Showing posts with label daw. Show all posts
Showing posts with label daw. Show all posts

Avalon VT737SP Class A Tube Channel Strip Review

Avalon VT737SP Class A Tube Channel Strip
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I use this channel strip during nearly every recording session I run. The sound is amazing for vocals (in combination with a good mic), producing a warm and yet extremely clean sound.
I have used the unit on acoustic guitar, kick drum, electric guitar and even bass. I was able to get stunning sound from all sources, with a little tweaking of the settings and mic placement.
This unit is capable of immaculate results. Well worth the money.

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Pro Tools Mbox Mini (3rd gen) Review

Pro Tools Mbox  Mini (3rd gen)
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First let me say, I have no idea what the other guy is talking about. I just got my Mbox Mini the other day and had zero issues installing the program.
As for using the Pro Tools, it can do everything and sets the standard. I wish it came with more plug-ins, but those that are included cover all aspects of sound production. I was surprised to see a trimmed-down Guitar Rig 4 plug-in included.
While the learning curve for Pro Tools is steep, once you get the hang of it, there isn't anything it - and you, can't do!

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ART Pro MPAII Microphone Preamplifier Review

ART Pro MPAII Microphone Preamplifier
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Can you find a better sounding mic pre with more functionality than the ART Pro MPAII? Absolutely. Can you find a better mic pre anywhere near this price range? Not in my experience.
The controls are intuitive and the sound is excellent. My only two complaints are:
1.) The stock tubes that come with this unit are CHEAP. If you get this, I would recommend ordering a pair of high quality tubes as well. I went with TungSol 12AX7 Gold Pin tubes, and the difference in sound was substantial. l'd probably have bumped my rating up to 5 stars if the stock tubes had been better.
2.) It would have been nice if ART had put the XLR inputs on the front of the unit next to the 1/4 inch inputs. As it stands, the XLR inputs are on the rear. I have my components mounted in a stationary rack integrated into a desk, and hooking up mics can be a bit of a chore. This is a small complaint, but it's something to be considered.
Beyond that, this is a great buy for someone looking to see big improvements in their sound without spending vast sums of money.

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Digidesign Command 8 Control Surface for Pro Tools Review

Digidesign Command 8 Control Surface for Pro Tools
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My son is a sound recording technology student at college. I'm a computer expert. To help my son in his studies, I upgraded his Apple/Sonar DAW to a ProTools environment. We spent many thousands of dollars doing so, and it was a painful experience.
The Command|8 proved to be the most frustrating element in the entire digital sound chain, and a lack of good documentation and support from Avid (or whatever it is called today - the company appears to merge and change its name weekly) does not help.
It took weeks to get the device configured and working reliably with ProTools 8. Even after that it would constantly require recalibration or would go offline arbitrarily, requiring reinstallation of protools to bring it back. I have no idea how pro-am studios manage to survive using ProTools.
A few weeks out of warranty, the display failed and the unit refused to come online. The faders go crazy for a few minutes then park at the bottom although you can hear the fader motors still clicking wildly. This problem is posted several times on the Avid user forums, and appears to be a common defect. Repair costs might run to several hundred dollars.
Unlike most users, we read the user manuals "avidly" and followerd all user directions. As a former sound engineer myself, I insisted that all equipment in the sound chain was covered with dustcloths when not in use. This device was probably used less than 100 hours in its lifetime.
Do not buy this product.

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Apogee Duet - Audio input adapter - IEEE 1394 (FireWire) Review

