Showing posts with label mixing board. Show all posts
Showing posts with label mixing board. Show all posts

Behringer PMP3000 1,200-Watt 16-Channel Powered Mixer Review

Behringer PMP3000 1,200-Watt 16-Channel Powered Mixer
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We bought this powered mixer to replace a defective one at our church. Our sanctuary can seat 900 people and so it is a fairly large auditorium. The mixer has more power than the previous powered mixer and many more features. I especially like the individual channel mute buttons so we can kill a mic without having to move the gain adjustments. The only thing I did not like about this mixer is there was no block working diagram available. So we had to construct one for ourselves. To a trained eye, by using a block schematic diagram, it is easier to know how to set up the mixer for different applications and to troubleshoot a problem.
The actual steady state power output is more like 200 watts (each of the two stereo outputs)for our 8 ohm speaker system but still is greater that the old powered mixer. That is a total of 400 watts as compared to the (at first glance) advertised 1200 watts. We do not have to use the maximum gain on any channel so the output is fine for our use. There is also a headset output that follows the actual powered signal which can give you a better idea of mixed signal that is sent to the speakers and to our DVD and CD recorders.
The people at Behringer were able to answer all my questions without any problems so tech support was great. We did have a little difficulty in figuring out how to use the FX special effects (reverb, etc) generator but once we did figure it out, using it was just as advertised. You can probably guess that the instruction manual is not extensively done. But with a limited budget for an emergency purchase of a powered mixer, we are thoroughly satisfied with the quality and price.
The price is exceptional and caused a few doubting comments about how could we get what we needed for such a small price. We have been using the unit for two months now with absolutely no problems.
My suggestion is that before you purchase this unit, download the instruction manual from the Behringer site. You will see the output connection is not a 1/4 jack. If that is what you have, you will have to buy an adapter or convert the present cable connection to the new type. The adapters or connectors are not very expensive (Neutrik NA4LJX Speakon To 1/4" Mono Jack Adapter)and cost under $11 including shipping. You can optionally by the Speakon connectors and convert the speaker cable to the new connector type.

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If you need superior stereo sound for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, the 16-channel PMP3000 can deliver. This 1,200- Watt mixer has built-in mic preamps and an FX processor, as well as enough power to drive mains and monitors, thanks to dual onboard 600-Watt power amps.

Massive Mono or Stunning Stereo The PMP3000 gives you the choice of 2 x 600-Watt stereo, 2 x 600-Watt dual mono or 1,200-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP3000 can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Eight built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP3000.
Built-in Digital Effects Processor The PMP3000 is also equipped with a 24-bit FX processor, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you're pulling double duty as sound engineer and performer, the FX processor features a footswitch jack for remote on/off.
Changing the Channels The PMP3000 gives you excellent flexibility to accommodate whatever a performance requires. Channels 1-8 are for mics, guitars and other mono instruments. Stereo channels 9-16 are ideal for keyboards. All mono channels have 3-band EQ, switchable Low Cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.
The Ins and Outs Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for karaoke applications.
CD/TAPE RCA outputs send line-level signals from the mixer to a recording device. Left and right output 1/4" connectors are there in case you need to connect more power amps. Connect your monitor power amps or active monitor speakers to the MON SEND output.
A STANDBY switch mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.
The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint which frequencies to adjust for optimized sound, without the feedback.
Speaking of Optimized Output The PMP3000's POWER AMP switch toggles between three operating modes: MAIN, MON/MONO and BRIDGE (the power outputs of A and B on the back panel are added and provided at OUTPUT B). Dual mono mode allows you to use Output A for mono Mains and Output B for monitors. This clever functionality powers both your mains and monitors without the need for an additional power amp.
What's in the Box Behringer PMP3000 Powered Mixer, Power Cable, User's Manual

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Allen & Heath ZED-10FX Four Mono Mic/Lines with 2 Active D.I., 3 Stereo Line Inputs and Onboard Effects Review

