Showing posts with label les paul guitar. Show all posts
Showing posts with label les paul guitar. Show all posts

Gibson LES PAUL STD 50'S NECK Review

Gibson LES PAUL STD 50'S NECK
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I was undecided between a Fender and a Gibson Les Paul. I checked out U-tube reviews and sounds and took the leap of faith and purchased the 2008 Gibson Les Paul Standard with 50's neck. WOW. Say it with me now... WOW. Absolutely beautiful fit and finish on this guitar. This is the type of guitar that you pass down to your children. It has a very throaty voice unlike the Fenders. Fenders were very twangy to me and that's fine if you like that sort of sound. Not for me. The guitar has a very ballsy/throaty/blues-rock sound to it. I have it paired with a Line 6 75 watt amp. They are a very good pairing. You'll love this amp as well. It provide hundreds of different sounds at the touch of several buttons. However, lets get back to this guitar. I know it's a lot of money, but you will not be disappointed. Holds it tune, and is a bit lighter as well. This is the type of instruments that you have a hard time putting down since it sounds soooo good.

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Gibson Les Paul Standard Traditional Pro Electric Guitar Heritage Cherry Sunburst Review

Gibson Les Paul Standard Traditional Pro Electric Guitar Heritage Cherry Sunburst
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I got a cherry burst traditional pro. Good sound, but the bridge pick up is so bright that It verges on shrill. You just got to turn down the tone a little. I took off the pick guard because it shows more of the sunburst. When playing with a lot of drive and distortion, the sound is very articulate. You also get the typical les Paul sound. You can make out individual notes a little better than my faded cherry studio when using a lot of distortion. I love the Grover locking tuners. Split pickups are okay, but you don't get as much of a sound difference as with the split pickups in my spalted maple telecaster.
The body is weight relieved, not chambered. The guitar is cheaper than a les paul standard.
The knocks, in single coil mode, still sounds like a les Paul, it's a heavy guitar, the surface has okay grain but it it's not a plus.
This guitar has a lot of great features, split coil, locking tuners, traditional les Paul sound, good price (if you are more price sensitive, the faded studios are great), and looks pretty good. My most played guitar.

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Gibson Les Paul Studio Deluxe Electric Guitar Vintage Sunburst Review

Gibson Les Paul Studio Deluxe Electric Guitar Vintage Sunburst
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In my opinion, this is one of the best valued Gibson Les Paul. This is certainly very subjective, but I'm basing my verdict alongside another highly rated Gibson Les Paul Faded in mind.
I don't own a Les Paul faded but I have played it a few times at the Rock Shop in New Zealand. There's no doubt that it is a great instrument and represents one of the best valued Gibson Les Paul on offer. However, to my ears, there isn't much between the faded or the Deluxe in terms of sound.
The deluxe is listed at @1400 while the faded is listed @800. So how can the deluxe be of greater value than the faded? Ok, if you have to include a genuine Gibson case, this could easily add 200-250 dollars to the equation. So we're now talking a difference of less than 350-400 - and if Music123 or GuitarCenter is running a 15% sale - we can be talking even smaller margins.
With the extra 400 dollars, you get A grade mahogany neck and back, A grade maple, 60's neck (instead of 50's), painted finish and non-chambered construction + Grover tuners. Then you also get the coil tapping, which allows the pickup to behave like a single coil. This definitely adds to the already impressive tone diversity of the guitar.
A non-chambered finish with 60 neck are important attributes - I'm used to playing a solid body guitar with a slim neck - it was an Ibanez beginner package guitar, but its got decent action and feel, and I'm also used to a heavy guitar with a non-chambered construction.
I think the painted finish is also an important factor. I visited the shop while checking out the Faded and found myself in a situation that I would not want to pick either of the faded finish - because it really looked dull (And I did not like the 50's neck as much). I thought to myself if I'm going to own one and only one Gibson, I should own one that I think it looks nice (to my taste). (Insteading of spending 800 and still look dull)
So I have comfortably found a justification of spending the extra $400 :).
How did it play? Like a Gibson I suppose. Famous low action, great tone choice, charming style, massive sustain, looked great too. One thing I did not like, perhaps that is just on my guitar, is that the pickup switch don't seem to work how I'm expecting it to. In the middle position, the neck pickup seems to be dependent on the bridge pickup's setting.
I wish my opinion is of good reference for people with similar budget. Even if you don't end up buying this guitar, you should have a good glance at it.

