Showing posts with label akai. Show all posts
Showing posts with label akai. Show all posts

Cakewalk V-Studio 20 Stereo Audio Interface Review

Cakewalk V-Studio 20 Stereo Audio Interface
Average Reviews:

(More customer reviews)
Drivers for Windows 7 64Bits shows many problems, even though the VS20 is a great tool, good recording quality and makes the recording process really friendly.

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Akai MPC 500 MIDI Production System Sampler Review

Akai MPC 500 MIDI Production System Sampler
Average Reviews:

(More customer reviews)
This is a great product especialy for those wanting to make some hip hop or techno or whatever. Everything came in the box; mpc, ac adapter, manual, quick start, cf card, and latest version (1.31). The manual is great I have learned much in just a couple of days, though im still learning but its great. great price for what it is capable of.

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Sample and create music wherever inspiration strikes with the portable Akai MPC500 all-in-one Music Production Center. Whether you travel around the globe or across town, the MPC500 is the ultimate answer to your mobile production needs. It weight just under 3 pounds--a perfect fit for your backpack, messenger bag, or briefcase--and it can be powered for up to 4.5 hours on 6 AA batteries
The MPC500 combines a 48-Track MIDI Sequencer and a 32-voice Stereo Digital Sampler, with 12 velocity and pressure sensitive rubber pads. It comes standard with 16 MB of on-board memory and can be expanded up to 128 MB of RAM. When connected to a Mac or PC via its built-in USB port, you can simply drag and drop data between the computer and the MPC500's CF card.
Key Features
Battery powered (6 AAs) or wall powered (AC adapter included)
Pattern-based 48-track sequencer with 16 MIDI channels
32-voice drum/phrase sampler with up to 128 MB RAM
Velocity and pressure-sensitive pads for responsive, accurate programming
12-level function places one sound on all pads with progressive level or tuning per pad
Compact Flash drive and USB port (Mass Storage Class)
Support for standard WAV files and MIDI sequences
Analog I/O, headphone output, MIDI I/O
Sounds included to get started quickly
Four-way sample layering and velocity switching per pad
Low-pass filter with resonance per voice
On-board effects: two stereo effects and a master effect

Specifications
Storage: Compact Flash: Type-II, support up to 2 GB card
Memory: 16 MB installed (Can be expanded to 128 MB with EXM-128)
Analog Input/Output:
(2) Balanced 1/4-inch Inputs
(2) Unbalanced 1/4-inch Outputs
(1) Headphone Output

MIDI Input/Output:
(1) MIDI Input [5-pin DIN]
(1) MIDI Output [5-pin DIN]

Other Input/Output:
(1) USB [Slave only]

Levels:
Analog Input = +10dBu
Analog Output = +5dBu

Sampler Resolution: 16bit/44.1kHz
Sampler Recording Time:
136 seconds [16 MB/MONO]
24 minutes 28 seconds [128 MB/MONO]

Sequencer Details:
100,000 notes resolving at 96ppq
99 Sequences with total 64 tracks per seq
20 Songs with total 250 steps per song
24 "Active (loaded)" Programs max

Pad Details:
12 (velocity and pressure sensitive)
4 Pad Banks [A, B, C, D]

Power Options:
12V DC 500mA pin-negative power adapter (included)
(6) AA batteries [lasts about 4.5hrs continuous use w/backlight ON]

Dimensions: 10.5 x 1.73 x 6.89 inches (WxHxD)
Weight (net): 2.93 pounds
Data Compatibility:
MPC1000 -- SEQ, WAV, PGM
MPC2000/2000XL -- SEQ (saved as MID file only), WAV, SND, PGM (Most parameters of PGM file can be loaded.)
MPC2500 -- SEQ, WAV, PGM
MPC4000 -- SEQ (saved as MID file only), WAV, AKP (DRUM program only...No Keygroups. Only note assign and tune are loaded.)
MPC3000 -- SND (THRU Computer)
Z4/Z8 -- WAV, PGM (DRUM program only. Only note assign and tune are loaded.)
S5000/6000 -- WAV only (THRU Computer)
S1000/3000 -- No compatibility



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Akai MPC1000 Music Production Center Review

Akai MPC1000 Music Production Center
Average Reviews:

