Showing posts with label mixer. Show all posts
Showing posts with label mixer. Show all posts

Behringer 1622FX 16-Input 2/2 Bus Mixer with Effects and USB Review

Behringer 1622FX 16-Input 2/2 Bus Mixer with Effects and USB
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I have been looking for a mixer for my home studio. I use it to produce audio programming for a radio station.
I checked several others along with this. I heard good reviews on Mackie products. I have seen them in action and I believe they are quite good. However, after a comparison, the Behringer is of equal quality with more features for a lower price. I would highly recommend this to anyone needing to mix several aux sources along with microphones.

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The X1622USB features four XENYX-fueled mic inputs with channel Inserts, "one knob" compressors and 3-band British-style EQs with a sweepable, semi-parametric mid frequency band. The four stereo line-level channels offer enhanced fine-tuning via 4-band EQ, which is extremely handy for adjusting critical keyboard midrange frequencies. Aux 1 Sends are switchable (pre- or post-fader) and individual channels can be assigned to two subgroups for mixing flexibility.

XENYX USB Series Mixers XENYX USB Series mixers are designed to handle your live gigs, and they provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, XENYX USB mixers come with all the recording and editing software you'll need to turn your computer system into a complete, high-performance home recording studio.
Sonically Superior Mic Preamps All XENYX mixers have one thing in common--great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic pres represent a major step in the evolution of audio technology--and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, XENYX mixers provide such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren't looking.
Sublimely Musical British EQ The British consoles of the 1960s and '70s changed the sound of rock and roll--without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.
One-Knob Compression Ask professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous--dynamic compression. What is compression? We're glad you asked. Compression essentially limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs have great difficulty mastering. Our "one-knob" compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class--but standard on all XENYX USB mixers.
Effective FX All XENYX USB Series mixers (except the 1204USB) feature our new 24-bit dual engine FX processor, with 16 editable, studio-grade presets including reverb, chorus, flanger, delay, pitch shifter and multi-effects. Complete with a highly accurate input meter, these effects can be altered to your personal taste via the Parameter control. Time-based functions can be entered manually by pressing the Tap button in tempo with the music.
Recording Bliss There was a time when the recording process called for lots and lots of expensive gear, which meant the average musician had to buy time at a recording studio--and that time was pricey indeed. But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. How do you get all that music flying around your brain into your computer? That's where XENYX USB mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect any of these mixers directly to your PC or Mac computer via a single USB cable. Now any signal source you connect to the mixer can be recorded directly to your hard drive.
Software Included Because you'll want to take full advantage of the XENYX USB Series mixers' recording and podcasting potential, Behringer has thrown in a massive software package that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac computer right out of the box! You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio from input to output.
energyXT2.5 Compact BEHRINGER Edition Included When you're ready to take your recording projects to the next level, XT Software's energyXT is just the trick. This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or Web-ready recordings. energyXT includes its own multi-FX processor, plus a built-in synthesizer/sampler and a drum machine, both of which can be accessed directly via an external controller (such as our UMA25S) or programmed in step-write mode.
What's in the Box Behringer 1622FX Mixer, Power Cable, User's Manual, Software CDs, Rack Mount Brackets

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Behringer PMP3000 1,200-Watt 16-Channel Powered Mixer Review

Behringer PMP3000 1,200-Watt 16-Channel Powered Mixer
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We bought this powered mixer to replace a defective one at our church. Our sanctuary can seat 900 people and so it is a fairly large auditorium. The mixer has more power than the previous powered mixer and many more features. I especially like the individual channel mute buttons so we can kill a mic without having to move the gain adjustments. The only thing I did not like about this mixer is there was no block working diagram available. So we had to construct one for ourselves. To a trained eye, by using a block schematic diagram, it is easier to know how to set up the mixer for different applications and to troubleshoot a problem.
The actual steady state power output is more like 200 watts (each of the two stereo outputs)for our 8 ohm speaker system but still is greater that the old powered mixer. That is a total of 400 watts as compared to the (at first glance) advertised 1200 watts. We do not have to use the maximum gain on any channel so the output is fine for our use. There is also a headset output that follows the actual powered signal which can give you a better idea of mixed signal that is sent to the speakers and to our DVD and CD recorders.
The people at Behringer were able to answer all my questions without any problems so tech support was great. We did have a little difficulty in figuring out how to use the FX special effects (reverb, etc) generator but once we did figure it out, using it was just as advertised. You can probably guess that the instruction manual is not extensively done. But with a limited budget for an emergency purchase of a powered mixer, we are thoroughly satisfied with the quality and price.
The price is exceptional and caused a few doubting comments about how could we get what we needed for such a small price. We have been using the unit for two months now with absolutely no problems.
My suggestion is that before you purchase this unit, download the instruction manual from the Behringer site. You will see the output connection is not a 1/4 jack. If that is what you have, you will have to buy an adapter or convert the present cable connection to the new type. The adapters or connectors are not very expensive (Neutrik NA4LJX Speakon To 1/4" Mono Jack Adapter)and cost under $11 including shipping. You can optionally by the Speakon connectors and convert the speaker cable to the new connector type.