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Gibson Les Paul Traditional Plus Electric Guitar, Iced Tea Review

Gibson Les Paul Traditional Plus Electric Guitar, Iced Tea
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El slogan que tiene Gibson lo define todo... "Only a Gibson is good enough". Desde el momento que abres el Gigbag notas que la construcción de este instrumento es increible: los detalles de la pintura, el lacado, las terminaciones, etc.
Luego, cuando la conectas al amplificador terminas de darte cuenta que realizaste una excelente compra, ya que el sonido de la Les Paul Traditional es realmente bueno, con un sustain increible.
Por mi parte estoy feliz de haber adquirido esta guitarra... era un sueño que tenía desde niño.

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Gibson Les Paul Traditional Electric Guitar, Gold Top Review

Gibson Les Paul Traditional Electric Guitar, Gold Top
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i own a 2006 deluxe model charged with miniburstbuckers....one of the heavier sounds you can get in a les paul guitar.

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Gibson 1957 Les Paul Goldtop VOS Electric Guitar, Antique Gold Review

Gibson 1957 Les Paul Goldtop VOS  Electric Guitar, Antique Gold
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I personally own 4 Gibson Les Pauls and the 1957 Goldtop VOS is head and shoulders above the others. When looking for a Goldtop, I spent 3 hours at a Gibson retailer playing nearly every Gibson LP they had in stock. I played the Slash signature, the Standard, the Traditional...I played them all through a Marshall 100 watt tube amp through a Marshall 1960 4 X 12 Cabinet. When I picked up the '57 VOS, I could feel the quality immediately. I played a few chords, ripped a quick pentatonic lick and did a tone and a half bend at the 12th fret on the second string...the sustain was amazing! My wife, who had been sitting there the entire time looking completely bored, looked up and asked, "what guitar is that?" The vintage sounding PAF humbuckers sound absolutely great! The 50s neck feels like a Louisville Slugger and the top is perfectly done. The only thing I've changed about the guitar is adding Dunlop straplocks to make sure I don't drop this beauty. This guitar is made to play and will not disappoint. Worth every dime!

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By 1957, Gibson's evolving Les Paul model guitar had already undergone several key modifications that would remain as the foundation of the iconic version known around the world today as the Les Paul Standard. But while the addition of the new Tune-o-matic bridge and stopbar tailpiece one year earlier had greatly improved the overall functionality of the Les Paul, nothing would compare with the addition of Gibson's pioneering humbucking pickup in 1957.

A truly magnificent instrument, gleaming in gold.
History"A truly magnificent instrument with its natural mahogany back and neck, while the top is in gleaming gold with contrasting ivory trim." --Original Gibson advertisement, circa 1955
By 1957, Gibson's evolving Les Paul model guitar had already undergone several key modifications that would remain as the foundation of the iconic version known around the world today as the Les Paul Standard. But while the addition of the new Tune-o-matic bridge and stopbar tailpiece one year earlier had greatly improved the overall functionality of the Les Paul, nothing would compare with the addition of Gibson's pioneering humbucking pickup in 1957.
At the direction of legendary Gibson President Ted McCarty, Gibson engineer Seth Lover began working on a tone circuit with hum-cancelling capabilities sometime in 1954, applying for a U.S. design patent--hence the name "Patent Applied For," or "PAF"--on June 22, 1955. By early 1957, the standard double-coil version of the humbucker pickup had begun to appear on Gibson ES-175s and ES-350Ts, and eventually on the Les Paul Model Goldtops of the same year.
Body Aside from the pickups, the basic specifications of those 1957 Les Paul Model Goldtops remained the same. There were, however, several minor cosmetic variations that made the 1957 version significant in the development of the Les Paul, the most noteworthy of which was the placement of the inlaid, pearl-cut Gibson logo, which was moved closer to the top edge of the headstock. Additionally, 1957 was to be the last full year of production for a Gibson model with a Goldtop finish. The popular color would not adorn another Gibson guitar until 1968.
Famous Players The 1957 Les Paul Goldtop was also the model used famously by Duane Allman during the formative years of the Allman Brothers Band and his early session work, including his work with Eric Clapton (Layla sessions), the Allman Brothers Band's legendary Fillmore recordings, as well as their first two albums--a body of work considered by many to be one of the most important in the history of rock and roll.
Near-perfect Recreation Today's 1957 Les Paul Goldtop from the Gibson Custom Shop is a near-perfect recreation of the original instrument, in all of its original brilliance and historical magnificence. The body features Gibson's traditional hand-carved maple top and solid, non-weight relieved mahogany body. The headstock is made from Holly head veneer, as opposed to fiber, just like it was in 1957, and the vintage-style tulip tuners are mounted in a straight line, also as they were on the original. The 24 3/4-inch scale length neck is made from one solid piece of mahogany, and attached to the body using a long neck tenon--one of the Les Paul's more distinguishing characteristics of the 1950s. The neck is topped by a 22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals. Of course, two of Gibson's legendary Burstbucker pickups deliver all the subtle variations of true, classic humbucker tone by using historically "unmatched" bobbin windings and Alnico II magnets. The guitar's Antique Gold finish also matches the hue of the original model, giving this Custom Shop model the accurate and distinct appearance of this traditional Les Paul. Other historical appointments include CTS potentiometers, bumble bee capacitors, rolled creme-colored fingerboard binding, single-ply thin binding around the body, and period-correct switchwasher and jackplate. The 1957 Les Paul Goldtop comes either a V.O.S. or Gloss finish, and comes with the standard Gibson Custom case, custom care kit and certificate of authenticity.

