EPA900 comes ready for your input, literally. Channels 1 - 4 accept balanced XLR mics, as well as balanced and unbalanced 1/4-inch line-level sources, such as electronic keyboards and the like. Stereo channels 5/6 and 7/8 accommodate RCA and 1/4" inputs, such as drum machines, keyboard sound modules, etc. All in all, there are enough mic and line-level inputs to handle a small band, and the RCA Tape Out connectors provide the perfect connections for recording your performance.
A Bonus Channel? Want to play some of your favorite tunes at the company picnic? The EPA900 comes equipped with a 1/8" stereo minijack for connecting an MP3 player. Additionally, the Stereo Aux In section features Left and Right 1/4-inch jacks for connecting even more professional audio sources. You don't even have to give up a channel, just control the volume from the player. It's like getting 10 channels for the price of eight!
Everything You Need The EPA900 is a complete system. Just use the built-in wheels to roll it from the car to the stage, set the main unit on a tabletop and deploy the speakers. Connect the high-quality dynamic microphone and hit the power switch--voilá, instant PA system! There is even an onboard storage compartment for the included microphone, accessories and cables. And if you need to add some serious bottom-end to your system, just connect an active subwoofer to the handy Sub Out jack.
What's in the Box Behringer EPA900 System (Mixer, Two Speakers), Behringer XM1800S Microphone, Mic Clip, 20-Foot Cable

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Roland AC-60 Acoustic Chorus Combo Amp Review

Roland AC-60 Acoustic Chorus Combo Amp
Average Reviews:

(More customer reviews)
I purchased this amp in 2005 to use in church as my monitor and DI for an acoustic electric guitar. I was totally happy with the natural acoustic sound, and the amp had more than enough power to fill the church on the few occasions where the main PA failed.
My criticisms may be minor to some, and admit that I am very picky:
1) I really wish that the line level XLR outputs had a switchable pad to allow for connection to a microphone level input. As it stands I need to use a XLR attenuator or direct box to tame the signal by -20 db. It works fine but it is another piece of gear I have to remember to bring along.
2) I would have also liked a sturdier kickstand clip -- the stock nylon clip is reminiscent of an old zip tie, and it broke one winter's day -- not at all consistent with the rest of the package.
3) I like the shoulder bag but the strap gets cinched at it's attachment point on the bag. Also, the strap cannot be shortened maximally, and there is no top handle on the bag, which means it has to stay on your shoulder or you need to use two hands to carry the bag.
Ultimately I decided it was easier to carry the unit by the handle and only use the bag to protect it in my vehicle. Nevertheless, the true test of this unit is that I have continued to use it for the past 4 years, even after experimenting with all sorts of direct box combinations including a Roland AD-8, Roland CM-30 monitor, Behringer GI-100, UltraSound PDI, Demeter Tube Direct, and BBE DI-1000 direct boxes. I still use this amp with a Guild Peregrine, a Whirlwind -20 db XLR pad, a Korg CA-30 tuner, and a FS-5L switch to control muting.


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Yamaha STAGEPAS 300 Portable PA System Review

Yamaha STAGEPAS 300 Portable PA System
Average Reviews:

