Showing posts with label strings. Show all posts
Showing posts with label strings. Show all posts

Kentucky Artist A-Model Mandolin Model KM-160 in Traditional Sunburst Review

Kentucky Artist A-Model Mandolin Model KM-160 in Traditional Sunburst
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I've been playing guitar for a while (mostly Contemporary Christian & Irish) and wanted to cross over onto the Mandolin. After alot of research on the web, this one consistently had the best reviews. The fact that it is one of the few in this price range with a solid (not laminate) carved spruce top and a truss rod counts for alot. They may be hard to find, but if you do, you won't be sorry.

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Applause by Ovation MAE148-5 Mandolin Review

Applause by Ovation MAE148-5 Mandolin
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I've owned this instrument for about 6 months. I have an Ovation guitar and I bought this mandolin mostly because it is asthetically the same as the guitar, only smaller. The preamp (model OP-14) is not as nice as on the guitar (model OP-30). The preamp on the mandolin includes a volume control and three band EQ only, the guitar also includes a tuner, EQ on/off and mid shift switch. It does have all most folks will need though. It is difficult to replace the battery through the panel in the back of the mandolin for the OP-14 preamp, unlike the easy to replace battery in the OP-30 preamp on the guitar. It is slightly quieter when played acoustically than most A or F body mandolins, but it sounds great and has excellent tone. Like Ovation guitars, it sounds best through an acoustic amplifier. These mandolins use ball end strings which may be a bit more difficult to find at your local store than loop end strings. Despite the above noted items, this is my favourite mandolin. It stays in tune remarkably well despite temperature changes and humidity changes. The action was great from day one, the round back body is comfortable and the neck shape is is great and while it is thicker than on a fiddle, it just feels "right." It looks more like a miniture guitar than a mandolin (which I don't mind, but some might find the appearance unusual). It sounds decent unplugged and great plugged in. It is comfortable and easy to play. It is well made and the only real difference I see between it and its much more expensive Ovation brother are the machine heads. I am more than happy with mine.

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Breedlove Alpine OF Master Class Mandolin, Made in U.S.A. Review

Breedlove Alpine OF Master Class Mandolin, Made in U.S.A.
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Howdy folks. Nice to see you can buy one of these top-end mandolins off Amazon these days, but I do have some extended comments:
I'm a professional economist and a mandolin player of over 20 years' experience.
Lemme talk about economics first. There's something in microeconomics called "price discrimination." This means that producers use sneaky means to find out which of their customers might be willing to pay a higher price for essentially the same good, so that they can charge those guys more.
A good example of this would be the difference between the home version of Windows and the professional version. I think there's very few people who could state how exactly the professional version differs from the standard home version, but still, when you've got money to spend and you're setting up your new computer, you wanna buy "the best."
Now let's talk about Breedlove mandos.
Breedlove is widely regarded as the best American-based manufacturer of mandolins currently in mass production. They're fine instruments, of that there is no doubt.
But the question at hand is whether one should one plop down thousands for their higher-end, "Master Class" models (such as the one on this page, the Breedlove Alpine), or whether the Breedlove Quartz OF Mandolin, Made in U.S.A., for example, is enough for you? Nobody wants to spend a ton of money unnecessarily, even if you are loaded.
Now, I had been aching to play a Breedlove Alpine ever since reading the supremely mando-knowledgeable "Mickey" at Folk of the Wood (in New Mexico) declare it to be the best mandolin currently being produced (in a post I cannot currently locate).
But worried about paying too much for a difference that really wouldn't be worth it, I emailed the company with my question. I wanted to know what justified the huge difference in price between their lower-end but still excellent models, and their higher-end models.
I wrote: "I've had my eye on a Breedlove for some time now. But there's something I'd like a straight answer on. Breedlove has what they call a "Master Class" of mandolin, such as their Alpine. I've been wanting a really nice mandolin, but didn't buy an Alpine because I want to avoid the bright tone of the f-models. I need something a little more full and haunting for Celtic music. Anyhow . . . what I don't understand is what exactly is meant by "Master Class." Is that just a bunch of fancy gold trimmings and stuff on the headstock, or is there a significant difference in the wood, the finishing, the playability, etc. of the instrument? I'm looking for a comfortable, playable instrument but don't really care what it looks like as there's certainly no one out here to watch me play. So is Breedlove's "Master Class" just a cosmetic thing?"
This is from their snarky reply: "The finest woods, appointments and attention to detail goes into our Master Class models. IE: out of 500 pieces of wood we might find 50 that will make it to a Quartz Series Mandolin. Of that 50, only 2 or 3 will be Master Class Quality. Does that make sense to you?"
I was not satisfied with this reply, as I don't believe the phrase "the finest woods" can quite justify four grand (or whatever). But I remained determined to own a Breedlove.
Months passed. Then, one August, I found myself in a mandolin speciality store that I learned had a Breedlove as well as one of their "lesser" models -- a Quartz KO.
Wrapping a bandana over my head, I took the Pepsi challenge. I had a friend bring me both mandolins, which I played blindfolded for about 15 minutes, not knowing which was which. The point was to see if I could tell the difference from the sound alone.
Folks, for the life of me, I was not able to tell the difference. Remember I've been playing for a couple of decades.
Sure, when I took the blindfold off, the Alpine immediately struck me as more visually elegant, but in terms of the sound, I was not able to discern a difference in timbre, tone, resonance, clarity, etc. Admittedly, once the blindfold was off, the Alpine suddenly "sounded" better, but I had demonstrated this was just my mind playing tricks with me.
I know they say when you're buying an instrument you should splurge for the best you can afford.
But I am the proud and happy owner of one of their "lesser" jobs: the Quartz. It's all I need.

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B.C. Rich Mockingbird ST Guitar, Trans Honey Burst with Ebony Stringers Review

B.C. Rich Mockingbird ST Guitar, Trans Honey Burst with Ebony Stringers
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I picked this guitar up a while ago from a local music store and I LOVE it. It's beautiful, it can play ANY genre, it's just amazing.
The RockField mafia pickups are great, and it comes with tap coil effects, A reverse phase effect switch, and a five position varitone filter.
I have made great use of the taps so far, fun to play around with, the factory strings aren't bad, but I would recommend a nice set of strings.
I love the Floyd Rose, but it's so hard to tune it.
Great paint job, I got the honeyburst, and the pictures don't do it justice, great action, but I got mine set even lower, it's great.
Overall, great guitar, it's not named the "Mockingbird" for nothing, you can make any sound with this guitar, and paired with a good amp you can do anything.
Seriously, go buy one.

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