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My first impressions on the newest and smallest MPC in Akais great lineup of sampler/beat machine was thatit just HAD to be a lesser equiped version of those higher numbered MPC. WRONG!!!. I've used all MPCs and can say that I am pretty skilled with the MPC-60, 60 II, 2000, 200xl, and 3000 and just begining to peak at what the MPC4000 can truly do (it is in a whole different level and not at all for the novice).
The MPC1000, in my opinion is the best of the lot (not including the MPC4000). It doesn't have the warm sound that the MPC-60/60 II has but overall it can do anything that you want it to do. It does everything that a 2000/2000xl can do. It may have a smaller number of outputs but that is not that big of a deal if you know what you are doing.
Armed with a computer (as most of us are) the MPC1000 is extremely capable of accomplising any task that its big brothers can. In fact it handles many things better than those costing much more.
The MPC1000 is set up more like an MPC4000 and will aid those who hope to step up to using the big boy. Starting with a 2000 or 3000 will hinder you, in that some of those things you will do on those machines you will have to re-learn how to do those same things on the 4000 (once you pay the big bucks to make that move).
Don't be put off by it's tiny size. Max out it's memory, get a big compact flash card (it canhandle up to a 2 gig card, WOW) and this little box will STOMP the 2000 and 3000, even the 60 (remember those aren't made anymore and are quit old).
This thing KICKS.

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Inheriting all the essential MPC series features, the Akai MPC1000 complements its larger siblings while also providing a powerful Music Production Center on its own. It features 32-voice stereo sampling, 64-track sequencing, and 16 velocity, and pressure-sensitive MPC pads--all in an affordable and compact package that weighs just 7.6 pounds. The MPC1000 is small, rugged and incredibly portable for an easy fit into a backpack or laptop bag for the traveling producer.
It comes with 16 MB of onboard memory (expandable up to 128 MB), and you can further enhance your storage with optional standard Compact Flash memory cards (up to 2 GB in size). A preloaded CF card with popular Akai Pro samples is included to get you going. When connected to a Mac or PC via its built-in USB port, you can simply drag and drop data between the computer and MPC1000's CF card.
Key Features
Pattern-based and linear 64-track sequencer with 32 MIDI channels
32-voice drum/phrase sampler with up to 128 MB RAM
Velocity and pressure-sensitive pads for expressive programming
16-level pad function maps one sound to all pads with varied level, tuning, attack, decay or filter per pad
Two Q-link sliders for real-time performance control
Built-in Compact Flash drive and USB port (Mass Storage Class)
Standard WAV files samples and MIDI-file sequences
Analog and digital I/Os, headphone output and two MIDI In/Out
Internal sounds in flash
Four-way sample layering and velocity switching per pad
Four-pole filters (two two-pole filters) filtering for each of the 32 voices
Two on-board effects processors plus main-output effect processor, all which can be used simultaneously
Outputs can be re-sampled

Specifications
Storage: Compact Flash: Type-II, support up to 2 GB card
Hard Drive (optional - req. HDM-10): any standard IDE 2.5-inch hard drive
Memory: 16 MB installed (Can be expanded to 128 MB with EXM-128)
Analog Input/Output:
(2) Balanced 1/4-inch Inputs
(6) Unbalanced 1/4-inch Outputs [Stereo L/R + 4 Assignable Outs]
(1) Headphone Output

Digital Input/Output:
(1) Coaxial S/PDIF Input [RCA]
(1) Coaxial S/PDIF Output [RCA]

MIDI Input/Output:
(2) MIDI Input [5-pin DIN]
(2) MIDI Output [5-pin DIN]

Other Input/Output:
(2) 1/4-inch Footswitch
(1) USB [Slave only]

Levels:
Analog Input = +10dBu
Analog Output = +17dBu [Stereo & Assignable Outs]

Sampler Resolution: 16bit/44.1kHz
Sampler Recording Time:
136 seconds [16 MB/MONO]
24 minutes 28 seconds [128 MB/MONO]

Sequencer Details:
100,000 notes resolving at 96ppq
99 Sequences with total 64 tracks per seq
20 Songs with total 250 steps per song

Pad Details:
16 (velocity and pressure sensitive)
4 Pad Banks [A, B, C, D]