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Gibson Les Paul Standard Plus Electric Guitar, Left-Handed, Heritage Cherry Sunburst Review

Gibson Les Paul Standard Plus Electric Guitar, Left-Handed, Heritage Cherry Sunburst
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If you are looking at this guitar when played you will see that the "Les Paul" lettering on the head stock and the "standard" lettering on the truss rod cover are upside down. I know this is purely cosmetic but for 3 grand this guitar should be perfect.

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Improving a legend isn't easy, but it's happened. Introducing Gibson USA's 2008 Les Paul Standard--an elegant revision of a true classic, with upgrades and new features that make it the best Les Paul Standard ever produced. Based on consumer feedback and a drive to uphold and enhance the legacy of the Les Paul Standard, Gibson USA's 2008 model sets a new guitar benchmark for excellence and achievement. Play the new 2008 Les Paul Standard from Gibson USA and experience the evolution of the greatest electric guitar of all time.

The World's Most Legendary Guitar
New Asymmetrical Neck Profile The 2008 Les Paul Standard debuts Gibson's newest neck profile--an asymmetrical design that makes it one of the most comfortable and playable necks ever offered on any guitar. The new ergonomically-correct profile is tapered, and designed to be thicker on the bass side, and thinner on the treble side, closely outlining the natural form of the hand as it grips the neck. The 2008 Standard necks are machined in Gibson's rough mill using wood shapers to make the initial cuts. Once the rosewood fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.
Chambered Mahogany Body Every new 2008 Les Paul Standard will benefit from Gibson's proven chambering technique, which leaves each guitar with perfect tone, balance, and weight. Prior to gluing the maple cap on top of the mahogany body, the expert craftsmen at Gibson USA carve out carefully mapped-out chambers in the body using a Computer Numeric Controlled (CNC) router. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.
TonePros Locking Tune-o-matic Bridge and Locking Stopbar Tailpiece The Tune-o-matic bridge was the brainchild of legendary Gibson president Ted McCarty in 1954, setting the standard for simplicity and functionality that has never been bettered. The 2008 Les Paul Standard features TonePros locking Nashville Tune-o-matic in a chrome finish, which has saddle adjustment screws on the pickup side, and pre-notched saddles for quick installation. The chrome locking stopbar tailpiece is also from TonePros. These parts come with locking studs designed to secure both components firmly to the body so that there is no lean, yielding a great union between the strings and body which results in excellent tone and sustain.
Pickups: Gibson Burstbucker Pros Gibson's drive to recapture the magic of the original "Patent Applied For" humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design--the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils--true to the original PAFs--which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback.
Revolutionary Plek Set Up The 2008 Les Paul Standard is one of the first models from Gibson USA to utilize the revolutionary Plek machine in setting up the guitar. The Plek is a German-made, computer controlled machine that carefully measures each fret, along with the fingerboard height under each string, and then automatically dresses each fret, virtually eliminating string buzz and greatly improving the overall playability of the guitar. This pioneering process does in minutes what it takes a luthier several hours--sometimes even days--to accomplish. Every fret is accurately aligned, and the guitar is properly intonated, leaving the instrument "Plek'd" and amazingly playable.
Locking Neutrik Jack Neutrik has been making superior electronic interconnection products since 1975, making them the logical choice to supply the performance safeguarding jack in Gibson's 2008 Les Paul Standard. Like many Neutrik products, the jack in the 2008 Les Paul Standard is manufactured from strong, high-grade thermoplastics and housed in a rugged diecast nickel shell. A retention spring inside the jack ensures optimum grip on any guitar cable, thus avoiding the chance of lost connection.
Locking Grover Tuners The 2008 Les Paul Standard is outfitted with locking tuners from Grover, which deliver ease of use through a standard tuner and positive locking mechanism that securely locks each string in place. Simply insert each string through the string hole, turn the dial on the bottom of the tuner to lock the string, and begin tuning. Each string can be tuned to pitch in less than one complete revolution of the post. These Grover machine heads feature completely sealed components with an improved 18:1 tuning ratio.
Gold-Plated, Custom-Made Potentiometers by Bourns The 2008 Les Paul Standard features all newly designed controls, including custom-made, gold-plated potentiometers manufactured by Bourns, one of the industry's leading makers of guitar electronics. These new potentiometers deliver accuracy and high reliability, while giving the Standard '08 a new level of sonic clarity and intensity never before seen in a Les Paul.
New Enlarged Neck Tenon The 2008 Les Paul Standard sports a revolutionary enlarged neck tenon designed by Gibson's team of pioneering engineers. The expanded neck tenon features an innovative interlocking joint that allows the neck to be dropped into the body from the guitar's top side, as opposed to sliding the neck in from the rim. When the glue is added, a solid unyielding bond is created that maximizes the wood to wood contact between the neck and the body, offering increased stability and superb transfer of vibration for enhanced tone, improved sustain, and superior resonance. It is also the largest neck tenon in the history of the Les Paul.

