Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Boss VE-20 Vocal Performer Processor Pedal Review

Boss VE-20 Vocal Performer Processor Pedal
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I'm not a sound guru or anything close to that, but have been playing music for many years now and have learned a thing or two along the way.
I play the guitars and do back vocals on a copy band. We are all some sort of "retired" musicians from the 80's, and are now playing again since 2005 while we have other careers during the day.
This means we don't have much time to deal with complex issues, and will like to use any available time playing and performing instead.
Our rehearsals are carried out in our own studio (similar to a recording Studio), were we have all type of equipments such as PA's, speakers, monitors, mixers, effects, mics, crossovers, floor monitors, basically everything that may be needed. In any given day you'll get pretty decent sound from such kind of equipment but you'll also find yourself spending most of your time trying to be a sound engineer instead of a musician (unless you can afford a specific and qualified person for that task).
Those who have played in these type of studios, will know that even considering there is a pretty decent live sound, the vocals are sometimes affected by echo or too much or too low reverberation, delay, among other things, depending on the mixer setup as well as other aspects such as room dimensions, acoustics, etc.
Any detail will have an influence on the final sound mix and the end result.
Before I purchased the Boss VE-20 processor, the quality of vour vocals was good, but there were ocassional problems like feedbacks or hiss, sometimes noise or wrong delay rate, reverb or too much signal decay during rehearsals. The problem magnitude depended on how much our singer moved across the room or due to mixer parameter changes in certain songs, patches, etc, and these issues affected our performance consistency.
With the Boss VE-20 we are very satisfied because it features pretty decent settings for different singing styles (Rock, Blues, R&B, etc) and some of the effects are just amazing. Despite having a lot of other equipment at our disposal we are now only using the Boss VE-20 effects for the vocals and leaving all other parameters on the mixer at "flat" (0) position, just amplifying the signal through the PA. All the previous issues are now gone.
The quality of the VE-20 preamp has proven to be very good for us (Well our singer is very talented wich obviously helps pretty much)but all the effects are excellent as well.
The unit is very "user friendly" and easy to customize your own settings. As any other Boss pedal it is very robust and intuitive to use.
Effects such as harmonizer and multiple voices are just smashing and sound very realistic. It is amazing how different factory presets will perfectly adapt to different venues or scenarios (ie, Hall, Large Room, Small Room, Arena, Cathedral, etc). At Boss they have really done their homework by having professional sound mix parameters on each preset with perfect balance, and you can even adjust those and save them in a customizable patch.
To be honest we did not tried any other option before this one, as there are similar products in the market today, and therfore cannot stablish a fair comparison, but this one was very useful right out of the box and we feel like it was really worth the price paid.
In our case it has really helped solve a lot of complicated back vocals (those difficult to perform while playing an instrument) as our main singer is now doing most of these back vocals herself. This has also improved our overall vocal sound and now we spend more time playing and less time solving mixing problems on the sound console.
I won't be surprised if in the future Boss develops a bigger version of the VE-20, with more features, just like they have done with many other effects.
But for the moment I will highly recommend this Boss VE-20 Vocal Processor to any amateur and semi-pro band that want's to improve the vocal sound quality, inestead of having a band member becoming a part-time sound technician.
We are a couple of months away from using this on a live performace but for what we've seen so far, are pretty sure we'll be a success.

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Roland HD-1 V-Drums Lite Electronic Drums Review

Roland HD-1 V-Drums Lite Electronic Drums
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This kit is near-to-perfect for someone who finds their acoustic kit has become too loud, too big, too difficult to transport, and too time-consuming to set up.
If you are looking for something that is small with a small footprint that is light, portable, and that sounds good, this kit will fill the bill. I haven't been able to put the sticks down (geeze, now I know why I got away from playing for 15 years - it's as additive as crack cocaine).
The other reviews voice criticism and they are justified, depending on what you are looking for. Unlike the higher-end kits, you cannot select individual drums. The drums for any of the pre-programed ten kits, and the volume of those individual drums are "global," meaning you can turn the whole kit up or down, but not adjust the tune or volume of one drum vs. another.
The voices are sampled and really sound incredible, but if I could "have it my way," I would have the snare be a bit more sensitive (you can set the sensitivity, but again, it's "global" for all the drums in the kit), and would make the snare and cymbal louder in relation to the toms and kick.
The peddle system is ingenious, and works well. It took a little while to find a the sweet spot to allow me to do "Banham doubles," and it still is not as easy to do as it is with a true peddle, but it's close.
The other thing that I have seen on the more expensive kits that the HD1 does not have is the ability to be able to choke out cymbals with your hand.
If these thing are important to you, you might want to look at a more expensive kit. But those kits are bigger, heavier, and more time-consuming to set up. If the reason you wanted is primarily for portability (the greatest kit in the world that you won't take to friends' house to jam with will do you no good, right?) - or what this thing is, for how tiny it is, and for what it weighs (32 lbs), you can't beat it with a stick - well, actually you can, and I have been, a lot.
More information: Kit 1 has a nice acoustic sound, like a kit in an intimate setting. Kit 1A is a "jazz kit," the snare sound of which I like the best. The crash is a bit more splashy, and the ride sounds like it has rivets. The hat is really crisp and clean. The second tom becomes a cross-stick on a rim. Kit 2 sounds just like drums in a big empty hall. Kit 2A sounds the same as 2, but the hat peddle becomes a second kick (open hat) and the second tom become a cowbell. Kit 3 is a snare, crash, ride, hat, and three "island drums." Kit 3A is a snare, crash, ride, hat, and three percussion instruments of some kind or another. Forget about Kits 4 & 5 and their Alternates, unless you like Devo and dance music from the 80s.

