Showing posts with label multieffects processors. Show all posts
Showing posts with label multieffects processors. Show all posts

Lexicon MX400 Dual Stereo/Surround Reverb/Effects Processor Review

Lexicon MX400 Dual Stereo/Surround Reverb/Effects Processor
Average Reviews:

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mx400 is clean sounding with no noise and no coloration effects processor in effect there are two stereo processors in one with a mp3player styled menu controlling the 4 ins and 4 outs (dual stereo-to-4 mono processors)routing.I owned some Alesis reverbs that colored the sound so much as I didnt know a clean no colored sound until now at home ... the compressor thats built in actualy works nicely as well... some neat effects that can be tweeked to be used...great for a computer studio used as a vst/usb sends and receives with the right sound card. Dont think im kidding, this is a clean sounding reverb, chorus flanger compresion echo pong processor unit as well as noise free 109db s/n ratio!!!!

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Line 6 POD X3 Review

Line 6 POD X3
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Geez, where to start. This thing is unreal. For the gigging musician you only need to plug your Mic into the XLR input and your guitar/bass into the guitar input, dial up your favorite patches (you can create your own "User" patches), and run your output into the house PA. No amp or other gear to lug around!!
This thing has truly great guitar/bass sounds and great vocal sounds both out of this one unit. What I really like about it is that the key parameters (gain, EQ, presence, volume, reverb) ALL have their own dedicated knobs on top of the unit...no fumbling thru a bunch of confusing and dimly lit menus. And when you are at the gig there is a way to get the patch number to take up the whole LED (in BIG letters) so you can actually see what patch you are using. And did I mention the sound....I have Boss 600 digital recorder with amp/bass models which until I got the Pod, I thought were pretty good. Well I no longer use the Boss for guitar sounds. Instead, now I run the Pod into the 600 (which is a great digital multitrack recorder with so/so effects).
And now lets talk about the studio. This IS your computer audio interface. The Pod interfaces with your computer (Logic, Cubase, Gband, etc.) via a USB interface. You get simultaneous wet and dry outputs over the USB so you can get all the inspiration the Pod gives you but if you choose, record dry while your DAW is tracking. You can also use your DAW to cycle the Pod thru patch changes if that is the direction you want to go. The Line 6 website has updates/drivers and you will want to plug your Pod into your computer and follow the update instructions on the LIne 6 download page.
When I got this thing I plugged in my guitar (Takamine acoustic first, then Epiphone Casino elec) and some headphones and read just enough in the manual (5 min) to audition the thing. I ended up playing guitar for 2 hours. I was in heaven. Yea, there are a lot of high gain "thrasher/shredder" sounds but there are also a lot of clean sounds that I prefer. The next day I plugged in my Mic, set the Mic gain pot to max and got a great guitar/vocal thing going. However, the MIc input defaults to "mute" so I had to spend about 10 minutes to figure out that I had to play with both the input and output menus to get the MIc working. I played/sang for 3 hours straight after that. It was very inspiring. The next day I figured out how to get the sound to come out of the two 1/4 outputs into a Fender Princeton amp. It sounded great too.
The only "bad" thing is that for each patch you have to have to setup the inputs, outputs, and vocals. Otherwise, the Mic input will not work nor will the outputs work as they default to "Mute". What you want to do is setup user patches that have all these switches set the way that YOU want them so you don't have to tweak each patch every time you turn the thing on. Also the manual is a bit weak and some of the controls are a bit confusing at first. But it is not as difficult as the 600 as the 600 has about 4 levels of menus while the Pod X3 only has 2 levels of menus.
Oh yea, and if you want you can buy a footswitch controller if you are gigging. My friend has the Pod XT and I was just about ready to buy one when I stumbled across the X3....I am so glad I got the X3 as having the capability to do BOTH guitar and vocals at the same time (with their own controls) is huge for me. As a singer/songwriter I could setup all my user patches, show up at the gig with just my guitar, Mic, and Mic stand, and run my feed directly into the house board.
Best money I ever spent on a piece of gear. If you just want a stomp box for your guitar try the pocket Pod or the Pod 2.0. But if you want vocals, guitar, and a computer audio interface, this is your baby.

