Showing posts with label parker. Show all posts
Showing posts with label parker. Show all posts

Parker Fly Mojo - Natural Mahogany Finish with Deluxe Parker Hardshell Case Review

Parker Fly Mojo - Natural Mahogany Finish with Deluxe Parker Hardshell Case
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My guitar is the Parker Fly Mojo model in clear coat Honduran Mahogany and with the metal flake brown-bronze back. My comments do not apply to any of Parker's bolt-on neck or foreign made guitars - I have only played two and both were in a different league from a set neck, domestically made Fly.
After the odyssey through Fenders, Gibsons, a Rick, and a Hofner, I have been finding myself using this guitar most of all. You should know that I have not gigged in years, I rarely take a guitar out of the house, and I play daily for my own enjoyment and occasionally with a friend, so my preferences and needs may not be the same as yours.
Some real plusses for me:
1.Truly great craftsmanship. The guitars made since Parker sold out are at least as well made as those before. Fit and finish are second to none.
2.Very versatile array of sounds. The Seymour Duncan humbuckers can replicate so many guitars, and the proprietary piezo-tremolo unit works better than any I have used. The piezo sounds a lot like an acoustic guitar that is equipped with a piezo bridge and it would come in handy for those who only want to schlep one guitar to a gig. Using the stereo cord that comes with the fly, and doing what they suggest, playing the humbuckers through your guitar amp and the piezo through the PA, you get a really nice differentiation of electric and acoustic.
3.The way the carbon fiber fretboard reinforces the neck is great. This guitar stays in tune, even with the tremolo unlocked. The fret board is always smooth when doing extreme bends (I just played my Tele with a one-piece cocobolo neck and noticed the difference right away.) Stainless steel frets are a plus for longer wear and are easy to keep shiny, particularly since they came from the factory without needing any dressing.
4.I like Sperzel tuners a lot and have put them on most of my Fenders. This also contributes to staying in tune.
5.The guitar is light at no more than 5 pounds. With many of the most popular guitars weighing in at twice that weight or more, the difference is very noticeable when grabbing it off the stand by the heck from the coach, for example (I do that a lot), or when standing up with it on for a while. I had though that sustain was greatly influenced by the weight of the guitar as physics suggests it should, but I have come to think that rigidity is a much more significant factor in sustain based on my experience with this Fly.
6.The neck is very thin. I like this for `living-room playing' and it can help my speed in reaching for a fret or jumping around the positions on the neck. When people try the Fly they always remark on the thinness of the neck and how `playable' it is compared to their favorite guitars.
7.Balance is tremendous. That long top bout puts the strap button just where is should be to let you take your hand off the neck without fear of the neck nose-diving towards the floor.
8.Visual appeal. Beauty is in the eye of the beholder, but even those who do not relish the design have to admit that it is a great piece of sculpture.
On the not-so-plus side:
1.The case. Although this is a guitar review, since the case comes with it I feel that is is fair game. The case is poor quality, poor design, and flimsy. There are two Parker hard shell cases and I am panning the one with the big "Parker" embossed on the front. There is another Parker HSC with a small "Parker" embossed in the lower left corner of the front and I am thinking that I will get one of those. Parker sells the big logo version on their website; the one I am looking for is available from the big music stores for a little over a hundred.
2.The thin neck. Okay, you're right, I listed this as a plus, too, but I find that my hand can get a little cramped-up when playing long and hard. Otherwise, no problem. I take breaks, and besides, my hand cramps-up sometimes when I'm not playing the Parker.
3.Battery. Although it is easy to get to and swap for a new one, and the piezo requires it, and it's expected to last for over a hundred hours, it seems that I am replacing it more frequently than I should have to; maybe I'm inaccurate on this. A second battery holder might be nice. For now, I just keep a spare in the case (yeah, the case I hate.) When considering new guitars for the collection, I tend to shy away from those requiring a battery; I also have become much fonder of hard-tails - I hardly ever use a tremolo anyway.
4.Slide. This is a poor choice to set-up as a slide guitar. For slide use, I favor the old and heavy solid bodies where the neck is thick and the frets aren't so great any more. Also, I don't like to get my slides (I use the big, thick, heavy brass slides) anywhere near a guitar with a finish I want to preserve. They eventually will take a toll.
I really like this guitar and if it disappeared, I would buy another. If you see one in a music shop, by all means, pick it up and try it. You won't pull any muscles in your arm when you lift it!