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A New All-In-One Drum Kit for the MassesRoland's V-Drums are the most popular electronic drums in the world, but not everyone has the room or budget for a full V-Drums kit. Introducing the new Roland HD-1. It's forged from the same technology as its predecessors, but it's much simpler to use. It's also incredibly quiet, thanks to the newly designed kick beater, cushioned tom pads, and snare head. The HD-1 is also conveniently compact and stylish - perfect for every home, school, studio, etc. - and it's priced for the masses. Most of the HD-1's components are mounted on one stand for easy setup and transport, and for a clean look. Just take it out of the box and play.

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TC Electronics VoiceLive Touch Vocal Effects Processor Review

TC Electronics VoiceLive Touch Vocal Effects Processor
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As a vocalist for a two man group that performs mostly standards with midi backing tracks, I was itching to get my hands on this unit. When I was finally able to scrape up enough sheckles to buy it, I was not disappointed. The unit is compact and easy to learn and the difference in sound is amazing. Whether it's vocal harmonies, vocal doubling or just the wide varieties of reverb and echo settings, my vocals sound much warmer and fuller. If I had any complaint at all, it would be that the hookups can be a little hard to access once the unit is mounted to the mic stand. The AUX IN jack is especially hard to get to since it falls right next to the mic stand pass-through. These are minor quibbles compared to the great sound!

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Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Ebony, Left Handed Review

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Ebony, Left Handed
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Excellent value, workmanship is excellent, setup perfect for my preference-string height perfect, no buzzing. Very good tone from neck and bridge pickups in all three selector positions. Quality is exceptional - Can never go wrong buying a Gibson!! I own twelve Gibson's- From the Les Paul Custom to the Melody Maker, Flying V's to Firebird. The Goldtop Rocks and when I say that I mean it kicks butt!

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The 1960s Tribute Left-Handed electric guitar consists of a basic Gibson Les Paul chassis with all the essential elements needed to rock including a Nashville Tune-O-Matic bridge with stopbar tailpiece and Kluson-style tuners keep it all rock-solid and resonant and its gnarly P-90 tone stays true to the Les Paul style. A solid, carved maple top and chambered mahogany body give the Les Paul Studio '60s Tribute the same tonewood combination that has been helping Les Pauls rock for nearly 60 years. Authentic vintage-style finishes present a guitar with the look of a well played original, while the instrument's unbound body and neck keep it in line with the popular Les Paul Studio line. The headstock of the Gibson Les Paul Studio 1960s Tribute is equipped with Grover Kluson style green keys. With a gear ratio of 14:1, these tuners deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. The Gibson Les Paul's Tune-O-Matic bridge, sets a standard for simplicity and functionality that has never been bettered. The Tune-O-Matic provides a firm seating for the strings, allowing the player to adjust and fine-tune the intonation and string height in a matter of minutes. Both the neck and bridge position pickups are equipped with cream-colored screaming single-coil P-90 pickups. The P-90 was the standard pickup on all Gibson guitars in the late 1940s and into the 1950s and because of its crisp, bright tone it has experienced resurgence in popularity with many of today's modern rockers. These classic Gibson guitar pickups deliver sizzling, slightly gritty midrange roar. You'll find that the P-90s' high output and biting treble has more nuanced harmonic coloring than the typical single-coil pickup.