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If you need superior stereo sound for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, the 16-channel PMP3000 can deliver. This 1,200- Watt mixer has built-in mic preamps and an FX processor, as well as enough power to drive mains and monitors, thanks to dual onboard 600-Watt power amps.

Massive Mono or Stunning Stereo The PMP3000 gives you the choice of 2 x 600-Watt stereo, 2 x 600-Watt dual mono or 1,200-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP3000 can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Eight built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP3000.
Built-in Digital Effects Processor The PMP3000 is also equipped with a 24-bit FX processor, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you're pulling double duty as sound engineer and performer, the FX processor features a footswitch jack for remote on/off.
Changing the Channels The PMP3000 gives you excellent flexibility to accommodate whatever a performance requires. Channels 1-8 are for mics, guitars and other mono instruments. Stereo channels 9-16 are ideal for keyboards. All mono channels have 3-band EQ, switchable Low Cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.
The Ins and Outs Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for karaoke applications.
CD/TAPE RCA outputs send line-level signals from the mixer to a recording device. Left and right output 1/4" connectors are there in case you need to connect more power amps. Connect your monitor power amps or active monitor speakers to the MON SEND output.
A STANDBY switch mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.
The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint which frequencies to adjust for optimized sound, without the feedback.
Speaking of Optimized Output The PMP3000's POWER AMP switch toggles between three operating modes: MAIN, MON/MONO and BRIDGE (the power outputs of A and B on the back panel are added and provided at OUTPUT B). Dual mono mode allows you to use Output A for mono Mains and Output B for monitors. This clever functionality powers both your mains and monitors without the need for an additional power amp.
What's in the Box Behringer PMP3000 Powered Mixer, Power Cable, User's Manual

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Allen & Heath ZED-10FX Four Mono Mic/Lines with 2 Active D.I., 3 Stereo Line Inputs and Onboard Effects Review

Allen and Heath ZED-10FX Four Mono Mic/Lines with 2 Active D.I., 3 Stereo Line Inputs and Onboard Effects
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Just got the ZED-10FX. So far, I have only tested it and done 1 gig but wanted to get a quick review in for those of you shopping as vigorously as I was. My goal was to find something that had high quality audio but a low channel count and small footprint (I'm a solo musician). It has thus far met my needs.
My first priority was finding quality mic preamps, I've found this to be as important as the microphone that's used. These apparently use the same design as the ones A&H puts in their acclaimed MixWizard series. I can only compare them to the Mackie CFX series preamps that I'm used to and LOVE. The ZED's are just as good or better- really clear, warm, and responsive. I also use a stereo channel to run a loop station with beats, electronic phrases, and live guitars. The overall output of the mixer just sounds great- clean, punchy, musical. The EQ is killer as well, very legit and impactful as you adjust. Knobs instead of faders was initially a turn-off for me but I must say I am really happy with these. They are very well mounted and have a heavy, super smooth movement to them. The gradual and fluid change in the levels as you turn the knobs is far superior to what I'm used to with Mackie. They are also very brightly colored and contrasted for low light identification of everything. I would actually take these knobs over a cheap 60mm fader any day.
I have not done any USB recording so can't say much on that (although it's a little disappointing not to have channel separation as you would get with the cheaper Alesis Multimix). However, the analog recording and signal routing flexibility of the ZED is impressive and sold me. Personally I am running my stage monitor out of the "monitor out" and saving the aux send as well as the assignable "record out" for sub mixing and live recording to a digital 4-track. Also, the circuitry and switching of everything is really clever and illustrated well on the mixer surface with helpful connecting lines.
Construction seems pretty solid short of some barely noticeable stressing on the seams of the red plastic sides (Made in China, par for the course) and the rubber feet are not perfectly level with each other. Neither issue represents any malfunction as far as I can tell but I'll admit its aesthetically annoying.
As far as the FX go, I think they are easy enough to control and the basics are there (reverbs, delays, etc.) However they didn't blow me away sonically at least for recording- just a hair on the cheapy sounding side. I've been fine with them in live application though and they are certainly adequate for this price point.
Overall, this is a great sounding mixer that's the size of a bulky laptop and weighs 8 lbs.! Combine it with some nice active loudspeakers (I use QSC K10s) and you've got a powerful system that fits in your trunk.