(More customer reviews)
I first auditioned the Stagepas300 several months ago, along with a friend, and we judged it relative to other portable PA's in the ~$500 - $1000 list price range. He immediately bought one, I soon did the same. We are both acoustic solo players/singers (since the late 1950's) who occasionally work with one or more other musicians doing mostly folk, old time, early country and bluegrass, and ragtime and country blues repertoire. Think acoustic music in small to perhaps 1,200 sq ft sized venues and you'll have an idea where this PA is a very strong contender and good value to boot. Other applications, especially those employing larger ensembles, electric instruments, or high decibel levels in large spaces deserve beefier gear in order not to disappoint.
The build quality is very good for an inexpensive portable PA (much more so than the rivals I kicked around a bit). I use only microphones but the XLR, ¼", and RCA input jacks all feel good. Onboard phantom power would have been much appreciated and its lack is one of the weaknesses of the Stagepas300. Others have derided the reverb effect, but I use only the lightest amount for enhancing vocal ambience and have no complaints. I've also acquired the pole mounting hardware for the speakers and the adapter for mounting the mixer on a mike stand--they're a bit pricey, but, all-in-all, the whole thing still cost me only around $500 and it looks and sounds great. If your needs increase, this set up is extremely easy to upgrade/expand without becoming at all obsolete.
More than anything else, the Stagepas300 sounds very good. Yamaha makes good mass market audio gear and the 300 has solid, smooth output. The electronics have a 20Hz-20kHz frequency response with reasonable specs; the speakers are rated at 55Hz-20kHz and if you use good quality microphones and cables this is probably what you get in terms of audible response. It's quite good, very little audible distortion at moderate volume levels and little hum or other noise--a very smooth and natural sounding output. There are limited hi and lo EQ abilities on all the input channels, but I'm pretty much into the `straight wire with gain' philosophy anyway. Just to round out the set up FYI. Bob uses two Shure 87a microphones, I use two CAD C-195s and two Astatic CTM 1000A dual capsule cardioids condenser mikes (when playing in a duo) and I can't really tell much difference in the output.
We're both very happy with our Stagepas300's. If your expectations are reasonable and this review resembles you, chances are that you too will be very happy playing and singing through this system.


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Crate CA6110DG Gunnison Acoustic Guitar Amplifier, 60 Watts RMS, Automatic Feedback Elimination Review

Crate CA6110DG Gunnison Acoustic Guitar Amplifier, 60 Watts RMS, Automatic Feedback Elimination
Average Reviews:

(More customer reviews)
I've owned this amp for about three months and love it. It can be found for a great price if you look around. It has a lot of very nice features, sounds great, and is a very good value. I play a variety of acoustic guitars and all sound nice. The DSP effects are good - if you need more or better just get a pro pedal. I played my vintage Sears Silvertone 1448 through it and the sound was amazing. I've only run it at light to moderate sound levels so I don't know how well it handles full volume.
The only thing I don't like is the location of the panel. Its on top but a bit hard to tweak - especially when it is tilted. The included foot switch is nice (and has a very long cable).
As with all amps or musical gear you'll want to play before you buy as everyone's idea of good or desired tone varies and is quite subjective. I found mine in a local music shop and jammed on it a while before purchase.
In conclusion - a very nice amp for a great street price.

Click Here to see more reviews about: Crate CA6110DG Gunnison Acoustic Guitar Amplifier, 60 Watts RMS, Automatic Feedback Elimination

When you need to send the perfect acoustic signal to the front-of-house mixer, the Crate CA6110DG can get you there in style. With features like XLR & 1/4" balanced line out (with Level control and ground lift), Tweeter Level control, Effects Loop, and footswitch accessible Reverb/Effects and Chorus switching, it's easy to see why the Crate CA6110DG is the leader in its class.
Designed for the performing artist, CA6110DG's 60 watt power amp drives the internal 10" polypropylene woofer/piezo tweeter combination to outstanding volume levels, providing both low end punch and superb top-end fidelity. And since volume without tone just doesn't cut it, the CA6110DG provides two separate channels, each with its own gain, EQ, and reverb/effects controls. Crate's built-in feedback filters make feedback a thing of the past, effectively killing feedback without sacrificing sound quality. We've even included the footswitch for hands-free operation of the feedback filters.

The CA6110DG also features 16 of Crate's stunning DSP effects, including short and medium Slapback Delays, Echo, Chorus, Rotary Speaker, Chorus (with Hall Reverb), and two distinct Reverb modes. These effects were designed specifically for use with acoustic instruments and vocals.

Whether you need the perfect acoustic guitar amp, or a self-contained PA system with digital effects and feedback control, the Crate CA6110DG is all about tone, control, and flexibility.

Why is it so hard to amplify an acoustic guitar? By its very nature, an acoustic instrument requires lots of feedback control, especially when it's asked to compete with drums and a stage full of rockers. And although most amps can effectively control feedback, they often do so by severely sacrificing tone for volume.

Our CA Series amps give you all the tone and features necessary to put your acoustic sound on top of the mix, whether you're soloing at the Opry or strummin' at the coffeehouse. With its unparalleled balance of clarity, power, natural tone, and intuitive controls, the Crate Acoustic Series remains our most widely endorsed amp line. Try one and you'll see why.


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