Showing posts with label acoustic guitars. Show all posts
Showing posts with label acoustic guitars. Show all posts

DeArmond Ashbory Bass - Black Fretless Mini Bass with Gigbag Review

DeArmond Ashbory Bass - Black Fretless Mini Bass with Gigbag
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This is a serious instrument that sounds like an upright bass or a bass guitar depending on how you set the pickups. It is great with the small size but big tone. Go to YouTube and search for and listen to some of the clips. I love my Ashbory! I love my Fender Jazz 1978 bass but as I get older it gets heavier. Ashbory is great to carry on a plane or camping. Play it through a Crate Taxi battery amp and you are ready to make great music!

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Breedlove Atlas Solo J350/CM Acoustic Electric Guitar Review

Breedlove Atlas Solo J350/CM Acoustic Electric Guitar
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Some up front disclaimers:
1) I am a hobbyist with guitars and quite the amateur and am no expert by any means.
2) This is the first acoustic (and only the second guitar, the first being a Variax) that I've ordered online.
I recently purchased this guitar from Amazon. I've wanted a Breedlove for some time. The Atlas series is the higher end of the Korean made Breedloves and is designed and has the final setup and QC done in Breedlove's Bend, Oregon facility.
First to address the online ordering experience:
1) Ordering from Amazon was quick and easy, this was the last one in stock and was serviced by Amazon.
2) The guitar came in a Breedlove box packed in a plastic wrapped Deluxe gig bag. There was no apparent
shipping damage, much to my surprise :)
3) After the guitar acclimated for a while I unpacked it. In the gig bag (it's a pretty nice bag) was the
guitar and a small package with an allen wrench for the truss rods (notice the s on the end of rod, more
later), a spare saddle and a couple of shims for the saddle (which I definitely did NOT need).
4) When first unpacked I found the action to be extremely high (unplayable past the 3rd fret high). I adjusted the neck truss rod quite a bit (a full turn clockwise) and that helped some but I didn't want to go any further so I backed it off half a turn and decided to take it to a local dealer and get a setup done. The setup rendered things much better (saddle was shaved down). In hindsight most guitars ordered online will probably require a setup so I won't whine too bad. Just remember that's out of pocket when ordering online.
5) The end pin jack was extremely loose (I could pull it out 1/4 inch). I easily fixed the end pin issue.
That said, once the setup was done and I was happier:
Thoughts on sound:
Much of this is very subjective and about the player and their style. I play mostly with a pick and a
combination of picking and light to medium strumming. I have a light to medium touch and don't dig in much or
play with a heavy or fast style. If you are into heavy strumming though the guitar can lose it when really digging in.
Unplugged this guitar sound pretty good. It is definitely loud and projects well and has plenty of nuance. It
doesn't sound too boomy and is pretty even sounding across the board. The treble is there but not too much so.
The sustain is definitely "there". The harmonics are clear but a bit hard to pin down. The sound of this guitar
is almost bell like, it kinda' sings. All in all the sound is quite nice.
Plugged up through my setup the guitar definitely acquires some bass (a bit much in some situations) but the
L.R. Baggs sounds pretty good overall and is very adjustable.
On the side sound hole: This feature REALLY opens this guitar up to the player. I can hear nuances in the sound
of the guitar that just aren't there with any other guitar I play. While this feature may be subjective I can't
say enough about how it really wraps the player up in the sound of the guitar. The sound is something that
can't be recorded effectively and just has to be heard first hand, if you get a chance you should definitely
try one of the Solo series to see what I mean.
Thoughts on playability:
Though the guitar is relatively unforgiving of sloppy fretting the neck is very playable. The satin finish on
the neck is fast and not sticky in the slightest. The neck is relatively thin and a bit wider than I'm used to
but is really comfortable and easy to play. The guitar is a Jumbo and the body is deep and large so I will need
to adjust a bit but overall balance and playability is nice.
Thoughts on build quality:
The guitar uses the "JLD Bridge Truss" for bracing. This I believe was a system originally designed to repair guitars that had top bowing issues and was designed to transfer some of the string tension from the bridge to the sides. It is basically a truss rod that connects the bridge to the tail block. It seems to work well and helps sustain a lot.
In summary:
All in all for a $750 Breedlove I like this guitar a lot. I wish I could have afforded one of the Pro series
but it was twice as much. The guitar sounds distinctive in a good way, is well balanced and plays well. The
monitor sound hole adds to the richness of the sound. I would encourage anyone looking for a new acoustic in the
$700 and up (and you definitely can go UP with Breedlove!) to give these guitars a close look. I'll be looking at the new American Series Solo for sure!