Click Here to see more reviews about: Allen & Heath ZED-10FX Four Mono Mic/Lines with 2 Active D.I., 3 Stereo Line Inputs and Onboard Effects

Built by Allen & Heath, ZED-10FX is an amazing little desk for small band mixing, complete with onboard effects. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. ZED-10FX is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects. Class A FET (Field Effect Transistor) inputs deliver the warmth associated with valve tube preamplifiers and a 26dB gain boost switch provides gain needed for instruments with very low output pickups. In addition to all of this, a USB port enables direct connection to a PC or Mac for direct recording and stereo playback with your DAW software of choice. Allen & Heath is known for building high quality mixers for the last 40+ years. At any time of day or night, across the globe, there is an Allen & Heath mixer out there working hard, sounding great and making life a little easier for the person at the controls. Back in the early 70s Allen & Heath hand-built consoles in a tiny factory in London for elite bands like Pink Floyd and The Who. These days Allen & Heath customers are spread across almost every environment imaginable, including touring, theatres, churches, nightclubs, TV and radio stations, recording studios and countless other places where great sound matters.

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Behringer DJX700 Professional 5-Channel DJ Mixer with Digital Effects and BPM Counter Review

Behringer DJX700 Professional 5-Channel DJ Mixer with Digital Effects and BPM Counter
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this was my first mixer, in my DJ'ing Business. i use this thing ALL THE TIME! ive had it for over a year, and have nothing to complain about. great item! no problems!
so worth it!


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The PRO MIXER DJX700 is a professional 5-channel DJ mixer with great features for club-worn veterans and starry-eyed newbies alike.

Five-Channel DJ Mixer The DJX700 features four dual input stereo channels, and 1 ULN microphone channel with "on air" switch. A dedicated effects loop is ideal for connection of external devices (sampler, reverb processor etc.), and the adjustable crossfader curve lets you adjust for all mixing styles.
Three-Band Kill EQ Dial it in with a three-band kill EQ (-32 dB) and precise level meters with peak hold function on each channel.
ULTRAGLIDE Faders The faders are the heart and soul of every mixer. With their 500,000 cycles life expectancy, Behringer's high-grade 45-mm ULTRAGLIDE faders outperform standard faders more than twenty-fold. VCA (Voltage Controlled Amplifier) technology goes hand in hand with our faders--audio signal does not run directly through them; instead, the faders only provide a control voltage to the VCAs. The advantage: practically no audio noise caused by mechanical wear.
Built-In Digital Effects Your crowd will be astounded by the 47 breathtaking digital effect presets in 24-bit quality: delay, reverb, flanger, filter, panner, ultrabass, exciter, Vinylizer, voice changer and more. Your audience will be astounded, but they'll never have to know your secret.
Track-Matching Tools Matching tracks is an art in itself. It takes countless nights of practice before you can truly say you have it under your belt. With the intelligent BPM counter, Behringer take a lot of the guesswork out. Features like SYNC LOCK and BEAT ASSIST help you seamlessly align two tracks without having to rely solely on your ears.
Surround Function Behringer also gives you the awesome XPQ 3D surround function. It widens the stereo image and adds life and transparency to your sound--it's a great way to put a unique finishing touch to your sound and make it feel bigger and wider.
Low-Noise Preamps You work either with CDs or vinyl--sometimes both--and they all induce their own noise into the mix. The last thing you want is to pile even more mixer-originated noise on top of that. That's why all of Behringer's DJ mixers incorporate the improved ULN (Ultra Low-Noise) preamps: what comes in comes out, with nothing added. So you get maximum headroom, minimal noise and ultra-transparent sound.
What's in the Box Behringer DJX700 DJ Mixer, Power Supply, User's Manual

