Radial JDI Duplex mk4 Stereo Direct Box Review

Radial JDI Duplex mk4 Stereo Direct Box
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There are better boxes out there, but they come with that tradition "better price" which could easily push you over $1000. This is Radial's top of the line stage class passive DI. It's the JDI (Jenson DIrect box) Duplex (for stereo applications.
What is it?
If your not familiar with DI's (aka Direct Boxes) they are a device that electricaly isolates an unbalanced line level input to a balanced line level output. It does this thru a transformer and (without getting into the physics) as such protects both lines from one another while at the same time elemintaing the possibility for problematic ground loops.
Why do you need one?
If you were to just "plug" an instrument such as a guitar (which uses unbalanced line level) into a mic line (which is a balanced AND in many cases POWERED line) the best thing that can happen is you'll get noise, hum, distorsion, ect. The worst that could happen is a powered line could cook your output on your instrument. This often the case where people plug iPods or laptops into powered stage or PA lines. The small voltage of a small electronic device becomes overwhelmed and shorts out due to the MUCH higher voltage and current of the PA's Phantom Powered lines.
This box is part of Radial's JDI line that uses genuine Jensen transformers for soft and subtle sound curves. Radial makes more affordable models that also sound terrific. However I wanted an "Any Situation" type box. This box is a stereo box which fits that bill nicely. It is acutally two seperate mono JDI's, each with their own transformer, in a single case. You could run two individual mono inputs and outputs if you wanted. But by pluging the individual right and left channels of a stereo device into each half of this box then running two output lines to the PA you preserve the stereo signal.
I/O
On the rear of the box each channel has a 1/4" input jack and a 1/4" thruput jack (for running a thru line to stage monitors). There's a "mix button" that will allow the thruput line to become a second input line for mixing stereo signals to mono. Each channel also two RCA inputs for mixing auido out of digital devices line CD/DVD, ipod, laptop, ect. The pairs for each channel are mixed to mono at output. Being a stereo box you might wonder why you would mix back to mono. Perhaps you only wish to run one line back to to PA mixer. The front of the unit has one XLR output and one XLR input for each channel. So as I said this can work as two standalone mono boxes. What if you want stereo? One the L channel to an input on channel 1 (1/4" in or RCA doesn't matter) then R channel to channel 2. Then run two XLR outputs to your PA mixer or console.
Other nice features
This unit features all metal construction which creates an electromanetic cage to shield it from outside interference. NICE if you standing next to HUGE stage moniters driving enormous magnets with tons of power. Each cannel has a high pass filter switch and a pad switch for devices. The pad is nice for digital devices like CD, ipod, ect. It also has a polarity flip switch for each output to eleminate hum caused by import sound devices. And lastly a ground lift switch to further isolate ground loops.
As I said this unit is about as good as it gets for passiv DI's. There are such things as Active DIs but that's a whole different animal. For most users, a passive is going to be the best choice. And as I said there are other models that aren't quite so pricey. I'll recommend a few. If your application like mine is primarily AV presentation then this box is actually a bit overkill. But like I said I wanted that "super utility" aka swiss army knife ablity coupled with true stereo and mono options. For just mono AV work I can recommend the Radial ProAV1. That line also contains several inexpensive stage type boxes. A step between this model and those I just mensioned is the Radial JDI. (Again this is the JDI duplex) It's the same technology and construction but at th same time is a mono box. It still has the stereo to mono mix feature as well. All will suit you well and sound great on systems big and small.

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Behringer PMP1000 500-Watt 12-Channel Powered Mixer Review

Behringer PMP1000 500-Watt 12-Channel Powered Mixer
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Amps are shot, other problems too, repair shop says call the mfg. The unit has been used less than 20 times, well maintained, Behringer will do nothing. I will not purchase this brand again.

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VocoPro IR-9000 Infrared Dual Rechargeable Wireless Microphone System Review

VocoPro  IR-9000 Infrared Dual Rechargeable Wireless Microphone System
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Bought this after a few tries on other products and kept returning them. This one is very high quality in built and as soon as I plugged it in and turned it on, I realized the quality is top notch... so impressive. I'm glad i went with this one... the microphone is very very good!!! Highly recommended!

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Gator Cases GKPE-88-TSA 88 Note Keyboard Case with wheels TSA Latches Review

Gator Cases GKPE-88-TSA 88 Note Keyboard Case with wheels TSA Latches
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Model GKPE-88-TSA; Gator 88-Key Keyboard Case with Wheels
SCORE (1-5): Features-4.5 Quality-4.5 Value-5 (based on what's currently available) Overall-5
There are a few concerns when considering a readymade keyboard case; Protection, Fit/Usability and Security. Thirty minutes after opening the shipping box, I think the best overall was achieved with this product ($260-360).
Reading the case description you will find that its construction has good overall protection, in fact it is very good and well thought out in a weight to protection ratio and at 30lbs (case only) you won't need a gorilla to carry it for you. As for FIT, the included block-pads with Velcro were enough to custom fit my Yamaha S90-ES 88 perfectly (which was impressive) and having to add just one small 1/2x3x10 inch pad on one side for a touch more stability. The case has 3-handles, one centered for balance and on each end. The end-wheels are of very good quality. On a side note: if you've done some airline travel, you know that luggage conveyors can snag protruding latches, damaging the case but this case has good design to minimize such damage.
Lastly SECURITY, this is an ATA, TSA compliant case with three key latch-locks. Now if someone really wanted into this case, it can be achieved but would take some time.
The case is not airtight but has good rain protection. If I were to go total gonzo in protection, the choice would be a custom Anvil watertight case, $650-700 at 50+ lbs. (or a Gator G-Tour-88; $450/50lbs)

