Showing posts with label digitech. Show all posts
Showing posts with label digitech. Show all posts

Boss VE-20 Vocal Performer Processor Pedal Review

Boss VE-20 Vocal Performer Processor Pedal
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I'm not a sound guru or anything close to that, but have been playing music for many years now and have learned a thing or two along the way.
I play the guitars and do back vocals on a copy band. We are all some sort of "retired" musicians from the 80's, and are now playing again since 2005 while we have other careers during the day.
This means we don't have much time to deal with complex issues, and will like to use any available time playing and performing instead.
Our rehearsals are carried out in our own studio (similar to a recording Studio), were we have all type of equipments such as PA's, speakers, monitors, mixers, effects, mics, crossovers, floor monitors, basically everything that may be needed. In any given day you'll get pretty decent sound from such kind of equipment but you'll also find yourself spending most of your time trying to be a sound engineer instead of a musician (unless you can afford a specific and qualified person for that task).
Those who have played in these type of studios, will know that even considering there is a pretty decent live sound, the vocals are sometimes affected by echo or too much or too low reverberation, delay, among other things, depending on the mixer setup as well as other aspects such as room dimensions, acoustics, etc.
Any detail will have an influence on the final sound mix and the end result.
Before I purchased the Boss VE-20 processor, the quality of vour vocals was good, but there were ocassional problems like feedbacks or hiss, sometimes noise or wrong delay rate, reverb or too much signal decay during rehearsals. The problem magnitude depended on how much our singer moved across the room or due to mixer parameter changes in certain songs, patches, etc, and these issues affected our performance consistency.
With the Boss VE-20 we are very satisfied because it features pretty decent settings for different singing styles (Rock, Blues, R&B, etc) and some of the effects are just amazing. Despite having a lot of other equipment at our disposal we are now only using the Boss VE-20 effects for the vocals and leaving all other parameters on the mixer at "flat" (0) position, just amplifying the signal through the PA. All the previous issues are now gone.
The quality of the VE-20 preamp has proven to be very good for us (Well our singer is very talented wich obviously helps pretty much)but all the effects are excellent as well.
The unit is very "user friendly" and easy to customize your own settings. As any other Boss pedal it is very robust and intuitive to use.
Effects such as harmonizer and multiple voices are just smashing and sound very realistic. It is amazing how different factory presets will perfectly adapt to different venues or scenarios (ie, Hall, Large Room, Small Room, Arena, Cathedral, etc). At Boss they have really done their homework by having professional sound mix parameters on each preset with perfect balance, and you can even adjust those and save them in a customizable patch.
To be honest we did not tried any other option before this one, as there are similar products in the market today, and therfore cannot stablish a fair comparison, but this one was very useful right out of the box and we feel like it was really worth the price paid.
In our case it has really helped solve a lot of complicated back vocals (those difficult to perform while playing an instrument) as our main singer is now doing most of these back vocals herself. This has also improved our overall vocal sound and now we spend more time playing and less time solving mixing problems on the sound console.
I won't be surprised if in the future Boss develops a bigger version of the VE-20, with more features, just like they have done with many other effects.
But for the moment I will highly recommend this Boss VE-20 Vocal Processor to any amateur and semi-pro band that want's to improve the vocal sound quality, inestead of having a band member becoming a part-time sound technician.
We are a couple of months away from using this on a live performace but for what we've seen so far, are pretty sure we'll be a success.

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Digitech Jam Man Delay Looper Bundle w/FS3X Footswitch Review

Digitech Jam Man Delay Looper Bundle w/FS3X Footswitch
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What can I say The Digitech Jam Man Delay Looper Bundle w/FS3X Footswitch,was a great purchase for me, this pedal is simply awesome,and the deal I got through Amazon is beyound belief,product arrived within 2 days of placing the order,and I haven't had any regrets.This Digitech JamMan ROCKS MY WORLD.Thank You

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DigiTech Vocalist Live 4 Harmony-Effects Processor Review

