Focusrite TwinTrak Pro Dual Mono/Stereo Tracking Solution and True Stereo Compressor Review

Focusrite TwinTrak Pro Dual Mono/Stereo Tracking Solution and True Stereo Compressor
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"Warning: Made in China" might have been a better label. I've got nothing against stuff that's made in China. In fact, most of what I use on a daily basis was made there. But when it comes to Pro equipment, I worry when I see that.
Well, I was right. The first preamp I received was DOA. OK, not truly DEAD, but channel 1 wasn't usable do to a lose connection inside the unit.
One RMA latter, and I have a usable unit. Almost.Noise:
It says "-128dB EIN @ 60dB of gain with 150 ohm source" Well, if that's actually true, it's a great marketing ploy.
What I actually got, when the signal entered the digital realm, was a noise floor between -65db and -70db @ 60db of gain with 150 ohm source.
Usability:
The headphone monitoring circuitry adds a lot more noise to the monitor signal. Not a problem, but it confused me when I first tested the unit.
The "AIR" function on the preamp isn't usable. Turning it on causes 60Hz Hum in the signal. Disconnecting the preamp from ground did nothing. I'm not sure if this is my unit, my house's wiring, or a design flaw. I don't want to RMA this thing again, but I might ask the support people about it. "AIR" isn't an option I'd ever use. (there's no control over the affect, just on/off)
I also get 60Hz Hum in the line and instrument inputs. More so in Channel 1 then 2. As I'll never use the line inputs, and probably always use a DI box with guitars and the like, this isn't a problem.
The Compressor and EQ modules work as expected.
Everything else seems to work as expected.
So, to sum up, It seems like a nice design, but with quality control issues.

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Eden E300 E-Series Bass Amplifier Head Review

Eden E300  E-Series Bass Amplifier Head
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So far it seems to be quite solid and reliable, unlike my previous amp, which was the first version of the workingmans 10 (whose power-supply capacitors keep shaking and breaking off), plus a better extension cab. Got the E300 at a reasonable price at Amazon, so it's made in China, but it looks like they've built it there as spec'd by Eden, and to good engineering specs at that.
On the other hand, the E300 weighs a fair amount and like all Eden amps, it seems, doesn't have a handle for carrying it. So I found a large computer bag and that so far works quite well for getting it around. My bass rig in fact right now is easier to get around - I can even carry every thing in one trip.
I'm only driving one Nemesis 2x10, so not using all the power of the amp, but I could add another cab. Nevertheless, this little set-up is great for a garage band, drums & all, and quite punchy. Its cooling fan is a little noisy but I haven't had any complaints from the rest of the band. And they appreciate the more solid power this amp has.


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RackVax Electric Review

RackVax Electric
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If you ever dreamed of of having your guitar sound like a Strat, LesPaul, Jazz guitar, sitar or a Martin 6 or 12-string acoustic, then Rackvax is for you! Not only can you get all these sounds (including customized alternate tunings) from your favorite axe, you can switch among the sounds instantly. For any Alex Lifeson fans who need to switch between acoustic and electric guitars on the fly, this is what you've been waiting for. I have been a guitarist for over 30 years, and while I have always liked the Variax technology, I haven't been as thrilled with the Variax line of guitars. Rackvax takes care of that! All you need is a guitar with a 13-pin midi pickup. I have several guitars with the Roland GK-3, Ghost and RMC hex pickups which all work well. IMO the Ghost Hexpander pickup has the brightest sound and is a first choice-professional installation is the way to go.
The unit can be tweaked with Line6's Variax Workbench software (free download) which makes full customization a breeze. The rack mount unit has simple knob controls, but essential functions can be selected by on board guitar switching or via a midi pedal board. Going to the gig has never been easier!