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Studio Projects C1 Condenser Microphone, Cardioid Review

Studio Projects C1 Condenser Microphone, Cardioid
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This microphone is terrific. I'm a classically trained vocalist, and I recently recorded an entire demo album using the C1 (with the Edirol UA-5 as a preamp). The microphone captured a warm, true, and vibrant sound right out of the box, and its dynamic response was excellent. In fact, I was so pleased with the raw sound that I left it entirely untouched in the mixing process. While this unit's price is extremely reasonable, this is not a great microphone "for the price"; it's simply a great microphone that happens to be priced affordably.

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The Studio Projects C1 is a large diaphragm, fixed-cardioid condenser microphone employing a 1.06 Inch (27mm) capsule, high quality, low noise amplifier and balanced, transformerless output circuitry. It features switchable -10dB or -20dB pad and 6dB@75Hz or 150Hz high pass filter for added control in various recording applications and a clear, full response expected from a large capsule microphone design. Versatility is key in the recording arena, and the Studio Projects C1 is a well-proven and award winning tool. It is designed to deliver the finest quality vocal and instrumental recordings and will serve to enhance any professional or project studio at an unbelievably low price.

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Moog Music MF102 Moogerfooger Ring Modulator Pedal Review

Moog Music MF102 Moogerfooger Ring Modulator Pedal
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Got the pedal, and it is amazing. Five stars for the pedal, worth every dime. The time it took to ship it wasn't amazing, but I guess you get what you pay for. I purchased the pedal on December 24th, and received it on January 4th. It was boxed well, and is a sturdy pedal. Definitely the best pedal I have ever purchased. I have thus far ran it through a couple of different amplifiers, a Roland FP-3, a MIDI laptop setup, a 1975 Rhodes, and an electric violin and all of them were really fun to play with. I would definitely recommend the pedal but if you want it quickly, pay for the faster shipping.

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Korg KP3 Kaoss Pad Dynamic Effects Sampler Review

Korg KP3 Kaoss Pad Dynamic Effects Sampler
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first thing, i am no where near a pro with effects and recording equipment, that said, i have a long history with korg, and know from exp they make really good effects and at good prices. this machine is addictive. i want to let potential buyers know what you can do with the kaoss right out of the box, with about 20min w the manual. so it is basically an effects processer, instrument(drum machine and synth) and a sampler(w 4 banks a-d) i have a 400 disc player, and ran the rca through the korg line in, and line out into a 8 track digital recorder. and its just fun. i hit random play, and rarely get past the first 30 seconds of a song. the kaoss makes it very easy to sample any line in, and loops them, you can use up to 4 at a time,and you can save your fav samples on sd cards (2gb max,which you can buy on amazon for 7$,i like kingston) thats just the beginning, once you get a sample or samples, you have a hundred dif effects(phaser, grain,delays, re-verb common effects and sounds in the korg library) so you get a sample, you loop it back and you can manipulate it in a infinite number of ways. it also has bpm, a feature that syncs the beats in the machine to music from the line in, so it does the timing for you, and the beats loop in increments(4,8,16} the touch pad(which is huge) act as the knobs on effects and synths. so the clip its playing changes with every move of your finger. , every time you change the effect it opens a new world of the same sample.
now the drum machine and synth, there could have been more banks here and less effects, but some i imagine would say the opposite. i very much like that it loops seamlessly, and you can change the measures, but not as versatile as traditional drum machines. the touch pad responds very well, though when you tap faster as in a drum roll, it will hold up, but the sound is more in the held position anyway.and its somewhat user friendly, i say that cause i hate manuals, i just like to play, so i have figured out about 20% of this machine, and still i cant help to smile just looking at it. i have been looking into samplers for 15yrs and this is the least expensive, most fun, and easiest to use machine i have ever seen. . i, you can be silly, serious, either way it will impress(it will process anything w rca jacks, so there is no limit, there is allot of rhythm in the most common tv shows, radio programs, even the worst lp has sumthing sweet korg gives one year warranty,
update drum machine and synth work welly well w my microkorg, play one w your right and other with the left hand, ,my guitar through the mic input is really cool, you press hold on the effects, and you can change the sound completely after each riff, not so good w my bass, distorts at low levels

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Embraced by DJs, musicians, and producers alike, the Korg KP3 Kaoss Pad Dynamic Effects Sampler is intuitive, immediate, and just plain fun to use. By simply touching, tapping or sliding your finger over the touchpad, the Korg KP3 allows you to control multiple effects parameters and manipulate samples in real time. On stage or in the studio, these gestures and moves can become truly powerful and expressive performance elements.
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