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Mackie PPM1012 12-Channel, 1600-Watt Powered Desktop Mixer Review

Mackie PPM1012 12-Channel, 1600-Watt Powered Desktop Mixer
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I've been a musician playing in clubs and all types of other venues since the sixties. Some of the bands I've been part of used massive PA systems to get a quality sound. I'm talking racks of power amps, EQ's, Effects , etc. etc..
That was then, this is now. This Mackie board does it all and does it all extremely well !! You'll have plenty of headroom. There is more than ample power when you need it, just waiting to kick in and support your vocals and anything else you run through this board. The effects are superb with two high quality effects processors that you can tweek out and blend the effects to your liking. The clarity of this board is so good that all I have to run is a slight curve on my equalizers to get a nice clean and clear sound. Match this unit up with a high quality pair of speakers and a couple of good powered subs, and you're sound is Happening !!
Sizing down and maintaining good sound at my age is important to me. Other powered consoles I used and thought were OK just don't compare to this. Having a well-polished act, I need the best sounding equipment with the smallest footprint. Although a tad bit heavy, this mixer takes the place of hundreds of pounds worth of PA.
Now, I can't wait to get to the gig and hear my new Mackie. I couldn't be more pleased !!
Jim, SW Fla.

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Behringer XL1600 Xenyx Premium 16-Input 4-Bus Live Mixer with Xenyx Mic Preamps And British Eqs Review

Behringer XL1600 Xenyx Premium 16-Input 4-Bus Live Mixer with Xenyx Mic Preamps And British Eqs
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This board is packed with features that you would be hard-pressed to find in a board at this price. I wondered how they could do it, until I bought the board. The answer is, they included a lot of features, but left out quality.
The first board I had developed intermittent channel failure. For a while I thought it was bad cords or something else besides the board. The problems became more predicable and were related to 3 of the channels. I stopped using those channels, but didn't trust the board.
Behringer replaced the board with a "new" board, but it was obvious the board had been taken apart - finish worn off the phillips screw heads, scratches on the bottom. When I questioned this, they told me that the board was indeed new, but had been taken apart for "enhancements", although they could not tell me what the enhancements were.
The board worked okay for about 4 months, but now a channel is completely out on the "new" board.
When this thing works, it is a great board. The preamps sound very, very nice. 6 aux, 2 monitor mixes, 4 subgroups - it really has a lot. But, none of that matters if the board does not work as a whole.
My VISA has a free 2 year extended warranty with anything I purchase with the card, so I will get the board fixed, but I honestly don't know what I will do with it after that. I have already ordered a Allen & Heath MixWizard3 16:2 Mixer, which is what I had intended to buy when Behringer came out with this and I decided to give the XL1600 a shot at 1/2 the price.
It was a good try on Behringer's part, they just can't get the quality mixed in with this versatile board. You have heard it many times before, but you usually do get what you pay for.

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SKB Mixer Safe 30 X 26 Universal Mixing Board Case Review

SKB Mixer Safe 30 X 26 Universal Mixing Board Case
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I used this for the Presonus StudioLive24. I spent about 20 minutes measuring and cutting the included foam to customize it to the mixer. The corner base system works well and keeps the mixer in place during transport. Excellent case.

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SKB Mighty Gig Rig with 14U top 6U Front Rack, Built-in Pedestal, Optional Rear Rack Rails Review

SKB Mighty Gig Rig with 14U top 6U Front Rack, Built-in Pedestal, Optional Rear Rack Rails
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I just installed my Presonus Studio Live along with 10 Shure Wireless Microphone Receivers, a couple of vocalizers and a small footprint computer in this baby. I used the optional rear rack rails to obtain more rack space.
Installation of the optional rails was a little tedious. There's not enough room for your fingers to get behind the side panel but after some trial and error and the appropriate profanity I had the two rails installed. After that everything went swift. This rack is the most spacious one I have ever used and it's perfect for big mixers. There is plenty of room for all cabling and you can leave all connectors in place when closing up. The overall quality is really good and I love the sturdyness of it. The heavy duty casters are impressive and with all four locks on, they keep the whole thing rock-steady in place during transportation.
The front and rear panels snap-on easily but I wonder how long the snap-on mechanism will last with heavy use. I hope you can get replacements from SKB if they break. Although the price is a little steep I whish I had bought this earlier.


