Showing posts with label gibson les paul standard plus 2008. Show all posts
Showing posts with label gibson les paul standard plus 2008. Show all posts

Gibson LES PAUL STD 50'S NECK Review

Gibson LES PAUL STD 50'S NECK
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I was undecided between a Fender and a Gibson Les Paul. I checked out U-tube reviews and sounds and took the leap of faith and purchased the 2008 Gibson Les Paul Standard with 50's neck. WOW. Say it with me now... WOW. Absolutely beautiful fit and finish on this guitar. This is the type of guitar that you pass down to your children. It has a very throaty voice unlike the Fenders. Fenders were very twangy to me and that's fine if you like that sort of sound. Not for me. The guitar has a very ballsy/throaty/blues-rock sound to it. I have it paired with a Line 6 75 watt amp. They are a very good pairing. You'll love this amp as well. It provide hundreds of different sounds at the touch of several buttons. However, lets get back to this guitar. I know it's a lot of money, but you will not be disappointed. Holds it tune, and is a bit lighter as well. This is the type of instruments that you have a hard time putting down since it sounds soooo good.

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Gibson Les Paul Traditional Plus Electric Guitar, Iced Tea Review

Gibson Les Paul Traditional Plus Electric Guitar, Iced Tea
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El slogan que tiene Gibson lo define todo... "Only a Gibson is good enough". Desde el momento que abres el Gigbag notas que la construcción de este instrumento es increible: los detalles de la pintura, el lacado, las terminaciones, etc.
Luego, cuando la conectas al amplificador terminas de darte cuenta que realizaste una excelente compra, ya que el sonido de la Les Paul Traditional es realmente bueno, con un sustain increible.
Por mi parte estoy feliz de haber adquirido esta guitarra... era un sueño que tenía desde niño.

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Gibson 1957 Les Paul Goldtop VOS Electric Guitar, Antique Gold Review

Gibson 1957 Les Paul Goldtop VOS  Electric Guitar, Antique Gold
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I personally own 4 Gibson Les Pauls and the 1957 Goldtop VOS is head and shoulders above the others. When looking for a Goldtop, I spent 3 hours at a Gibson retailer playing nearly every Gibson LP they had in stock. I played the Slash signature, the Standard, the Traditional...I played them all through a Marshall 100 watt tube amp through a Marshall 1960 4 X 12 Cabinet. When I picked up the '57 VOS, I could feel the quality immediately. I played a few chords, ripped a quick pentatonic lick and did a tone and a half bend at the 12th fret on the second string...the sustain was amazing! My wife, who had been sitting there the entire time looking completely bored, looked up and asked, "what guitar is that?" The vintage sounding PAF humbuckers sound absolutely great! The 50s neck feels like a Louisville Slugger and the top is perfectly done. The only thing I've changed about the guitar is adding Dunlop straplocks to make sure I don't drop this beauty. This guitar is made to play and will not disappoint. Worth every dime!

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By 1957, Gibson's evolving Les Paul model guitar had already undergone several key modifications that would remain as the foundation of the iconic version known around the world today as the Les Paul Standard. But while the addition of the new Tune-o-matic bridge and stopbar tailpiece one year earlier had greatly improved the overall functionality of the Les Paul, nothing would compare with the addition of Gibson's pioneering humbucking pickup in 1957.