DigiTech Vocalist Live 4 Harmony-Effects Processor
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The VL4 is a lot of fun! I've had mine for about 3 weeks now, so i've had time to really use all the features. First, i'll talk about the highlights. This product really makes your voice stand out. The compression works great and really brings your voice out of the mix. Even has a de-esser to remove the sibilant "s" sounds. The EQ is important for removing muddy mid frequency from your vocals which also helps to bring your voice out of the mix. The harmony works wonderfully and you can change the parameters in many ways. For example, let's say you're playing an A minor chord on your guitar, and singing an "E". You can choose your harmony note to be either an A or a G, depending on whether you want a true 3rd above, or the note closest to a 3rd above which is also a note in the chord. You can also choose the VL4 to choose a harmony note in a predefined scale, rather than based on what you're playing on the guitar. If you're playing a song in the key of D Major, and there are no key changes in the song, and no chords that do not fit in the scale, then you can simply choose all your harmony notes to be in the key of D Major. The strength of the Music IQ feauture(harmony based on what you're playing with the guitar) is when a song has key changes or chords which do not fit in the original scale. The reverb works great and you can change the predelay, decay, intensity, type(hall, studio, stage) and tone. The features which are not so great for vocals are the following:
1. pitch correction--it doesn't sound natural because the VL4 outputs both your original off-pitch voice and the pitch-corrected note, so it sounds like a doubling effect. Maybe if you really play around with the pitch correction parameters you'll be able to get a more natural sound, but i have yet to achieve that.
2. delay--if you can get the tempo of delay that you want, it works fine. The trouble is, the VL4 won't let you choose a fairly slow delay. So if you're singing a slow-tempo song, you won't be able to get a delay of a quarter note or even an 8th note. The delay works best for achieving a doubling effect.
3. lead effects--this effect lets you change the timbre of your voice, allowing it to sound deeper, more femminine, more Elvis-like, with vibrato, etc. Actually, this feature can be useful and fun. But like the pitch correction, it doesn't sound too natural. However, if used sparingly and in a song with complete backing music(bass, keyboards, etc) i think the audience wouldn't know any better.
Now for the guitar effects--reverb and chorus. I am very impressed with these! It uses the same reverb settings as your vocals, but you can adjust how much of the reverb is going to the guitar. The chorus sounds realistic and can be adjusted to be obvious or not-so-obvious. You can get a great guitar sound with these 2 effects, but i'd recommend running your guitar through a compressor and EQ to get a really clean sound.
I'd recommend the VL4 over the VL2 because of the extra vocal effects(they're really useful) and because you can store changes to any presets, and with the step of the pedal, you can get your stored preferred settings. I think having 4 harmonic voices is overkill, but for the features i just mentioned, the VL4 is recommended over the VL2.


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Digitech Vocalist Live 4 is a three- or four-part vocal harmony generating floor pedal, that uses musIQ Harmony Technology for both note detection and harmony generation. The unit analyzes guitar chord progressions in real-time an. Buy DigiTech Vocalist Live 4 Harmonizer Vocal Processor now!... Buy DigiTech Vocalist Live 4 Harmonizer Vocal Processor now!

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Boomerang Boomerang III Phrase Loop Sampler Review

Boomerang Boomerang III Phrase Loop Sampler
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I'm updating this review after updating the firmware. It now is fully functional. If you want a basic easy looper, get one of the simple Boss or Digitech pedals. If you want a POWERFUL and FLEXIBLE looper, get this one. The company is small (this is no mega corporate schtick), the looper sounds fantastic, built like a tank, and it has a surprisingly small footprint. You can read the manual on the company website to read about how many incredible and innovative features this looper has, but I personally love the ability to customize the buttons, play separate loops of different lengths, and set up a master loop (usually one measure "click" track) and then slave other loops to it. You can set it up to do about whatever you want. The only drawback is that it won't record loops within the unit, but thats isn't what it is designed for; its designed for serious live looping and flying without a net. I laugh in the face of danger! Ha! Ha! Ha!
This is a pedal designed by guitarists for guitarists. But I use it for guitar, sax, and vocal (you can use the Rang's stereo as two mono split channels!).
Five stars!!
Highly recommended!!!

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DigiTech RP500 Integrated-Effects Switching System Review

DigiTech RP500 Integrated-Effects Switching System
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I play quite frequently in a church setting, where it's not feasible to hook up my amp, and I need to get a wide array of sounds, so I wanted something I plug in directly to the PA and get a great sound. I narrowed it down to this model, the BOSS ME-70, and the Line 6 POD 2.0 + foot controller. Here's why I went DigiTech:
1. Build Quality - This thing is a tank. It has a cast-metal chassis and vacuum-style footswitches, like on a stompbox. The BOSS unit has a metal chassis as well, but the footswitches are plastic.
2. Cost - $245 shipped for the Digitech, which comes with a power supply and Cubase LE4 recording suite for your computer. Pretty sweet! The BOSS unit is $300 and doesn't come with a power supply. I call shenanigans on that.
3. Customizability - While I liked the ease of use on the BOSS model, the thing I liked about the Digitech better is the preset system. You get 200 presets (100 factory and 100 user). The factory presets have some good sounds dialed in (though in no particular order it seems). You can also hook this up to your PC and adjust your presets from the provided X-Edit Software (which is quicker than using the menus on the unit). You can also download and save other patches, there are over 400 available on the Digitech site for free.
4. Stompbox-mode - Both units have modes to make them function like stompboxes.
5. Sound Quality - Don't get me wrong. Both of these units sound great, but I did not like the distortions I was getting out of the BOSS unit as much as the Digitech.
6. Ease of Use - It is very easy to use, pretty intuitive controls that are easy enough to figure out. After about a half-hour with the product and the manual I have it pretty much under control.