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Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Ebony, Left Handed Review

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Ebony, Left Handed
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Excellent value, workmanship is excellent, setup perfect for my preference-string height perfect, no buzzing. Very good tone from neck and bridge pickups in all three selector positions. Quality is exceptional - Can never go wrong buying a Gibson!! I own twelve Gibson's- From the Les Paul Custom to the Melody Maker, Flying V's to Firebird. The Goldtop Rocks and when I say that I mean it kicks butt!

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The 1960s Tribute Left-Handed electric guitar consists of a basic Gibson Les Paul chassis with all the essential elements needed to rock including a Nashville Tune-O-Matic bridge with stopbar tailpiece and Kluson-style tuners keep it all rock-solid and resonant and its gnarly P-90 tone stays true to the Les Paul style. A solid, carved maple top and chambered mahogany body give the Les Paul Studio '60s Tribute the same tonewood combination that has been helping Les Pauls rock for nearly 60 years. Authentic vintage-style finishes present a guitar with the look of a well played original, while the instrument's unbound body and neck keep it in line with the popular Les Paul Studio line. The headstock of the Gibson Les Paul Studio 1960s Tribute is equipped with Grover Kluson style green keys. With a gear ratio of 14:1, these tuners deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. The Gibson Les Paul's Tune-O-Matic bridge, sets a standard for simplicity and functionality that has never been bettered. The Tune-O-Matic provides a firm seating for the strings, allowing the player to adjust and fine-tune the intonation and string height in a matter of minutes. Both the neck and bridge position pickups are equipped with cream-colored screaming single-coil P-90 pickups. The P-90 was the standard pickup on all Gibson guitars in the late 1940s and into the 1950s and because of its crisp, bright tone it has experienced resurgence in popularity with many of today's modern rockers. These classic Gibson guitar pickups deliver sizzling, slightly gritty midrange roar. You'll find that the P-90s' high output and biting treble has more nuanced harmonic coloring than the typical single-coil pickup.

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Gibson Les Paul Axcess Standard Electric Guitar, Floyd Rose, Gun Metal Gray Review

Gibson Les Paul Axcess Standard Electric Guitar, Floyd Rose, Gun Metal Gray
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This guitar is as close to what I have been looking for right out of the box for 35 years. Very versatile, flexible, easy to play , great tone, powerfull and not as heavy as a regular les paul. With the floyd rose,coil split capability, new neck design you have just about every conceivable option possible in a quality guitar, from jazz to heavy metal. Very expensive, forced me to trade in my srv,gibson acoustic and my fender twin to bring down the price, but I couldn't help it. I had to have it.