A truly magnificent instrument, gleaming in gold.
History"A truly magnificent instrument with its natural mahogany back and neck, while the top is in gleaming gold with contrasting ivory trim." --Original Gibson advertisement, circa 1955
By 1957, Gibson's evolving Les Paul model guitar had already undergone several key modifications that would remain as the foundation of the iconic version known around the world today as the Les Paul Standard. But while the addition of the new Tune-o-matic bridge and stopbar tailpiece one year earlier had greatly improved the overall functionality of the Les Paul, nothing would compare with the addition of Gibson's pioneering humbucking pickup in 1957.
At the direction of legendary Gibson President Ted McCarty, Gibson engineer Seth Lover began working on a tone circuit with hum-cancelling capabilities sometime in 1954, applying for a U.S. design patent--hence the name "Patent Applied For," or "PAF"--on June 22, 1955. By early 1957, the standard double-coil version of the humbucker pickup had begun to appear on Gibson ES-175s and ES-350Ts, and eventually on the Les Paul Model Goldtops of the same year.
Body Aside from the pickups, the basic specifications of those 1957 Les Paul Model Goldtops remained the same. There were, however, several minor cosmetic variations that made the 1957 version significant in the development of the Les Paul, the most noteworthy of which was the placement of the inlaid, pearl-cut Gibson logo, which was moved closer to the top edge of the headstock. Additionally, 1957 was to be the last full year of production for a Gibson model with a Goldtop finish. The popular color would not adorn another Gibson guitar until 1968.
Famous Players The 1957 Les Paul Goldtop was also the model used famously by Duane Allman during the formative years of the Allman Brothers Band and his early session work, including his work with Eric Clapton (Layla sessions), the Allman Brothers Band's legendary Fillmore recordings, as well as their first two albums--a body of work considered by many to be one of the most important in the history of rock and roll.
Near-perfect Recreation Today's 1957 Les Paul Goldtop from the Gibson Custom Shop is a near-perfect recreation of the original instrument, in all of its original brilliance and historical magnificence. The body features Gibson's traditional hand-carved maple top and solid, non-weight relieved mahogany body. The headstock is made from Holly head veneer, as opposed to fiber, just like it was in 1957, and the vintage-style tulip tuners are mounted in a straight line, also as they were on the original. The 24 3/4-inch scale length neck is made from one solid piece of mahogany, and attached to the body using a long neck tenon--one of the Les Paul's more distinguishing characteristics of the 1950s. The neck is topped by a 22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals. Of course, two of Gibson's legendary Burstbucker pickups deliver all the subtle variations of true, classic humbucker tone by using historically "unmatched" bobbin windings and Alnico II magnets. The guitar's Antique Gold finish also matches the hue of the original model, giving this Custom Shop model the accurate and distinct appearance of this traditional Les Paul. Other historical appointments include CTS potentiometers, bumble bee capacitors, rolled creme-colored fingerboard binding, single-ply thin binding around the body, and period-correct switchwasher and jackplate. The 1957 Les Paul Goldtop comes either a V.O.S. or Gloss finish, and comes with the standard Gibson Custom case, custom care kit and certificate of authenticity.

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Gibson Les Paul Standard Plus Electric Guitar, Left-Handed, Heritage Cherry Sunburst Review

Gibson Les Paul Standard Plus Electric Guitar, Left-Handed, Heritage Cherry Sunburst
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If you are looking at this guitar when played you will see that the "Les Paul" lettering on the head stock and the "standard" lettering on the truss rod cover are upside down. I know this is purely cosmetic but for 3 grand this guitar should be perfect.

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Improving a legend isn't easy, but it's happened. Introducing Gibson USA's 2008 Les Paul Standard--an elegant revision of a true classic, with upgrades and new features that make it the best Les Paul Standard ever produced. Based on consumer feedback and a drive to uphold and enhance the legacy of the Les Paul Standard, Gibson USA's 2008 model sets a new guitar benchmark for excellence and achievement. Play the new 2008 Les Paul Standard from Gibson USA and experience the evolution of the greatest electric guitar of all time.