Synchronization: MIDI Clock only
Power Options:
100v - 240v
50/60Hz
19W

Dimensions: 13 x 2.97 x 8.98 inches (WxHxD)
Weight (net): 7.6 pounds
Data Compatibility:
MPC1000 -- SEQ, WAV, PGM
MPC2000/2000XL -- SEQ (saved as MID file only), WAV, SND, PGM (Most parameters of PGM file can be loaded.)
MPC2500 -- SEQ, WAV, PGM
MPC4000 -- SEQ (saved as MID file only), WAV, AKP (DRUM program only...No Keygroups. Only note assign and tune are loaded.)
MPC3000 -- SND (THRU Computer)
Z4/Z8 -- WAV, PGM (DRUM program only. Only note assign and tune are loaded.)
S5000/6000 -- WAV only (THRU Computer)
S1000/3000 -- No compatibility



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Akai Pro MPK88 Hammer Action USB Midi Controller Review

Akai Pro MPK88 Hammer Action USB Midi Controller
Average Reviews:

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A lot of reviewer here on Amazon, and also on Guitar Center and YouTube seem to think the action is heavy and loud. I have now owned and used 5 full size (88-key) pianos to use with sequencing on my PC and this is the best one yet. I got the MPK88 because of all the controls it offered. I use it with Reason 4.0 and it works perfectly!
I'll quickly compare it to my past pianos:
1) Technics (now Phillips) electric piano - felt great, sounded great, but not many built in sounds and no MIDI controls except for the keys themselves, and MIDI playback was always at 100% velocity (so it was super loud when playing MIDI into the Piano. I got rid of this to get my...
2) KORG Triton Extreme - AWESOME keyboard/workstation. My hope was to do all my sequencing and sampling on this keyboard without a PC, but after discovering Reason 4, I just used it as a MIDI controller. It was only a step up from the Technics piano in that it had the pitch bend and mod wheels. The "transport controls" (stop, play, record, etc) didn't map to MIDI out data, so I couldn't sync those buttons to Reason. The knobs would map out okay, but there were only 4! The Triton was a $2500 board new, and it felt as good as the Technics to me. Since I wasn't using all the bells and whistles of the KORG, I sold it and downgraded to an...
3) M-Audio Pro Keys 88 - Advertised as a "stage piano" that thing is solid, but not really all that great for the built in sounds. As a MIDI controller it offered about as much as the KORG except the knobs and sliders were not mapable. The keys themselves were hard to play in that it took a lot of pressure to get them moving, then they collapsed down the rest of the key stroke. The velocity readings were always high because of this (one had to play hard to get to play evenly). I could change it to a different velocity curve, but then everything would simply be scaled down and the notes I wanted to be high velocity wouldn't be. In other words, the keyboard lacked dynamic contrast. This problem moved me to my spare "gig board"...the
4) Casio CDP100 - It has built in speakers and standard MIDI out (like the Technics), but with shorter keystroke (and less pressure needed) than the KORG and M-Audio boards. This allowed me to have expressive playing (smooth playing) without having to play hard. The problem here is that the velocity readings were all so low! Even when I did play hard, they rarely went above 75%. Finally, i was fed up. I wanted a ton of MIDI controls with accurate playing and no concern for built in sounds. This led me to the
5) Akai MPK88 - Now that I've gone through all the other boards, I can say it feels somewhere between the KORG and the M-Audio. It's heavier than what I remember the KORG being and it does a bit of that key-collapsing feel of the M-Audio, but it reads the full range of velocity as I expect them to be read! I can play soft and loud passages, and they all show up as intended. That's the most important part to me. The board could be improved by taking out some of the initial force needed to press a key, but still, it deserves a much higher rating than it's been getting for a MIDI controller.