Allen and Heath ZED-10FX Four Mono Mic/Lines with 2 Active D.I., 3 Stereo Line Inputs and Onboard Effects
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Just got the ZED-10FX. So far, I have only tested it and done 1 gig but wanted to get a quick review in for those of you shopping as vigorously as I was. My goal was to find something that had high quality audio but a low channel count and small footprint (I'm a solo musician). It has thus far met my needs.
My first priority was finding quality mic preamps, I've found this to be as important as the microphone that's used. These apparently use the same design as the ones A&H puts in their acclaimed MixWizard series. I can only compare them to the Mackie CFX series preamps that I'm used to and LOVE. The ZED's are just as good or better- really clear, warm, and responsive. I also use a stereo channel to run a loop station with beats, electronic phrases, and live guitars. The overall output of the mixer just sounds great- clean, punchy, musical. The EQ is killer as well, very legit and impactful as you adjust. Knobs instead of faders was initially a turn-off for me but I must say I am really happy with these. They are very well mounted and have a heavy, super smooth movement to them. The gradual and fluid change in the levels as you turn the knobs is far superior to what I'm used to with Mackie. They are also very brightly colored and contrasted for low light identification of everything. I would actually take these knobs over a cheap 60mm fader any day.
I have not done any USB recording so can't say much on that (although it's a little disappointing not to have channel separation as you would get with the cheaper Alesis Multimix). However, the analog recording and signal routing flexibility of the ZED is impressive and sold me. Personally I am running my stage monitor out of the "monitor out" and saving the aux send as well as the assignable "record out" for sub mixing and live recording to a digital 4-track. Also, the circuitry and switching of everything is really clever and illustrated well on the mixer surface with helpful connecting lines.
Construction seems pretty solid short of some barely noticeable stressing on the seams of the red plastic sides (Made in China, par for the course) and the rubber feet are not perfectly level with each other. Neither issue represents any malfunction as far as I can tell but I'll admit its aesthetically annoying.
As far as the FX go, I think they are easy enough to control and the basics are there (reverbs, delays, etc.) However they didn't blow me away sonically at least for recording- just a hair on the cheapy sounding side. I've been fine with them in live application though and they are certainly adequate for this price point.
Overall, this is a great sounding mixer that's the size of a bulky laptop and weighs 8 lbs.! Combine it with some nice active loudspeakers (I use QSC K10s) and you've got a powerful system that fits in your trunk.


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Built by Allen & Heath, ZED-10FX is an amazing little desk for small band mixing, complete with onboard effects. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. ZED-10FX is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects. Class A FET (Field Effect Transistor) inputs deliver the warmth associated with valve tube preamplifiers and a 26dB gain boost switch provides gain needed for instruments with very low output pickups. In addition to all of this, a USB port enables direct connection to a PC or Mac for direct recording and stereo playback with your DAW software of choice. Allen & Heath is known for building high quality mixers for the last 40+ years. At any time of day or night, across the globe, there is an Allen & Heath mixer out there working hard, sounding great and making life a little easier for the person at the controls. Back in the early 70s Allen & Heath hand-built consoles in a tiny factory in London for elite bands like Pink Floyd and The Who. These days Allen & Heath customers are spread across almost every environment imaginable, including touring, theatres, churches, nightclubs, TV and radio stations, recording studios and countless other places where great sound matters.

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Yamaha MG124CX 12 Input Stereo Mixer with Digital Effects Review

Yamaha MG124CX 12 Input Stereo Mixer with Digital Effects
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I have had no problem with this unit at all. I use it for a Youth Praise Team...keys, 2 guitars, 2 mics...dvd-player input and i-pod input.
We go from this board to a Pyle amplifier that was purchased here as well. Sound quality is good, effects work well.
The only drawback that I have is there are no individual audio levels for each channel.
Recommended purchase.

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Allen & Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX Review

Allen and Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX
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Great unit once I got A good one that worked right. Perfect size/features for a home recording, and live performance. I do some ripping/remixing for my radio show.
1st & 2nd machine didn't have a working CODEC. A&H knew exactly what was wrong when I called and had repair people lined up in my area to fix it!!!
I sent it back to Amazon 2X before I got a good one.
Amazon was very helpful in getting squared away.
Check all feature on arrival. JM

Click Here to see more reviews about: Allen & Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX

Complementing the existing ZED series, the ZED FX has been developed around an FX chipset purely for the new model. Our DSP engineers have been working hard, crafting and refining beautiful reverb algorithms. The effects are available nowhere else - this quality and integration is only available from the ZED FX. The ZED-12FX is a 12 channel mixer with USB interface and onboard EFX. It has 16 essential time-delay effects which add to the already bulging feature set. The mixer is ideal for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings.