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Bose L1 Compact Portable Line Array System (View amazon detail page) Review

Bose L1 Compact Portable Line Array System (View amazon detail page)
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I am a professional mobile DJ in the Pittsburgh area, and I rely primarily on the Bose® L1 Model II sound system (with two B1® bass units) for my performances. When I need extra boost, I expand my sound by adding a Bose® L1 Classic sound system (the original L1 system) and two more B1® bass units to my Model II system.
However, there are times when I don't need the "muscle" of the full system, such as small venues for birthday parties, outdoor wedding ceremonies, etc. For that, the Bose® L1 Compact sound system is perfect! It will provide excellent sound for 100-150 people. It is an amazingly fast setup and tear-down, and it is light enough to be truly portable. Completely set up, it weighs just 29.2 pounds, so it is great for those tough small venues that have limited space, limited access, stairs, etc.
The sub-bass sound is built into the bottom unit, and there are 1/4" jack inputs for your sound source. The unit is designed to work with the T1 ToneMatch® sound engine (mixer with many presets that can contour the sound nicely). If you are using the ToneMatch, however, be advised that you will have to purchase a power adapter for the ToneMatch. (The ToneMatch is powered from the pedestal base amplifier of the Model II®, but the L1 Compact® will not power the ToneMatch.)
The midrange sound comes from a small, narrow enclosure containing six small speakers/drivers placed at precise angles to deliver sound at a 178-degree "throw" left and right. The sound WILL cover a large area evenly, which is great for those times when the sound has to be softer (dinner music, pre-ceremony music for weddings, etc.). Everyone in the coverage area hears the music at the same volume, which avoids the problem of traditional speaker systems (really loud near the speakers but diminishing volume as you get further away). I was very skeptical of this feature when I first heard about the even sound coverage, but a year and a half of using the Bose® L1 systems has made me a believer. It's sweet!
Another nice feature is that there is a 1/8" stereo input jack for iPods (also works well when sending sound directly from your headphone output of a laptop). This lends a great deal of versatility to the system.
Example 1: I did a wedding reception recently where the father of the bride had a DVD he wanted played after dinner and projected onto a large screen. The location of the LCD projector was quite a distance from my main table, and the hall had not provided for the sound of the DVD show. I brought in the Bose® L1 Compact system and set it up next to the projection table, connecting the sound directly from the laptop that was running the DVD to the Compact system using a 1/8" to 1/8" stereo jack from the laptop to the iPod input on the Compact. The sound was perfect! Far better than any portable speaker system I have heard in the past from photographers/videographers who bring portable sound with them for their PowerPoint shows. It was a simple one-cable connection without anything else.
Example 2: I did wedding ceremonies both outside and inside for crowds of about 150 people or so using the Compact system. I ran all the music from my MacBook Pro through the ToneMatch®. I also connected two Shure wireless mics through the ToneMatch as well (one on the officiant, and one on the groom, which picked up the bride as well.) Additionally, I connected my Sennheiser wireless handheld (for any "emergency" announcements that might have been necessary) through the ToneMatch. This was a more complex setup that involved power for three microphones, one laptop, and the Compact System®.
For both applications, the Compact® delivered great sound and covered the area perfectly. I could not have asked for better sound.
There are two "sides" for input. One side is for line inputs (from mixer, musical instrument, iPod, laptop, ToneMatch®, etc.), and the other side is for a microphone input. Each side has its own volume control, which is crucial if you're a single performer. You can set your voice and instrument levels perfectly. As a DJ, though, I do not use the microphone side, so I cannot comment on how well the two sides work for single performers.
There are two official setups for the L1 Compact®. One setup is to leave the speaker in the base unit (the way it arrives). You would have to put this on a table for good sound coverage. If you used it from floor level, the sound would be muddy. This setup would be perfect if you are supplying the sound system for a keynote speaker at a conference, as an example. The unit could sit on the table next to the podium where the speaker is standing, and the sound the audience would hear would be fabulous--VERY crisp and clean.
The second official setup is to use the two extender sticks to elevate the speaker unit about six feet off the ground, which is the way you would want to set up the unit for full-room coverage for music, especially if there will be dancers!
I saw the unit being used with only one of the extender sticks, which put the speaker unit at "head level" for a seated audience. I don't know why you would use that setup, but it works fine that way (the extender sticks are identical, so there doesn't seem to be any reason you CAN'T use this setup.) Be advised, though, that Bose® does not recommend this setup.
So let's get to the bottom line:
PROs: Compact, portable, sleek. Easy setup with a tiny footprint. Great sound for what it is, delivering full bass, midrange, and highs for up to 150 people. Excellent choice for small venues, whether you are a DJ or a single performer. Great system for speakers at business meetings, conferences, church groups, etc. The sound is crisp, clean, and clear. The bass is far better than anything of comparable size, and the quality of the unit is excellent. This system is what I use for my backup system (to the L1 Model II®). It doesn't take up much space in the car, and if something WERE to happen to my L1 Model II® system during a performance, then I have a better backup system than 99% of the DJs out there.
CONs: While the bass response is very good for the size of the system, it cannot really compare to using two Bose® B1 units with a Model II system. THAT system can provide a chest-thumping bass resonance, but this system would be hard-pressed to do that. Don't get me wrong here: the bass response is very good, but it isn't what you would want for a larger venue where the bass has to carry out all over the area. And, as one should know right up front, it is NOT a unit for larger venues. It is fine for small areas, but if you have a louder, noisier, larger area, the Compact system would not be up for the task.
BOTTOM LINE: If you want terrific sound from a light, portable unit for a small venue, this system can't be beat! If you want a high quality backup system for your main sound system, it would be tough to get a better system with a better sound. If you play larger venues with noisy crowds or if you need a driving bass sound to resonate throughout the venue, then consider another alternative. (And remember, if you use a ToneMatch® sound engine with this, you have to buy the power adapter.)
RATING: Four stars because of its intrinsic limitations. It cannot be a system for a larger venue for 150-200 or more people, but it can be your answer for smaller venues and smaller crowds.
For what it is, though, it is Super!
NOTES:
* Response to reviews: Another reviewer here has stated that there are plug-ins for only voice and guitar, but that is inaccurate (see above for input variety). And as for effects such as reverb, delay, and other effects, those can be created nicely with the Bose® T1 ToneMatch audio engine, as stated above.
* The bass response difference I mentioned above between the Model II and the Compact units is approximately one half octave at the low end, according to Bose. Many people cannot hear the difference, but trained ears can. The limited power and bass response are the reasons I could not give five stars. Still, all in all, a great product!