The World's Most Legendary Guitar
New Asymmetrical Neck Profile The 2008 Les Paul Standard debuts Gibson's newest neck profile--an asymmetrical design that makes it one of the most comfortable and playable necks ever offered on any guitar. The new ergonomically-correct profile is tapered, and designed to be thicker on the bass side, and thinner on the treble side, closely outlining the natural form of the hand as it grips the neck. The 2008 Standard necks are machined in Gibson's rough mill using wood shapers to make the initial cuts. Once the rosewood fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.
Chambered Mahogany Body Every new 2008 Les Paul Standard will benefit from Gibson's proven chambering technique, which leaves each guitar with perfect tone, balance, and weight. Prior to gluing the maple cap on top of the mahogany body, the expert craftsmen at Gibson USA carve out carefully mapped-out chambers in the body using a Computer Numeric Controlled (CNC) router. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.
TonePros Locking Tune-o-matic Bridge and Locking Stopbar Tailpiece The Tune-o-matic bridge was the brainchild of legendary Gibson president Ted McCarty in 1954, setting the standard for simplicity and functionality that has never been bettered. The 2008 Les Paul Standard features TonePros locking Nashville Tune-o-matic in a chrome finish, which has saddle adjustment screws on the pickup side, and pre-notched saddles for quick installation. The chrome locking stopbar tailpiece is also from TonePros. These parts come with locking studs designed to secure both components firmly to the body so that there is no lean, yielding a great union between the strings and body which results in excellent tone and sustain.
Pickups: Gibson Burstbucker Pros Gibson's drive to recapture the magic of the original "Patent Applied For" humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design--the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils--true to the original PAFs--which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback.
Revolutionary Plek Set Up The 2008 Les Paul Standard is one of the first models from Gibson USA to utilize the revolutionary Plek machine in setting up the guitar. The Plek is a German-made, computer controlled machine that carefully measures each fret, along with the fingerboard height under each string, and then automatically dresses each fret, virtually eliminating string buzz and greatly improving the overall playability of the guitar. This pioneering process does in minutes what it takes a luthier several hours--sometimes even days--to accomplish. Every fret is accurately aligned, and the guitar is properly intonated, leaving the instrument "Plek'd" and amazingly playable.
Locking Neutrik Jack Neutrik has been making superior electronic interconnection products since 1975, making them the logical choice to supply the performance safeguarding jack in Gibson's 2008 Les Paul Standard. Like many Neutrik products, the jack in the 2008 Les Paul Standard is manufactured from strong, high-grade thermoplastics and housed in a rugged diecast nickel shell. A retention spring inside the jack ensures optimum grip on any guitar cable, thus avoiding the chance of lost connection.
Locking Grover Tuners The 2008 Les Paul Standard is outfitted with locking tuners from Grover, which deliver ease of use through a standard tuner and positive locking mechanism that securely locks each string in place. Simply insert each string through the string hole, turn the dial on the bottom of the tuner to lock the string, and begin tuning. Each string can be tuned to pitch in less than one complete revolution of the post. These Grover machine heads feature completely sealed components with an improved 18:1 tuning ratio.
Gold-Plated, Custom-Made Potentiometers by Bourns The 2008 Les Paul Standard features all newly designed controls, including custom-made, gold-plated potentiometers manufactured by Bourns, one of the industry's leading makers of guitar electronics. These new potentiometers deliver accuracy and high reliability, while giving the Standard '08 a new level of sonic clarity and intensity never before seen in a Les Paul.
New Enlarged Neck Tenon The 2008 Les Paul Standard sports a revolutionary enlarged neck tenon designed by Gibson's team of pioneering engineers. The expanded neck tenon features an innovative interlocking joint that allows the neck to be dropped into the body from the guitar's top side, as opposed to sliding the neck in from the rim. When the glue is added, a solid unyielding bond is created that maximizes the wood to wood contact between the neck and the body, offering increased stability and superb transfer of vibration for enhanced tone, improved sustain, and superior resonance. It is also the largest neck tenon in the history of the Les Paul.

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Gibson Les Paul Traditional Plus Electric Guitar, Heritage Cherry Sunburst Review

Gibson Les Paul Traditional Plus Electric Guitar, Heritage Cherry Sunburst
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I have the Iced Tea burst finish which, to me, looks very similar as to what is pictured here. I bought my Les Paul in 2009 and the Traditional was one of the only models at that time that was not chambered (i.e. the body is a solid block of wood). The 57 pickups are amazing and when combined with the nice solid body give you a great warm tone. The only modification that I have made to my Les Paul is to have a bone nut installed and the tuners changed. The bone nut helps keep the strings from binding and add to the tone a little. The tuners probably could have stayed after I changed the nut, but they make some very good "aged" locking tuners (I used Grover) to give the guitar a nice vintage look. I can not emphasize enough how important the PLEK system is to giving you an absolutely perfect fret dress and straight neck. I have all of my gigging guitars plecked by Joe Glaser in Nashville, and afterwards you can drop the action down to about nothing. It makes the guitar very, very playable without any buzzing at all. I know that most guitarists feel that the days of getting a decent instrument out of a major manufacturer are long past, but I have to say that I would not trade my Les Paul Traditional for a "vintage" model unless it was to sell it and then use the money to buy another Traditional and a private jet to get to the gigs faster.

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Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Faded Cherry Sunburst Review

Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Faded Cherry Sunburst
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The Les Paul Ultra-II is a different beast. This is the original ultra, i purchased one two Augusts ago with a little maintenance it has defeated many of my other pricey guitars.
The sound is a bit murky like fellow Les Pauls before it, you can assume though a nice hard driven rock sound, and a cutting edge solo tone. The treble and rhythm feature such a strong contrast against each other. The rhythm sounds good enough to be used on clean channel unlike many other Les Pauls. The gold alnico humbuckers and tuning pegs really add to a nicer interpretation along with the stylized burst scattered body.
The guitars strap peg may fall out entirely, easy to fix. With multiple sessions put down on this guitar i find no reason why not to buy it, it endures well and plays as well as it endures! I own eight guitars (some even being the elusive Stevie Ray Vaughan sig Fender, Zakk Wylde Gibson LP, Ibanez RG, Another Epi LP ect), and have played with many guitarists/musicians. They all note how well this guitar performs.
Althought it's not for sale currently i recommend you search a Guitar Center, you can find one around 500$ or less. This Epi competes well beyond the degrees of fellow higher companioned Gibson.

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