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Fender Victor Bailey Signature Acoustic V-String Bass, Natural Review

Fender Victor Bailey Signature Acoustic V-String Bass, Natural
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I was very disapointed. This Bass was not only damaged but it was not of the quality that it should had been. I returned the Bass the next day and after many emails finally got my refund. I'll not buy an instrument again on line and would not recomend to anyone.

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Epiphone EF-500RCCE Masterbilt Collection Acoustic-Electric Guitar, Fingerstyle Neck, Natural Satin Review

Epiphone EF-500RCCE Masterbilt Collection Acoustic-Electric Guitar, Fingerstyle Neck, Natural Satin
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As a lifelong finger-style guitarist it takes a lot to impress me. Looks, sound, intonation, action, string spacing, the works. I found a factory 2nd EF-500RCCE that had some visual blems, and a pickup only under the saddle (earlier model), but after playing it for 3 hours straight the day it arrived I knew that it was THE guitar I had been looking for.
I have relative pitch so I can really tell when an instrument sounds off-pitch or has audible issues. The intonation all the way up and down the fretboard of the EF-500RCCE is as good as I could ever hope for with ANY guitar. I rarely have to adjust the tuning because it stays in tune day after day after day. I keep it humidified while in its case, and always wipe it down after playing (body, neck, and fretboard/strings).
The EF-500RCCE sounds like a dream; beautiful rich tone, surprisingly decent bass, mids that just fill the air, and higher tones that ring like a bell. Great overall projection with wonderful overtones. Epiphone (Gibson) really nailed this design! On my particular guitar the action was just a little low and the outer ends of the frets needed some smoothing, but these were minor refinements. I can play so much better and faster on this guitar than any other acoustic I've ever played - even a $3500 Martin guitar for finger-style guitarists.
I play this guitar VERY often, and it just keeps sounding better and better. I'll be getting another EF-500RCCE eventually, one that has a nicer fit and finish - and with the E-Sonic2 preamp and pickups. That way I can keep one at home as my studio acoustic.
Note: The nut is advertised as 1.75" wide. It actually measures at 1.70" using a digital caliper.
Also, the wide string spacing at the compensated saddle measures 2.37" - for finger-style guitarists.
Further, the neck contour is not the advertised "V" shape. It's actually more of a "D" shape with a perfect rounded thickness. I find its design to be absolutely perfect for me.
The EF-500RCCE has a neck thickness of .953" on the 5th fret (including strings). For comparison, a Gibson Les Paul Special (circa 2001) measures .905" thick on the 5th fret (with strings). The EF-500RCCE neck, overall, is a little fatter than the Les Paul.
Even at $1000 (street), this guitar is a great value. At this price, though, it's a no-brainer!!

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Art & Lutherie Ami Nylon String Cedar Guitar Review

Art and Lutherie Ami Nylon String Cedar Guitar
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To the eye: It's a great looking guitar for sure, with REAL rosette inlays on a gorgeous cedar top. It would look great hung up on a wall, or sitting in a corner - good since you will not want to put it away, ever.
To the ear: Intonation is dead on, and the tone on this is absolutely even up and down the entire fretboard, with excellent clarity and separation of the individual notes. The parlor size doesn't provide much bass, but it's not tinny at all, and it is much louder than you'd expect. It is not a baby or travel guitar sound, but definitely a real parlor sound with good projection and that tight clarity you would expect.
To the hands: the modern neck has a sort of hybrid feel - with the seeming acres of classical fretboard, but a thinner depth than most old classicals (it has an adjustable truss rod). I generally play steel strings (30 years), but I just can't put this little nylon beauty down (the somewhat thinner neck might be part of it), and it's increased my playing by hours and hours a week. It's a great player for just... playing. In a word: Comfortable.
To the wallet: Handmade in Canada by the same people who make the Seagulls I believe. At $300, I think it's just a ridiculous deal, and a value that can't help but appreciate over time. Buy it, play it for 10 years, sell it for a profit.
To the Devil's Advocate: It does have gold/pearloid tuners. I hate gold hardware and I hate pearloid, so they'll be leaving us soon.... YMMV

