Showing posts with label headless. Show all posts
Showing posts with label headless. Show all posts

Steinberger Spirit GT-Pro Standard Electric Guitar Black Review

Steinberger Spirit GT-Pro Standard Electric Guitar Black
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This is a great guitar for travel and quick demo situations. It's very light and the neck was straight and setup quite nicely.

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Steinberger Spirit GT-Pro Standard Electric Guitar White Review

Steinberger Spirit GT-Pro Standard Electric Guitar White
Average Reviews:

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I own 2 of these, one a Deluxe, and one a Standard. These are fine guitars for the money, with some amazing features. They can cover all the basics, have good sustain, stay in tune very well, and are awesomely comfortable to play, sitting or standing (or jumping). I like them so much I'm thinking of getting another to replace one I've been using for 9 years now.
There's nothing like a headless, almost bodyless guitar -- it seems like it would feel weird, but after an hour or two, you're used to it and soon, you'll wish all your guitars were headless.
But the headless, minimalist shape is so amazingly comfortable, so well balanced! These guitars are all maple, with a one-piece thru-body neck. They're solidly built and have a bright, Fender-ish tone. The pickups aren't amazing, but they are easy to replace -- on any guitar in this price range, you can't expect much for pickups and wiring, but if you're not picky, these are fine. If you are picky, they're easily replaced.
The zero fret probably helps its sustain, which is quite good, and the open strings sound better to me than guitars with a normal nut instead of the zero fret. The guitar has 24 frets, making it a 2-octave fingerboard, and it's scale length is close to or equal to a Stratocaster, which contributes to a bright tone with plenty of harmonics. The vibrato bridge has a locking feature that lets you disable the whammy, and that really comes in handy on a gig if you break a string mid-song.
One drawback to these things is that they use non-standard parts, and you just can't get replacement parts for the bridge. Any guitar bridge with a whammy might wear out, if you use it heavily as I've done with mine, but with other guitars, you have lots of choices for replacement bridges. With these, you get almost no choices, and none that are easy to find. That's why I'm keeping a watch on these and buying another when I can -- this guitar is too awesome, and a really good value.
The rest of the guitar has held up wonderfully over the past decade. Neck is in good shape, frets are fine, paint job still good, tone remains awesome. I use it with a Roland VG system, and it's just fabulous. I can't praise this cheap little Steinberger "boat oar" enough.
UPDATE, August 2011: I still play this as my main guitar, and I still love it. The whammy bridge is getting a bit 'knocky' (makes a slight knock sound when I use the bar) but I don't use whammy much at all because I have electronic gadgets for that. I'm using this guitar for mad science experiments now, and I took out all its electronics yesterday. I was impressed with the build quality inside it, actually. The pickups were well potted, and the single coil had a foam pad beneath it so it wouldn't vibrate against the body. Wires were strong and well soldered, and the input jack was a sealed, threaded barrel unit. Right now, it has only the Roland GK pickup on it, and it's even lighter, and feels and sounds great.

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Steinberger Synapse TranScale ST-2FPA Guitar with Gigbag, Plain Black Review

Steinberger Synapse TranScale ST-2FPA Guitar with Gigbag, Plain Black
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If you are reading this, you either love Steinbergers like I do or at least have an interest in the unique headless design. So aside from the headless design, what else does this guitar offer?
Pros:
+ Built-in string adapter on the top of the neck. This allows you to use either the Transcale double-ball guitar strings or you can use an ordinary pack of your favorite guitar strings and lock it using the hex screws.
+ Active EMG pickups, combined with separate treble and bass EQ knobs, provide a good range of tones right at your fingertips. A convenient way to fine tune your sound without having to mess with the amplifier. I should also note that the EMG's are very quiet.
+ The piezo pickup is perhaps one of the best features. It can create a terrific "acoustic guitar" sound. There is a mixing knob to select either the active humbuckers, the piezo pickup, or you can blend a combination of the two to create even more tonal possibilities!
+ 28-5/8" scale neck. A lot of guitar manufacturers increase the range of the guitar by adding frets to the top i.e. 23rd and 24th frets. Ned Steinberger added frets going the other way. Two frets going down the neck!
+ The built-in capo allows you to quickly change your guitar tuning from D, E flat, Standard E, or anywhere up the neck to the 11th fret. By rolling the capo up or down the neck, you change the string length which in turn affects the timbre of the open string.
Cons:
- The fret markers on the fretboard are designated for D tuning (meaning the capo is not used). There are separate fret markers on the top of the neck to notate Standard E positioning (with the capo positioned on the second fret). This can be tricky to get accustomed to because many of us are conditioned to seeing the fret markers positioned a certain way. It really throws your brain for a loop when you are learning to play a new song in Eb!
- Because two frets were added going down the neck, it will take some practice and a lot of finger stretching to get comfortable playing the two lowest frets. The length of this guitar neck sort of reminds me of a bass guitar neck.
- The neck is rather thick to accommodate the sliding built-in capo. Hard to describe exactly what this feels like when you play it. It feels closer to a classical guitar neck as opposed to thin necks like Jackson, Ibanez, or even other Steinberger offerings. This may not be the most accurate description, but like I said, it's hard to describe other than to say it's thicker than usual.
Despite the negative points noted above, I must honestly say that I absolutely love this guitar! It has an innovative design and unique features that pushes the envelope for tonal range. There simply is no other guitar like it. That said, it's not made for everyone. But since when has Steinberger instruments ever tried to fit in with the norm?

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Steinberger Synapse SS-2F Guitar with Gigbag, Antique White Review

Steinberger Synapse SS-2F Guitar with Gigbag, Antique White
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I've always liked the efficiency of the minimalist Steinberger. I mean, why have more guitar than you need? The day I got my Steinberger Synapse it already had problems. An annoying buzz from deep in the guitar. I contacted Gibson who referred me to one of their local warranty luthiers. He removed the buzz after a week in the shop. Since there's so little to the guitar, I wondered how they could miss something so fundamental. I wanted to go a guage lighter on the strings. Double-ball end are hard to come by, so I loaded regular single-ball end into the guitar. The hex screws that were supposed to hold the strings didn't. The head-end has a design flaw so that any string under a certain gauge will wiggle right out of the clamp that is supposed to hold the string. The last straw came when I went to adjust the action and intonation. There is a hex bolt that keeps the bridge pieces from flopping around. I needed to loosen that to do anything that moves the bridge, like adjusting action and intonation. The problem is, the hex screw was half-way underwater, that is the head of it was so low perpendicular to the body of the guitar, that in order to insert a hex wrench you would need to drill a divot into the guitar body to insert the wrench. I can only assume this is problem of execution, because the instruction manual pictures show the screw head above the guitar body. Now I have to pack up a a brand new guitar for RMA at Gibson. Who knows what I'll get back. Support from Gibson has been slow. I don't think they care too much about their Steinberger brand. Now that I know how poor their execution is on making a guitar, there is no way I would buy a Les Paul.

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