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Akai MPK 49 Controller Keyboard Review

Akai MPK 49 Controller Keyboard
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First of all, the pads DO suck. MPC's are known for their pads so you'd think Akai would at least be able to put the same type of pad/contact design on their MPK line. Instead they put a bunch of pads with no play that feel like buttons and make the keyboard housing vibrate when you pound them. On top of that they placed the contacts so far away it's damn near impossible to get 127 velocity on the pads without going Full Level. Even my LPD8 feels better than this thing. And even though they look like the MPC1000 pads, the 1000 pads are twice as thick as the ones here. I would have loved for them to have put the 1000 pads on this. At least then I'd be able to play back a chopped loop without feeling like I'm dialing a phone number.
The best part of the controller is the control surface. The transport keys, knobs, and sliders feel great. The LCD screen looks great.
Something unique about the controller is that it has built in MIDI settings that mimic classic MPC functions (16 level, MPC swing, note repeat). Too bad the pads keep you from fully enjoying these features.
The keys are decent but slightly noisy because they vibrate on release. The controller is also one of the few 49 key controllers out there with aftertouch. I prefer the lever-like feel of the Axiom when it comes to using aftertouch but the keys here are not a dealbreaker.
There's also a simple arpeggiator you can use. It's fairly simple in that there are only 5 settings you can use to separate notes in a chord. If you've used a more sophisticated arp (like the one on a Yamaha KX8), you'll be disappointed though.
The MPK is a good controller but Akai could have done way better than this. If you're using this for the keys and control surface it's a decent investment. But if you're thinking of buying this for the pads so you can drum and play back chopped loops, get an MPD instead.

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More than just a USB/MIDI controller, the Akai MPK49 USB/MIDI Controller Keyboard helps you maximize your musical ideas on-stage or in the studio. It combines a high-quality, 49-key, semi-weighted keyboard with aftertouch and 12 genuine MPC drum pads. It also offers 48 total accessible pads via 4 pad banks, and you can control up to 72 different parameters via 24 assignable Q-Link knobs, faders, and buttons as well as optional footswitches.


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Akai APC40 Abelton Controller Review

Akai APC40 Abelton Controller
Average Reviews:

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I've been drooling over this since it was announced, and I am so happy that I finally broke down and bought one. It's a shame that there are no reviews up yet, so let me be the first to say that this controller is amazing. Make sure that you erase any previous midi mapping that you've done and then restart Ableton, and you'll find that it has perfectly automapped itself. At first I thought that it was a little strange that there's no manual included... but after five minutes, I realized that it DOESN'T NEED A MANUAL. That's just how intuitive it is, from top to bottom.
The hardware itself is up to usual Akai standards: the knobs and faders feel weighty and responsive. This thing is both larger and thinner than I thought it would be, but after playing around with it the size feels perfect. The two-way communication is killer- just drop an audio clip into Live and it will instantly appear on the grid, color-coded to match its status. Recording and triggering loops couldn't be easier, and the entire interface perfectly emulates what you're used to seeing on the screen.
In the upper right-hand corner you have control over the pan and sends A through C for tracks 1-8, which is really nice. My only complaint is that I would have preferred to have it become all the sends for whatever track is highlighted, but I'll get used to the new workflow. Part of what makes Ableton Live great is that it accommodates so many different styles of music, so making a universal controller for the program was a bit of a challenge. Akai really stepped up and once you get your hands on it, you'll see what all the hype is about: this really is the be-all and end-all of hardware for the program.
One downside I've found is that navigating the plugins can be sort of clunky. First you highlight a track and then the knobs in the lower right are assigned to the first plugin you've placed there. Then you use the left and right buttons to scroll through each unit, and when you do the knobs reassign themselves to control the appropriate effects. I find that having to click through them all is sort of difficult, but there's nothing stopping me from using the mouse like I used to. I guess the only thing that is stopping me from handing out a 5-star rating is that the APC40 sort of forces you to use the workflow they've designed. Remapping the controls isn't difficult, but everything is laid-out and labeled in such a way that it sort of corrals you into getting used to doing things their way.
This review is starting to look a little long, so I'll just sum it up: I absolutely love this thing. I wish I had picked it up sooner and if you are AT ALL considering this purchase, just do it already. Well-constructed, well-programmed, and absolutely worth the money. Like me, you're probably used to using an assortment of controllers and you're wondering if you need to spend the cash. Well, this thing will replace all of those and more, and you'll quickly get used to the layout. Just do it!