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Blueridge BR-60CE Contemporary Dreadnaught Cutaway Guitar with Fishman Classic 4T Pickup and Santos Rosewood Back & Sides. Review

Blueridge BR-60CE Contemporary Dreadnaught Cutaway Guitar with Fishman Classic 4T Pickup and Santos Rosewood Back and Sides.
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Received on third business day after ordering. Just out of the box the glossy Rosewood back and sides are very very impressive. It is light weight and very easy to hold and play. NO additional set-up required as far as I'am conserned. It has a loud crisp base and balanced treble sound. The bone nut and saddle give it a great sound. Action is low and easy to play. It sounds just as good through my acoustic amp. The 14:1 tuning keys hold the strings in tune and it is easy to treek the note when tuning. Would definately recommend you check this guitar out, as you may like it as well or better than guitars costing two or there times as much.

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Yamaha CG111C Classical Guitar Review

Yamaha CG111C Classical Guitar
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I could not expect more from this guitar. I can only say I do not deserve it... Very sweet and open sound. Perfect for Bossa Nova classics.

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Takamine TC132SC Classical Cutaway Acoustic-Electric Guitar Review

Takamine TC132SC Classical Cutaway Acoustic-Electric Guitar
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Very happy with the guitar. Feels full of quality and love the tube pickup. Sounds very warm and natural.
I live in Australia and had this guitar shipped from the US. Arrived in gemreat condition thanks to the hard case that came with it.

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Dean Tradition S2 Solid Top Dreadnaught Acoustic Guitar, Gloss Natural Review

Dean Tradition S2 Solid Top Dreadnaught Acoustic Guitar, Gloss Natural
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I have to preface this review with a comment on Amazon. At first, I was very upset when my guitar arrived, as it was a left-handed model, when I had ordered a right hand version. Amazon was great, sending out my replacement righty guitar NEXT DAY FedEx! I had barely sent back the left hand model when the righty arrived at my door step. Fantastic customer service from Amazon!Product: Dean Tradition S2, Gloss Natural
Price Paid: $110 (usually sells here for $225)
Sound: Sounds great! I was expecting a slight step up from other entry level guitars, but this sounds way better than I had figured it would. Very full deep sound from the solid spruce top.
Action/Playability: Very easy to play. It has taken me a few soungs to get used to the scale, as I had been using my daughters Jr. sized guitar, but once that was done, I have had no problems. The neck is straight and true, and the action is good.
Craftsmanship/Reliability: Very beautiful guitar. The tortoise binding gives this guitar an extra bit of class, and the wood is beautiful. As to reliability - I've only had it a short time, but it seems very solid.
Overall Rating: Five stars. I was hoping to get a nicer guitar than is typically available in my budget (I was planning to spend ~$125), and the sale on this Dean was just what I was looking for. Most in the lower price range are typically poorly made, or don't sound that good. Now, I can't say for sure that I would have bought this particular model if my budget had been $225, so maybe my review is a bit biased by the sale price I paid. Either way, I'm a very satisfied Amazon and Dean customer!

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Gibson AJ Advanced Jumbo Guitar Vintage Sunburst Review

Gibson AJ Advanced Jumbo Guitar Vintage Sunburst
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As far as I'm concerned, this is exactly what acoustic guitars should sound like. You might find more silky or strident highs elsewhere, or more punchy lows from an old martin, and there are plenty of other guitars that excel at one particular element of timbre and tone (though you'd likely pay much more for them), but the advanced jumbo is the complete package! Balanced, delicate, powerful, and resonant, with enveloping depth and richness. Everything comes through clearly, no dominant strings or chords. The tones are nicely complex without getting confused or muddled. The neck is on the thin side which some people may dislike, but it's not anemic. Binding over the fret ends was sloppily finished between the heel and soundhole, and the plastic bridge pins and strap peg seem a little cheaply made, but both are easily remedied. Looking at it, it's about like you'd expect a $2000 acoustic to be. Close your eyes and play, and those little things are quickly forgotten. Beautiful. You can't come close to this kind of sound without paying a heck of a lot more.