Apogee Duet - Audio input adapter - IEEE 1394 (FireWire)
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I bought the Duet to use with my Aluminum iMac and Logic Studio 8 and have had zero problems with the unit. The interface is very streamlined so you have to get used to using a single, multi-function knob for everything. The quality of conversion between analog and digital is head and shoulders above anything else near this price level. It sounds as good as units costing 3 times as much due to the designers' emphasis on quality sound. To get the high quality conversion at this price you are limited to the line outputs and headphone output levels being permanently linked. Some people find this a drawback, so be aware before you buy if this feature is something that is a deal breaker for you.
The small form factor is nice because as anyone with a home studio can attest to, space is not a luxury we have. I didn't pick this for its portability but as it is the size of a paperback book I can imagine it being very easy to tote around with a macbook/pro.
The included Maestro management software is straightforward and lets you set the unit up in seconds with a very easy to understand user interface. Configuring my iMac to use this as the audio input and output took less than a minute from reading the instructions. Making Logic label its mixer to match is equally simple. One thing I found convenient is how OSX lets you still use the iMac's built in speakers for the system alerts so that an error message gong sound isn't sent out through your 100watt studio monitors. You can set the output level of the system alerts separate from the duet's outputs.
The breakout cable is securely attached and the plugs are labeled with big, clear markings so changing hook-ups is easy. It has phantom power if your mics require it, which is set using Maestro.
Most audio interfaces in this price range try to win you over with more I/O channels or other add-ons instead of making the best sound conversion. They trade quality for quantity with predictable results. Apogee decided on doing a simple 2 channel interface, a single physical control and top shelf A/D/A converters so the result is the best 2 channels you can get. When you want more channels without sacrificing quality then you can step up to their Ensemble line.

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Carl Martin Hot Drive and Boost MKIII Pedal Review

Carl Martin Hot Drive and Boost MKIII Pedal
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Got this sweet pedal at 1/3 of normal price! LOVE IT!!! It sounds great,really helps my sound alot. Doesnt use batteries, BONUS!!

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Logic Studio Retail Review

Logic Studio Retail
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I use to use Logic Pro back in the day of Atari Falcon and STE1080. then i went to PC and used Logic 4.7. Though i never used the audio with it back then due to the instability of the product. It was easier to use a Mackie HDR 24/96 with midi clock to sync.
Before obtaining Logic Studio i was using Ableton Live versions 5,6,7 and now 8. The reason i bring this up is that i am now back to Logic Studio Pro on a MacPro 8 Core. The major reason for this change back to Logic was for 3 main reasons that blow away Ableton 8:
* Midi control for external and internal instruments
* Clean, Tight, Dynamic Headroom, clarity of sound. Audio Engine is far better then Ableton even at 44.1 (though i use 96k)
* for the price and what you get, this software is incredible!
The new features of Logic Studio 9 is the Flex and Guitar suite. Though i have not been impressed with the flex (perhaps because i am not sure how to use it correctly yet) the Guitar suite is AMAZING. I have owned a Line 6 pro and a Line 6 bass pro and this Guitar Suite is amazing if you run it under 96k.
The Logic Pedal board has a great slew of guitar stomp pedals that sound amazing and better then most other emulations i have heard. the distortions are warm and tube like, unlike more software emulations i have heard. it rips just right even with a guitar straight into the A/D and processed by Logic. They have a Tape Delay that emulates the Roland 201 tape echo or EHX Memory Man Deluxe and it sounds sweet and mixes very well.
The automation features are tight and crisp as well. Though it takes a bit more time to get setup on Logic for controller setup then Ableton, it is tight once you get it there.
User friendliness is not as good as Ableton but then you are getting a more PRO engine then Ableton has thus been able to deliver. In Ableton it seems the 'warp marker' technology seems to 'fuzzy' then audio in such a degree that the clarity is not tight. the dynamic headroom and stereo separation is not there. I was wondering if i was loosing my mind, but it is not the A/D Presonus firepod it was the engine of the Ableton 8. Once on Logic Studio 9, the clarity and tightness of the mix returned. This proving this engine is far superior to Ableton for a studio mix.
NOTE: if you can handle the disk space and processing power required to run 96k, do it. It will tighten your mixes amazingly.
Should you buy this? here is my suggestion:
If you run a Mac it is worth the cost. for what you get for such a pro engine and features and plug-ins this blows away the competition. At now version 9.0.2, the system on Snow Leopard is stable. very stable. It runs cleaner and crisp on snow leopard with the 64bit processing. It utilizes all the cores effectively as well. With the new imac @ 4 cores, it really could be a mini pro monster for recording.
If you own a PC, you can't use Logic, so you have to consider Sonar, Cubase, Ableton, ProTools.
I have not tried protools due to the cost of upgrades and truly to use it as tight as the industry standard, it takes a year for upgrades to happen after a new OS and the cost is outrageous compared to Logic.
I have not tried Sonar. I have used Cubase. the engine is clean though cumbersome to use.
Hope this is helpful.