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Mackie Onyx 820i FireWire Recording Mixer Review

Mackie Onyx 820i FireWire Recording Mixer
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After an existing audio interface went bad, I ordered the Mackie Onyx 820i as a replacement (not from Amazon), setting out to love the thing. I did at first, but after noticing some limitations, I am exchanging it for a different setup. My biggest gripe is the low output to the DAW. At detent, the highest level captured in a waveform was -22dB. At full gain (firewire send is pre-fader, so gain is only option for adjusting level unless you route everything - and I do mean everything - through a preamp) I was capturing -16dB, regardless of instrument (this introduced a lot of noise when recording guitar). A follow up call to the vendor from which I purchased it revealed that other customers had noted the same characteristic. Some would argue that this is just fine when recording in 24-bit, but I'd prefer to make that adjustment on my own rather than having hardware make the decision for me. Gripe #2 - no control panel. The only setting you can adjust outside of the DAW software is buffer size.
Maybe this thing needs someone smarter than me at the wheel, but all the same, I'm going with a different interface.

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Behringer Eurodesk SX2442FX Ultra-Low Noise Design 24-Input 4-Bus Studio/Live Mixer Review

Behringer Eurodesk SX2442FX Ultra-Low Noise Design 24-Input 4-Bus Studio/Live Mixer
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Bought this mixer to have the whole band on ONE mixer...... This solved the problem with channels to spare and added some beautifull extras. The busses where great for isolating the whole drumset, vocals etc..... And sending dry sounds to the house PA. The fx are great that no extra gear has to be hauled. In live performances we need minimal fx so these are awesome. Still have to try it out in my studio setup to see the performance there but I don't think I'll be disappointed. Great product and great handling.

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Yamaha MG124CX 12 Input Stereo Mixer with Digital Effects Review

Yamaha MG124CX 12 Input Stereo Mixer with Digital Effects
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I have had no problem with this unit at all. I use it for a Youth Praise Team...keys, 2 guitars, 2 mics...dvd-player input and i-pod input.
We go from this board to a Pyle amplifier that was purchased here as well. Sound quality is good, effects work well.
The only drawback that I have is there are no individual audio levels for each channel.
Recommended purchase.

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Allen & Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX Review

Allen and Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX
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Great unit once I got A good one that worked right. Perfect size/features for a home recording, and live performance. I do some ripping/remixing for my radio show.
1st & 2nd machine didn't have a working CODEC. A&H knew exactly what was wrong when I called and had repair people lined up in my area to fix it!!!
I sent it back to Amazon 2X before I got a good one.
Amazon was very helpful in getting squared away.
Check all feature on arrival. JM

Click Here to see more reviews about: Allen & Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX

Complementing the existing ZED series, the ZED FX has been developed around an FX chipset purely for the new model. Our DSP engineers have been working hard, crafting and refining beautiful reverb algorithms. The effects are available nowhere else - this quality and integration is only available from the ZED FX. The ZED-12FX is a 12 channel mixer with USB interface and onboard EFX. It has 16 essential time-delay effects which add to the already bulging feature set. The mixer is ideal for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings.

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Behringer PMP1000 500-Watt 12-Channel Powered Mixer Review

Behringer PMP1000 500-Watt 12-Channel Powered Mixer
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Amps are shot, other problems too, repair shop says call the mfg. The unit has been used less than 20 times, well maintained, Behringer will do nothing. I will not purchase this brand again.

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Behringer Europower PMP4000 1600-Watt 16-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System Review

Behringer Europower PMP4000 1600-Watt 16-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System
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I bought this equipment last year for professional use. believe me it's an excellent tool and produce much more power than expected. Would recommend purchase then.