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La Patrie Guitar, Concert CW QI Review

La Patrie Guitar, Concert CW QI
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I'll start off by saying that my introduction to this instrument came through a rather 'odd' circumstance.
A younger classical guitar student owned it; he dropped it hard enough on a 'sharp surface' to crack the top (through no fault whatsoever of the instrument manufacturer) and was selling it for dirt cheap. While it appeared 'real bad', in reality, it was an easy enough fix to anyone familiar with how that process goes. OK, so after watching enough Buster B Jones video's (but not quite ready to jump into a Multiac), I've been looking for a decent cutaway nylon w/ electronics. I'm always a sucker for a fixer-upper project that saves money on something I want anyway. Sold.
In going through the motions of getting the crack under control, I got pretty familiar with how the guitar is put together. I'm not a guy who believes in 'super glue' or simply cleating the leading edge of a crack- I believe in proper repair and on-body refinish.
First things first, explored around the innards with a little flashlight and dental mirror to see what I was up against... Wow. This thing is VERY well built. The interior components were clearly put together with about as much deliberation as any given Martin or Taylor in terms of fit and finish. By contrast, take a look inside a cheapie sometime and compare. There is no comparison. The overall quality of materials- as far as tuners, neck, bridge, nut and saddle, etc- was all first rate, as was the overall fit and finish (joinery, binding, etc). This thing is an *extremely* well made, professional grade instrument.
Solid cedar top is absolutely gorgeous. Thankfully, the crack on mine was a sharp break, so a bit of time with some hide glue and an Xacto knife to turn the crack into a thin 'glueable channel'... Some more time with stainable wood glue to fill the crack flush with the top and installing some underside cleats along the crack line, the box is ready to rock. Will be undergoing a top refinish soon, but now that the crack is stable and the glue's dry, strung it up to see how it plays and sounds....
I noticed right off the bat that it comes with a high action, due to the Tusq (R) saddle being tall. Some people have complained about this but really, this is fairly standard for higher end instruments, where the saddle comes untuned from the factory with the expectation that the player will have it fit to their individual specifications. Nice touch. A bit of time with some abrasive paper, had it right where I wanted. The nut (also Tusq) was dead on.
The onboard Godin Q1 Saddle pickup sounds amazing. The plug is integrated with the bottom strap stud, while the battery compartment is smartly designed- a simple hatch, right next to the plug. Anyone who has had to change the damn battery in old Ovations will appreciate this. Open door, old battery out, new battery in- a 5 second process.
The acoustic tone was superb, amplified, just as good. Can't really 'explain' this, but go play one, you'll understand.
Overall, this is just a tremendous instrument at this price point. While I bought a 'fixer upper', having handled and played it for a bit now, I would not hesitate to recommend this at it's new price point.
This is a $1500 guitar for $600.

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Seagull Coastline S6 Spruce Guitar - FBA Review

Seagull Coastline S6 Spruce Guitar - FBA
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I just got back from Guitar Center with the S6 acoustic, and I have to say it is an extremely nice guitar. I paid $370 with a case thrown-in to sweeten the deal. Here's my review.
Appearence = (9) Visually, the headstock takes alittle getting used to, and I really like the two-tone difference of the body and neck. I also like the binding around the headstock and outter lining of the body. This guitar looks extremely well put together, and could probably sell for a much higher price.
Sound quality = (9) If you want a big resonating acoustic for under $500.00 this is the guitar for you. Crisp treble and smooth bass are to be expected upon purchase.
I wasn't even looking to buy an acoustic, but I had to have it after I picked up the guitar. Most acoustics sound dull to me, but the S6 projects beautiful tones from it's big-bodied design.
Playability and action = (10) As far as acoustics, this is the first one I have played that really feels like an electric guitar in my hands. Bending strings and adding vibrato are easily accomplished on this guitar. The entire body is smooth as butter, and the neck is extremely fast. I personally hate a finished backing on any of my guitars. Pleasently, this guitar seems to have none, and feels silky smooth to the touch.
Workmanship = (10) This guitar is extremely well put together. I especially like how fast and precise the tuners are on the guitar.
Hope this helps in your decision, now go out and try one for yourself!

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Alvarez AD511SB Artist Series Dreadnought Alvarez Acoustic Guitar Review

Alvarez AD511SB Artist Series Dreadnought Alvarez Acoustic Guitar
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This is my second Alvarez. After 30 years twanging on my faithful 5222 I decided I wanted more sound, easier playing and a killer look. The AD511SB was a perfect fit. Rosewood back and sides with a solid spruce top and a rosewood bridge were just the starters. This guitar is easy to play, stays in tune and has a deeper longer sustained tone than my 5222. The white pearl trim around the edges add a cool touch. For me though, it is the sound and ease of play that makes this guitar. I'm not a pro so I can only tell you that moving around the fret board is a lot easier than on my 5222 and the guitar sustains the tone until tomorrow. I would recommend this guitar to anyone moving out of the "student" grade guitars to the next step.