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The DigiTech RP500 delivers easy control over your tone on stage! The DigiTech RP500 guitar multi-effect processor gives you the ability to control program changes, complete signal chains and allows you to turn all amplifier and cabinet sounds off in the exclusive Pedalboard mode. When in Pedalboard mode the RP500 acts like 5 separate stompboxes and effects. Save each combo in a preset for a uniquely switchable pedal setup not found anywhere else but pro rigs. Free Version 2.0 Upgrade is Now Available for Download at digitech.com!! The Version 2.0 upgrade adds a 20-second looper to your RP500 so you can now lay down a track, loop it, add another track with a different preset to help when creating songs or just build a song live on stage! DigiTech RP500 Modeling Guitar Processor Features Pedalboard mode changes switching to emulate 5 selectable stompboxes or effects Amp and Cabinet Bypass defeats internal amp and cabinet effects in all programs Heavy-duty vacuum switches for: Program changes Effect On and Off changes Bank up and down Tap tempo and tuner Bright LEDs display program status and effect On and Off Large 10 character LED display for program name, bank name and tuner Stereo XLR and 1/4-inch Outputs with ground lift Built-in expression pedal to controls internal effects including Wah Volume Whammy Other effect parameters All metal construction The RP500's stage control allows you to quickly and easily change your tone mid-song and eliminates the tap dance of individual e

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DigiTech RP1000 Integrated-Effects Switching System Review

DigiTech RP1000  Integrated-Effects Switching System
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Here is my review of this Multi-effects/amp-modeling/integrated switching system. I have been playing guitar for well over 10 years and have a decent amount of experience with Multi-effects units. I own the Digitech GNX4 and an earlier model BOSS unit with the COSM modeling. I have provided my rating for each individual aspect of the unit and also some comparison with the Boss GT 10, which I think is the only real competitor for this kind of unit and price point.
Effects: Almost all of the effects range from good to excellent. The only one that's actually bad is the harmonizer. Its almost useless. I have GNX4 from 5 years ago and the harmonizer on that is excellent. So this is definitely a step backwards. There is a way to get around it by adding a harmonizer pedal ($200+) into the stomp loop. But come on Digitech, why should I have spend that extra $200? FIX THE DAMN HARMONIZER PLEASE. Also, in the GNX4, you could run Whammy/Harmonizer and effects like chorus/flanger etc together. In the RP1000, you will have to chose between Whammy/Harmonizer and effects. I wish they kept this functionality from GNX4. From what I have seen/heard on You tube, Boss GT10 has better and more effects. I haven't tried the GT10 in person, but to me, quality of RP1000 effects is excellent. I doubt I am missing much (except the Harmonizer of course) (3.5 Stars)
Amp Modeling: This is where this unit shines. I have the GNX4 with the MFX Supermodels CD which is excellent. But I think the quality of the modeling is better in the RP1000. The models are more responsive to touch and sound great to excellent. I went through almost all the amp models. I can really hear the difference between a Fender, Marshall, Vox AC, Mesa etc. Really hard to fault. However, for all you tube amp fanatics out there, I don't think this will satisfy your ears 100%. Also, Boss COSM modeling is not that great compared to RP1000 modeling (4 stars)
Switching system: I have to give kudos to Digitech folks here. They have REALLY done their homework on this one. The 4CM method is pretty useful and allows you to integrate this unit in your existing setup. The stomp loop capability is great. I wonder why Digitech didn't put the amp channel change capability (like GT10)? That would have made this unit a God-send for me. I don't like the fact that if I want to use different channels on my amp, I have to use a different foot switch. Also, having 10 foot switches is way more convenient: 5 for Stompboxes, 5 for presents. Patch changes are quick (slight delay, not too noticeable) and stomp box on/off is instant. Boss GT10 switching system has the same features, but its just not as well laid-out/organized as the RP1000(4 stars if you use 4CM method, 5 stars otherwise)
Ease of use: I have been using the GNX4 for a few years and that was somewhat daunting in the beginning. With that experience, RP1000 is actually easier for me use. I think Digitech took out some of the complexities from the GNX4 and made it lot more user friendly and easily tweak-able in a live situation. I really like how easily you can bypass amp modeling, add in stomp loop, modify effects etc. on the go. X-edit is a decent piece of software as well, but you really don't need it as much as you did for GNX4. RP1000 is a lot easier to use in person. Overall, very well done indeed. Boss GT 10 seems very complicated to me, but again, for folks who have used GT-8 in the past might not be too concerned with that. For someone starting out fresh, you cant beat RP1000 for ease-of-use (5 stars)
Overall: 4.5 Stars. If you are in the market for a Multi-effects/Amp-Modeler unit, just close your eyes and get the RP1000. I don't think you can buy anything better at this price point. Sure, every one is raving about the Axe-FX, but I don't wanna spend 1.5k on an amp modeler. Besides, I like floor unit, not the rack mountable ones. Also, do your homework. Definitely check out Boss GT 10 and then make up your mind.