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Parker P-Series Electric Guitar (Traditional Sunburst) Review

Parker P-Series Electric Guitar (Traditional Sunburst)
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After being properly set up (it came with the strings way too high and a bow in the neck), this guitar is easy to play and move around on the fretboard. The fretboard is smooth as silk. The action is easy as can be. Everything looks great too. This is a very, very nice guitar.

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Parker Fly Mojo Electric Guitar (Taxi Cab Yellow) Review

Parker Fly Mojo Electric Guitar (Taxi Cab Yellow)
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The guitar synthesizer has long been the albatross of the guitar world. Many great designs have been launched over the years all sharing similar problems. Most guitar synthesizer rigs have been confusing and cumbersome. The biggest problem with guitar synthesizers is the interfaces. One of the first guitar synthesizers on the market the Roland GR 300 had a 24-pin controller that connected to nothing but the GR 300 guitar synthesizer.
Making this even more inconvenient was only one manufacturer made a guitar option 24-pin ready for the unit. Ibanez's synthesizer controller guitar was as confusing as the synthesizer itself. The guitar was covered with tiny knobs and switches that were impossible to navigate on a dark stage.
The other problem with this unit was the 24 pin connector. These connectors were not carried by most retailers due to their cost and lack of demand for the cables. If you needed a cable the only way to get one was to have your local retailer order one from Roland.
Fast forward decades later and Roland has reworked its synthesizer interface and not only are the cables easier to find but there are a lot more guitar options out there for Roland's new 13 pin connector. The only issue is Roland is still the only synthesizer option for that connector. The big problem here is the Roland connectors are not midi.
The one guitar maker to actually achieve the feat of making a truly midi guitar was the original Parker Guitars over ten years ago. Parker outfitted their NiteFly with a Virtual DSP Corp.'s MidiAxe guitar-to-MIDI converter system. This gave the guitar a honest to goodness midi connection onboard. The only outboard gear the guitar needs is a small phantom power supply that connects to the end of the midi cable.
This beautiful instrument solved so many issues for the guitar synthesizer player. Bulky pitch to midi converters and cumbersome 13 and 24 pin floor units were no longer necessary The Parker Midi Fly now gave the guitarist the ability to interface with any synthesizer on the market.
I own a Roland GR 33 guitar synthesizer and I love the horn and synthesizer pad patches but the piano sounds on the Roland GR33 can't touch my Kurzweil 1000 px. My other synthesizer module the Emu Proteus gives me a pallet of Allan Holdsworth like patches to play with. The cool thing is you can buy an Emu Proteus module online for under 30 dollars a Kurzweil 1000 px might set you back $100. Synthesizer modules are cheaper than stomp boxes and slide neatly into your equipment rack. They all connect conveniently with a midi cable bought over the counter for 10 dollars at any music store, Best Buy Stores even carries them!
Parker also made the electronics on the original Midi Fly very simple. There is one small knob and two small switches on the lower horn on the guitar. The knob is for volume and the switches control tracking and octave respectively.
The new Midi Axe (which isn't Midi) returns to a Roland Musical Instrument configuration. It has a 13 pin connector and more knobs on it than a 1960 NASA control panel. You can connect via midi to the for-mentioned devices but only after passing through a bulky floor controller - back to the future.In my opinion Parker Guitars who is now owned by Washburn Guitars parent company US Music has just sent guitar technology back 20 years. They have also destroyed the name of a classic axe by naming a non midi Roland Synthesizer controller after the famed Midi Fly.
This is a big swing and a miss for Washburn, Parker and US Music. Don't even get me started on US Music's redesign of the classic Parker headstock and body style on the new Parker DF models. These are just a bad ideas all around.


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