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Gibson's Les Paul Axcess Standard Electric Guitar: Improving the Standard For nearly six decades now, Gibson's Les Paul Standard has stood the test time as the most playable electric guitar in the world. While others have attempted to imitate it, none have come close to duplicating the qualities of this legendary guitar. Yet each year, Gibson attempts to improve on the world's best guitar. This time, it's with the new Les Paul Axcess Standard electric guitar from Gibson Custom.
More than Just Different: Gibson's Les Paul Axcess Standard Electric Guitar The Les Paul Axcess Standard is more than just "different." It's the result of Gibson's drive to build the best Les Paul Standard possible, while staying true to the design and performance of the iconic Les Paul electric guitars of the past. The new Les Paul Axcess Standard from Gibson Custom carries all the elegant styling, fluid body lines and rocking attitude of a classic Les Paul Standard from the golden era of the late 1950s. Upon closer examination, however, the Les Paul Axcess reveals a handful of upgrades--all modifications made in the name of maximum playability and versatility. As Gibson Custom Operations Manager Michael McGuire puts it, "Everything about this Les Paul has been designed to make it a player's 'player's guitar.' From the easy access to its upper range to the comfortable belly scarf to the Floyd Rose vibrato, this instrument was made to give you optimum performance."
Gibson's Les Paul Axcess Standard Features a Distinctive Floyd Rose Vibrato The most noticeable addition to Gibson's Les Paul Axcess Standard electric guitar is the Floyd Rose tailpiece, a unit optimized for anything from subtle vibrato wobbles to dramatic, rumbling divebombs. Adding a Floyd Rose to a Les Paul in the past was always a major undertaking, and one that could seriously damage the stability of the instrument if not done right. On the Les Paul Axcess, the vibrato is installed right at Gibson Custom as part of the manufacturing process, which means this potent piece of high-performance hardware interacts seamlessly with the design of this electric guitar. Partnered with an R4 locking nut, it also guarantees fantastic tuning stability and return-to-pitch accuracy.
Contoured Neck for Upper Fret Access on the Gibson Les Paul Axcess Standard Electric Guitar If you take the Gibson Les Paul Axcess Standard electric guitar and run your fingers up the neck, you'll encounter the clever structural alteration that gives this new model its name: While the Axcess sports what looks from the front to be a traditional Les Paul neck joint, the neck heel and portions of the back and neck joint at the upper cutaway have been contoured to provide a "heelless" feel, and an unimpeded reach right up to the 22nd fret. What does this mean? No more stretching against the traditional neck heel to achieve the upper-fret access that your lead style demands--the Axcess gives you that legendary Les Paul playability all the way up the neck, welcoming you to take it right over the top. Comfortable Ribcage Contour To further enhance playing comfort, this smoothly carved neck joint is combined with a "belly scarf" (aka ribcage contour) that allows the body of the electric guitar to hug closely to your own body in the playing position without digging in. Refreshingly Light Body Style The Les Paul Axcess's slightly thinner body, made from weight-relieved mahogany (with carved maple top), gives you an instrument that is refreshingly light and a pure joy to play, either strapped on or in a seated position. Optimum Tone Setup The Gibson Les Paul Axcess Standard electric guitar is also geared toward optimum tone, as you'd expect from any Gibson Custom creation. Exposed-coil BurstBucker 1 and BurstBucker 2 pickups in the neck and bridge positions--the most accurate reproduction vintage-PAF-style humbuckers Gibson has ever offered--yield everything from warm, fluid vocal tones to fat, sweet growl, while an added push/pull switch on the treble Tone knob provides coil splitting for accurate single-coil tones. These unique tonal combinations excel at delivering everything from singing classic rock lead tones to contemporary crunch to extremes of twang and jangle. Even the pure-nickel wound .10-.46 Gibson Vintage Strings it ships with contribute toward its rich, textured voice. These unique tonal combinations excel at delivering everything from singing classic rock lead tones to contemporary crunch to extremes of twang and jangle. Even the pure-nickel wound .10-.46 Gibson Vintage Strings it ships with contribute toward its rich, textured voice. Each instrument also comes with a Gibson Custom hardshell case and certificate of authenticity. Gibson's Perfect Setup The Les Paul Axcess is built to the highest standards attainable in today's market, which includes a final set-up and fret dressing by the revolutionary, computer-controlled PLEK System, which provides Gibson's Perfect Setup. Hardshell Case and Certificate of Authenticity Each instrument also comes with a Gibson Custom hardshell case and certificate of authenticity. Top that off with optimum playability, maximum access and unparalleled tone and the Les Paul Axcess Standard is probably all the guitar that most players will ever need. Additional Specifications and Appointments:
One-piece mahogany neck with fast, rounded profile
24 3/4" scale length with 1 11/16" nut width
22-fret rosewood fingerboard
Kluson tuners
Single-ply cream binding on body top
Pearloid trapezoid fingerboard inlays
Carved maple top with nitrocellulose lacquer finish