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With over 200 new features and enhancements, the new Logic Studio delivers everything musicians need to write, record, produce, and perform on a Mac. The center of Logic Studio is Logic Pro 9, which makes it easier than ever to create your own compositions. Produce and play nearly any sound imaginable with a huge collection of effects, instruments, and loops, including the new Amp Designer and Pedalboard plug-ins. Use MainStage 2 to perform live with the instruments, amps, effects, and sounds you used to make your tracks. Logic Studio also comes with applications and utilities that expand your creative options into audio post-production and mastering, including Soundtrack Pro 3, WaveBurner 1.6, and more.

Logic Studio. A studio on your Mac as big as your ambitions.

Top Features New Pedalboard with an assortment of 30 virtual stompbox pedals inspired by the classics.

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M-Audio Torq Xponent Advanced DJ Performance/Production System Review

M-Audio Torq Xponent Advanced DJ Performance/Production System
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So after scouring the internet for reviews of the xponent, and having used its cousin the Torq Mixlab and getting down the basics of CPU based DJing, I am proud to say that I couldn't be happier with the Xponent. I got it a few weeks ago, have a Macbook that runs great with it, and have so far had no problems whatsoever. The software is fast and loads my itunes library (over 16k songs) in about 30 seconds. One of the best features of the Torq software is how it figures out (or you can override) the beat of each song and SAVES it. This means that when you're spinning, you can sort by BPM and see the 20 songs that are close in BPM that you have used before. This makes song selection a pleasure!
All the switches and knobs are very responsive, and as a person who basically started DJing (beatmatching, mixing, cueing) a month ago, I feel right at home here. The loop features are easy to use and drop in, and the sampler is very powerful and easy to use. I just spun a big house party with this thing a week ago and it went great! The effects are fun, and using the mouse pad like a Chaos Pad allows for some cool remixing on the fly. I find that scratching is easy to do and there are various settings to determine how sensitive the wheels are.
All in all, this is a great product for a novice or someone who likes to pick music and wants to get into real mixing. If you're the person always holding the iPod at the party but want more control, this is definitely a great place to start (and as far as I'm concerned, finish). As for all the haters of digital DJing, I don't really care, its much easier than bringing vinyl and remembering BPMs and you can plug in someone at the party's ipod and use their music in real time. I find that the Xponent is extremely versatile, perfect for a beginner or seasoned DJ alike, and it and its grandchildren will be leading us into the future of DJing. Hope this helps, there is a lack of people talking about the Xponent and its a truly great device that has allowed me to finally do something I've wanted to do for years, but I've never had the resources to get set up with vinyl and dj lessons.
Cheers!
-DP


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The professional-grade Torq Xponent system seamlessly integrates high-performance DJ software with a fully functional hands-on controller, representing a new era in digital DJ performance and production. The Xponent hardware combines the features of a two-channel DJ mixer with CDJ-style tactile controls, letting you cue, mix and manipulate digital files without touching the host computer. In addition to the essentials, M-Audio Torq 1.5 software delivers a variety of real-time creative tools to take your sets beyond the ordinary--and the Xponent hardware control surface puts all that power right at your fingertips. This integrated solution opens the door to new techniques that are simply impossible with traditional DJ setups.