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JBL Control 29AV1 Indoor Outdoor Speaker (8 inch, 300 watts, Black) Review

JBL Control 29AV1 Indoor Outdoor Speaker (8 inch, 300 watts, Black)
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Before you purchase this speaker, you need to realize it's intended application. Unless you've seen this speaker in action, and prefer the sound, you'll probably be able to get "better sounding" consumer speakers for the same price. However, you won't find one that's as robust as this. These are used in many theme parks and commercial applications throughout the world.
The Control 29 is probably the brainchild of JBL Pro's extended speaker lineup from the original Control Contractor line, which originally only included the Control 23, 25, and 28. Along with the SB-210 and the Control 30, these are designed differently from the original line. Unlike it's bigger and smaller siblings, this speaker has underwent two revisions (29AV and 29AV-1). Though it uses an 8" driver, the same size found in the Control 28, the frequency range and overall output is much higher than you'll expect. It also has more suspension options, which include points throughout the speaker, though the Invisiball mount is still included. It also included a more durable grille design than the Control 23, 25, and 28. Accessories are also included with this "premium" speaker, such as a weather resistant cover for the terminals that normally cost around $30 with the small Control speakers. Overall, if you're looking for a weather resistant speaker that's capable of high output, I suggest you take a good look at this speaker. If you need more power, consider looking at the Control 30. If you're looking for less, but still want a good sound, look at the Control 28.