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Gibson Les Paul Axcess Standard Electric Guitar, Floyd Rose, Ice Tea Review

Gibson Les Paul Axcess Standard Electric Guitar, Floyd Rose, Ice Tea
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When I bought this product at guitar center, i thought i was taking home a quality product. What actually happened was after a week of playing it, the whammy bar fell out and took some parts with it and that was a $100 repair and a month after that the head snapped and that was much more expensive. After that, I sold it on craigslist for a fraction of what i paid for it. Terrible product. Not to mention, it's looks really ugly with the floyd rose

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Gibson's Les Paul Axcess Standard Electric Guitar: Improving the StandardFor nearly six decades now, Gibson's Les Paul Standard has stood the test time as the most playable electric guitar in the world. While others have attempted to imitate it, none have come close to duplicating the qualities of this legendary guitar. Yet each year, Gibson attempts to improve on the world's best guitar. This time, it's with the new Les Paul Axcess Standard electric guitar from Gibson Custom.
More than Just Different: Gibson's Les Paul Axcess Standard Electric Guitar The Les Paul Axcess Standard is more than just "different." It's the result of Gibson's drive to build the best Les Paul Standard possible, while staying true to the design and performance of the iconic Les Paul electric guitars of the past. The new Les Paul Axcess Standard from Gibson Custom carries all the elegant styling, fluid body lines and rocking attitude of a classic Les Paul Standard from the golden era of the late 1950s. Upon closer examination, however, the Les Paul Axcess reveals a handful of upgrades--all modifications made in the name of maximum playability and versatility. As Gibson Custom Operations Manager Michael McGuire puts it, "Everything about this Les Paul has been designed to make it a player's 'player's guitar.' From the easy access to its upper range to the comfortable belly scarf to the Floyd Rose vibrato, this instrument was made to give you optimum performance."
Gibson's Les Paul Axcess Standard Features a Distinctive Floyd Rose Vibrato The most noticeable addition to Gibson's Les Paul Axcess Standard electric guitar is the Floyd Rose tailpiece, a unit optimized for anything from subtle vibrato wobbles to dramatic, rumbling divebombs. Adding a Floyd Rose to a Les Paul in the past was always a major undertaking, and one that could seriously damage the stability of the instrument if not done right. On the Les Paul Axcess, the vibrato is installed right at Gibson Custom as part of the manufacturing process, which means this potent piece of high-performance hardware interacts seamlessly with the design of this electric guitar. Partnered with an R4 locking nut, it also guarantees fantastic tuning stability and return-to-pitch accuracy.
Contoured Neck for Upper Fret Access on the Gibson Les Paul Axcess Standard Electric Guitar If you take the Gibson Les Paul Axcess Standard electric guitar and run your fingers up the neck, you'll encounter the clever structural alteration that gives this new model its name: While the Axcess sports what looks from the front to be a traditional Les Paul neck joint, the neck heel and portions of the back and neck joint at the upper cutaway have been contoured to provide a "heelless" feel, and an unimpeded reach right up to the 22nd fret. What does this mean? No more stretching against the traditional neck heel to achieve the upper-fret access that your lead style demands--the Axcess gives you that legendary Les Paul playability all the way up the neck, welcoming you to take it right over the top. Comfortable Ribcage Contour To further enhance playing comfort, this smoothly carved neck joint is combined with a "belly scarf" (aka ribcage contour) that allows the body of the electric guitar to hug closely to your own body in the playing position without digging in. Refreshingly Light Body Style The Les Paul Axcess's slightly thinner body, made from weight-relieved mahogany (with carved maple top), gives you an instrument that is refreshingly light and a pure joy to play, either strapped on or in a seated position. Optimum Tone Setup The Gibson Les Paul Axcess Standard electric guitar is also geared toward optimum tone, as you'd expect from any Gibson Custom creation. Exposed-coil BurstBucker 1 and BurstBucker 2 pickups in the neck and bridge positions--the most accurate reproduction vintage-PAF-style humbuckers Gibson has ever offered--yield everything from warm, fluid vocal tones to fat, sweet growl, while an added push/pull switch on the treble Tone knob provides coil splitting for accurate single-coil tones. These unique tonal combinations excel at delivering everything from singing classic rock lead tones to contemporary crunch to extremes of twang and jangle. Even the pure-nickel wound .10-.46 Gibson Vintage Strings it ships with contribute toward its rich, textured voice. These unique tonal combinations excel at delivering everything from singing classic rock lead tones to contemporary crunch to extremes of twang and jangle. Even the pure-nickel wound .10-.46 Gibson Vintage Strings it ships with contribute toward its rich, textured voice. Each instrument also comes with a Gibson Custom hardshell case and certificate of authenticity. Gibson's Perfect Setup The Les Paul Axcess is built to the highest standards attainable in today's market, which includes a final set-up and fret dressing by the revolutionary, computer-controlled PLEK System, which provides Gibson's Perfect Setup. Hardshell Case and Certificate of Authenticity Each instrument also comes with a Gibson Custom hardshell case and certificate of authenticity. Top that off with optimum playability, maximum access and unparalleled tone and the Les Paul Axcess Standard is probably all the guitar that most players will ever need. Additional Specifications and Appointments:
One-piece mahogany neck with fast, rounded profile
24 3/4" scale length with 1 11/16" nut width
22-fret rosewood fingerboard
Kluson tuners
Single-ply cream binding on body top
Pearloid trapezoid fingerboard inlays
Carved maple top with nitrocellulose lacquer finish