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DigiTech LIVE 3 Bass Pedal Tuner, Black Review

DigiTech LIVE 3 Bass Pedal Tuner, Black
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I could have had a career! Singers who don't show up to gigs! The hours wasted trying to teach a drummer to sing harmony! No more. Very simple, just plug it in and be prepared for Shock-n-Awe vocal harmonies to back you up.

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DigiTech JML2 Bass Pedal Tuner, Blue Review

DigiTech JML2 Bass Pedal Tuner, Blue
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(Note: Why several sites have this listed as a "Bass Pedal Tuner" is a mystery to me. It's not specifically for bass, and it's certainly not any kind of "tuner." What it is, is a stereo digital sample-and-playback looping unit.)
I like this unit, mostly. I knew what I was looking for in a looper, and I researched the available options before settling on the Jamman Stereo. For the most part I got what I was expecting.
The pros:
+ The unit is compact, and very solidly built
+ Controls are (mostly) self-explanatory
+ Excellent sound quality on the samples, with very low noise
+ Good internal memory capacity
+ Expandable memory, using common SD digital camera memory chips
+ Simple to use; shallow learning curve
+ True stereo input and output available
+ Adjustable tempo and quantization available
+ "Single play" and "infinite repeat" options
+ Accepts direct input from: instrument, mike, audio-player
+ No batteries needed
* I found it very easy to start working with this unit, record, playback, overdub, and erase functions are simple to implement through footswitch control. Sound is clean and high quality, and most of what I need to do can be done with hands-free operation. The unit accepts SD memory up to 32GB, which provides for 6-hours of storage; more than sufficient for any of my planned applications.Indifferent/personal taste:
+/- "Reverse playback" option is kind of silly and useless
+/- "Snap"-type footswitches, rather than soft-touch
+/- No way to set a loop for a specific number of repeats
+/- No phantom power on mike XLR input
+/- No "on/off" switch
+/- Need for wall-wart & power cord offsets the convenience of not needing batteries.
* I might use the "reverse" once in a blue moon for a special effect, just becuase it's there, but if it wasn't there, I wouldn't miss it. Still, people were apparently clamoring for this feature, so I suppose they had to put it in.
* More of an annoyance for me is the use of small snap-type buttons for the footswitches. I find this particularly awkward (and noisy) when tapping in tempos. For that function I greatly prefer a soft-touch, more or less silent switch, and also the large rubber pad of the original Jamman. But then, I don't use the tap-tempo feature that much, so it really isn't that big an issue.
* It also would have been nice to be able to pre-program a loop to repeat a specific number of times -- 3, 6, 15 repeats, etc. -- and automatically stop. Instead, your choice is single play, or infinite repeat until the "stop" switch is hit. Again, not a big deal.
* I rarely use mikes, so lack of phantom power is NBD for me.
* I prefer devices I can /turn-off/ without having to unplug them.
But... I can live with all of this.The cons:
- Many "fingers only" controls and the unit sits on the floor
- No quick way to switch from internal memory to SD card memory
- Loops stored in memory are designated only by number
- Quantization is touchy and not always accurate
- No way to trim or boost input signal level
- Significant tempo adjustments seriously degrade the sound
- Can't switch loops in "real time"
The first three of these are not a big deal for me, but they may be for some people.
* A lot of the controls on this unit are not footswitch-accessible, so if you do a lot of post-loop manipulation (I don't), you're going to be bending over a lot. For $35, you -can- buy an optional 3-button footswitch to put a few more of these functions at your toe-tips.
* Internal loops are numbered 1-99, and SD-card loops are 1-99 plus a "card" LED lit. If you need to get from loop #78 in internal memory to #14 on the SD card, there seem to be only two ways to do it: you can use the loop up/down footswitches to step through either 35 or 178 loops, one at a time; or you can use the knob on the unit to scroll through all of the internal loop-slots until you get to the SD-card loop-slot you need. I've not found any way to quickly jump from one loop to another if they're not adjacent numbers.
* If you actuallly store 198 loops (or even more than 20), remembering that you need to call up # c-35 in the chorus of the 5th song of your 2nd set might be challenging in a performance situation. Would have been nice if the Jamman had a slightly larger display and a feature for assigning a short mnemonic -name- to each loop. I deal with this by having a coded "loop playlist," but this is definitely an area that could stand improvement.