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Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe Review

Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe
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I play in 2 bands and I typically use 2 to 3 Basses on stage depending on the band (and the stage). I have always fought with having to dial in the right tone for each Bass every time I switch Basses. The Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe solves that problem. I can preset the 3 main tones I need for 2 Basses and when I switch basses, it just takes a split second to hit the footswitch and I have the exact sound I need. This thing is very easy to setup and has a boatload of other features. Besides the obvious XLR Direct out, it also has a 1/4" Parallel out that is pre-tone controls so you can send your unaltered Bass signal to a Tuner or in my case, another amplifier. It also has an effects loop so you can have your effects setup and just hit one switch and you have the tone you need plus the effects you need. There's a small learning curve and you need some time for trial and error with the tone controls and the drive, level and blend controls if your customizing your own sounds. You can also just use the stock sounds that come pre-programmed and it sounds great. I've had many compliments from band mates as well as fans in the audience about my sound since using the Bass Driver Deluxe. I would definitely recommend the Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe for any Bassist. I would also recommend you buy the optional Tech 21 DC2 DC2 Power Supply.

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Headworn Microphone System Review

Headworn Microphone System
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I spent a lot of time comparing the technical stuff between this system and several other leading makes. I have used s very similar model that costs about the same but there is just no comparison. This unit gives very clear sound quality over a very large range of sound. I use it to present sermons, sing and whistle and it handles all with ease. It is so sensitive that it can Easley pick up a whispered statement. The mic seems to fit quite securely and is almost not noticeable once in place.

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Bugera 333 120-Watt 3-Channel Valve Amplifier Head with Reverb Review

Bugera 333 120-Watt 3-Channel Valve Amplifier Head with Reverb
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This is a 120-watt, 3-channel(clean, crunch, lead) all-tube amp head. Each channel has it's own 3-band EQ and volume knob, with the crunch and lead channels also having independent gain knobs. Theh clean channel lives up to its name, providing warm, clear clean tones. Don't expect the cleans to have the same body or dynamic tone of, say, a Fender Twin-Reverb, but for most applications the 333's clean tones should be more than sufficient. And lets be honest, you're not buying this amp for the clean tones. So moving on to the overdrive channels, the first thing you should know is that the Bugera 333 is very similar to the Peavey XXX/JSX amps. What this should tell you is that this amp doesn't sound British/Marshall-esque at all. That being said, the crunch channel offers a surprising variety of tones, from a very mild, bluesy overdrive to a pretty high-gain roar perfect for most types of rock or even 80's metal. The lead channel offers an insane amount of gain for pretty much any style of metal or hard rock. By keeping the gain low on the lead channel, you can get enough distortion to play stuff like Avenged Sevenfold, Bullet for my Valentine, or certainly Metallica, while still having enough clarity to play a tasteful solo. Turn up the gain on the lead channel and you do start to lose some note definition in favor of insane fuzz; amateur shredder's delight.
A cool tone-shaping feature with this amp is the dampening switch, found on the back of the amp. This feature basically affects how "punchy" the bass tone is. Set on low, the bass is open and punchy. Set on high, the bass is very tight, focused, and deep. Medium is a pretty happy middle-ground.
Also note that this amp is switchable between 4,8, and 16 ohms to match any cab you'll be using.
In conclusion I'll add that this amp sounds great even at very low volumes, perfect for you late night/apartment players.

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Fishman PRO-LBX-300 Loudbox Performer Acoustic Combo Amp Review

Fishman PRO-LBX-300 Loudbox Performer Acoustic Combo Amp
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I bought the Loudbox performer rather than the smaller model because as a cellist I wanted the extra speaker capacity. I'd received several personal recommendations about the quality of Fishman products, and after trying one out at Dusty Strings I was satisfied that it lived up to its reputation. I purchased the Loudbox in March 2010 and used it occasionally at small gigs and a few rehearsals. Good sound, I was happy.
About 5 weeks ago I switched it on, smelled a bad smell, and the amp was dead, no output of any sort. Called support who quickly analyzed the problem as worse than just a bad power supply, and said I had to ship it back to them, at my expense, and they'd fix it and ship it back no charge because I'm under warranty. Initially their support guy promised to get it back to me asap.
Now I'm out over $70 shipping and Fishman has had the amp for 4 weeks and I haven't heard from them in something like 3 weeks. Chalk it up to busy holiday season, but still. This is not what I paid for, and this poor service and reliability experience is what I'll say if anyone asks me about my amp. Assuming I get it back at some point.
Phil Hirschi
cellist, Mahavishnu Orchestra