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Gibson Les Paul Studio Silverburst Electric Guitar Silverburst Chrome Hardware Review

Gibson Les Paul Studio Silverburst Electric Guitar Silverburst Chrome Hardware
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After spending hours testing out guitars at guitar Center I picked this up and instantly loved it. Altough I wasnt looking for a guitar in this price range I fell in love with it and couldnt go back to the other guitars. I looked at others in the same price range and I couldnt stop comeing back to it. The looks are cool and the modern style is cool even though its not what I usually like. The guitar had really great balance ("weight relieved" body), and the 60's style neck just topped off the great clean sound this gutiar makes. One big factor while looking for a guitar was the balance and most just didnt add up some where top heavy or vice versa. This one on the other hand was very well balanced. I own a 1960's silvertone harmony and the les pauls neck really was identical in style. I love this guitar! Stock settings are awesome but if you know someone who can adjust your guitar like a perfesional Luthier the guitar will sound that much better. Its well worth the money and if adjusted properly can sound and feel like you paid double for it.

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Gibson Les Paul Standard Traditional Pro Electric Guitar Vintage Sunburst Review

Gibson Les Paul Standard Traditional Pro Electric Guitar Vintage Sunburst
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Gibson Les Paul Standards are a bit showier then the lower priced studio models but never count Studios out, this is a Standard Traditional Pro which also feature coil taps. Coil taps split the pickups, so even with your hefty bridge pickup (a BurstBucker 3) you can get a single coil bluesy sound. You will find the neck pickup to be a 57' Classic, which only further compliments the look and sound, presenting that much more authenticity to replicating a vintage tone. Hardware is the usual chrome, and tuners are locking grovers. Those not familiar with LP's there is a 3-way toggle switch/pickup selector. With the coils `tapped' leaving the switch in the middle position can lead to many unique tones, play around with both volume pots while in this position really interesting.
The neck is of a 60's profile, the fret board is made of high quality rosewood. The looks of the fret board are upped with the trapezoid inlays. Yes this LP has a binding (`antique binding'), it's rare to find a LP without one. Standard Traditional Pro models are not chambered, those hunting literally a more traditional LP sound this is a good start. Notes are clearer, where as often times chambered LP can make sharp notes fatter. Crème pickguards are another way these LP pop visually. Three variants are currently available, ebony, vintage sunburst, and heritage cherry sunburst. The vintage sunburst looks similar to a (Gibson) Les paul Studio Deluxe, minus the grain effect. The neck, oh and backside too, has a satin finish, similar in feel to some other models like the (Epiphone) Les Paul Ultra, well the original model not the II which I have yet to play. Supposedly this finish helps resonation, honestly I don't know, feels nice though. The top is a high-gloss lacquer finish.
The sound what you'd expect from an old school style Les Paul, especially considering the whole BurstBucker 3 ordeal. Heavy thick overdriven rock chords, ashy bluesy single notes, and a brooding clean. Muddiness isn't a problem here, this LP really comes through. As mentioned earlier with the coil taps expect versatility, but to be honest, if you lift the volume pot while having the selector on `Treble', the sound (on clean channels) can be very brittle and twangs of something umm unique.
So if you're hunting down another LP for your collection, or wish to begin with one of these models make sure you are familiar with all the small touches. Things like being non chambered, the finish, the pickups, and body when all combined can affect the sound. Also really make sure you are familiar with the BurstBucker 3's, also luckily this isn't the case, but one may benefit from reading about pickups that aren't waxed. I'm posting this review, as this was one of the guitars I was choosing between awhile back for another LP. I ultimately ended up choosing the Studio Deluxe model over this (which is cheaper), but this is definitely not a guitar to overlook. You get the full package, sound, looks, playability, and versatility.