Rock-Solid Professional DJ Hardware The Torq Xponent hardware/software system delivers everything a professional DJ needs to perform with a computer. Xponent is both an advanced MIDI control surface for Torq software and a four-output USB audio interface that includes two stereo RCA outputs and a standard 1/4-inch headphone output for cueing. Every control on Xponent boasts the same rock-solid construction and rugged feel as traditional DJ hardware. So if you're ready to make the leap to the world of software-based DJing, you'll feel right at home with Xponent.
Get Inside the Mix Torq 1.5 DJ software makes it easy to go beyond basic beat matching and crossfading between tracks. With a 16-cell, tempo-synced sampler, easy looping capabilities and multiple cue points, you can chop up a song--on the fly--and reorder, remix and extend any section you want, all while staying perfectly in time. The QuickScratch feature lets you instantly scratch with any two loaded samples. Tempo Anchors remove tempo variations from your tracks--or cause other songs to adopt the tempo changes--making mash-ups and live remixes a breeze. Tempo Master synchronizes all tracks, samples and effects within Torq, while MIDI clock transmits tempo information to outboard hardware and other computers so you can collaborate with friends. And if you also want to produce, Torq is ReWire-compatible with Pro Tools M-Powered software and other popular applications.
Advanced Effects Processing Torq 1.5 gives you 10 essential effects right out of the box for dynamic manipulation of your tracks. Imagine the possibilities of stacking multiple distortion, filter, repeat, chorus or bit-reduction effects while mixing between songs. You can turn any track into your own original creation--and even record it on the spot with the integrated performance recorder. Torq also allows you to create recallable snapshots of your favorite EQ, effect and mixer settings, and even supports the vast world of third-party VST effects plug-ins.
Dynamic Control Over Torq 1.5 Software The best DJ tools allow you to get your hands on your music--from cueing to beat matching to scratching. M-Audio designed the Xponent control surface with full-size, DJ CD-player-style controls so you can get into the music and engage the crowd during each moment of your set. Xponent features 64 assignable backlit buttons (including Play, Cue, Seek, Loop, Key and Sync controls), two volume sliders, eight assignable knobs for effect control and two 100mm pitch sliders. The built-in touchpad/assignable X/Y controller allows you to control your mouse or the effects in Torq, so you never have to take your hands off the unit in the middle of a performance.
Made to Work Together Torq 1.5 DJ software for Mac and PC automatically configures itself to work with Xponent--every hardware control is pre-mapped to its corresponding function in Torq. It's easy to get up and running with Xponent because all of the hardware controls are located exactly where you'd expect them to be. The transition into digital DJing couldn't be simpler.
Plays Well with Others In addition to VST compatibility, Torq 1.5 software can interface with any ReWire-compatible host application. You can easily route the output of Torq to a program like Pro Tools M-Powered and explore even more performance, production and sound design possibilities. When ReWired to a host application, the tempo of Torq automatically locks to the current session tempo, so you never have to worry about syncing playback between Torq and your preferred DAW. In addition, the Xponent control surface can be MIDI-mapped to other digital audio workstation software including Ableton Live.
What's in the Box Xponent USB DJ Controller and Audio Interface, Torq CD-ROM (Torq Software, Xponent Drivers, and Documentation), USB Cable, 12VDC 1000mA Power Supply, Quick Start Guide

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Line 6 POD Studio KB37 Review