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Mackie SRM1801 18-inch 1000W Powered Subwoofer Review

Mackie SRM1801 18-inch 1000W Powered Subwoofer
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I purchased these 8 months ago instead of the QSC KW181 because they were 1/2 the price (bad choice). When I first used them they rocked! The QSC still held a slight edge with it's sound and power but for the price I figured I could later buy a second pair. They were commplimented by one QSC K12 each on top. However over the last 2 or 3 months they seemed to be losing some of their power but then I thought it might be all in my mind or just maybe my EQ setup. Well about 2 wks ago, one side (or both sides) started to go in and out at times. It never seemed to go out when I stood in front but from back I would hear a bass beat miss here and there. Then it seemed to miss more bass beats. Suddenly the left speaker went completely out. Power on but no sound. 2 nights later the other one went out. No power, no lights, nothin'. Over the 8 months, I did, from time to time quickly push them to their highest volume & then quickly trim down to avoid clipping but by no means left at clipping levels for any extended length of time. In fact the last few months (when I thought they were losing their power) I would only use at half power or less as they seemed to be getting close to clipping a lower volumes. On the last night when the second Mackie died, I ran a QSC (I bought as replacement for the 1st one) and the other Mackie on the other side at 1/4 level. The QSC was picking up the slack but the Mackie still died at such a low level. It never clipped, just died. Neither sounded distorted before dying. I've since sent them both out for repairs & have bought a second QSC KW181. So far I like what I'm hearing. I haven't yet gotten close to clipping levels. Like they say, "You get what you pay for" Now I don't know what I will do with the Mackie's once I get them back because I just don't trust them anymore. I still have 1yr & 4 months of pro coverage extended warranty. Guess I can have them as back up but then the purchased warranty would have been a waste of money.

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Raxxess ER1216 Sloped Studio Rack with Casters (12 over 16 Space, Black Oak) Review

Raxxess ER1216 Sloped Studio Rack with Casters (12 over 16 Space, Black Oak)
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I never expect much from knockdown furniture, but I was still disappointed. I had two big issues with this product. The first issue is a problem with the side pieces. The holes for the rails have pilot holes, which is good. The problem was that both sides were drilled the same. The pilot holes were drilled on both pieces as if they were both for the left side. Unfortunately, I didn't realize the problem until after I had the rails installed. The instructions have you install the rails on the side boards before assembling the cabinet. There's really no reason for that and I would have noticed the problem if I had put the cabinet together first. If I had noticed the problem before hand, I could have easily drilled the pilot hole all the way through the side and corrected the problem. That's how I ended up fixing it, but now I have ugly holes on the right side of the rack that are very visible.
The other problem is that there aren't enough screws to complete assembly. The screws supplied fit both the rails and the casters. There's not enough included to secure both. I had to go buy more to secure the rails properly. I checked the packaging and I received the number of screws they specied, but if you put a screw in each pilot hole they pre-drilled, they are short about 6 screws.
Aside from my extra holes ... the completed assembly looks pretty good. They did a god job on the laminating in that only the back edge of the pressboard is left exposed. They also provide black covers for the screws. Be aware that this rack has a front rail only, so if you are mounting something heavy you'll need to put those items on the very bottom so that you have the bottom of the rack for support.
For some reason, the product picture has changed since I order. This rack has the top portion of the rack sloped. The current picture is just a standard rectangle rack. Be sure you know what you're ordering.

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Focusrite ISA428 Four Classic Microphone Pre-Amps and High-Quality A/D Conversion Review

Focusrite ISA428 Four Classic Microphone Pre-Amps and High-Quality A/D Conversion
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Very versatile preamps! I've had them for 3 years and wouldn't dream of getting rid of them! Very clean, but colorful (in a good way). I've used them on everything from drums to voice to symphony to bass & keyboards (direct). No complaints. I've done shootouts with preamps that were much more expensive and I won't say the ISA428 blew them away, but it came closer than it should have considering the price difference!