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Behringer Europower PMP4000 1600-Watt 16-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System Review

Behringer Europower PMP4000 1600-Watt 16-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System
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I bought this equipment last year for professional use. believe me it's an excellent tool and produce much more power than expected. Would recommend purchase then.

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Behringer Europower PMP6000 1600-Watt 20-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System Review

Behringer Europower PMP6000 1600-Watt 20-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System
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I bought the Behringer PMP6000 to use as the main power & mixer for my band... we are a 4 piece band with pro-musicians performing 4 to 5 nights a week. The design of the power section is what drew me to this particular unit... light weight & versitile is a key factor after lugging power amps & a separate mixer around. Everything you need is right there! 12 Channels of XLR inputs are more than what we need (we use 4 vocal microphones, an Acoustic Guitar & Stereo keyboard goes into the 1/4" stereo inputs)with enough power ability to fill a 50'(w)x 100'(l)x 15'(h) hall with pristine sound quality. We are running the unit in stereo into a pair of Peavey PR-5s.
The 2 Effect Channels is definitly another bonus, even though we basically use reverb the ability to trim each channel to your liking is great. Each channel has enough tone control to conform to each microphone; the pre-amp trim control adds richness & depth;and the 7 band Graphic EQ is perfect for achieving an overall sound conforming to the room you are playing in plus, the fact you can add on external EQ or effects units makes it even more attractive.
THIS IS A GOOD UNIT, BUILT WELL & FLEXIBLE!!!

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JamHub BedRoom Silent Rehearsal Studio Review

JamHub BedRoom Silent Rehearsal Studio
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I purchased this product to enable my band to have a "silent practice" in one of our band mate's apartments. Practice / Rehearsal spaces are expensive and not always ideal. The cost of renting one cannot really be justified if you are just getting together to jam, work on new material, or audition a new band member. We all live in the city in apartments so the idea of a "silent practice" was very attractive (no more angry neighbors).
With a price point of $299.00 this thing almost pays for itself after one practice and is certainly in-line with other similar set-ups. I purchased this to own but a band could easily split this 3 or 4 ways and get out for almost nothing.
There is a lot of information on their website but there are a few of things to note before you buy.
First, if you truly want a silent practice space you will need an electronic drum kit (i.e., V-Drums). It is possible to use an acoustic drum kit and the technique involved there is described on their website.
Second, guitar players and bass players will either need an amplifier with a stereo line out or an amp modeling floor pedal (my choice as it fits in a backpack and requires no heavy lifting).
Third, you will need to procure some stereo patch cords. As a guitar player I only had mono patch cables. The JamHub takes a stereo 1/4 inch input from your respective floor pedal / modeling amp / amplifier. My floor pedal in particular has a left-mono-out and a right-stereo-out so I purchased a stereo patch cable that was stereo 1/4 inch on one end and split mono 1/4 inch on the other. Guitar center has these and should be able to direct you. Of course check your user manuals for info on your particular device.
Finally, headphones. So far our crappy $15 - $60 (low - mid end) level of headphones have been working great! You will most likely need to pick up some 1/8 inch to 1/4 inch adapters here though as all the inputs and outputs on the JamHub are 1/4 inch. These are cheap and widely available. If your headphone cables are less than 9' you may also want to consider some extensions.
The JamHub performs great. I love it for a couple of reasons.
First it consolidates both mixer and headphone amp into one device. In doing so its nice and compact and extremely portable. This allows you to practice anywhere with minimal setup and fuss. You have one power adapter to worry about and no additional cables (beyond ones used to connect your instruments) either.
Another advantage over a more typical headphone amp + mixer combination (and possibly the coolest feature) is unlike a typical headphone amp, which only has one level for the incoming mixed signal, each person connected to the JamHub gets and their very own INDIVIDUAL MIX! To clarify, this means that everyone in the band can adjust the level for everyone else in the mix to their preference.
For example, as a guitar player I prefer to hear the myself, then vocals, then drums, then others. With the JamHub I can turn myself up, then dial in the vocals next, then drums, then others without affecting anyone else's mix! Each additional band member can do exactly the same thing. Think of it as having your very own sound guy to mix in just what you want to hear as he would for you in your monitors on stage. This is truly amazing and solves ALL volume issues usually associated with a typical practice.
Everything about this product is well thought out and and really creates an "ideal" environment to write / play & rehearse music without any infighting about volume or disturbing your neighbors (finally we can practice past 10pm!).
I hope this review helps you in your decision.

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