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Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Faded Cherry Sunburst Review

Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Faded Cherry Sunburst
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The Les Paul Ultra-II is a different beast. This is the original ultra, i purchased one two Augusts ago with a little maintenance it has defeated many of my other pricey guitars.
The sound is a bit murky like fellow Les Pauls before it, you can assume though a nice hard driven rock sound, and a cutting edge solo tone. The treble and rhythm feature such a strong contrast against each other. The rhythm sounds good enough to be used on clean channel unlike many other Les Pauls. The gold alnico humbuckers and tuning pegs really add to a nicer interpretation along with the stylized burst scattered body.
The guitars strap peg may fall out entirely, easy to fix. With multiple sessions put down on this guitar i find no reason why not to buy it, it endures well and plays as well as it endures! I own eight guitars (some even being the elusive Stevie Ray Vaughan sig Fender, Zakk Wylde Gibson LP, Ibanez RG, Another Epi LP ect), and have played with many guitarists/musicians. They all note how well this guitar performs.
Althought it's not for sale currently i recommend you search a Guitar Center, you can find one around 500$ or less. This Epi competes well beyond the degrees of fellow higher companioned Gibson.

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Gibson Les Paul Studio Electric Guitar,Worn Cherry Satin Review

Gibson Les Paul Studio Electric Guitar,Worn Cherry Satin
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I play mainly bluesy rock (a little bit of jazz, no metal) and was looking to buy a second electric guitar, and went into my local guitar shop to try this out. I wasn't particularly looking for a Les Paul, but after trying out a few other guitars (some of the Joe Satriani Ibanez's) I saw this lying around and was intrigued by the natural wood look. The look is a matter of taste -- I've seen people note it as a negative or as a positive. You have to check it out and see for yourself. Personally, I think it looks very cool and classy. Both my mother and wife thought it looked great, too, but, as I said, it's a matter of taste.
Anyway, I picked it up and the first thing I noticed is that it is a lot lighter than the standard Les Pauls. I liked this, because I tend to find them a bit too heavy for my liking. I plugged it into a VOX AC 15 tube amp and proceeded to sit there for over an hour playing. The guitar has great tone and a variety of sounds, which it achieves with good quality Gibson burstbucker pickups. I really love the sound of this guitar when played through the VOX -- it can be really mellow and silky, fat and chunky, or bright, depending on how you adjust the settings. I find all three of the switch settings (rhythm, mixed, and lead) to be useful. The other nice thing is that since you have four knobs -- two volume and two tone (one for each humbucker) -- you can set them completely separately and then use the switch to go from (for example) a lower volume rhythm sound to a higher volume lead sound just by flipping the switch. This is pretty cool. My other electric only has one volume switch, so I can't do that.
After surfing the web for reviews of this guitar (which are overwhelmingly positive), the only negative comment I saw (except for people who don't like the natural wood look, which is a matter of taste) had to do with possibly shoddy quality control at Gibson. One reviewer said he tried 9 of these guitars and each was set up differently. Knowing this, I asked to try both of the 2 guitars that were at the shop. I looked at them carefully, and they both seemed set up very similarly, and both played very well right out of the box. The action was really low, which made for great playing, but a little bit of buzz. Since this didn't come out when playing through an amp, though, I decided not to adjust it to make the action higher. In short, this guitar is very playable, and felt great in my hands.
Basically, the sound is classic -- good for blues, jazz, bluesy rock, and hard rock, but probably not metal (not sure -- I don't play it so I wouldn't know). Despite being a bit lighter than the standard Les Paul models, this guitar has great sustain like all other Les Pauls. If you are interested in a Les Paul guitar, this is a great option for the under $1K category. If you can afford the more expensive models, then go for it, but this does not in any way feel like a cheapened "poor man's" Les Paul. It has solid construction and good quality components.
The only other possible place where they might have cut corners on the components is the tuners, which may not be all that great, but you can buy a better set for $60 and switch them out. I'm playing mine for a while first to see how they go, and if they're not that good, I will switch them. If so, that would be a very minor flaw in what is a really great guitar and an unbeatable price. Also, it comes with a hard case (this might be changing soon, not sure) which is worth about $150, making the price even better. If you're shopping in this category, definitely check one out. I decided to pick up the VOX 15 too and they're sounding fantastic together!


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