Line 6 POD Studio KB37
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I'm new to creating music on a computer, and my research, along with tons of positive reviews from others, led me to the POD Studio KB37 as a good all-purpose starting point. In terms of flexibility, this package is very hard to beat. The built-in inputs and mic preamps let you record just about anything, from guitar/bass and other electric instruments to vocals and acoustic instruments (using your own mic, of course). For these uses alone, the KB37 is a great way to get sound into your computer with minimum headaches. Simply connect the KB37 to your computer with a single USB cable. It's USB-powered, so you don't even have to plug it into a power outlet.
The hardware's MIDI keyboard and control surface open up a whole new dimension. They allow you to add keyboard parts and adjust some software parameters via real-world knobs and buttons; this is much faster than clicking and dragging onscreen "virtual" controls.
The included software package reveals the KB37's full potential, transforming an otherwise great product into an incredible bargain. Sure, the Reason Adapted (synth, sampler, sequencer, and effects) and Ableton Live (multitrack recording) software are the "lite" versions of these programs, but even so, they're very versatile and powerful. If you're fairly new to DAW software, trust me, even the lite version of Reason is pretty incredible -- you'll get a lot of use out of it. It includes tons of sampled real-world instruments, fully functional and tweakable soft synths, drum machine, sequencer, effects, and a lot more. It takes quite a while to explore its impressive capabilities. Once you do, you'll know whether you want to upgrade to the full version, which is available at a discounted price. But again, the lite verion will be plenty for many users.
Finally, you get Line 6's POD Farm software, which gives you an arsenal of stompbox and rack effects for guitar, bass, vocals, and just about anything else. On top of that, it includes amp, cab, and mic preamp modeling. You get everything that most guitar multi-effects units provide and then some. Because it runs on your computer, naming and saving patches is quicker and easier than stand-alone multi-effects units, and you can save as many custom patches as you like. And, unlike stand-alone units, POD Farm is expandable. Line 6 claims that the KB37 allows you to monitor your tone, complete with effects, without a latency problem (a lag between playing a note and hearing the output). This is not an empty promise. On my modest laptop, which runs Windows Vista on an Intel Core 2 Duo T5550 (1.83GHz) with 3GB of RAM, I experience zero latency problems.
All told, for the price of one guitar multi-effects unit, you get everything you need to start a home studio. If you're a full-time keyboard player, this package probably isn't aimed at you. As its name suggests, the KB37's keyboard has only 37 keys. So, there are probably better MIDI keyboard controllers out there for you. Plus, as a keyboard specialist, you'd most likely want a full version of whatever synth software you prefer. On the other hand, if you play guitar or bass and you want all the building blocks for tweaking your tone, adding vocals, effects, *and* getting your feet wet with powerful synths, sampling, and multitrack recording, here it is for a laughably low price.


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Carl Martin PlexiTone Pedal Review

Carl Martin PlexiTone Pedal
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There are several good analog pedals that replicate ( not model) the sound of a high-gain Marshall tube amp:
The Sansamp GT-2, and Sansamp "British" pedals, as well as the Sansamp PSA 1.1 all do a great job of that.
The Sansamp PSA 1.1 is best for rack-rigs where midi control and signal-routing flexibility are necessary.
The other two pedals are ideal if you must run with batteries.
If you want PURE ROCKIN MARSHALL TONE, PLUS a great boost feature ( up to 20 dB) then this Carl Martin Plexitone pedal is the best I've have ever heard in 40 years of professional playing. It has the TONE and FEEL of my Customized Marshall 100 watt head (circa 1969) that was modified by Jose Arrendondo in the late 70's.
The CM Plexitone has its own internal power supply, which is absolutely necessary for the massive headroom you need for authentic Marshal tone. That also means you do NOT need a "wall-wart" to run it, but it means you must find an outlet for it.
The three footswitches are robust and spaced so my size 12 boots hit the mark without problems. Bright blue LED lights give instant indication of what's ON. The high-impedance input helps reduce signal loss from cables. In effect, this acts as a buffered "front-end" for the rest of your chain... and it's a damn good buffer too.
If you like your basic amp sound, but need a better preamp for the front-end and could use a boost for solos, this is the pedal to get.
Over the last couple of decades, my friends and I have used various CM products. All of them are great. They build everything like they care. They are good at what they do and it shows. CM pedals are worth the extra dough.
Other than lucky auctions, I got the best price on a new one from Prymaxe, a dealer in New Jersey. The shipping was fast with no problems. Highly recommended.

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Focusrite Saffire Pro 24 Firewire Audio Interface, (SAFFIRE PRO 24) Review

Focusrite Saffire Pro 24 Firewire Audio Interface, (SAFFIRE PRO 24)
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After 6 years with a Presonus Firebox, I decided to change. Before the firebox I used the original MBox from digidesign. The pres in that unit sounded great. I did not realize that until I switched to the Presonus. Although the preamps were acceptable, it didn't have that extra something the Focusrite pres delivered. The Saffire 24 brings back that fantastic sound I was missing. Great input options and software that is easy to grasp. I will probably stick with Focusrite for a long time. This unit is quiet and rock solid.