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Gibson Les Paul Traditional Plus Electric Guitar, Heritage Cherry Sunburst Review

Gibson Les Paul Traditional Plus Electric Guitar, Heritage Cherry Sunburst
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I have the Iced Tea burst finish which, to me, looks very similar as to what is pictured here. I bought my Les Paul in 2009 and the Traditional was one of the only models at that time that was not chambered (i.e. the body is a solid block of wood). The 57 pickups are amazing and when combined with the nice solid body give you a great warm tone. The only modification that I have made to my Les Paul is to have a bone nut installed and the tuners changed. The bone nut helps keep the strings from binding and add to the tone a little. The tuners probably could have stayed after I changed the nut, but they make some very good "aged" locking tuners (I used Grover) to give the guitar a nice vintage look. I can not emphasize enough how important the PLEK system is to giving you an absolutely perfect fret dress and straight neck. I have all of my gigging guitars plecked by Joe Glaser in Nashville, and afterwards you can drop the action down to about nothing. It makes the guitar very, very playable without any buzzing at all. I know that most guitarists feel that the days of getting a decent instrument out of a major manufacturer are long past, but I have to say that I would not trade my Les Paul Traditional for a "vintage" model unless it was to sell it and then use the money to buy another Traditional and a private jet to get to the gigs faster.

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Epiphone LP Standard Plus-Top Les Paul Collection Electric Guitar, Heritage Cherryburst Review

Epiphone LP Standard Plus-Top Les Paul Collection Electric Guitar, Heritage Cherryburst
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I bought my Epiphone Les Paul Standard a little over 4 years ago, and it's been my main guitar ever since! If you're looking for the essentials of a Les Paul but for a fraction of the price of a Gibson (not to mention the weight...your shoulders and back will love you for it!), you just can't beat an Epiphone!
I've heard many times from other musicians I've talked to that an Epiphone Les Paul is not a "real" Gibson, it's a Les Paul "copy", etc. These couldn't be any further from the truth. Epiphone is a Gibson company and they use all Gibson manufactured pickups, electronics and hardware. The chief difference between Gibsons and Epiphones is where they're manufactured; Gibsons are assembled in Nashville and Epiphones in Korea. Both are constructed with mahogany bodies and rosewood fretboards, but the only other difference is that Gibson uses AA grade or higher maple for the tops and necks and Epiphone uses mahogany for the necks and alder for the tops.
Many players believe that heavier woods makes a difference in the tone, and in some instances, that's true. But I've played a Gibson LP Standard and an Epiphone LP Standard back to back through the same amp and I heard virtually no difference in the tone. The only thing different between the two was the weight, that's all. The Epiphone was lighter and easier to play sitting down and especially standing, and to me, it sounded every bit as good as the Gibson played both clean and "dirty" (distorted).
In my band, I play my Epiphone through a 100-watt Marshall combo amp; with the main settings on the amp all set on 5 and miked up through the PA, the sound is incredible; if you're up close to the stage, it'll take your head off! I'm not knocking Gibsons at all; I owned one myself once before and loved it. They're nice guitars and worth owning one if you've got the bread to buy it. But if you're on a "budget" like most people, I say dare to compare and simply let your ears be your guide; strap on an Epiphone, crank it up and just let it rip...I guarantee you'll love it!

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Epiphone LP Standard Plain-Top Les Paul Collection Electric Guitar, Heritage Cherryburst Review

Epiphone LP Standard Plain-Top Les Paul Collection Electric Guitar, Heritage Cherryburst
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It was painstaking for me to decide to buy this guitar. I typically dont believe in buying a LOW END of anything as you get what you are paying for, I wanted a Gibson and was just turned off by the price of similar Gibson (the one I wanted was 2695.00) which at that price, Im afraid to play it everyday.. afraid to carry it around.. I did alot of comparing the two guitars.. and this won. The finish is GORGEOUS. It has grover tuners.. this sucker stays in tune... I have no complaints... great sustain and Im very happy with the tone. Does a Gibson have better pickups.. YES.. you can change the pickups and knobs.. and for a couple of hundred dollars more you have a Gibson Les Paul.. the price is so great that you dont sweat the knocking around.. I would buy this guitar again in a minute.

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Now, the classic look of the "plain" Maple top is available to go with the classic Les Paul Sound. This understated look is preferred by many Les Paul fanatics. It still has everything you need in a Les Paul: the solid Mahogany body, Maple top, Alnico-V Humbucking pickups and the Tune-o-matic bridge/Stopbar tailpiece combo for monstrous sustain.

