Showing posts with label synthesizer. Show all posts
Showing posts with label synthesizer. Show all posts

Yamaha MO6 61 Key Music Production Synthesizer Review

Yamaha MO6 61 Key Music Production Synthesizer
Average Reviews:

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This is an amazing keyboard. Excellent sound, absolutely awesome for live playing...and if you are into techno/trance/house...there isn't any other keyboard which can compete. Build quality? Excellent...Made in Japan.
The competing keyboard for this model is Korg M50-61. Although it is lighter, the M06 far exceeds in quality and real-time playing. Overall, the perfect keyboard for techno/trance/house production for real pros.

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Moog Music MF101 Moogerfooger Low Pass Envelope Filter Pedal Review

Moog Music MF101 Moogerfooger Low Pass Envelope Filter Pedal
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Wow, someone actually wrote as a review "My husband uses this in his band a lot...don't know anything about it...", now I have seen it all. Why would any body think that an endorsement like that could possibly be helpful in any way? Oh great, well if it's good enough for your husband then I'll take TWO!! Holy smokes, what else do you see him using that I might want? Thanks for nothing, luckily anyone else who is looking at this will surely know what this is and it goes without saying it's value and quintessentially uniquely classic moog filter sound. Thanks for nothing though, Little Lost Long Island Girl.

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Korg microKorg Analog Modeling Synthesizer with Vocoder Review

Korg microKorg Analog Modeling Synthesizer with Vocoder
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The MicroKorg is probably the finest synth you'll ever get at that price. It's very small (same size as many of those toy keyboards you grew up as a kid, but this is no toy), and has 37 keys, although the big criticisms here is Korg opted for toy keyboard-sized keys, rather than full-sized keys (the similar sized and similarly priced Alesis Micron, also 37 keys, used full-sized keys). It's a four note polyphonic virtual analog synth capable of fantastic analog sounds, with all the great sounds of the '70s, '80s, and '90s! It's essentially a Korg MS-2000 in a small package, but with an 8-band vocoder (instead of 16-band), and a superior arpeggiator, great for all you electronica and techno buffs out there, or those who want to create Tangerine Dream-like rhythms without the bulky gear that group had to use back in the glory days of the mid '70s. I've been aware of vocoders for ages, and of course, was a huge trademark in Kraftwerk's sound (they started using vocoders starting with 1973's Ralf & Florian, which is one album prior to their famous breakthrough, Autobahn), I am so happy to now personally own a vocoder, that is, one included in a synth. It has a condensor microphone for use of a vocoder, although you can hook up any standard microphone too. Like most any synth made in the last 20-25 years, it's MIDI, so you can have it interact with other MIDI synths, drum machines, your computer, or any other MIDI device.
Although it comes with an AC adapter for home and studio use, you'll be happy that you can use 6 AA batteries, so you can bring it with you on your next camping adventure (plus it has a headphone jack too, since hooking it up to speakers might be a bit difficult in the Great Outdoors).
It's also fully programmable, you can alter the sounds already included, or you can erase one of the settings and start from scratch. I really love the features you can do here. You can have it polyphonic, or monophonic for use of soloing, or retro-'70s analog sounds. It has two oscillators, you have many different choices of waveforms. You can edit the arpeggiator so you can get it to do different rhythms (it can do up to a sequence of 8 notes). I also really like the delay feature, to get that echo sound when you release the note, it really gives it a fuller sound. You can get it to pan for that wonderful stereo effect, or select a phasor. You can even program it to have the pitch wheel and modulation wheel do things, such as altering pitch, the resonance, vibrato, etc. There'e two edit knobs, and five more knobs to help you with the programming. But I very much suggest you read the instruction manual, or you might have a hard time programming it. But once you get a hang of it, you'll have a ton of fun programming your own sounds and see what you can do. Despite the keys itself, it's actually a fully professional synthesizer.
The MicroKorg might be geared for the younger audience, thanks to its low price and many of the techno sounds it can do, but Jean Michel Jarre uses one and he's hardly young. Not to mention you can make it do a lot of non-techno sounds too, like classic '70s analog sounds, or '80s polyphonic synth sounds (like what you hear on Van Halen's "Jump") so it doesn't just appeal to the young segment.
It's great see many professional musicians using it from Jean Michel Jarre right down to Nick Rhodes of Duran Duran. I even saw a documentary directed by Hans Fjellestad called Moog, which was about Robert Moog and of Moog synthesizers, and they showed several techno/electronic groups where the main emphasis was on their Moog gear (naturally), but one group was clearly shown with a MicroKorg.
This is no 88 key workstation, that's for sure. In some cases that's a good thing, especially if you like in a small apartment and you're concerned about space, but for such a small synth, I am completely blown away at what this can do. You really need to try and buy this synth, you won't be disappointed!

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Electro-Harmonix Micro Synthesizer XO Analog Guitar Microsynth Review

Electro-Harmonix Micro Synthesizer XO Analog Guitar Microsynth
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First and foremost, this is NOT a polyphonic pedal meaning that it only handles single notes. Secondly, do not expect to plug this baby in and be able to know what you're doing right off the bat. There is a fair learning curve that comes with this pedal, but once you understand each parameter, you will have access to hundred of combinations of those parameters and unique, exciting sounds.
The octave section of this pedal features parameters for three octave voices and your original, dry signal. The sub-octave can make your guitar sound very bass-like, but can also break up and become glitchy with lower notes (some guitarists actually prefer the bass microsynth to handle these lower notes). The octave up didn't particularly impress me, but was useful when used with the original, dry signal - don't expect any tycobrahe octavio tones from this. The square wave is VERY synthy and can add a whole mess of nasty to your signal.
Moving down the line of parameters, the attack delay is next. This is a really neat effect that could probably be a single stompbox in its own right. You can get some cool bowed type sounds from this.
Finally, the filter sweep section of the pedals - this section is where things can get really crazy. The start and stop parameters control the frequency where the signal begins and where it ends. With both sliders down, you can get a low-pass filter type of effect. Both sliders fully up will preserve the original frequency throughout without any sweep. The rate control handles how quickly the sound progresses from the start to stop parameters. You can get some cool envelope filter type quacks when this is set lower or some drawn out synthy sweeps when it is fully up.
The two parameters I didn't really touch on are trigger and resonance. One controls the sensitivity that triggers the filter sweep. The other (resonance) can sort of be described as the intensity of the sweep sound.
Bottom line: great pedal with many, many possibilities for the open-minded guitarist.

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