Average Reviews:
(More customer reviews)It is TAYLOR. So nearly nothing left to say. I am a beginner with experience of no more than 5 guitars. At first I am afraid of the rumor that Taylor has high action. After try it myself in a store, what they say is a little exaggerated. the only catch is that 210e is a dreadnought type, so the treble is not as bright as you think. need some work on electric part if you want the brightness of treble. Better to choose a cutaway guitar at this point, however 1-2 hundred more bucks need to place. gorgeous for both un-plugged and plugged-in. i feel like i could even be down on my knees for this baby when it goes in my arms.
Click Here to see more reviews about: Taylor Guitars 210e, Dreadnought, Solid Sitka Spruce Top, Rosewood Back/Sides, ES-T
With Taylor's new ES-T under-saddle transducer, this affordably-priced, solid-top Dreadnought can be plugged-in to add a new dimension to your Taylor tone.
The Taylor 200 Series The 200 Series redefines what a mid-priced guitar can be. A satin, solid Sitka spruce top meets gorgeous Indian rosewood laminate back and sides, delivering an experience of sight, sound and touch that's unmistakably Taylor. Plug in with the optional Taylor electronics and take your performance to the stage with confidence.
Sitka Spruce Top Sitka Spruce (Picea sitchensis) grows in a coastal "pocket" from Northern California to Alaska. This dense, straight-grained wood has the highest strength and elasticity-to-weight ratio among available tonewoods, an attribute that makes it an ideal material not only for our soundboards, but for our internal bracing, as well. Sitka produces a slightly brighter tone than does Engelmann.
Indian Rosewood Laminate Back/Sides Indian Rosewood (Dalbergia latifolia) is coveted by players and guitar builders alike for its dark, luxurious coloration, which ranges from brown to purple to rose to black, and for tonal characteristics that include a strong bass response and long sustain. It remains the most popular tonewood used in the making of high-quality acoustic guitars.
Dreadnought Body ShapeThe original Dreadnought acoustic guitar appeared early in the 20th Century, and its no-frills, no-nonsense shape made it a logical namesake of the huge battleships of that day. Most subsequent Dreadnoughts, including Taylor's, have been derivative of that early design. In 1997, however, Bob Taylor re-designed the Taylor Dreadnought by softening the curves at the top and bottom and generally refining its overall shape. In 2003, gloss-finish Dreadnoughts also underwent bracing refinements that substantially increased their overall volume and bass response, without sacrificing Taylor's signature balance and clarity. Dreadnought six-strings shine as "plectrum" or "rhythm" guitars because they respond well to flatpicking or light-to-heavy strumming.
ES-T Pickup Inspired by Taylor's Expression System technology, the Expression System Transducer, or ES-T, is a single-source, under-saddle transducer with individual elements for each string. (The ES-T was originally called the ES Element, but the name was changed to avoid confusion with another product.) The ES-T has an onboard preamp and the same active controls found on the full Expression System. Featuring a custom-voiced EQ and dynamic response, the system is powered by a 9-volt battery, with a battery life LED power indicator (which is lit when the battery is being used). The pickup also has a Phase switch for feedback control, which is located on the preamp board inside the soundhole.
Chrome-Plate Tuners Taylor Tuners continue the industry-leading 18:1 gear ratio that they've been using, yet yield even greater precision with the help of a manufacturing process that employs the same gear-cutting machines used by Swiss watchmakers. The more precisely-machined gears virtually eliminate the slight "slop", or slack, typical among tuners, which makes it even easier for Taylor owners to get--and stay--in tune. Taylor Tuners also feature an elegant aesthetic touch, with the Taylor logo cleanly etched on the back.
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