* Quantization (theoretically) works by setting a time signiture, tapping in a tempo, and then recording your material, which is then auto-quantized to the beat you set. However, I found the unit a little flakey in setting the end/repeat point of the loop. With some practice you can get the quantized endpoints to work right; but with the same amount of practice you can get the endpoints right manually, /without/ quantization, so this feature, as implemented, is rather useless.
* Input level: In transfering audio tracks from my computer to the Jamman I ran into a problem that I've experienced with other digital-audio devices. With a fixed input level, audio signals with long fade-ins often start out too faint to trigger the recording circuitry, so the first part of your loop will be cut-off. I've devised various work-arounds for this, but having an input level boost/cut trim-pot on the Jamman itself would make the process much simpler. Of course, if everything you do is at death-metal volume, this probably won't be an issue for you. :-)
* Tempo of loops may be adjusted, but outside of a limited range the sound will rapidly and noticably degrade. (To some extent, this is to be expected with any digital recording device costling less than several thousand dollars.) Depending on the particular kinds of sounds recorded, I found that tempo changes of about +/- 5-10% were the cutoff for acceptable sound. If you want a loop to play back at, say, half-speed, you're better off recording it at that speed to begin with.
* Again, for me all of the above quirks are relatively minor, and I can live with them. I saved the most annoying for last: Hitting the "loop-up" or "loop-down" footswitch while a loop is playing does /not/ switch loops in real time; it changes only the display. To change loops you have to 1) select the new loop; 2)stop the currently playing loop, and 3) start the new loop -- each step requires a separate footswitch operation.
...This last quirk is the main reason I give the Jamman four stars instead of five. It would be immensely useful (to me) to be able to switch loops either in the middle of a loop, or even at the end of a loop, by hitting only one switch, with no loss of continuity in the sound. Instead, you have to hit /three/ switches, and -- no matter how fast you do this -- there will be a noticable break in the sound. Essentially, each loop is treated as an independent, stand-alone entity, and the concept of using several loops in a single piece apparently didn't enter the engineers' heads when they designed this unit.
==
To summarize: I spent more time discussing "cons" than "pros" because my experience has been that not knowing what your equipment /can't/ do can be more of a show-stopper in performance, than not knowing something that it /can/ do. But, bottom line:
...I like this unit, it does 95% of what I need, and
most of what it does, it does very well.
For me, it represents good value for the money, and I highly recommend it for those whose needs are as uncomplicated as mine.
One final tip: Shop around -- I've seen this unit sold for anywhere between $229 and $339. It's worth the $299 list price, but not more.


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DigiTech JMD Bass Pedal Tuner, Blue Review

DigiTech JMD Bass Pedal Tuner, Blue
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I will start by saying that this is the first looper and delay that I have ever owned. I am not an expert and although I have been playing guitar for 15+ years, I have only recently started experimenting with effects pedals.
Insofar as ease of use goes, I found this pedal to be pretty easy to use once I read through the manual. The biggest learning curve comes to figuring out the timing when recording a loop. Regardless of what looper you get, you will need to fine tune your timing to get it to do what you want.
Overall the unit construction seems very solid. 99 loops is more than enough but there is the option to expand to 198 with an SDHC card which is quite nice.
Lastly, the delay function is easy to use and can be synched with your loops at the same tempo making it even more useful in my opinion.
I love the product and would buy it again if I had to. Great if you don't get the opportunity to play with people to often and really solid as a practice tool.

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BOSS ME-70 Guitar Multiple Effects Pedal Board Review

BOSS ME-70 Guitar Multiple Effects Pedal Board
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"Excelent item!.. but, no where in specs did it let you know that this came without AC Adaptor and needed to run on batteries...disappointed when arrived". Este multiefectos es excelente, facil de usar. Tiene lo justo y necesario, algunos gabinetes y preamplificadores, los mas comunes.