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The Focusrite Saffire PRO 24 is the latest in Focusrite's new generation of FireWire audio interfaces.As with all Focusrite interfaces, Saffire PRO 24 is the best sounding interface in its class, attentively designed with recording musicians and the modern home studio in mind. With Saffire PRO 24, sonic integrity reigns supreme. The two Focusrite pre-amps ensure low noise and distortion, while quality digital conversion and JetPLL jitter elimination technology ensure pristine audio quality as your audio flows between analog and digital domains. Alongside the two Focusrite pre-amps are a host of I/O options; two additional analog inputs, six analog outputs, ADAT inputs, stereo SPDIF I/O and 2 virtual ‘loopback' inputs for routing digital audio between software applications - ideal for capturing online audio. Front panel 5-LED metering for each analog input offers detailed viewing of levels. Saffire Mix Control, the zero-latency 18 x 8 DSP Mixer/Router software provided with Saffire PRO 24, sets a new standard at this price point for audio interface control. It features flexible output routing and monitoring, as well as intuitive one-click set-up solutions designed to help you track, monitor and mix as quickly as possible. Saffire PRO 24 also comes with all the additional tools needed to start making music straight away. These include the latest version of the Focusrite Plug-in Suite, providing a significant upgrade from your standard sequencer effects. The suite includes Compression, Reverb, Gating and EQ VST/AU plug-ins.Focusrite's established Xcite+ bundle is also included. Focusrite's Saffire PRO 24 is designed to capture every subtle nuance of your recordings, dropped seamlessly and effortlessly into the digital domain, leaving you free to enjoy the freedom of a creative modern music making experience.

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Gio Review

Gio
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Decided to add a GiO to my (Apogee Ensemble-based) system for controlling guitar effects in Logic Studio. It works perfectly, and as a guitar player I love having a pedalboard that integrates seamlessly with my new virtual amp and stompbox rigs! The color-coded LEDs are a nice touch, and I've really come to rely on them for at-a-glance operation while writing and recording. Clever design. I've also run the GiO as a primary interface using the guitar input and headphone output - which is absolutely great - perfect for a portable setup on a MacBook Pro. How they pull off all of that low-noise, high-res audio I/O running off USB power is amazing. You simply can't go wrong with this latest Apogee stuff - the folks in Santa Monica are certainly "using the old noodle" and coming up with some innovative and well-executed products - well done!

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Native Instruments Guitar Rig 4 KONTROL Edition - Software/Hardware Combo Review

Native Instruments Guitar Rig 4 KONTROL Edition - Software/Hardware Combo
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I've been a guitar Rig user since Version 2 and have both positive and negative to say about the product. Guitar rig is a fantastic tool for creating arrangements quickly during the writing process especially if guitar isn't your first instrument. The sound quality is as good as I've heard from a plug in and the effects when chained like a real live setup would be perform with the same characteristics. Put a compressor where you normally would in a signal chain and it acts like a compressor. I cant say the same about it's competitors. I find most of the effects to be very nice especially the staples for guitarists such as overdrive and delay.
I gave this review 4 starts for two reasons. The first being the foot controller, it's not well made and Native Instruments has not had replacements available for several months. I believe this could be due to a vendor change or a full redesign. The floor controller is built very poorly and is very expensive for what you acquire upon purchase. The replacements are almost $300 US, twice the price of a Behringer FCB1010 which is made much superior. The second is the CPU usage. I think NI can do a better job in this area, the software can eat a lot of CPU and RAM.
Over All I really like Guitar Rig over other products I have tried and purchased. I do have concerns about future development of the product now that it's part of Komplete and no longer available stand alone without the hardware, but I think that could change too. Although I use a mic'd up cabinet once I have the arrangements finished I have kept many scratch guitar solos that I intended to re-record in projects that sounded great. Guitar Rig is a really good solid product and their website has fantastic customer service and software verification.
I do recommend this this product preferably without the hardware if you can find it that way. Less the Hardware I give Guitar Rig 5 stars.


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