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VocoPro KJ-7808RV Professional KJ/DJ/VJ Mixer with DSP Mic Effect and Digital Key Control Review

VocoPro KJ-7808RV Professional KJ/DJ/VJ Mixer with DSP Mic Effect and Digital Key Control
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Item came reasonably well packed. Board is logically laid out. Signal LED's on the audio channels are huge and very bright. Too bright especially in a dim environment, my opinion. I had to cover them with tape to tone them down.
The mixer was shipped with a power cable that was IEC 15 female connector on the mixer end and a 2 prong Edison plug on the other end. Bad place to cut costs. I used this cable initially but had to switch to a grounded, 3 prong Edison after I encountered significant hum connecting to a house sound system using the booth output of the mixer, and subdued hum through the headphone output.
The labels for the the mic and audio faders are all but useless. Numbered markings would be useful.
The mic aux send and receive feature, to me, is useless for this type of board. Maybe for external compression, but this is a budget board for budget KJ's. Why bother?
The mic master has no effect on the mic levels at all through the Balanced Master Outputs. I'm guessing it works through the Mic Out Only (Mono) jack. Would be nice if it worked through the main output, too.
The effects and key controls are solid. Sound good.
It would be nice if the crossfader could be disabled from all audio channels, but it can only be disabled from 1 channel. For example, by selecting 1 on the left and 3 on the right, channel 2 is disabled from the crossfader.
It would be nice if the mic connections were on the back of the mixer as well. (Get rid of the aux send and rcv feature and jacks and put the mic jacks there).
Signal OL LED's would be nice for the mic channels.
A mono/stereo switch for the output would be nice. The cue buttons being a unique color would be nice.

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A great choice for use in bars, churches, schools, and clubs, the VocoPro KJ-7808RV professional karaoke, VJ and DJ mixer provides excellent flexibility and can also be used for mobile applications. It features three channels with dedicated Phono, Line and Audio/Video inputs, four microphone channels, three video outputs for feeding three separate monitors, 11-step Digital Key Controller, and 5-band graphic equalizer for precise room tuning

Key Features and Specifications
Professional grade KJ, DJ and VJ mixer with Video Select Toggle/Crossfader
DSP Vocal Reverb with Level control
Two Main video outputs plus one more for use with a monitor (RCA)
DSP Vocal Echo with Level, Repeat and Delay controls
Crossfader and video toggle in one automatically switches video when fading between audio channels
4 microphone channels, each with Master volume sliders and Gain, Bass, Treble and DSP Level controls
5-band Graphic Equalizer for best fidelity and precision tuning
3 A/V channels each with gain control, volume slider and illuminating signal meter
Assignable vocal effects Send/Return channel with Send and Return level controls
Assignable 11-step Digital Key Controller
Vocal Cancel and Vocal Partner for use with Multiplex CDs
Vocal Eliminator reduces or removes vocals from standard CDs
LED output level display meter
Talkover function with automatic mode
Headphone jack with level control
12V DJ lamp jack for professional production
19-inch rack mountable, requiring only 6 spaces


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Behringer Europower PMP6000 1600-Watt 20-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System Review

Behringer Europower PMP6000 1600-Watt 20-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System
Average Reviews:

(More customer reviews)
I bought the Behringer PMP6000 to use as the main power & mixer for my band... we are a 4 piece band with pro-musicians performing 4 to 5 nights a week. The design of the power section is what drew me to this particular unit... light weight & versitile is a key factor after lugging power amps & a separate mixer around. Everything you need is right there! 12 Channels of XLR inputs are more than what we need (we use 4 vocal microphones, an Acoustic Guitar & Stereo keyboard goes into the 1/4" stereo inputs)with enough power ability to fill a 50'(w)x 100'(l)x 15'(h) hall with pristine sound quality. We are running the unit in stereo into a pair of Peavey PR-5s.
The 2 Effect Channels is definitly another bonus, even though we basically use reverb the ability to trim each channel to your liking is great. Each channel has enough tone control to conform to each microphone; the pre-amp trim control adds richness & depth;and the 7 band Graphic EQ is perfect for achieving an overall sound conforming to the room you are playing in plus, the fact you can add on external EQ or effects units makes it even more attractive.
THIS IS A GOOD UNIT, BUILT WELL & FLEXIBLE!!!

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Mackie Onyx 1620i FireWire Recording Mixer Review

Mackie Onyx 1620i FireWire Recording Mixer
Average Reviews:

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this mixer is amazing. if you have wanted to build a project studio or record your band in your rehearsal space, this is the mixer you need.
the pre's sound great. very quiet (even when jacked).
the eq is really fun to play around with. you can really find the sound you are looking for with a few tweaks.
i'm using Ableton as my recording DAW. it's really snappy and after a few tweaks, very hard to notice any latency.
the Firewire I/O also works with Pro Tools, which is great. the driver is available for purchase on the mackie website.
for this price, you won't find anything even close to the same ball park.


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