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The POD X3 will inspire and amaze you with the most complete collection of POD-quality guitar amp, cab, stompbox and studio effect models ever. This arsenal of rare vintage treasures, modern boutiques, and perennial classics offers nearly unlimited creative possibilities. Create your own tones or instantly play through any of the 250+ professionally dialed-in presets. For those in search of greater tonal possibilities, POD X3 gives you more power than ever before to create entirely new sounds. Split your guitar signal and play it through two guitar amp and effect signal chains at once. Add bass or vocals using the bass amp and high-end mic preamp models now included in POD X3.You can even plug in two instruments at once, each with its own independent tone processing. Whatever your music calls for, POD X3 has the power and flexibility to deliver. Whether you choose to recreate the sounds of the past or turn tradition on its ear, POD X3 comes fully-loaded with most inspiring collection of POD-quality amps and effects to let your sound break free. Most powerful POD EVER!Line 6 POD X3 Features and Benefits Electric Guitar POD X3 offers a whole new level of control over your guitar tone. Plug straight into any one of the 78 ear-shattering guitar amp models for pure, unadulterated guitar tone. Combine amp and cab models with the mouth-watering collection of 98 stompbox and studio effect models to build out your rig. Take your sound to the next level by blasting your guitar through two guitar rigs at once to create a massive wall of sound that even guitar heroes of the past would respect. Or plug POD X3 in front of your favorite stack or combo to pile on up to nine simultaneous effects, including

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Line 6 Floorboard - Guitar Pedal Board Foot Contr Review

Line 6 Floorboard - Guitar Pedal Board Foot Contr
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I use the Floorboard with the Pod Pro, though it is also designed to work with Line 6's Flextone series of amplifiers too. It's really easy to use, although you can either have it in "select the patches" mode, or "manual mode" though you need to be en garde at all times, as the same buttons do different things in the different modes. It has some great - amazing, really - flexibility in the manual edit mode, and brilliantly clever little touches like "boost" functions for EQ, overdrive and distortion. You want to hit that solo? Step on it, and it goes a little louder, a little brighter, or a little nastier depending on what you step on.
However, unless you trained as an organist, in a live session you don't want to be jumping around like Michael Flatley jabbing your toes at various buttons in the manual edit mode, clicking delays in or out, and then switching modes (another button) when you want to change patches - realistically you will just have a patch *with* delay set up next to an identical patch *without* delay. But if you're in patch mode, you don't have access to the boosters - which really would be useful. But it's such a great thing I think, dammit, I'll just get comfortable training to be an organist.
Its construction is as hard as nails, but - and it's a big but - the patch switches kick in a split second after you stamp on them, not immediately, as you'd expect with a stomp box. This is a major weakness. Since I use it with the Pod, and only really in the home studio environment, I can live with this. But I don't think it would fly in a live envinronment. When you want to switch from Fender Tweed to loud JCM for that face melting solo, you want to do it *now* and not some time between now and the next beat. I don't know if this can be fixed in future models, but it needs to be.
Olly Buxton

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VHT Lead Tube Guitar Amp, 40w Combo Review

VHT Lead Tube Guitar Amp, 40w Combo
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Hello,
Purchased this item about 2 weeks ago, and what a mistake.
I've played many ams before, but this is one of the worst sounding amps ever.
The clean channel is horrible.
The overdrive channel is good, but when your playing different types of music in a band where you need clean and dirty this amp doesn't cut it.
The Celestion speaker sounds ok, but the VHT(Chinese made)speaker is complete crap!
I tried replacing the VHT speaker with a Jensen, it did sound better, but the clean channel is still terrible. Don't buy this amp for the clean channel for sure.
The idea of having two different types of speakers in it , is to get a clean sound and turining it up to allow the lesser wattage speaker to breakup, indeed it does but not like you want to hear it. All the tubes are made in China, and so is the amp.
Even though I purchased it for $299.99 less than what there currently asking for it, I still had to return it. The only thing is that you have to pay the return shipping, and at 86 lbs shipping weight it can get quite expensive.
Lesson leared!
When buying amps, buy Made in USA, yes they cost more and sometimes double but there is a difference, a big difference
Hope this helps with your decision
EO

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