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Aria AP-STD2 Parlour Acoustic Guitar Review

Aria AP-STD2 Parlour Acoustic Guitar
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I bought this guitar online purely on the basis of the excellent reputation Aria company has built for themselves over the years in the guitar manufacturing industry.
I did feel unsure initially in deciding to buy this guitar without first playing it.
But my fears were removed when I took it out of the box and strumed the guitar. This little fella has great volumne, tone and fretboard playability that is second to maybe another Aria.
I use this guitar to play jazz and it has all the attributes that a jazz guitarist need to bring out some creativity. It is a very versatile guitar for folk , blues , jazz etc.
I highly recommend this parlor guitar for those who want a small bodied guitar with great tone and projection.Keep up your excellent work Aria.

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Washburn Southwestern Series D46SPK Acoustic Guitar Review

Washburn Southwestern Series D46SPK Acoustic Guitar
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This is my first new guitar. Its great and plays really nicely. i did not want to spend a fortune on a guitar and liked the look of this model. I realised that it was a guitar built to a price but i was still very impressed by its playability. I have made a few improvements. I had it professionally set up with a bone saddle and nut and replaced the strings with elixir lights, also replaced the pins with ebony. This whole process cost another $200 but boy was it worth it. Has a soft Martin like sound now with really nice highs. the action is great and I can recommend having any new guitar like this set up professionally with these few changes. Had a friend who plays well and owns a D28 around for tea. He played this guitar all night and was seriously impressed. The extra work has made this guitar sound fantastic and its deffinatly a keeper. Its also incredibly beautiful. With just these few changes has made a mediocre bargain basement laminate a real gem.

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Orpheus Valley Guitars ARTIST SERIES FIESTA FC Classical Guitar Review

Orpheus Valley Guitars ARTIST SERIES FIESTA FC Classical Guitar
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The main reasons I bought this guitar are because it sounds great, and it is affordable. I compared this guitar at local music shops directly against several other classical guitars in the same price range, including guitars made by La Patrie, Alvarez, Takamine and Ibanez. All of these guitars were in a similar price range (up to $1,000.00) but it was clear that the Fiesta FC was the only truly excellent guitar among the bunch (I tried out literally dozens of guitars). I also compared it to several guitars that were much more expensive, including Yairi, Ramirez, Conde Hermanos, and Antonio Loriente. In my opinion, the Fiesta FC sounded better than every Yairi model in the store and the Ramirez (R1). It sounded basically on par with both Loriente models in the store, but had a slightly higher action (and a significantly lower price). The Conde Hermanos was superior to the Fiesta FC, but at 10x the price, it had darn well better be.
Needless to say, I bought the Fiesta FC because it sounded as good as guitars that were several times more expensive, and VASTLY superior to any other guitar in the same price range. I've now owned the guitar for three years, and I have never regretted it.
I have been studying classical guitar for almost 15 years. I've taken master classes with Ricardo Iznaola, Ernesto Tamayo, and the late James Smith.
Tone: Excellent. Brilliant, responsive to dynamic playing.
Action: Very Good. A bit higher than a Conde Hermanos, about equal to a La Patrie Collection or the Ramirez R1.
Feel: Excellent. Comfortable standard design, and the nitrocellulose finish is smooth, not sticky like my old Takamine.
Quality: Excellent. Flawless craftsmanship, excellent design.
Value: Excellent. You simply cannot buy any other guitar of this quality at this price. Perhaps you are looking for a guitar to take through college? This IS it. Don't buy a student model Ramirez or any La Patrie. They just don't compare.

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Yamaha CG171SF Flamenco Guitar (Standard) Review

Yamaha CG171SF Flamenco Guitar (Standard)
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I tried this on a Guitar Center store, next to $1200 guitars imported from Spain, and I've got to tip my hat to the Yamaha. It's got the flamenco sound right of the bat. Next to it, I couldn't tell the difference between another expensive 'flamenco' guitar from an expensive classical. The CG171SF seems to have its own peculiar flamenco sound. Really low action (great for falsettas), and it can get loud at the same time. Feels pretty light which makes you think it'll break! Highly recommended.

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