The Classic Look of the Plain Maple Top.
Angled Headstock Unlike cheaper designs, all Epiphones feature a 14-degree headstock that gives you more pressure at the nut and so you get more sustain with less tuning hang-ups caused by "string-tree" gadgets.
Double-Waxed Pickups Epiphone utilizes a double vacuum waxing process that ensures optimum performance. The pickup is first placed in the specialized wax vacuuming system before the cover is put in place to ensure that the wax fully penetrates to the very center of the pickup and solidifies all parts. After the cover is placed on, it is again given a second vacuum wax bath until the unit is completely saturated with wax.
Output Jack To increase reliability and ensure consistent performance, Epiphone's proprietary output jacks feature an improved contact shape and heavy-duty spring steel.
Toggle Switches All Epiphones feature our all-metal, USA designed switches for reliable contact and longer life.
Tunomatic Bridge Fully adjustable, the tunomatic remains a classic after over 50 years. Unlike guitars fitted with tremolos, there are no tuning or re-stringing difficulties. Plus, tone and sustain are improved because all string vibrations are transferred directly to the guitar.
Potentiometers Epiphone is passionate about performance. That's why their instruments use one-inch diameter potentiometers for better "throw," longer life and reliable service.
Quick-Connectors For unequalled reliability as well as ease of service, Epiphone wiring harnesses feature quick-connectors.
Specs
Pickups: Alnico Classic humbuckers
Hardware: Chrome
Scale: 24.75 inches
Nut width: 1.68 inches
Neck: Set, Mahogany
Fretboard: Rosewood
Inlays: Trapezoid
Body material: Mahogany
Tailpiece: Stopbar
Finishes available: Honey Burst, Heritage Cherry Sunburst, Vintage Sunburst


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Epiphone LP-100 Les Paul Collection Electric Guitar, Ebony Review

Epiphone LP-100 Les Paul Collection Electric Guitar, Ebony
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My title is such because when Amazon shipped the guitar, I was sent the Cherry Sunburst model when I had ordered the Ebony! Amazon got me taken care of almost immediately, so I'm really happy about that.
In any event, the guitar is a GREAT value for the money. It has great tone and sustain, the neck is fast and wide making it easier to play, especially if you have big hands. I had a Squier Strat Standard at one time and it does not even come close to this guitar (or the Epiphone SG-310 I had prior to the LP-100) in quality OR sound. There's just NO comparison.
Speaking of the SG-310, I actually think it sounds a bit better than the LP-100, however, both are very versatile and can play just about any music. Quality and construction are excellent. This is NOT a "beginner" guitar. You can perform live with it and I think it will hold up fine for YEARS!
I miss my SG and will most likely pickup another one very soon, but I don't regret getting another LP (I had one for over 20 years). This truly is an excellent guitar for such a little price.
I've been playing since about '72 and it's easily (along with the SG) one of the best guitars I've owned. You really do get Gibson sound without the Gibson price tag. There are higher-level LP's (and SG's) with the neck thru bodies (the LP-100 and SG-310 have bolt on necks) and I may "move up" someday, but I have no complaints at all with this guitar. Didn't have any with the SG either. Oh, yeah, higher-end models use different/better wood. Just don't think this guitar is the "cheap stuff"...you would be very wrong if you did.
I give it 4 stars because I think the SG-310 beats it in the sound/sustain department...but JUST barely. There's a reason the LP has been a music staple for DECADES and this model carries on that tradition.
All in all, the LP-100 was a VERY wise choice for me.

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All the features of a Les Paul but in a more affordable bolt-neck version. It features a slightly slimmer body for added comfort and hot open-coil Alnico-V Humbucking pickups on a carved top with individual pickup volume and tone controls.

Les Paul Features in an Affordable Package.

Angled Headstock Unlike cheaper designs, all Epiphones feature a 14-degree headstock that gives you more pressure at the nut and so you get more sustain with less tuning hang-ups caused by "string-tree" gadgets.
Double-Waxed Pickups Epiphone utilizes a double vacuum waxing process that ensures optimum performance. The pickup is first placed in the specialized wax vacuuming system before the cover is put in place to ensure that the wax fully penetrates to the very center of the pickup and solidifies all parts. After the cover is placed on, it is again given a second vacuum wax bath until the unit is completely saturated with wax.
Output Jack To increase reliability and ensure consistent performance, Epiphone's proprietary output jacks feature an improved contact shape and heavy-duty spring steel.
Toggle Switches All Epiphones feature our all-metal, USA designed switches for reliable contact and longer life.
Tunomatic Bridge Fully adjustable, the tunomatic remains a classic after over 50 years. Unlike guitars fitted with tremolos, there are no tuning or re-stringing difficulties. Plus, tone and sustain are improved because all string vibrations are transferred directly to the guitar.
Potentiometers Epiphone is passionate about performance. That's why their instruments use one-inch diameter potentiometers for better "throw," longer life and reliable service.
Quick-Connectors For unequalled reliability as well as ease of service, Epiphone wiring harnesses feature quick-connectors.
Specs
Pickups: 700T/650R
Hardware: Chrome
Scale: 24.75 inches
Nut width: 1.68 inches
Neck: Bolt, Mahogany
Fretboard: Rosewood
Inlays: Dot
Body material: Mahogany
Top: Maple
Tailpiece: Stopbar
Finishes available: Ebony, Heritage Cherry Sunburst, Vintage Sunburst


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