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Zoom G9.2tt Twin Tube Guitar Effects Console Review

Zoom G9.2tt Twin Tube Guitar Effects Console
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I would like to share with other guitar players my first impressions and usage experience owning this product by describing it the best way I can because the product really deserves respect.
Here is my review. I tried to organize in topics for fast reading.
Review Summary:
^^^^^^^^^^^^^^^
Amazed and surprised by Zoom build quality and equally about sounds you get out of this tone factory.
Absolutely convinced that is the best bang for buck guitar pedal.
Twin valves combined with the solid state circuit and fast 32bit processor delivers to your physical amp/headphones vivid and professional tones.
USB Interface works great. You can use it as recording interface with any sound application that supports ASIO (low latency sound drivers)
Buy with confidence. Build Quality and Finish:
^^^^^^^^^^^^^^^^^^^^^^^^^^
Solid body / All metal construction;
Heavy duty foot switches;
Average quality connectors on the back of the unit;
Even if you fight with this pedal you may lose because it is strong and a bit heavy.
The unit plus power supply weights about 9 kilograms / 20 pounds.Usability:
^^^^^^^^^^
Before plugging it on the wall and your axe on the Input take some relaxed time to read the small manual that comes with the unit.
The way you choose banks and patches or edit/store the variables are comfortably smart and very logic after you understand it.
For example. If you edit a preset, the led inside "Store Preset" switch and "Exit" switch will turn on so you know which options you have easily.
You don't have to be a tech guy or a sound engineer. Goodwill and enthusiasm will do the job.
Even in low light environments you can operate the unit because of it's design and leds.
I have friends that got Boss GT-10 and says that he create a tone in a couple of minutes with EZ-Tone feature.
But I believe the following:
- Every effect or function have at least 3 or 4 sub-settings for fine tuning.
- Stacking up to 10 FX;
- Select over dozens of amps and mics setups.
I really don't care if it will take a minute or ten because "any tone" is fast on both units.
But the tone you really want for sure is a tailoring job. You have to bring a sound straight out of your head and save it as patch when satisfied. This take time at least for me.
Small LCD seems to be a con but I'm satisfied.
It's equipped with a small two lines classic blue/white screen but the info you get is useful.
So if you see what you need is just fine. Sometimes less is more ;)
For live action the patch selection is easy, instant and smooth.
There are UP/DOWN bank foot-switches and for each bank you may choose 5 patches using the lower five foot-switches.
So it's easy to memorize and recall.
All small buttons are translucent and have leds inside that goes from green to orange or fade off.
I like that because you know just by looking the pedal if the delay, reverb, pre-amp, etc are enabled or disabled.
All small buttons act the same way.
For sure it's easier to spot a "Green Led" near your right foot while stand-up playing than trying to read a big LCD screen with lot's of info on it. It's just a guess because I don't have any other pedal with huge screen.
G9.2tt is simple to use but powerful and the most important. Works.
There are dozens of patches ready to use as read-only.
The same patches are available to be changed on the user area of the internal memory. This is good because you can use the variety of built-in tones as base for yours.
Never edited the patches using Midi cable. But specs says it's possible.
Price:
^^^^^^
It's a fair price for what you get. No fancy stuff but good equipment.
This unit have dual valve that just freak you out even using a training 20watt cube. (BTW I use a Roland 20-X Cube)
Zoom G9.2TT is affordable on the price tag but does not have a fragile construction neither a work as noise generator machine.
Some guys I know says that old Zoom products were bad quality but the same people and also they really changed the product quality for better now.
Sound Quality:
^^^^^^^^^^^^^^
I'm not a sound engineer or audiophile but really love hi-fi audio and this unit delivers that.
The solid state circuit mixed with analog valves create great pre-amp output and pleasant sounds.
Also never noticed any kind of delay between input/output sound like we have when doing DSP using computers.
My opionion is that you still get a pretty a warm sounds even digitally processed. Maybe because of the Accelerator/Energizer twin valves.
I just cannot compare the digital processing of Zoom unit to software DSP like Guitar Rig or Amplitube.
Even using high quality sound card I just don't feel the same.
Overall conclusion:
I feel great using this product daily while practicing. No problems at all since I bought.
Also the built-in patches are enough to entertain yourself playing and playing for hours. P.s.: If you love guitars or classic rock you must watch the movie "It might get Loud";
Where The Edge from U2, the legend Jimmy Page (Led) and Jack White from White Stripes talk about their first music experiences and influences; How they started loving this great instrument. The electric guitar.
It's really deep and moving. Rent, buy or borrow!!
Appreciate your time!
Bruno Ratnieks

Click Here to see more reviews about: Zoom G9.2tt Twin Tube Guitar Effects Console

The G9.2tt is a multi-effects powerhouse. With sophisticated amplifier and stompbox modeling, 120 different effects, a built-in tuner, the ability to optimize for particular amps, and plenty more, it's ideal for studio and stage alike. The Z-pedal officially takes it to the next level, allowing you to control up to four parameters by moving your foot on two different axis (up and down or side to side).