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Working in partnership with software developer Ableton, the Akai APC40 Performance Controller offers a control surface that's specifically designed for performance with Ableton Live software. Designed to be a powerful, intuitive controller for electronic music performance artists, DJs, hip-hop producers and traditional musicians using Ableton Live on stage and in the studio, the Akai APC40 transforms your experience from one of constructing tracks with software on a computer to one of fluid, effortless, musical creation.

Key Features
Designed in partnership with Ableton for Ableton Live
Unique clip matrix with multicolor lighting displays current clip status
No mapping required; every knob, button, and fader is customizable
Bidirectional communication between APC40 and Ableton Live
Solid, professional feel with rugged, metal chassis and premium controls
Comes with Akai APC40 edition of Ableton Live Lite, free upgrade patch for full versions of Live
Works with standalone editions of Ableton Live
Works with most MIDI recording, sequencing, and performance software
USB plug-and-play connection for Mac and PC
Premium controller with rugged, metal chassis

Direct Design Because Akai Professional and Ableton designed the APC40 specifically for Ableton Live, you don't need to map its controls to talk to the software. Just connect your laptop to the APC40 via USB--thanks to its plug and play capabilities, you won't need to install any drivers. It comes pre-mapped for instant use with Ableton Live software, so if you're new to it, you'll find using the APC40 to be easy to get around on. And if you're an experienced Live user, you'll be happy to note that you can custom-map every single knob, button, and fader on the APC40 to completely customize the controls for the way you like to work.
Virtual View Because of the bidirectional communication between the APC40 and Ableton Live software, the APC40 can receive feedback from the software and display it on its clip matrix of 40 triggers and on LED rings surrounding each knob. The clip matrix gives you an instant view of clip status: what's loaded, what's playing, and what's being recorded. Each state displays on the matrix in a different color so you can get a quick picture of clip state. You can shift your clip focus and get an overview of the clips you have loaded for your set.
The APC40 has 16 knobs, each surrounded by a ring of LEDs. These LED rings make it easy to see your settings on dark stages, indicating the currently selected parameters' values.
Premium Feel The APC40 is built with a rugged, metal chassis and slip-proof rubber detailing. All of the knobs and faders are solid and precise for pinpoint performance. It even features a high quality, replaceable crossfader for transitioning between clips and loops assigned to "A" or "B."
Creative Control The APC40 comes with Ableton Live Akai Professional APC40 Edition software, which is fully functional for performance and production. Owners of standalone editions of Ableton Live 7 or 8 can also work seamlessly with the APC40. Live 7 with the latest automatic update has full support for the APC40 and all versions of Live 8 are APC40-ready.
The APC40 has two banks of eight knobs. The first set controls Global parameters so you'll always have instant access to your main sends, pans, and other essentials. The second bank of eight knobs is dynamically reassigned to the Track you select. You can control eight track parameters at a time, and as you switch channels, the Track knobs follow your focus. For example, you might be working with the Beat Decoder on track two. When you switch to track four, the eight Track knobs that you had been controlling the Beat Decoder with are now controlling the Flangeverb on track four. You'll even notice that the settings for each knob load on the light rings so you'll immediately see each knob's status.
The APC40 also enables special clip-status views and feedback that only the APC40's matrix can display. The matrix is not limited to only 40 clips: you can scroll and shift, enabling you to access, control, and perform with an unlimited number of cells.
The APC40 has a wide range of controllers. The eight Global knobs can access four banks of controls; the eight Track knobs control nine different track parameters each. This gives you a massive total of 72 controllers that are dynamically reassigned each time you switch tracks. Channel faders, bus faders, and a crossfader give you smooth control of key values. You have even more control power with special controls including Tap Tempo, Tempo Nudge, record enables, solo/cues, and two assignable footswitch inputs.
Specifications
Dimensions: 16.88 x 13.13 x 2.62 inches (WxDxH)
Weight: 5.8 pounds
Power supply: 12V 2.0A pin-positive, included
Communication: USB-MIDI with proprietary hardware/software handshake
Inputs: USB, Two assignable footswitch inputs
Mac system requirements: G4 or faster/Intel Mac recommended, 512 MB RAM/1 GB recommended, OS 10.3.9, 10.4 or later. recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port
PC system requirements: 1.5 GHz or faster, 512 MB RAM/1 GB recommended, Windows XP or Vista, Windows-compatible sound card/ASIO driver support recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port


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