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Behringer XL1600 Xenyx Premium 16-Input 4-Bus Live Mixer with Xenyx Mic Preamps And British Eqs Review

Behringer XL1600 Xenyx Premium 16-Input 4-Bus Live Mixer with Xenyx Mic Preamps And British Eqs
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This board is packed with features that you would be hard-pressed to find in a board at this price. I wondered how they could do it, until I bought the board. The answer is, they included a lot of features, but left out quality.
The first board I had developed intermittent channel failure. For a while I thought it was bad cords or something else besides the board. The problems became more predicable and were related to 3 of the channels. I stopped using those channels, but didn't trust the board.
Behringer replaced the board with a "new" board, but it was obvious the board had been taken apart - finish worn off the phillips screw heads, scratches on the bottom. When I questioned this, they told me that the board was indeed new, but had been taken apart for "enhancements", although they could not tell me what the enhancements were.
The board worked okay for about 4 months, but now a channel is completely out on the "new" board.
When this thing works, it is a great board. The preamps sound very, very nice. 6 aux, 2 monitor mixes, 4 subgroups - it really has a lot. But, none of that matters if the board does not work as a whole.
My VISA has a free 2 year extended warranty with anything I purchase with the card, so I will get the board fixed, but I honestly don't know what I will do with it after that. I have already ordered a Allen & Heath MixWizard3 16:2 Mixer, which is what I had intended to buy when Behringer came out with this and I decided to give the XL1600 a shot at 1/2 the price.
It was a good try on Behringer's part, they just can't get the quality mixed in with this versatile board. You have heard it many times before, but you usually do get what you pay for.

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CB Drums JRX55 Junior 5-Piece Kit Package (Black) Review

CB Drums JRX55 Junior 5-Piece Kit Package (Black)
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The only complaint I have is that it didn't come with very good directions for setting up.

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Replacement Strat Parts Kit Black Review

Replacement Strat Parts Kit Black
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I bought this set to finish a guitar that I am building from scratch. At first glance, it looks like a great deal. I ordered this kit and immediately contacted the vendor (WD Music) with a question. I asked if the pickguard, trem cover, knobs, etc. were black and if they were not could they sub black. The response I got was that no, they are white and that if I had wanted them black, I should have called in the order and that it was too late now to do anything.
5 days later the box arrived at my door. It was very well packed and complete with all the parts described. The pickguard was pre-wired and ready to go. There were not any instruction sheets what-so-ever. I have to say that I was less than pleased with the quality of the items. The tuners are very cheap Kluson Delux machines with plastic knobs. The pickguard is a white-black-white and is of decent quality. Pickups are Kent Armstrong, and the jury's still out on those. Cord jack and strap buttons are low quality and a dingy satin black finish. The tremolo is also the same dingy satin black and seems to be low to medium quality. The "extra parts" are lowest-of-low quality and include 2 screwdrivers a super cheap string winder, strings, polishing cloth and cord.
In all, for half the price it would be an ok set, for $250, it's not.

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JBL JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet Review

JBL  JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet
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This is a great stage monitor. It has decent output and really makes the vocals crystal clear. No more fighting to be heard over the guitars.
The shipping from this company was fantastic. I think I received the package within 5 days of ordering it. It was inside a large box, secured with plastic rip tags and bundled up inside plastic protective wraps inside the box. It's heavy. Be aware.
The only issue I have with this stage monitor is it needs to be hooked up with a wire. I wish it was wireless so that I wouldn't have to worry about overloading our circuits.
It does not come with a cover.
Overall, great buy. If I wanted a wireless, I should have done more extensive research on the product. It's my fault, so I can't really complain too much.

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JBL EON 518S Portable 18-inch 500-Watt Self-Powered Subwoofer with Crossover, Dual Inputs,Loopthrough for Sattelite Speakers and Pole Mount Socket Review

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