Energizer using 12AX7 tube Giving body to the guitar sound and adding supple power and intensity--that is the task of the Energizer. Turning up the TUBE control to drive the 12AX7 produces warm crunch with rich harmonics. The BOOST control spruces up highs and lows, resulting in more transparency. Enjoy a powerful tone also when recording directly to a line input or via USB on a computer.
ZFX-3--a 32-bit DSP designed by ZOOM The heart of any multi-effect device is its processor and decoder section. ZOOM has started a fresh chapter with its new ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Accuracy and speed ensure that even delicate picking and fingering work come across with impressive clarity.
DSP sound modeling plus tube circuitry create the ultimate in distortion 96 kHz sampling and 24-bit A/D/A conversion assure super high resolution sound. An abundance of signal processing power allows accurate recreation of the complex upper-range harmonics that are the hallmark of tube amplifiers. Analog circuitry using a 12AX7 tube then adds that classic warmth and sonic impact to the DSP sound. The result combines the best of the digital and analog worlds: distortion so advanced and sophisticated it elevates your guitar playing to the next level.
Preamp section with two channels The preamp section, comprised of the amp/drive-modeling, and EQ modules offers two channels per patch. You can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same. The user interface with analog knobs lets you shape the sound with the same facility as on a guitar amp.
Great for stage work or direct recording The amp/drive-modeling blocks have two dedicated algorithms for each amp/drive type, designed for live playing and direct recording. The CABINET effect simulates amp and mic recording characteristics as well, and the algorithm is automatically switched according to the CABINET on/off setting.This lets you bring the same guitar sound that you used during practice or recording right on to the stage. Alternatively, sound settings that were determined during a session with the band can be used seamlessly in the studio as well.
Amp select feature This function optimizes frequency response to match the amp that you are using. Settings are available to get the best out of popular models such as Roland JC-120, a Fender combo, and a Marshall stack. The -10 dBm/+4 dBm output level switch allows the G9.2tt to be used as a preamp, directly connected to the power amp input of a guitar amplifier.
6-band graphic equalizer The built-in EQ module has six frequency bands optimized for electric guitar. Peaking type filters in the crucial middle range (400 Hz, 800 Hz, 3. 2 kHz, 6.4 kHz) are augmented by shelving type filters at the low and high end (160 Hz and 12 kHz). This ensures the shortest possible route from inspiration to actual sound.
Guitar amplifier/stomp box modeling Analog devices such as tubes and diodes have unique clipping characteristics. Sophisticated digital simulation finally makes it possible to recreate the sound of vintage tube amps and effect devices with astonishing realism. From popular names such as Fender, Marshall, and VOX to modern amps including MESA BOOGIE, Hughes & Kettner, and Diezel--the list of choices is extensive. The cabinet simulator even has settings for mic position, to achieve totally natural sounding performance.
32-bit processing for a wide choice of high-quality guitar sound effects Ranging from trusty old standards to advanced choices for specialized needs, the effect collection of the G9.2tt comprises 120 effects in 10 modules. Pick an MXR Dynacomp, famous for its unusual compression action, or select wah pedal simulations such as VOX and CRYBABY. Choose from three types of chorus for creating a solid, wide sound stage. Access seven types of reverb with transparent, unblurred sound. And the list goes on: tremolo with selectable modulation waveform, bend chorus with individual pitch bending, harmonized pitch shifter, multi-tap delay even reverse delay. These professional quality effects will fuel the creativity of every guitarist. The preamp section and wah/filter effects allow changing the module insert position for even more advanced tonal control.
Preset patches ready to use for recording or live performance Whether you are after a true-blue vintage tone or fat high-gain sound, you will find a choice here. There are settings that accurately simulate well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original ZOOM effect sounds. The past and the future of guitar sound is right there at your fingertips. The G9.2tt comes preprogrammed with a total of 80 preset patches. For creative leeway, a user area capable of storing the same number of patches is also provided.
Intuitive interface great for stage use Each of the four analog style rotary knobs let you directly edit parameters on-the-fly, a total of four simultaneously. The LCD panel clearly shows patch and parameter names. Direct access keys are provided for each module. The advanced user interface is designed to ensure hassle-free operation, while not getting in the way of your creativity. On stage, the foot switches allows easy effect bank selection, module and hold delay on/off switching or tap tempo input. The self-lit switches show module status at a glance.
Real-time modulation for 4 simultaneous parameters fosters lively playing The built-in expression pedal allows control over effect parameters in realtime. Common pedal effects such as wah, pitch, and volume control are ofcourse supported, but you can also opt to adjust drive gain, modulationrate, delay/reverb mix level, and other parameters. Up to four parameterscan be assigned to a single pedal, allowing dramatic techniques such asraising the chorus, delay, and reverb at the same time. Create a rotary speaker style sound by varying tremolo, chorus, and auto-panning rate. Also,the ARRM (Auto Repeat Real-time Modulation) function is capable of producingrhythmical tone changes, opening up a wealth of possibilities.
World's fastest patch change speed: 7 ms Switching patches has never been smoother or less noticeable. With its record-setting speed of 0.007 seconds (7ms), the G series never miss a beat.When changing to a lead preset in the middle a song, you no longer need to press the switch in advance, simply push the foot switch and start playing your solo.
Built-in tuner supports special tuning requirements The guitar tuner can be called up instantly by pushing a dedicated footswitch. In addition to the standard auto-chromatic tuner, various othertuning methods for guitar and bass are possible, and open tunings are alsosupported. High-brightness LED indicators make the note readout easy to seeon a dark stage. The calibration range is A 435 to 445 Hz, and muted tuning(without sound output) is also possible. Tuning your guitar has never been easier or more convenient
ZNR keeps playing pauses really quiet The built-in ZOOM Noise Reduction (ZNR) provides optimized signal performance for guitar. While minimizing any alteration of the original sound, ZNR cuts unwanted noise during pauses. Tails of sustained notes remain unaffected, with a long natural release.
Ultra low noise design with 120 dB S/N ratio and -100 dB noise floor With an amazing rated signal-to-noise ratio of 120 dB and a -100 dB noise floor, background noise ceases to be a problem, leaving only superbly clean, transparent sound.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbant rubber damping ensures that the unit can stand up to the rigors of on stage use. Take it on the road or bring it into the studio, the G9.2tt will not let you down. And it looks great, too, the stylish two-tone coloring using silver and black, rounded shape, and chrome-plated parts give the unit a high-class, futuristic appearance.
USB based audio interface functions The USB port allows the unit to function as an audio interface for a computer. Simply plug the unit in to your computer with a USB cable to use the high-quality sound of the G9.2tt in a computer-based recording system. The high-performance DAW application "Cubase LE 4" comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the unit itself, there are no latency problems during recording.
MIDI IN/OUT jacks allow linking to other equipment The ability to exchange MIDI data with other devices opens up a wealth of possibilities. You can switch patches in conjunction with a MIDI enabled preamp, or use the unit as a real-time controller for other MIDI equipment. By connecting the MIDI interface to a computer, you may use a dedicated editor/librarian application to edit and store patch data.
AUX IN jacks accommodate external sources The playback signal from external sources can be plugged-into the AUX input. Jam along with a rhythm machine, external CD or mp3 player. You may also utilize the connectors as a stereo line input to record audio into your computer via the USB interface.
Accelerator blends tube and solid state sound The analog input section incorporates an Accelerator that can amplify the signal in a tube or a solid-state based circuit. The 12AX7 tube produces fat, sturdy sound that can be mixed with the clear and transparent sound from the solid-state circuit. Blending natural compression with typical tube saturation characteristics creates a rich, organic tone.
Z-pedal takes pedal performance to the next level The pedal on the right side of the G9.2tt supports 3D action by sensing not only conventional up/down but also sideways movement. The Z-pedal lets you build highly complex sound control patterns by allowing you to assign up to four parameters in each axis of pedal movement (vertical and horizontal). There are also effects specifically designed for use with the Z-pedal. Get creative in ways never imagined before, and explore a whole new realm of pedal performance.
External send/return loop connectors A separate stomp box, rack-mount effect or other device can be connected to the G9.2tt's effects loop and used as part of a patch. Send/return level as well as on/off status are stored as part of the patch. Find new uses for your favorite pedals and spark your creativity in a variety of unexpected ways.
What's in the Box G9.2tt Unit, AC adapter, Cubase LE 4 Install Disc, User's Manual

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